- published: 19 Mar 2011
- views: 14016
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A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' as part of 'Project Poetry', screened at the London International Animation Festival 2006.
- published: 04 Mar 2008
- views: 11851
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.
Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).
Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists such as Pape and Clarke.
Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps.
In 1897 deteriorating health prompted his move to the French Riviera, where he died a year later on 16 March 1898 at the Cosmopolitan Hotel in Menton, France, attended by his mother and sister. He was 25 years of age and the cause of death was tuberculosis. Following a Requiem Mass in Menton Cathedral the following day, his remains were interred in the adjacent cemetery.
[from Wikipedia]
Music by:Vidna Obmana
http://www.last.fm/music/vidna+Obmana
- published: 22 Aug 2015
- views: 3944
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
- published: 11 Mar 2015
- views: 450
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
- published: 11 Mar 2015
- views: 171
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work. His most famous work includes his illustrations for Aristophanes' Lysistrata and Oscar Wilde's play Salomé.
Aubrey Beardsley was born on 21 August, 1872, in Brighton, England. The family, of middle and upper middle class origins, was often nearly destitute. His father, Vincent, having lost his inherited fortune, worked irregularly at London breweries. Beardsley's mother, Ellen Pitt, provided a slender income by giving piano lessons. Both Beardsley and his sister, Mabel — who later became an actress — were considered artistic and musical prodigies.
Soon after he was let go from The Yellow Book, Beardsley was approached by Leonard Smithers, a publisher intent on creating a rival periodical. Though (or perhaps because) Smithers was known for publishing pornography and erotica, Beardsley jumped at the chance, and so The Savoy was created, with Arthur Symons as editor. Beardsley found in The Savoy an outlet for his writings as well as art. "Under the Hill" (his version of the Tannhauser legend) and "The Ballad of a Barber" both appeared in numbers of The Savoy. When publication ceased in December 1896, Beardsley continued to illustrate other authors' works for Smithers. Among these volumes were editions of Pope's The Rape of the Lock, Ben Jonson's Volpone, and The Lysistrata of Aristophanes). Smithers also issued Beardsley's own A Book of Fifty Drawings, the first collected album of his
http://www.artisoo.com/shop-by-artist-aubrey-beardsley-c-66_156_307.html
http://www.artisoo.com/
- published: 24 Apr 2013
- views: 1120
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere.
- published: 05 Feb 2009
- views: 5297
-- music by Arnold Schoenberg, Piano Concerto op. 42 (Excerpt)
-- for educational purposes only
- published: 26 Jul 2014
- views: 66
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, and influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.
Beardsley was born in Brighton, England, on 21 August 1872, and christened on 24 Oct 1872. His father, Vincent Paul Beardsley (1839–1909), was the son of a tradesman; Vincent had no trade himself, however, and instead relied on a private income from an inheritance that he received from his maternal grandfather when he was twenty-one years of age. Vincent's wife, Ellen Agnus Pitt (1846–1932), was the daughter of Surgeon-Major William Pitt of the Indian Army. The Pitts were a well-established and respected family in Brighton, and Beardsley's mother married a man of lesser social status than might have been expected. Soon after their wedding, Vincent was obliged to sell some of his property in order to settle a claim for his "breach of promise" from another woman who claimed that he had promised to marry her. At the time of his birth, Beardsley's family, which included his sister Mabel who was one year older, were living in Ellen's familial home at 12 Buckingham Road.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Aubrey_Beardsley
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
James Douglas "Jim" Morrison (December 8, 1943 – July 3, 1971) was the lead singer and lyricist of the rock band The Doors, as well as a poet. Following The Doors' explosive rise to fame in 1967, Morrison developed a severe alcohol and drug dependency that culminated in his death at the age of 27 in Paris. He is presumed to have died from a heroin overdose, but as no autopsy was performed, the events surrounding his death and the exact cause of it continue to be disputed by many to this day.
Morrison was well known for often improvising spoken word poetry passages while the band played live. Due to his wild personality and performances, he is regarded by critics and fans as one of the most iconic, charismatic and pioneering frontmen in rock music history. Morrison was ranked number 47 on Rolling Stone's list of the "100 Greatest Singers of All Time", and number 22 on Classic Rock Magazine's "50 Greatest Singers In Rock".
