- published: 30 Apr 2009
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"It Ain't Necessarily So" is a popular song with music by George Gershwin and lyrics by Ira Gershwin. The song comes from the Gershwins' opera Porgy and Bess (1935) where it is sung by the character Sportin' Life, a drug dealer, who expresses his doubt about several statements in the Bible.
In the song, the melody for the words "It ain't necessarily so" resembles the melody for the words "Bar'chu et adonai ham'vorach", at the beginning of the aliyah blessing before reading from the Torah.
The role of Sportin' Life was created by John W. Bubbles. Other notable incarnations of the character include Cab Calloway on stage and Sammy Davis, Jr. in the 1959 film.
The song has been covered a number of times during the Rock era. It was included as an album track by The Honeycombs on their debut-album, The Honeycombs in 1964. Released as a single, the song was a major Australian hit in 1965 for singer Normie Rowe,reaching number 5 on the Australian singles charts at that time. Also in 1965 The Moody Blues covered the song for their album, The Magnificent Moodies. The Moody Blues' version is notable for the fact that it was their first recording with band member Ray Thomas singing the lead vocals. In 1984 the song was released as a single by UK band Bronski Beat with Jimmy Somerville being the lead vocalist. Reaching number 16 on the UK singles charts, the song was taken from Bronski Beat's debut-album, The Age of Consent.
Ain (French pronunciation: [ɛ̃]; Arpitan: En) is a department named after the Ain River on the eastern edge of France. Being part of the region Auvergne-Rhône-Alpes and bordered by the rivers Saône and Rhône, the department of Ain enjoys a privileged geographic situation. It has an excellent transport network (TGV, highways) and benefits from the proximity to the international airports of Lyon and Geneva.
Ain is composed of four geographically different areas (Bresse, Dombes, Bugey and Pays de Gex) which – each with its own characteristics – contribute to the diversity and the dynamic economic development of the department. In the Bresse agriculture and agro-industry are dominated by the cultivation of cereals, cattle breeding, milk and cheese production as well as poultry farming. In the Dombes, pisciculture assumes greater importance as does wine making in the Bugey. The high diversification of the department's industry is accompanied by a strong presence of the plastics sector in and around Oyonnax (so-called "Plastics Valley").
Cabell "Cab" Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was strongly associated with the Cotton Club in Harlem, New York City, where he was a regular performer.
Calloway was a master of energetic scat singing and led one of the United States' most popular big bands from the start of the 1930s to the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86.
Calloway was born in Rochester, New York, on Christmas Day in 1907. The family relocated to Baltimore, Maryland. His mother, Martha Eulalia Reed, was a Morgan State College graduate, teacher and church organist. His father, Cabell Calloway, Jr., was a graduate of Lincoln University of Pennsylvania in 1898 and worked as a lawyer and in real estate.
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential and innovative musicians of the 20th century, Miles Davis was, together with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, post-bop and jazz fusion.
In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as "one of the key figures in the history of jazz". In 2008, his 1959 album Kind of Blue received its fourth platinum certification from the Recording Industry Association of America (RIAA), for shipments of at least four million copies in the United States. On December 15, 2009, the U.S. House of Representatives passed a symbolic resolution recognizing and commemorating the album Kind of Blue on its 50th anniversary, "honoring the masterpiece and reaffirming jazz as a national treasure".
The reason behind uploading this 'video' of my own making, is my wish to share things of beauty with the world. There is already so much ugliness to go around..! So, close your eyes for a moment, enjoy the wonderful music of Bronski Beat, and be safe out there! Like this song? buy it from a legal source, and support music!
From the play/movie Porgy & Bess; Louis Armstrong and Ella Fitzgerald put it DOWN on this tune.
Cab Calloway performs one of his signature tunes.
Normie Rowe - It ain't necessarily so , Normies first No. 1 hit in 1965 , ( 4 weeks at No. 1 ) . "I was always enthralled by the black music of America, and I found a song that had been written by George and Ira Gershwin in about 1930 called 'It Ain't Necessarily So'. And we had this idea to change it around and add some bits and pieces to it. When we took it to the dance on the Sunday night, the audience stopped! And at the end of it, they burst into applause. So, to have this absolutely amazing response, we knew with 'It Ain't Necessarily So' that we had something." (Normie Rowe quote ). http://www.abc.net.au/talkingheads/txt/s1565435.htm
Sammy Davis Jr. Sammy Davis Jr. Nació en Harlem, Nueva York, hijo de Elvira Sánchez, de la que se cree que era una bailarina de Puerto Rico con ascendentes cubanos, y de Sammy Davis, Sr., un artista afroamericano; los dos formaban pareja de baile de vaudeville. Durante sus primeros tres años estuvo básicamente a cargo de su abuela y, cuando sus padres se separaron, para no perder su custodia, el padre se lo llevó de gira. De él y de su tío Will Mastin aprendió a bailar, terminando por formar con ellos el Will Mastin Trio. Aunque constantemente protegido por Mastin y su padre de los ataques racistas, durante su alistamiento en el ejército norteamericano en el periodo de la Segunda Guerra Mundial, Davis sufrió inevitablemente el ser objeto de fuertes prejuicios raciales. Esta situación, con...
