Savitr (; Sanskrit सवित्र्, meaning stimulator, rouser) IAST: savitr In Vedic religion, Savitr (stem), Savitā (nominative singular) is a solar deity (see Deva) and one of the Adityas i.e. off-spring of Vedic deity Aditi. His name in Vedic Sanskrit connotes "impeller, rouser, vivifier". Savitr has been celebrated in eleven whole hymns of the Rig Veda and in parts of many others, his name being mentioned about 170 times in aggregate. In modern Hinduism, Savitr is not worshiped directly. However, in spite of the common ignorance, the sacred Gayatri mantra is devoted to this God and Savitr is indirectly venerated.

Nature of the Deity

Savitr is a deity whose name primarily denote an agent, in the form of a noun derived from a root with the suffix “''-tr''”. As per noted 19th century Indologist A. A. MacDonnel , this class does not represent direct abstractions, but appears in each case to be derived from an epithet applied to one or more deities and illustrating a particular aspect of activity or character. The name of Savitr belongs to a class of Vedic gods, with others such as Dhatr, Tratr and Tvastr. These names denote these as agent gods, who create, protect, and produce, respectively.

Characterisation and Appearance of Savitr as per Vedas

As per the description available in the Rig veda, Savitr is pre-eminently a golden deity, nearly all his members and his equipment being described by that epithet. He is golden-eyed, golden-handed and golden-tongued; with all these epithets being peculiar to him as a deity. He has golden arms, and is broad-handed or beautiful-handed. He is also pleasant tongued or beautiful-tongued, and is once called iron-jawed. He is yellow-haired, an attribute shared with Agni and Indra. He puts on a tawny garment. He has a golden car with a golden pole, which is omni-form, just as he himself is capable of assuming all forms. His car is drawn by two radiant steeds or by two or more brown, white-footed horses. Mighty splendour (“amati”) is preeminently attributed to Savitr, and mighty “golden” splendour to him only. Such splendour he stretches out or diffuses. He illumines the air, heaven and earth, the world, the spaces of the earth, the vault of heaven.

Savitr has been described as a beneficent deity. He raises aloft his strong golden arms, with which he blesses and arouses all beings and which extend to the ends of the earth. The raising of his arms is characteristic, for the action of other gods is compared with it. Agni is said to raise his arms like Savitr; the Ushas, dawn extends light as Savitr his arms, and Brhaspati is implored to raise hymns of praise as Savitr his arms. He moves in his golden car, seeing all creatures, on a downward and an upward path. He impels the car of the Asvins before dawn. He shines after the path of the Ushas. He has measured out the earthly spaces, he goes to the three bright realms of heaven.

Savitr is sometimes identified with, and at other times distinguished from, the chief Aditya deity Surya. A number of beautiful Vedic hymns are invoked in his praise. As per certain scholars, Savitr is the god of the Sun at Sunrise and Sunset, and has been most often invoked in the latter role in Vedic hymns. Specifically, Vedic commentator of the 12th century AD, Sayanacharya remarks on Rig veda shloka 1.5.81 that before rising the sun is called Savitr, but from rising to his setting, Surya.

Like Pusan and Surya, he is lord of that which moves and is stationary. Savitr has been attributed to as upholding the movables and immovable, which signifies the maintenance of Dharma. Savitr is a beneficent God who act as protectors of all beings, who are provident and guard the world of spirits. Being an Aditya, Savitr is true to the eternal Law and act as the debt exactor. His ancient paths in the air are dustless and easy to traverse, on them he is besought to protect his worshippers. He is prayed to convey the departed spirit to where the righteous dwell. Savitr bestows immortality on the gods as well as length of life on man. He also bestowed immortality on the Rbhus, who by the greatness of their deeds went to his house. Like other gods, Savitr is a supporter of the sky. Also, he supports the whole world, a role which has been assigned to Lord Vishnu in later Vedic pantheon. He fixed the earth with bonds and made firm the sky in the rafterless space.

Epithets of Savitr

Apam napat (Born of the Waters): Savitr is at least once called “apam napat” (Child of Waters), an epithet otherwise exclusively belonging to Agni.