James Douglas Morrison was born in Melbourne, Florida, to future Rear Admiral George Stephen Morrison and Clara Morrison. Morrison had a sister, Anne Robin, who was born in 1947 in Albuquerque, New Mexico; and a brother, Andrew Lee Morrison, who was born in 1948 in Los Altos, California. He was of Irish and Scottish descent.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Jim_Morrison
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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11:01Aubrey Beardsley Part 1
Aubrey Beardsley Part 1Aubrey Beardsley Part 1
A close up look at English artist Aubrey Beardsley's life and times - and art In 4 parts -
4:40Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' as part of 'Project Poetry', screened at the London International Animation Festival 2006. -
7:47Aubrey Beardsley
Aubrey BeardsleyAubrey Beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897). Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists such as Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps. In 1897 deteriorating health prompted his move to the French Riviera, where he died a year later on 16 March 1898 at the Cosmopolitan Hotel in Menton, France, attended by his mother and sister. He was 25 years of age and the cause of death was tuberculosis. Following a Requiem Mass in Menton Cathedral the following day, his remains were interred in the adjacent cemetery. [from Wikipedia] Music by:Vidna Obmana http://www.last.fm/music/vidna+Obmana -
4:11Aubrey Beardsley
Aubrey BeardsleyAubrey Beardsley
-
67:54Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials. http://www.arts-museum.ru/ http://www.britishcouncil.ru/ -
37:23Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials. http://www.arts-museum.ru/ http://www.britishcouncil.ru/ -
4:06Aubrey Beardsley - Un extracto de su obra.wmv
Aubrey Beardsley - Un extracto de su obra.wmvAubrey Beardsley - Un extracto de su obra.wmv
un poco de su vida y obra, acompañada por la musica de chopin -
6:54Aubrey Beardsley and Jim Morrison
Aubrey Beardsley and Jim MorrisonAubrey Beardsley and Jim Morrison
Leo and Sagittarius -
0:58Aubrey Beardsley Oil Paintings
Aubrey Beardsley Oil PaintingsAubrey Beardsley Oil Paintings
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work. His most famous work includes his illustrations for Aristophanes' Lysistrata and Oscar Wilde's play Salomé. Aubrey Beardsley was born on 21 August, 1872, in Brighton, England. The family, of middle and upper middle class origins, was often nearly destitute. His father, Vincent, having lost his inherited fortune, worked irregularly at London breweries. Beardsley's mother, Ellen Pitt, provided a slender income by giving piano lessons. Both Beardsley and his sister, Mabel — who later became an actress — were considered artistic and musical prodigies. Soon after he was let go from The Yellow Book, Beardsley was approached by Leonard Smithers, a publisher intent on creating a rival periodical. Though (or perhaps because) Smithers was known for publishing pornography and erotica, Beardsley jumped at the chance, and so The Savoy was created, with Arthur Symons as editor. Beardsley found in The Savoy an outlet for his writings as well as art. "Under the Hill" (his version of the Tannhauser legend) and "The Ballad of a Barber" both appeared in numbers of The Savoy. When publication ceased in December 1896, Beardsley continued to illustrate other authors' works for Smithers. Among these volumes were editions of Pope's The Rape of the Lock, Ben Jonson's Volpone, and The Lysistrata of Aristophanes). Smithers also issued Beardsley's own A Book of Fifty Drawings, the first collected album of his http://www.artisoo.com/shop-by-artist-aubrey-beardsley-c-66_156_307.html http://www.artisoo.com/ -
1:44Aubrey Beardsley - A Tribute
Aubrey Beardsley - A TributeAubrey Beardsley - A Tribute
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere. -
6:25Aubrey Vincent Beardsley - Nicolo Paganini
Aubrey Vincent Beardsley - Nicolo PaganiniAubrey Vincent Beardsley - Nicolo Paganini
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5:46Aubrey Beardsley ~ bawdy, edgy
Aubrey Beardsley ~ bawdy, edgyAubrey Beardsley ~ bawdy, edgy
-- music by Arnold Schoenberg, Piano Concerto op. 42 (Excerpt) -- for educational purposes only -