4 All the music lovers!!!
1) Porgy & Bess medley: a) I Got Plenty of Nothin' b) It Ain't Necessarily So c) Bess, You Is My Woman Now d) There's a Boat That's Leaving from New York 2) . 1) Intro by father Sammy Davis, Sr. 2) (I'll Be Glad When You're Dead) You Rascal You [Sammy as a little boy] 3) This Dream 4) Sammy discusses with father . 1) Sammy talks with audience 2) The Birth of the Blues 3) I'm Not Anyone. 1) Boxing from the Golden Boy 2) Sammy talks and reflects over his career. 1) Mr. Bojangles [continues] 2) Sammy talks 3) Get It On [with psychadelic dancers] 4) Over the Rainbow.
1) Porgy & Bess medley: a) I Got Plenty of Nothin' b) It Ain't Necessarily So c) Bess, You Is My Woman Now d) There's a Boat That's Leaving from New York 2) . 1) Intro by father Sammy Davis, Sr. 2) (I'll Be Glad When You're Dead) You Rascal You [Sammy as a little boy] 3) This Dream 4) Sammy discusses with father . 1) Mr. Bojangles [continues] 2) Sammy talks 3) Get It On [with psychadelic dancers] 4) Over the Rainbow. 1) Sammy talks with audience 2) The Birth of the Blues 3) I'm Not Anyone.
1) Sammy talks with audience 2) The Birth of the Blues 3) I'm Not Anyone. 1) Porgy & Bess medley: a) I Got Plenty of Nothin' b) It Ain't Necessarily So c) Bess, You Is My Woman Now d) There's a Boat That's Leaving from New York 2) . 1) Boxing from the Golden Boy 2) Sammy talks and reflects over his career. 1) Intro by father Sammy Davis, Sr. 2) (I'll Be Glad When You're Dead) You Rascal You [Sammy as a little boy] 3) This Dream 4) Sammy discusses with father . 1) Mr. Bojangles [continues] 2) Sammy talks 3) Get It On [with psychadelic dancers] 4) Over the Rainbow.
Provided to YouTube by The state51 Conspiracy It Ain't necessarily So · George Chakiris The Gershwin Songbook ℗ 2015 TP4 Music Released on: 2001-09-20 Auto-generated by YouTube.
OSCAR PETERSON was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
OSCAR PETERSON was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
Nat King Cole, fresh from meeting cowboy star Hugh O'Brian, finds Cab Calloway in C&W; garb. Is he gonna sing a cowboy song? Cab answers, "AIN'T NECESSARILY SO." Great jazz here
Compound Taco G Virtual Studio 'R.E.Q' specialized in High-Hat Syncopated Nymphonic Bass Steam Beats ♕ Jazz-Rock-Funk / ReFix & Synths by Taco Groen non-profit vids ... All copyrights are reserved for the rightful owners ...
We look at non-classical negations and their corresponding adjustment connectives from a modal viewpoint, over complete distributive lattices, and apply a very general mechanism in order to offer adequate analytic proof systems to logics that are based on them. Defining non-classical negations within usual modal semantics automatically allows one to treat equivalent formulas as synonymous, and to have a natural justification for a global version of the contraposition rule. From that perspective, our study offers a particularly useful environment in which negative modalities and their companions may be used for dealing with inconsistency and indeterminacy. After investigating modal logics based on arbitrary frames, we extend the results to serial frames, reflexive frames, functional frames,...
Prom 55: Jamie Cullum and the Heritage Orchestra. SETLIST: 0:01:39 All At The Sea 0:09:12 Just One Of Those Things 0:15:16 Get Your Way 0:21:37 If I Ruled The World 0:28:09 Twentysomething 0:34:23 What A Difference A Day Made 0:40:34 It Ain't Necessarily So 0:45:16 Love Ain't Gonna Let You Down 0:50:00 You And Me Are Gone 0:58:14 Blame It On My Youth 1:03:05 Don't Stop The Music 1:08:30 Land Of Beginning Again 1:12:30 Mixtape 1:18:52 These Are The Days 1:24:34 Gran Torino
This is a video that discusses the mythology and archeology of the the Middle East.
