Gypsy: A Memoir is a 1957 book written by striptease artist Gypsy Rose Lee, which inspired the Broadway musical Gypsy: A Musical Fable.

The first edition was published by Harper in 1957. It is now available in a 1999 paperback reprint.

Gypsy or gipsy may refer to:

Mervyn LeRoy (October 15, 1900 - September 13, 1987) was an American film director, film producer and sometime actor.

Born to Jewish parents in San Francisco, his family was financially ruined by the 1906 earthquake. (His paternal grandfather owned a successful San Francisco department store that was destroyed in the quake; the store was heavily insured, but the insurance company went bankrupt in the aftermath of the earthquake.) To make money, young Mervyn sold newspapers and entered talent shows as a singer. Through this he worked his way into vaudeville. When his act broke up, he and his cousin, Jesse Lasky, went to Hollywood.

LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films. His first directing job was in 1927's No Place to Go. When his movies made lots of money without costing too much, he became well-received in the movie business.

In 1931 he directed two key films which launched Edward G. Robinson into major stardom, the Oscar-nominated critique of tabloid journalism Five Star Final, and the classic gangster epic Little Caesar. From that point forward, LeRoy would be responsible for a diverse variety of films as a director and producer. In 1938 he was chosen as head of production at MGM, where he was responsible for the decision to make The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum and Lana Turner.

Natalie Wood (born Natalia Nikolaevna Zakharenko; Russian: Наталья Николаевна Захаренко; July 20, 1938 – November 29, 1981) was an American film and television actress best known for her screen roles in Miracle on 34th Street, Splendor in the Grass, Rebel Without a Cause, and West Side Story. After first working in films as a child, Wood became a successful Hollywood star as a young adult, receiving three Academy Award nominations before she was 25 years old.

Wood began acting in movies at the age of four and at age eight was given a co-starring role in the classic Christmas film Miracle on 34th Street. As a teenager, her performance in Rebel Without a Cause (1955) earned her a nomination for the Academy Award for Best Supporting Actress. She starred in the musical films West Side Story (1961) and Gypsy (1962), and received Academy Award for Best Actress nominations for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963).

Her career continued with films such as Bob & Carol & Ted & Alice (1969). After this she took a break from acting and had two children, appearing in only two theatrical films during the 1970s. She was married to actor Robert Wagner twice, and to producer Richard Gregson in between the marriages to Wagner. She had one daughter by each: Natasha Gregson and Courtney Wagner. Her younger sister, Lana Wood, is also an actress.

Rosalind Russell (June 4, 1907 – November 28, 1976) was an American actress of stage and screen, perhaps best known for her role as a fast-talking newspaper reporter in the Howard Hawks screwball comedy His Girl Friday, as well as the role of Mame Dennis in the film Auntie Mame. She won all 5 Golden Globes for which she was nominated, and was tied with Meryl Streep for wins until 2007 when Streep was awarded a sixth. Russell won a Tony Award in 1953 for Best Performance by an Actress in a Musical for her portrayal of Ruth in the Broadway show Wonderful Town (a musical based on the film My Sister Eileen, in which she also starred).

Russell was known for playing character roles, exceptionally wealthy, dignified ladylike women, as well as for being one of the few actresses of her time who regularly played professional women, such as judges, reporters, and psychiatrists. She had a wide career span from the 1930s to the 1970s and attributed her long career to the fact that, although usually playing classy and glamorous roles, she never became a sex symbol, not being famous for her looks.