1:20Sliver Art - Aubrey Beardsley
Sliver Art - Aubrey BeardsleySliver Art - Aubrey Beardsley
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I am not grotesque I am nothing." Quotes by Oscar Wilde. The Smiths provide the music with their instrumental - Oscillate Wildly. This is dedicated to David Mitchell and Wit_of_Wilde (check him out on Twitter) -
9:42Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The poetry reading was part of Dark Blushing, a poetry evening inspired by the exhibition "Luminous Paper: British Watercolors and Drawings" at the J. Paul Getty Museum. Hosted by Mindy Nettifee and Amber Tamblyn of the Write Now Poetry Society, curators of the event. Recorded at the Getty Center on September 10, 2011. More about Dark Blushing on our blog, The Iris: http://blogs.getty.edu/iris/marilyn-manson-luminous-poetry-and-british-watercolors/
- Alexander Pope
- Architect
- Aristophanes
- Art Nouveau
- Aubrey Beardsley
- BBC
- Brighton
- Caricaturist
- Catholicism
- Decadence
- Decadent movement
- Edward Burne-Jones
- Fred Brown (artist)
- Frederick Hollyer
- Harry Ransom Center
- Henry Harland
- Homosexual
- Illustration
- J. M. Dent
- John Dicks (actor)
- John Selwyn Gilbert
- Le Morte d'Arthur
- Leonard Smithers
- Lysistrata
- Mabel Beardsley
- Major (rank)
- Menton
- Morning coat
- Mythology
- Oscar Wilde
- Patent leather
- Poster art
- Public domain
- Pump (shoe)
- Salome (play)
- Shunga
- Symbolism (arts)
- Tannhäuser
- The Rape of the Lock
- The Yellow Book
- Thomas Malory
- Tuberculosis
- Under the Hill
- Wikipedia Persondata
- Wikisource
- WorldCat
Matching books:
Famous quotes by Aubrey Beardsley:
"In the present age, alas! our pens are ravished by unlettered authors and unmannered critics, that make a havoc rather than a building, a wilderness rather than a garden. But, a lack! what boots it to drop tears upon the preterit?"
"No language is rude that can boast polite writers."
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Aubrey Beardsley Part 1
A close up look at English artist Aubrey Beardsley's life and times - and art In 4 parts -
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' as part of 'Project Poetry', screened at the London International Animation Festival 2006. -
Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Jap... -
Aubrey Beardsley
-
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials. http://www.arts-museum.ru/ http://www.britishcouncil.ru/ -
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials. http://www.arts-museum.ru/ http://www.britishcouncil.ru/ -
Aubrey Beardsley - Un extracto de su obra.wmv
un poco de su vida y obra, acompañada por la musica de chopin -
Aubrey Beardsley and Jim Morrison
Leo and Sagittarius -
Aubrey Beardsley Oil Paintings
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work. His most famous work includes his illustrations for Aristophanes' Lysistrata and Oscar Wilde's play Salomé. Aubrey Beardsley was born on 21 August, 1872, in Brighton, England. The family, of middle and upper middle class origins, was often nearly destitute. His father, Vincent, having lost his inherited fortune, worked irregularly at London breweries. Beardsley's mother, Ellen Pitt, provided a slender income by giving piano lessons. Both Beardsley and his sister, Mabel — who later became an actress — were considered artistic and musical prodigies. Soon after he was let go from The Yellow Book, Beardsl... -
Aubrey Beardsley - A Tribute
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere. -
Aubrey Vincent Beardsley - Nicolo Paganini
-
Aubrey Beardsley ~ bawdy, edgy
-- music by Arnold Schoenberg, Piano Concerto op. 42 (Excerpt) -- for educational purposes only -
Sliver Art - Aubrey Beardsley
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I am not grotesque I am nothing." Quotes by Oscar Wilde. The Smiths provide the music with their instrumental - Oscillate Wildly. This is dedicated to David Mitchell and Wit_of_Wilde (check him out on Twitter) -
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The poetry reading was part of Dark Blushing, a poetry evening inspired by the exhibition "Luminous Paper: British Watercolors and Drawings" at the J. Paul Getty Museum. Hosted by Mindy Nettifee and Amber Tamblyn of the Write Now Poetry Society, curators of the event. Recorded at the Getty Center on September 10, 2011. More about Dark Blushing on our blog, The Iris: http://blogs.getty.edu/iris/marilyn-manson-luminous-poetry-and-british-watercolors/ -