Porgy and Bess 1. It Ain't Necessarily So 2. Stompin' At the Savoy 3. Summertime 4. Cheek to Cheek 5. I Got Plenty O Nuttin 6. A Fine Romance 7. I'll Wind 8. Here Come De Honey Man Crab Man 9. Under a Blanket of Blue 10. Gee Baby Ain't I Good to You 11. The Nearness of You 12. Oh Bess Oh Wheres My Bess 13. Makin' Whoopee 14. They All Laughed 15. Autumn in New York 16. Let's Do It Let's Fall in Love 17. Bess You Is My Woman Now 18. They Can't Take That Away from Me 19. The Buzzard Song 20. Tenderly 21. Don't Be That Way 22. April in Paris 23. Come's Love 24. These Foolish Things 25. Isn't This a Lovely Day 26. Love Is Here to Stay 27. A Foggy Day 28. I Get a Kick Out of You 29. Moonlig...
Goodnight Sweetheart S03E02 It Ain't Necessarily So Goodnight Sweetheart S03E02 It Ain't Necessarily So
Oscar Peterson - Plays the George Gershwin Songbook .1959 . ( Full Album) Bass – Ray Brown Piano – Oscar Peterson Drums - Ed Thigpen 01. It Ain't Necessarily So (2:49) 02. The Man I Love (3:09) 03. Love Walked In (2:49) 04. I Was Doing All Right (2:51) 05. A Foggy Day (2:55) 06. Oh, Lady, Be Good! (3:02) 07. Love Is Here To Stay (2:59) 08. They All Laughed (2:32) 09. Let's Call The Whole Thing Off (2:20) 10. Summertime (2:58) 11. Nice Work If You Can Get It (2:08) 12. Shall We Dance? (2:19) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship,and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educatio...
Oscar Peterson - The Great American Song Book 1952 ( Full Album) Oscar Peterson - Piano Barney Kessel - Guitar Ray Brown - Bass 01. Cheek To Cheek (3:02) 02. It Ain't Necessarily So (3:14) 03. Just A-Sittin' And A-Rockin' (3:42) 04. Long Ago And Far Away (3:46) 05. What Is This Thing Called Love (3:09) 06. Fascinating Rhythm (2:58) 07. Prelude To A Kiss (3:18) 08. I've Got A Crush On You (2:54) 09. Easter Parade (3:14) 10. Oh, Lady Be Good (3:51) 11. Night And Day (3:41) 12. Sophisticated Lady (2:59) 13. Take The 'A' Train (3:17) 14. I Got Rhythm (3:17) 15. In A Mellow Tone (3:08) 16. 'S Wonderful (2:38) 17. Don't Get Around Much Anymore (3:59) 18. Do Nothin' Till You Hear From Me (2:50) 19. The Man I Love (3:29) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowa...
It ain't necessarily so
It ain't necessarily so
The t'ings dat yo' li'ble
To read in de Bible,
It ain't necessarily so.
Li'l David was small, but oh my !
Li'l David was small, but oh my !
He fought Big Goliath
Who lay down an' dieth !
Li'l David was small, but oh my !
Wadoo, zim bam boddle-oo,
Hoodle ah da wa da,
Scatty wah !
Oh yeah !...
Oh Jonah, he lived in de whale,
Oh Jonah, he lived in de whale,
Fo' he made his home in
Dat fish's abdomen.
Oh Jonah, he lived in de whale.
Li'l Moses was found in a stream.
Li'l Moses was found in a stream.
He floated on water
Till Ol' Pharaoh's daughter,
She fished him, she said, from dat stream.
Wadoo ...
Well, it ain't necessarily so
Well, it ain't necessarily so
Dey tells all you chillun
De debble's a villun,
But it ain't necessarily so !
To get into Hebben
Don' snap for a sebben !
Live clean ! Don' have no fault !
Oh, I takes dat gospel
Whenever it's pos'ble,
But wid a grain of salt.
Methus'lah lived nine hundred years,
Methus'lah lived nine hundred years,
But who calls dat livin'
When no gal will give in
To no man what's nine hundred years ?
I'm preachin' dis sermon to show,
It ain't nece-ain't nece
Ain't nece-ain't nece