God of the Middle Region: Commentator Yaska commenting on the verse where Savitr is attributed with causing rain, regards Savitr as belonging to the middle region (or atmosphere) for possessing this ability, adding that the Adityas, who are in heaven, are also called Savitr. It is probably owing to this epithet and because Savitr’s paths are said to be in the atmosphere, that this deity occurs among the gods of the middle region as well as among those of heaven in the Naighantuka.

Prajapati: Savitr is once depicted as the Prajapati of the world. In the Satapatha Brahmana (v. 12, 3, 5), Savitr has been identified with Prajapati and in the Taittiriya Brahmana (v. 1, 6, 4), it has been stated that Prajapati becoming Savitr created living beings.

Damunas (Domestic): In the Rig veda, Savitr has been twice spoken of as domestic (“damunas”), an epithet otherwise almost entirely limited to Agni.

Asura: Like many other gods, Savitr is mentioned as ‘asura’ in many hymns of the Rig veda.

Pusan: Savitr alone is the lord of vivifying power and on account of his movements (yamabhih), he becomes Pusan. In two consecutive verses, Pusan and Savitr are described as connected. In the first the favour of Pusan who sees all beings is invoked, and in the second, Savitr is besought to stimulate the thoughts of worshipers who desire to think of the excellent brilliance of the Deva. The latter verse is the celebrated Savitri, now termed as the Gayatri mantra, with which Savitr was in later times invoked at the beginning of Vedic study.

Mitra: Savitr is also said to become Mitra by reason of his laws.

Bhaga: Savitr seems sometimes to be identified with Bhaga also, unless the latter word is here only an epithet of Savitr. The name of Bhaga, the good god bestowing benefits is indeed often added to that of Savitr so as to form the single expression Savitr Bhaga or Bhaga Savitr, with the term Bhaga simply acting as a qualitative and attributive adjective.

Savitr in the Class of Gods

In the Rig veda, there are two classes of deities whose nature is founded on abstraction. The one class consisting of the direct personifications of abstract notions such as desire is rare, occurring only in the very latest hymns of the Rig veda and due to that growth of speculation which is so plainly traceable in the course of the Vedic age. The other and more numerous class comprises deities whose names primarily either denote an agent, in the form of a noun derived from a root with the suffix “''-tr''”, such as Dhatr, Creator, or designate some attribute, such as Prajapati, Lord of Creatures . This class, judged by the evolution of the mythological creations of the Veda, does not represent direct abstractions, but appears in each case to be derived from an epithet applied to one or more deities and illustrating a particular aspect of activity or character. Such epithets gradually becoming detached finally attained to an independent position. Thus Rohita, the Red One (whose female form is Rohini), originally an epithet of the sun, as a separate deity in the capacity of a Creator.

In ‘The Religion and Philosophy of the Veda and Upanishads’ Vol. 1, noted Indologist A. Berriedale Keith at p. 204 remarks that:

“…[A] second class of gods who may be called abstract is afforded by the agent gods, such as Dhatr, whose name expresses a function which they perform, so that they can be called functional gods. In all the cases which are to be found in the Vedic literature we are able to say with a fair degree of plausibility that the conception formed itself from the use of the epithet in question in the first place of some concrete god, and then, after denoting that deity in the special field of action, it was gradually made into a separate deity concerned merely with the sphere of action in question. This, however, cannot be proved beyond doubt: it will for instance always be open to question whether Savitr is really an aspect of the sun, or whether he is god of stimulation who by reason of similarity of nature has been made like to the sun. In other cases there can be less doubt: the god Visnu cannot really be explained as a god of wide stepping: he is a sun god, who happens to have a special sphere of activity…”

Savitr as Agent God

The most important of the gods whose names denote an agent in “''-tr''” class, is Savitr. Apart from Savitr, other such deities are of rare occurrence in the Rig Veda. Dhatr, found in a few passages as an appellative designating priests as establishes of the sacrifice, occurs as the name of a deity about a dozen times and, with the exception of one indefinite mention in company with a number of other gods, only in the tenth book. In one of these passages the name is an epithet of Indra and in another of Visvakarman. The frequent ascription of the action of establishing (Ydha) the phenomena of the world to different gods, gradually led to the conception of a separate deity exercising this particular activity.