Flowers Of Hell - Opus 66 (Aubrey Beardsley Art Nouveau Animation)
Official video for the Flowers Of Hell's Opus 66 (Part 1), based on the work of Aubrey Beardsley, created by the animation program at Durham College. http://www.facebook.com/theflowersofhell -
Aubrey Beardsley exposes her manhood at Trinidad carnival 2009
A J'ouvert masquerader uses a classic Aubrey Vincent Beardsley illustration to take back the power of women whose likely parody are portrayed during carnival, Trinidad West Indies The artist Adele Todd decided this j'ouvert to bring out a costume with a different twist. And by all means it was a ghastly large erect prosthetic penis attached to her pelvis. The costume was designed so that her manhood could swing, poke, provoke and tease any passerby who contemplated its girth. The reaction to this Aubrey Beardsley the examination of the harald were a mix of exultation by women and awe by men felt necessary to compare themselves to it. Excerpts from the artist: [ Over the years I have grown wary of Carnival. Last year I felt that it seemed packaged for tourists over residents of the... -
Nepenthes (Another Tribute to Aubrey Beardsley)
A collection of Beardsley's art together with a second song I wrote inspired, in part, by Beardsley's aesthetics. -
Frontal Rizotto : The Phantom Of Aubrey Beardsley
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Kovács Anna Sára - Lovag (Aubrey Beardsley képeivel)
Adott egy dögunalmas szombat délelőtt, egy tűrhető nóta, amit egyébként borzalmasan énekeltem, és Aubrey Beardsley illusztrációi a Le morte d' Arthurhoz. -
"Le Morte Darthur" 1893-94 Aubrey Beardsley
Para Luce con mucho cariño, Feliz Cumpleaños !!! http://www.youtube.com/user/LuceBrera Music: "Excalibur" Brandon Fiechter http://www.youtube.com/channel/UCLLnIcQll56hJ89dDin4UcA Muchas gracias querido Brandon, ha sido un placer hacer este video con tu música! Le Morte Darthur, J. M. Dent & Co., London (1893-1894), by Aubrey Beardsley. In 1892, London publisher J. M. Dent & Co. decided to produce an illustrated edition of Le Morte Darthur, in modern spelling. They chose a 20-year-old insurance-office clerk and art student, Aubrey Beardsley, to illustrate the work. It was issued in 12 parts between June 1893 and mid-1894, and met with only modest success at the time. However, it has since been described as Beardsley's first masterpiece, launching what has come to be known as the "... -
Paul Verlaine and Aubrey Beardsley: Pierrot in Pantomime
Paul Verlaine's Commedia dell'Arte poem "Pantomime" (minus one stanza), Aubrey Beardsley's Pierrot illustrations, and a brief song inspired by the Commedia. -
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Aubrey Beardsley: The Peacock Skirt
Banners in the wind. The Age of Enchantment, Dulwich Picture Gallery.
Aubrey Beardsley Part 1
- Order: Reorder
- Duration: 11:01
- Updated: 19 Mar 2011
- views: 14016
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
wn.com/Aubrey Beardsley Part 1
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
- published: 19 Mar 2011
- views: 14016
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
- Order: Reorder
- Duration: 4:40
- Updated: 04 Mar 2008
- views: 11851
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' a...
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' as part of 'Project Poetry', screened at the London International Animation Festival 2006.
wn.com/Aubrey Beardsley Alphabetic 'The A To Z Of Birth'
Animation about birth myths and place of birth, rendered in the style of and as a homage to Brighton illustrator Aubrey Beardsley. Commissioned by 'The South' as part of 'Project Poetry', screened at the London International Animation Festival 2006.
- published: 04 Mar 2008
- views: 11851
Aubrey Beardsley
- Order: Reorder
- Duration: 7:47
- Updated: 22 Aug 2015
- views: 3944
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese ...
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.
Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).
Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists such as Pape and Clarke.
Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps.
