The following is a list of characters first appearing in the BBC soap opera EastEnders in 1988, by order of first appearance.
Kenneth "Kenny" Beale is played by Michael Attwell. He also appears in the EastEnders novels by Hugh Miller, and in the 1988 EastEnders spin-off episode entitled Civvy Street, though the character is a baby and the actor is not credited.
Kenny is the older brother of Pauline (Wendy Richard) and Pete Beale (Peter Dean). He was born in 1941 to Albert and Lou Beale (Anna Wing). He was born and raised in Walford, where he lived with his family at number 45 Albert Square.
Kenny was banished from Walford in 1965, at the age of 24, when his mother caught him in bed with his brother's wife Pat (Pam St. Clement). He went to live in New Zealand, set up a business selling swimming pools, and married a New Zealander named Barbara. He didn't speak to any of his family for five years after emigrating, and after that it was only Pauline who corresponded with him.
"Melody: Sounds Real" is the second single from Ayaka.
The B-side track, "Blue Days", was used as an insert song for the Japanese dorama suppli/supply. The single was limited to a special 50,000 copy printing and has sold 24,466 copies.
All lyrics written by Ayaka.
Melody is a British preschool mixed-media music children's television series created by Luke Howard, and produced by Wish Films and LAAH Entertainment for the BBC. Designed with disabled children in mind, it features a little girl with a visual impairment as the main character.
Melody was developed with help from the RNIB Pears Centre in Coventry, which supports children with sight problems and additional needs. While helping to create the programme, the Pears Centre conducted research into animation and soundtracks that are easier for blind and partially sighted people to follow.
Melody introduces pre-school children to classical music through the main character's imagined stories, and specially created animations that are more enjoyable for visually impaired viewers.
In each episode Melody undertakes an everyday activity with her mother. The fun she has, or the frustrations or difficulties she experiences, prompts her to want to listen to a piece of music. Her mother suggests a piece and gives Melody some headphones and an MP3 player to listen to it. Through animation, we are taken on an adventure through Melody's imagination as she listens to the music.
The Domain Name System (DNS) is a hierarchical decentralized naming system for computers, services, or any resource connected to the Internet or a private network. It associates various information with domain names assigned to each of the participating entities. Most prominently, it translates more readily memorized domain names to the numerical IP addresses needed for the purpose of locating and identifying computer services and devices with the underlying network protocols. By providing a worldwide, distributed directory service, the Domain Name System is an essential component of the functionality of the Internet.
The Domain Name System deligates the responsibility of assigning domain names and mapping those names to Internet resources by designating authoritative name servers for each domain. Network administrators may delegate authority over sub-domains of their allocated name space to other name servers. This mechanism provides distributed and fault tolerant service and was designed to avoid a single large central database.
DNS is the Domain Name System, a network system used to translate names into IP addresses.
DNS may also refer to:
F5 Networks, Inc. is a multinational American company which specializes in Application Delivery Networking (ADN) technology that optimizes the delivery of network-based applications and the security, performance, availability of servers, data storage devices, and other network resources. F5 is headquartered in Seattle, Washington and has development, manufacturing, and sales/marketing offices worldwide. F5 originally manufactured and sold some of the industry's first load balancing products. In 2010 and 2011, F5 Networks was on Fortune's list of 100 Fastest-Growing Companies worldwide. The company was also rated one of the top ten best-performing stocks by S&P 500 in 2010.
F5 offers products in various segments of the application delivery controller market. According to Gartner, in 2010 F5 had "a continued market-leading position" in the Application Delivery Controller (ADC) market and the Advanced Platform Application Delivery Controller market. As of June 2011, Gartner cites the most significant competitors (in terms of market share) as Cisco Systems, Citrix Systems, and Radware.
[Intro]
You know what
We been through so much together
When I first got down
In like seventy-nine
Pre-Tribe
During Tribe, post-Tribe
It's all gravy, can't let you go
[Verse One]
Used to think this game was a fairytale, until I met you
Never into bullshit, you were happy being you
My face would just glow anytime you walked past
Makin' a brotha jitter every time our eyes clashed
You were cooler than cool, smarter than most
Which made the Five-Footer get closer than close
And to our ten year bond, I have to give a toast
Cause the way that I feel, yo it ain't no joke
You got a brotha feelin' high like Busta-Bus when he smokes
And I ain't no weedhead so I might just choke
But if you make a power move and decide to be around
Then word to Flipmode, I'll smoke a whole damn pound
From Trini to Atlanta, (Yes) I'll romance you
Take you to ecstasy anytime I get the chance to
And I can rock you all night if you want me to
So what you wanna do? (Come on!)
[Phife: w/ scratched hook by Butta L]
No Doubt
"Rock the mic" - Phife Dawg "Microphone" - Rakim
Phife Dawg, Pete Rock
"Rock the mic" "Microphone"
This is how it go down when a Trini and a Jamaican get together
"Rock the mic" "Microphone"
"Rock the mic" "Rock the mic"
[Verse Two]
I got a love jones for your body and your skin tone
Unplug the phone, we needs to be all alone
Tourin' straight for eight months, which means you cant front
And you know, and I know, I gots what you want
Never cuff you at the top, I tried to stop
You see I get after lock, when the crowd starts to rock
This one dyme up front started doin' the walk
The way she licked her lips it made a brotha real hot
She had the grill of Nia Long, smile of Stacy Dash
Front of Lisa Carson with the Mary Blige Ooh!
My friends be laughin' hard cause I lable you as fam
But they don't understand you have made me who I am
And at the end of the day, yo we'll have the last laugh
My boo's about to have twins, so we gots to get the cash
But as long as I live, that's my word, I'mma be there
For you, you, besides I love you, Mwoi!
[Phife: w/ scratched hook by Butta L]
Come on
"The mic" - Phife Dawg "Microphone" - Rakim
Uh, bob your head to this
"The mic" "Microphone"
Get on the dance floor
"The mic" "Microphone"
And go for yours
"Microphone" "The mic"
[Verse Three]
See when the label started frontin' you were always there
When the management was frontin' you were always there
There were times when I felt the group had want to replace me
Whether I'm right or wrong you were there to embrace me
When you have too many sheets in one tent, how can you represent?
Shit be bugged, but you were there to show me love
That's when I kindly picked you up and moved to ATL
My attitude was like, whatever, might as well go for South
Guess they felt I wasn't worth it, didn't feel like Phifey had it
But now who's movin' units, motherfuckin' silly rabbits?
Peace to the few who had my back
For the fakers in my clique, fuck you, that's that
Life has really been worth living since I found you, true
And there's nothing in this world that Malik won't do
You're my latest and my greatest inspiration, true
I put this on my granny bible, I would die for you, uh
[Scratched hook by Butta L]
"Rock the mic" - Phife Dawg "Microphone" - Rakim
"Rock the mic" "Microphone"
"Rock the mic" "Microphone"
"Rock the mic"
"Rockin' the mic" - KRS-One "WHAT!" - Leaders Of The New School
"Rockin' the mic" "WHAT!"
"Rockin' the mic"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "WHAT!"
"Rockin' the mic" "Rockin' the mic"
"Rockin' the mic" "WHAT!"
[Phife]