According to Yaska, Sanskrit scholar of the 5th century BCE, who made various attempts to interpret difficult Vedic mythologies in his work Nirukta (Etymology) (12,12), the time of Savitr’s appearance is when darkness has been removed. Sayanacharya on Rig Veda) remarks that before his rising the sun is called Savitr, but from his rising to his setting, Surya. But Savitr is also sometimes spoken of as sending to sleep, and must therefore be connected with evening as well as morning. He is, indeed, extolled as the setting sun in one hymn (2, 38); and there are indications that most of the hymns addressed to him are meant for either a morning or an evening sacrifice. He brings all two-footed and four-footed beings to rest and awakens them. He unyokes his steeds, brings the wanderer to rest; at his command night comes; the weaver rolls up her web and the skilful man lays down his unfinished work. Later the west was wont to be assigned to him as the east to Agni and the south to Soma.

The Aditya Class: Savitr & Surya

The epithet “surya-rashmi” has been used in the Rig Veda only once and, it has been applied to Savitr:

“[S]hining with the rays of the sun, yellow-haired, Savitr raises up his light continually from the east.”

Like Surya, Savitr is implored to remove evil dreams and to make men sinless. Savitr drives away evil spirits and sorcerers. He observes fixed laws. The waters and the wind are subject to his ordinance. He leads the waters and by his propulsion they flow broadly. The other gods follow his lead. No being, not even Indra, Varuna, Mitra, Aryaman, Rudra, can resist his will and independent dominion. His praises are celebrated by the Vasus, Aditi, Varuna, Mitra and Aryaman. He is lord of all desirable things, and sends blessings from heaven, air, earth.

At p. 65 of “The Religion and Philosophy of the Veda and Upanishads: Vol. 1”, author Arthur Berriedale Keith has maintained that:

[T]he connection of Savitr with the sun is fairly close. It is at least possible, therefore, that in its origin Savitr was not an independent creation, but was an epithet of Surya, but that question is of little importance: the essential feature of the god is not his original basis, but his function as the inspirer or impeller to holy sacrifice: the ritual act is repeatedly said in the Yajurveda to be done ‘on the instigation of the god Savitr’.”

In several passages Savitr and Surya appear to be spoken of indiscriminately to denote the same deity. The Vedic poet observes:

“[G]od Savitr has raised aloft his brilliance, making light for the whole world; Surya shining brightly has filled heaven and earth and air with his rays.”

In another hymn Surya is spoken of in terms ''prasavitr'' (Vivifier), an adjective usually applied to Savitr, and in the third verse Savitr is apparently mentioned as the same god as Surya. In other hymns also, it is hardly possible to keep the two deities apart. In certain passages, Savitr combines with the rays of the sun or shines with the rays of the sun.

Gayatri Mantra

The famous ''Gayatri Mantra'' of Rigveda 3.62.10, is dedicated to Savitr, is hence also called Sāvitrī. It is considered to be among the holiest mantras of Hinduism.

Gayatri is a Sanskrit meter which structurally contains 3 lines of 8 syllables each. Thus, there are numerous Gayatri mantras in invocation of all principal deities. In the Bhagavad Gita, one of the prime important Hindu religious-philosophical texts, Lord Sri Krishna identifies himself directly with the Gayatri Mantra: "Of poetry, I am the Gayatri." (10:35)

It is a little known fact that the most revered Gayatri Mantra is devoted to Deva Savitr. The text of the mantra bereft of the Vyahriti, is ''"tát savitúr váreṇyaṃ bhárgo devásya dhīmahi dhíyo yó naḥ pracodáyāt"'', the special utterance vyahriti at the beginning of the Savitr gayatri being "Oṃ Bhūr Bhuvaḥ Svaḥ ".

The meaning being: Tat = that; savitur = Savitr, bright like the Sun; vareṇyaṃ = best choicest; bhargo = effulgent glory to destroy sins; devasya = divine Savitr's; these first nine words describe the glory of God; dhīmahi = may imbibe; pertains to meditation; dhiyo = intellect; yo = who; naḥa = our; pracodayāt = may inspire.

The vivifier role of Savitr is invoked in the maha mantra.

Since all the other three Vedas contain much material rearranged from the Rig Veda, the Gayatri mantra is found in all the four Vedas. The deva invoked in this mantra is Savitr, and hence the mantra is also called Savitri. In the Atharva Veda, the Gayatri mantra is different from the regular Gayatri mantra.