In 1897 deteriorating health prompted his move to the French Riviera, where he died a year later on 16 March 1898 at the Cosmopolitan Hotel in Menton, France, attended by his mother and sister. He was 25 years of age and the cause of death was tuberculosis. Following a Requiem Mass in Menton Cathedral the following day, his remains were interred in the adjacent cemetery.
[from Wikipedia]
Music by:Vidna Obmana
http://www.last.fm/music/vidna+Obmana
wn.com/Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.
Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).
Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists such as Pape and Clarke.
Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps.
In 1897 deteriorating health prompted his move to the French Riviera, where he died a year later on 16 March 1898 at the Cosmopolitan Hotel in Menton, France, attended by his mother and sister. He was 25 years of age and the cause of death was tuberculosis. Following a Requiem Mass in Menton Cathedral the following day, his remains were interred in the adjacent cemetery.
[from Wikipedia]
Music by:Vidna Obmana
http://www.last.fm/music/vidna+Obmana
- published: 22 Aug 2015
- views: 3944
Aubrey Beardsley
- Order: Reorder
- Duration: 4:11
- Updated: 10 Dec 2010
- views: 494
- published: 10 Dec 2010
- views: 494
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
- Order: Reorder
- Duration: 67:54
- Updated: 11 Mar 2015
- views: 450
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council ...
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
wn.com/Alison Brown. Aubrey Beardsley’S Influence On The Glasgow Style.
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
- published: 11 Mar 2015
- views: 450
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
- Order: Reorder
- Duration: 37:23
- Updated: 11 Mar 2015
- views: 171
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the e...
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
wn.com/Emma Sutton. Aubrey Beardsley And British Wagnerism In 1890S.
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework of the educational programme organised by the British Council for the exhibition "Oscar Wilde. Aubrey Beardsley. A Russian perspective" at the Pushkin Museum from September 23 till December 1, 2014. We thank the museum for the video materials.
http://www.arts-museum.ru/
http://www.britishcouncil.ru/
- published: 11 Mar 2015
- views: 171
Aubrey Beardsley - Un extracto de su obra.wmv
- Order: Reorder
- Duration: 4:06
- Updated: 02 Jul 2010
- views: 1619
un poco de su vida y obra, acompañada por la musica de chopin
un poco de su vida y obra, acompañada por la musica de chopin
wn.com/Aubrey Beardsley Un Extracto De Su Obra.Wmv
un poco de su vida y obra, acompañada por la musica de chopin
- published: 02 Jul 2010
- views: 1619
Aubrey Beardsley and Jim Morrison
- Order: Reorder
- Duration: 6:54
- Updated: 28 Nov 2008
- views: 15289
Leo and Sagittarius
Leo and Sagittarius
wn.com/Aubrey Beardsley And Jim Morrison
Leo and Sagittarius
- published: 28 Nov 2008
- views: 15289
Aubrey Beardsley Oil Paintings
- Order: Reorder
- Duration: 0:58
- Updated: 24 Apr 2013
- views: 1120
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the m...
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work. His most famous work includes his illustrations for Aristophanes' Lysistrata and Oscar Wilde's play Salomé.
Aubrey Beardsley was born on 21 August, 1872, in Brighton, England. The family, of middle and upper middle class origins, was often nearly destitute. His father, Vincent, having lost his inherited fortune, worked irregularly at London breweries. Beardsley's mother, Ellen Pitt, provided a slender income by giving piano lessons. Both Beardsley and his sister, Mabel — who later became an actress — were considered artistic and musical prodigies.
Soon after he was let go from The Yellow Book, Beardsley was approached by Leonard Smithers, a publisher intent on creating a rival periodical. Though (or perhaps because) Smithers was known for publishing pornography and erotica, Beardsley jumped at the chance, and so The Savoy was created, with Arthur Symons as editor. Beardsley found in The Savoy an outlet for his writings as well as art. "Under the Hill" (his version of the Tannhauser legend) and "The Ballad of a Barber" both appeared in numbers of The Savoy. When publication ceased in December 1896, Beardsley continued to illustrate other authors' works for Smithers. Among these volumes were editions of Pope's The Rape of the Lock, Ben Jonson's Volpone, and The Lysistrata of Aristophanes). Smithers also issued Beardsley's own A Book of Fifty Drawings, the first collected album of his
http://www.artisoo.com/shop-by-artist-aubrey-beardsley-c-66_156_307.html
http://www.artisoo.com/
wn.com/Aubrey Beardsley Oil Paintings
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work. His most famous work includes his illustrations for Aristophanes' Lysistrata and Oscar Wilde's play Salomé.
