Twilight Time

Twilight Time may refer to:

The Platters

The Platters was an American vocal group. They were one of the most successful vocal groups of the early rock and roll era. Their distinctive sound was a bridge between the pre-rock Tin Pan Alley tradition and the burgeoning new genre. The act went through several personnel changes, with the most successful incarnation comprising lead tenor Tony Williams, David Lynch, Paul Robi, Herb Reed, and Zola Taylor. The group had 40 charting singles on the Billboard Hot 100 chart between 1955 and 1967, including four no. 1 hits. The Platters were one of the first African American groups to be accepted as a major chart group and were, for a period of time, the most successful vocal group in the world.

Band formation and early years

The Platters formed in Los Angeles in 1952 and were initially managed by Ralph Bass. The original group consisted of Alex Hodge, Cornell Gunter, David Lynch, Joe Jefferson, Gaynel Hodge and Herb Reed. Reed created the group's name.

In June 1953, Gunter was replaced by lead vocalist Tony Williams. The band then released two singles with Federal Records, under the management of Bass, but found little success. The band then met music entrepreneur and songwriter Buck Ram. Ram made some changes to the lineup, most notably the addition of female vocalist Zola Taylor; later, Hodge was replaced by Paul Robi. Under Ram's guidance, the Platters recorded eight songs for Federal in the R&B/gospel style, scoring a few minor regional hits on the West Coast, and backed Williams' sister, Linda Hayes. One song recorded during their Federal tenure, "Only You (And You Alone)", originally written by Ram for the Ink Spots, was deemed unreleasable by the label, though copies of this early version do exist.

Time (Pink Floyd song)

"Time" is the fourth track from the English progressive rock band Pink Floyd's 1973 album The Dark Side of the Moon, and the only song on the album credited to all four members of the band, though the lyrics were written by Roger Waters. It is the final Pink Floyd song credited to all four members and the last to feature Richard Wright on lead vocals until "Wearing the Inside Out" on The Division Bell. This song is about how time can slip by, but many people do not realise it until it is too late. Roger Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing, recorded as a quadrophonic test by Alan Parsons, not specifically for the album.

Composition

Time is in the key of F# minor. Each clock at the beginning of the song was recorded separately in an antiques store. This is followed by a two-minute passage dominated by Nick Mason's drum solo, with rototoms and backgrounded by a tick-tock sound created by Roger Waters picking two muted strings on his bass. With David Gilmour singing lead on the verses and with Richard Wright singing lead on the bridges and with female singers and Gilmour providing backup vocals, the song's lyrics deal with Roger Waters' realization that life was not about preparing yourself for what happens next, but about grabbing control of your own destiny.

Twilight

Twilight is the illumination of the Earth's lower atmosphere when the Sun itself is not directly visible because it is below the horizon. Twilight is produced by sunlight scattering in the upper atmosphere, illuminating the lower atmosphere so that the surface of the Earth is neither completely lit nor completely dark. The word "twilight" is also used to denote the periods of time when this illumination occurs.

The further the Sun is below the horizon, the dimmer the twilight (other things such as atmospheric conditions being equal). When the Sun reaches 18 degrees below the horizon, the twilight's brightness is nearly zero, and evening twilight becomes nighttime. When the Sun again reaches 18 degrees below the horizon, nighttime becomes morning twilight. Owing to its distinctive quality, primarily the absence of shadows and the appearance of objects silhouetted against the bright sky, twilight has long been popular with photographers, who refer to it as 'sweet light', and painters, who refer to it as the blue hour, after the French expression: l'heure bleue.

Bert Kaempfert

Berthold Heinrich Kämpfert, (16 October 1923 – 21 June 1980), better known as Bert Kaempfert, was a German orchestra leader and songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples".

Biography

Kaempfert was born in Hamburg, Germany, where he received his lifelong nickname, Fips, and studied at the local school of music. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan for an album called My Bonnie. The album and its singles, released by Polydor Records, were the Beatles' first commercially released recordings.

Kaempfert's own first hit with his orchestra had been in 1960, "Wonderland by Night". Wonderland by Night couldn't get a hearing in Germany. Instead, Kaempfert brought the track to Decca Records in New York, who released it in America in 1959; with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert and Orchestra into international stars. Over the next few years, he revived such pop tunes as "Tenderly", "Red Roses for a Blue Lady", "Three O'Clock in the Morning", and "Bye Bye Blues", as well as composing pieces of his own, including "Spanish Eyes (Moon Over Naples)", "Danke Schoen", and "Wooden Heart", which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley. For Kaempfert, little may have brought him more personal satisfaction than Nat King Cole recording his "L-O-V-E".