Law of Savitr & Moral Hierarchy

There is throughout the Rig Veda no trace of any consistent subordination of one god to another. The lack of system in this regard is clearly shown by such assertions as those made by both Indra and Varuna that they are obeyed by all the gods, and other passages tell us that Varuna and Surya are subject to Indra, that Varuna and the Ashvins submit to the power of Vishnu, who otherwise is of comparatively little moment among the Vedic gods, and that Indra, Mitra and Varuna, Aryaman and Rudra cannot resist the ordinances of Savitr

Role in Creation

Savitr has a major role in creation. The relevant hymn mentions that: "Indra measured six broad spaces, from which no existing thing is excluded: he it is who made the wide expanse of earth and the lofty dome of the sky, even he". Savitr assisted Indra in shaping the universe. In “Indian myth and Legend”, renowned Indologist Donald A.Mackenzie has harboured such a view.

In Vedic Mythology, A. A. MacDonnel (p. 13) has asserted that:

[T]here are in the last book of the Rig Veda some hymns which treat the origin of the world philosophically rather than mythologically. Various passages show that in the cosmological speculation of the Rig Veda The sun was regarded as an important agent of generation. Thus he is called the soul (atma) of all that moves and stands. Statements such as that he is called by many names though one indicate that his nature was being tentatively abstracted to that of a supreme god, nearly approaching that of the later conception of Brahma. In this sense the sun is once glorified as a great power of the universe under the name of the golden embryo, hiranya-garbha, in Rig Veda. It is he who measures out space in the air and shines where the sun rises. In the last verse of this hymn, he is called Prajapati, lord of created beings , the name which became that of the chief god of the Brahmanas. It is significant that in the only older passage of the Rig veda in which it occurs, Prajapati is an epithet of the solar deity Savitr, who in the same hymn is said to rule over what moves and stands."

Savitr in Context of Vedic Symbolism

Some modern Hindu spiritual thinkers like Shri Aurobindo assign symbolism to the Vedic deities like Savitr. The Vedic deities are not only forces of nature, but also forces that exist within the human intellect and psyche and help the individual in spiritual progress. Shri Aurobindo has enumerated the symbolic significance of the Vedic Gods in his book "The Secret of the Vedas".

According to Shri Aurobindo, the vedic imagery are deeper than mere imagery. The gods, goddesses and the evil forces mentioned in the Vedas represent various cosmic powers. They play a significant role in the drama of creation, preservation and destruction in the inner world of a human being.

Once the senses are controlled and the mind is stabilized through slaying of all the dark powers, comes the awakening, the goddess Ushas, who brings along with her Ashvins into the world of inner consciousness. After Ushas appear Aditi, the Primal Sun, the God of Light, first as Savitr, who represents the Divine grace essential for all spiritual success, and then as Mitra, who as the Divine love is considered as a friend of the illumined mind (Indra) and his associates (the other gods). The Sun is of Truth, after which appear Rta, Truth in Action and Rtachit, Truth consciousness.

The Vedic pantheon is purely meta-physical, appearing at the intellectual and spiritual level.

Emergence of Savitr

Arthur Berriedale Keith in “The Religion and Philosophy of the Veda and Upanishads, Vol 2” has averred that:

In the case of the Adityas we have evidence in the Rigveda of their having a share in the offering [Soma Sacrifice], and so also in the case of Agni and the Maruts, but so comparatively seldom as to show that the position of these gods was distinctly far from assured as regards their share in the Soma sacrifice. The wives of the gods are also mentioned in the Rig veda as having a part, but never Savitr, a fact which is doubtless fair evidence that the Rig veda did not know him as having a place in the rite, and that he was later brought in, perhaps because of his growing importance, perhaps as an Aditya.

Savitr in Brahmanas

The Vedas do not identify the Ādityas and there is no classification of the thirty-three gods, except for in the Yajurveda (7.19), which says there are eleven gods in heaven (light space), eleven gods in atmosphere (intermediate space), and eleven gods in earth (observer space). In the Satapatha Brahmana, the number of Ādityas is eight in some passages, and in other texts of the same Brahmana, twelve Adityas are mentioned.

Decline of Savitr

The Puranic corpus is completely silent about Savitr. The Puranas focus on mainly other Vedic deities like Visnu, Siva and Devi rather than Vedic deities like Savitr. Not even a single mention to the deity is found in the huge corpus. There appears to be complete disappearance of the deity from contemporary Hindu pantheon.