Aubrey Beardsley was born on 21 August, 1872, in Brighton, England. The family, of middle and upper middle class origins, was often nearly destitute. His father, Vincent, having lost his inherited fortune, worked irregularly at London breweries. Beardsley's mother, Ellen Pitt, provided a slender income by giving piano lessons. Both Beardsley and his sister, Mabel — who later became an actress — were considered artistic and musical prodigies.
Soon after he was let go from The Yellow Book, Beardsley was approached by Leonard Smithers, a publisher intent on creating a rival periodical. Though (or perhaps because) Smithers was known for publishing pornography and erotica, Beardsley jumped at the chance, and so The Savoy was created, with Arthur Symons as editor. Beardsley found in The Savoy an outlet for his writings as well as art. "Under the Hill" (his version of the Tannhauser legend) and "The Ballad of a Barber" both appeared in numbers of The Savoy. When publication ceased in December 1896, Beardsley continued to illustrate other authors' works for Smithers. Among these volumes were editions of Pope's The Rape of the Lock, Ben Jonson's Volpone, and The Lysistrata of Aristophanes). Smithers also issued Beardsley's own A Book of Fifty Drawings, the first collected album of his
http://www.artisoo.com/shop-by-artist-aubrey-beardsley-c-66_156_307.html
http://www.artisoo.com/
- published: 24 Apr 2013
- views: 1120
Aubrey Beardsley - A Tribute
- Order: Reorder
- Duration: 1:44
- Updated: 05 Feb 2009
- views: 5297
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere.
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere.
wn.com/Aubrey Beardsley A Tribute
A tribute to Beardsley including some of his most famous drawings as well as a piano piece I wrote that reminded me of Beardsley's atmosphere.
- published: 05 Feb 2009
- views: 5297
Aubrey Vincent Beardsley - Nicolo Paganini
- Order: Reorder
- Duration: 6:25
- Updated: 28 Nov 2011
- views: 1093
- published: 28 Nov 2011
- views: 1093
Aubrey Beardsley ~ bawdy, edgy
- Order: Reorder
- Duration: 5:46
- Updated: 26 Jul 2014
- views: 66
-- music by Arnold Schoenberg, Piano Concerto op. 42 (Excerpt)
-- for educational purposes only
- published: 26 Jul 2014
- views: 66
Sliver Art - Aubrey Beardsley
- Order: Reorder
- Duration: 1:20
- Updated: 30 Jan 2010
- views: 1097
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I am not grotesque I am
nothing." Quotes by Oscar Wilde. The Smiths pro...
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I am not grotesque I am
nothing." Quotes by Oscar Wilde. The Smiths provide the music with their instrumental - Oscillate Wildly. This is dedicated to David Mitchell and Wit_of_Wilde (check him out on Twitter)
wn.com/Sliver Art Aubrey Beardsley
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I am not grotesque I am
nothing." Quotes by Oscar Wilde. The Smiths provide the music with their instrumental - Oscillate Wildly. This is dedicated to David Mitchell and Wit_of_Wilde (check him out on Twitter)
- published: 30 Jan 2010
- views: 1097
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
- Order: Reorder
- Duration: 9:42
- Updated: 26 Sep 2011
- views: 1164
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The poetry reading was part of Dark Blushing, a poetry evening inspired b...
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The poetry reading was part of Dark Blushing, a poetry evening inspired by the exhibition "Luminous Paper: British Watercolors and Drawings" at the J. Paul Getty Museum.
Hosted by Mindy Nettifee and Amber Tamblyn of the Write Now Poetry Society, curators of the event.
Recorded at the Getty Center on September 10, 2011.
More about Dark Blushing on our blog, The Iris:
http://blogs.getty.edu/iris/marilyn-manson-luminous-poetry-and-british-watercolors/
wn.com/Ilya Kaminsky Reads A New Poem Inspired By Aubrey Beardsley's Dream
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The poetry reading was part of Dark Blushing, a poetry evening inspired by the exhibition "Luminous Paper: British Watercolors and Drawings" at the J. Paul Getty Museum.
Hosted by Mindy Nettifee and Amber Tamblyn of the Write Now Poetry Society, curators of the event.
Recorded at the Getty Center on September 10, 2011.
More about Dark Blushing on our blog, The Iris:
http://blogs.getty.edu/iris/marilyn-manson-luminous-poetry-and-british-watercolors/
- published: 26 Sep 2011
- views: 1164
Flowers Of Hell - Opus 66 (Aubrey Beardsley Art Nouveau Animation)
- Order: Reorder
- Duration: 3:55
- Updated: 07 Jul 2010
- views: 10962
Official video for the Flowers Of Hell's Opus 66 (Part 1), based on the work of Aubrey Beardsley, created by the animation program at Durham College. http://www...
Official video for the Flowers Of Hell's Opus 66 (Part 1), based on the work of Aubrey Beardsley, created by the animation program at Durham College. http://www.facebook.com/theflowersofhell
wn.com/Flowers Of Hell Opus 66 (Aubrey Beardsley Art Nouveau Animation)
Official video for the Flowers Of Hell's Opus 66 (Part 1), based on the work of Aubrey Beardsley, created by the animation program at Durham College. http://www.facebook.com/theflowersofhell
- published: 07 Jul 2010
- views: 10962
Aubrey Beardsley exposes her manhood at Trinidad carnival 2009
- Order: Reorder
- Duration: 3:40
- Updated: 25 Feb 2009
- views: 7028
A J'ouvert masquerader uses a classic Aubrey Vincent Beardsley illustration to take back the power of women whose likely parody are portrayed during carnival, T...
A J'ouvert masquerader uses a classic Aubrey Vincent Beardsley illustration to take back the power of women whose likely parody are portrayed during carnival, Trinidad West Indies
The artist Adele Todd decided this j'ouvert to bring out a costume with a different twist. And by all means it was a ghastly large erect prosthetic penis attached to her pelvis. The costume was designed so that her manhood could swing, poke, provoke and tease any passerby who contemplated its girth. The reaction to this Aubrey Beardsley the examination of the harald were a mix of exultation by women and awe by men felt necessary to compare themselves to it.
Excerpts from the artist:
[ Over the years I have grown wary of Carnival. Last year I felt that it seemed packaged for tourists over residents of the island. The same old warmed over songs and costumes had worn too thin and I was seriously considering spending time away from the country.
But this year I was approached by a fellow artist, as disgruntled as myself. He had an idea to play cow mas, the history of which is very interesting. It had been very prevalent at the early part of the last century, but violent incidents marred its continuance.
My agreement to be part of this small band of artists made me focus on the way women are portrayed and portraying themselves in Mas. Of late the Dame Lorraine has been played by women, in many ways a misnomer, as this was played by men parodying women. Today women play it in self parody, and in some ways it is a less than empowering image.
Contemplating this fact, I thought of a way to shift this perspective,and almost instantly I recalled The Examination of the Herald by Aubrey Beardsley. He has two drawings, one with two characters, an older Shylock character with his hand slightly forward, the other younger man, his hands on his hips. The second drawing is of the two men with their genitals exposed.
The image is quite provocative, and it informed my decision to re-interpret the Dame Lorraine. But actually it is incorrect to state that that is indeed what I am doing, as I am not exaggerating the female form in any way, but over-emphasizing the male organ.]
wn.com/Aubrey Beardsley Exposes Her Manhood At Trinidad Carnival 2009
A J'ouvert masquerader uses a classic Aubrey Vincent Beardsley illustration to take back the power of women whose likely parody are portrayed during carnival, Trinidad West Indies
The artist Adele Todd decided this j'ouvert to bring out a costume with a different twist. And by all means it was a ghastly large erect prosthetic penis attached to her pelvis. The costume was designed so that her manhood could swing, poke, provoke and tease any passerby who contemplated its girth. The reaction to this Aubrey Beardsley the examination of the harald were a mix of exultation by women and awe by men felt necessary to compare themselves to it.