See also

Savitri

Gayatri

Notes

Further reading

Savitr at Night from ‘The Rig Veda: an anthology: one hundred and eight hymns, by Wendy Doniger The religion and philosophy of the Veda and Upanishads, Volume 1 By Arthur Berriedale Keith Basic Information on Lord Savitr http://www.spiritual-teachers.com/rigveda/savitur_1.htm http://www.intratext.com/ixt/ENG0039/5V.HTM http://www.sacred-texts.com/hin/iml/iml07.htm#fn_86

Category:Hindu gods Category:Rigvedic deities Category:Solar gods Category:Adityas

es:Savitar id:Sawitri ja:サヴィトリ pl:Sawitar pt:Savitri ru:Савитр sv:Savitri

Deva Premal (born in 1970 in Nürnberg, Germany), is a musician known for her meditative spiritual New Age music, which puts ancient Sanskrit mantras into atmospheric, contemporary settings.

Deva met her partner in life and music, Miten at the Osho Ashram in Pune, India in 1990, and they have been touring together since 1992, offering concerts and chant workshops worldwide.

Best-known for her top-selling chant CDs, Deva is a classically trained musician who grew up singing mantras in a German home permeated with Eastern spirituality. Her albums have topped the New Age charts throughout the world since her first release, ''The Essence'', featuring the ''Gayatri Mantra''. Deva & Miten's record company, Prabhu Music, reports sales of over 900,000 albums.

Deva began her journey with mantra in her mother's womb, as her father chanted the ''Gayatri Mantra'', one of the most sacred mantras of Hinduism, to her daily, and it continued to be her bedtime lullaby after she was born. Many years later, she heard a friend singing the Gayatri and was inspired to put together an album featuring it. She and Miten recorded ''The Essence'' in her mother's apartment in Germany, the same one in which she was born and where her parents had sung the ''Gayatri Mantra'' to her years before.

Deva brought this journey with the Gayatri Mantra full circle in July, 2005, when she and Miten chanted the ''Gayatri'' for her father as he was dying: "We kept singing for what must have been over half an hour, when suddenly the monitor showed that he was about to leave. I continued to sing and the last sound he heard as he passed on was his beloved ''Gayatri Mantra''. Finally we ended with the mantra Om and the circle was complete. He had welcomed me onto this planet with the ''Gayatri'' and I accompanied him out of this physical existence with it. What a blessing this was for me! It was the first time that I was present at a death, and to be at my father’s is a memory I will cherish all my life."

In an interview with Sam Slovik of LA Yoga Magazine, Deva discussed the potent effect many notice when chanting Sanskrit mantras:

“The meaning is secondary. The word table is not the table...With Sanskrit, the word ananda is the sound vibration of bliss. In sound the energy of bliss. We have to say bliss; we have to make it smaller by putting it into an English word. Just the sound; ananda, If we were sensitive enough we’d just feel the entire scope of that energy that’s contained in this sound... It’s working on a cellular level. It’s much deeper than the mind. It’s not a language that you need to understand the meaning of before you use it. It’s a deep universal sound code that connects us all.”

Deva's chants have been used in a wide variety of settings in recent years. Cher featured Deva's version of the ''Gayatri Mantra'' on her Farewell Tour and Russian Prima Ballerina Diana Vishneva danced to Deva's ''Gayatri'' in Moses Pendleton's F.L.O.W. series. Actor/director James Edward Olmos is said to have handed out copies of Deva's ''Gayatri Mantra'' to the entire cast and crew of Battlestar Gallactica, as well as citing her music as a source of inspiration in preparing his role as Commander Adama in the series. Mr. Olmos also used ''Om Hraum Mitraya'' from Deva's album ''Dakshina'' to close his HBO movie ''Walkout'',

Deva and Miten performed for The Dalai Lama during a 2002 Conference in Munich, Germany on Unity In Duality, which brought top figures from the scientific community together with members of the Buddhist community. They gave a concert for the full conference, and were also invited to sing for the Dalai Lama at a small pre-conference gathering. They had heard that his favorite mantra was the Tara Mantra, dedicated to the Green Tara of Compassion, and that he had asked for it be chanted recently when he was ill, and so they chanted it for him.

Deva's most recent release, ''Tibetan Mantras For Turbulent Times'', was recorded with the Gyuto Monks of Tibet and was created as a support for mantra meditation practice, featuring eight mantras chanted 108 times each. It is a benefit CD, with all proceeds going to the Gyuto Monastery in Dharmsala, India, the Phowa Project, and Veggiyana.

Discography

''The Essence'' (1998)

''Love Is Space'' (2000)

''Embrace'' (2002)

''Satsang'' (with Miten) (2002)

''Dakshina'' (2005)

''The Moola Mantra'' (2007)

''Into Silence'' (2008) (compilation)

''In Concert: The Yoga of Sacred Song and Chant'' (w/Miten & Manose) (2009) (CD/DVD)

''Mantras For Precarious Times'' (2009)

''Tibetan Mantras For Turbulent Times'' (2010)

Notes

External links

Category:German singers Category:New Age musicians Category:Performers of Hindu music Category:Living people Category:1970 births

de:Deva Premal fr:Deva Premal ru:Дэва Премал sv:Deva Premal

Coordinates	28°36′36″N77°13′48″N
Name	Anup Jalota
Background	solo_singer
Birth date	July 29, 1953
Origin	Nainital, India
Genre	Bhajans
Occupation	Vocalist
Years active	1985–present
Website	}}

Anup Jalota () (born 29 July 1953) is an Indian singer/musician, best known for his performances in the Indian musical form, the bhajan and the Urdu form of poetry: ghazal.

He is popularly known as the ''Bhajan Samraat'' (Emperor of Bhajans).

Early life

Anup Jalota was born in Nainital, Uttarakhand to Purushottam Das Jalota, a renowned exponent of bhajan and hails from the Sham Chowrasi Gharana of Punjab. He was educated in Lucknow, Uttar Pradesh. He was married to singer Sonali Jalota until their divorce. Sonali's second marriage was with Roop Kumar Rathod, once Anup Jalota's tabla player and friend. Anup's brother, Ajay Jalota, currently lives in California. He has one older brother Anil Jalota and two sisters Anjali Dhir and Anita Mehra.

Career

Jalota started his musical career as a chorus singer in All India Radio. He is usually backed by a santoor player, a dholak player, a sarod player, a sarangi player, a violinist, a sitar player, a tabla player and a guitarist. Some of his popular bhajans include: Aisi Lagi Lagan, Main Nahi Makhan Khayo, Rang De Chunariya, Jag Me Sundar Hai Do Naam, and Chadariya Jhini Re Jhini.

He can sing in 8 different languages. He has recorded over 1,500 bhajans, ghazals and songs. He has performed over 5,000 live concerts spread over 400 cities on five continents. In over 30 years, he has released more than 200 albums of bhajans and ghazals.

Personal life

Anup Jalota is married to Medha, niece of former Indian Prime Minister, Inder Kumar Gujral. They have a 14 year old son, Aryaman, studying in Mumbai, India.

Recognition

Anup Jalota earned a record number of 100 certified gold, platinum and muti-platinum discs.

Discography

The popular Bhajans and ghazals for which he is credited the most are given below

''Aisi Lagi Lagan''

''Chaand Angdaiyaan Le Raha Hai''

''Tumhare Shahar Ka Mausam''

''Main Nazar Se Pee Raha Hoon''

''Hum Se Achi to Kahin Aaine ki Khismat Hogi''

''Rukh Se Parda Hata De''

''La Pila De Saqiya''

''Shree Hanuman Chalisa''

''Mere Kabr Par Pate Huye''

''Tum Kya Samjho Tum Kya Jano''

''Kategi Ye Zindagi Ab Rote Rote''

''Laga Chunari Mein Daag''

''Rang De Chunariya

References

http://mysticamusic.com/anup-jalota.php

External links

Virtual Fan Club of Anupji… Devotional Harmony

Anup Jalota Bay Area USA Live Concert 28th Aug 2009

Listen Anup Jalota Online

Anup Jalota - Official website

Anup Jalota @ Last.fm (Listening examples)

Category:1953 births Category:Living people Category:Bhajan singers Category:Ghazal singers Category:Indian singers Category:People from Lucknow Category:People from Nainital Category:Performers of Hindu music

bn:অনুপ জালোটা