Excerpts from the artist:
[ Over the years I have grown wary of Carnival. Last year I felt that it seemed packaged for tourists over residents of the island. The same old warmed over songs and costumes had worn too thin and I was seriously considering spending time away from the country.
But this year I was approached by a fellow artist, as disgruntled as myself. He had an idea to play cow mas, the history of which is very interesting. It had been very prevalent at the early part of the last century, but violent incidents marred its continuance.
My agreement to be part of this small band of artists made me focus on the way women are portrayed and portraying themselves in Mas. Of late the Dame Lorraine has been played by women, in many ways a misnomer, as this was played by men parodying women. Today women play it in self parody, and in some ways it is a less than empowering image.
Contemplating this fact, I thought of a way to shift this perspective,and almost instantly I recalled The Examination of the Herald by Aubrey Beardsley. He has two drawings, one with two characters, an older Shylock character with his hand slightly forward, the other younger man, his hands on his hips. The second drawing is of the two men with their genitals exposed.
The image is quite provocative, and it informed my decision to re-interpret the Dame Lorraine. But actually it is incorrect to state that that is indeed what I am doing, as I am not exaggerating the female form in any way, but over-emphasizing the male organ.]
- published: 25 Feb 2009
- views: 7028
Nepenthes (Another Tribute to Aubrey Beardsley)
- Order: Reorder
- Duration: 1:39
- Updated: 27 Jan 2009
- views: 1934
A collection of Beardsley's art together with a second song I wrote inspired, in part, by Beardsley's aesthetics.
A collection of Beardsley's art together with a second song I wrote inspired, in part, by Beardsley's aesthetics.
wn.com/Nepenthes (Another Tribute To Aubrey Beardsley)
A collection of Beardsley's art together with a second song I wrote inspired, in part, by Beardsley's aesthetics.
- published: 27 Jan 2009
- views: 1934
Frontal Rizotto : The Phantom Of Aubrey Beardsley
- Order: Reorder
- Duration: 2:46
- Updated: 17 Aug 2015
- views: 55
- published: 17 Aug 2015
- views: 55
Kovács Anna Sára - Lovag (Aubrey Beardsley képeivel)
- Order: Reorder
- Duration: 1:20
- Updated: 13 Feb 2011
- views: 145
Adott egy dögunalmas szombat délelőtt, egy tűrhető nóta, amit egyébként borzalmasan énekeltem, és Aubrey Beardsley illusztrációi a Le morte d' Arthurhoz.
Adott egy dögunalmas szombat délelőtt, egy tűrhető nóta, amit egyébként borzalmasan énekeltem, és Aubrey Beardsley illusztrációi a Le morte d' Arthurhoz.
wn.com/Kovács Anna Sára Lovag (Aubrey Beardsley Képeivel)
Adott egy dögunalmas szombat délelőtt, egy tűrhető nóta, amit egyébként borzalmasan énekeltem, és Aubrey Beardsley illusztrációi a Le morte d' Arthurhoz.
- published: 13 Feb 2011
- views: 145
"Le Morte Darthur" 1893-94 Aubrey Beardsley
- Order: Reorder
- Duration: 3:49
- Updated: 15 Dec 2013
- views: 1235
Para Luce con mucho cariño, Feliz Cumpleaños !!!
http://www.youtube.com/user/LuceBrera
Music: "Excalibur" Brandon Fiechter
http://www.youtube.com/channel/UCLLn...
Para Luce con mucho cariño, Feliz Cumpleaños !!!
http://www.youtube.com/user/LuceBrera
Music: "Excalibur" Brandon Fiechter
http://www.youtube.com/channel/UCLLnIcQll56hJ89dDin4UcA
Muchas gracias querido Brandon, ha sido un placer hacer este video con tu música!
Le Morte Darthur, J. M. Dent & Co., London (1893-1894), by Aubrey Beardsley.
In 1892, London publisher J. M. Dent & Co. decided to produce an illustrated edition of Le Morte Darthur, in modern spelling.
They chose a 20-year-old insurance-office clerk and art student, Aubrey Beardsley, to illustrate the work.
It was issued in 12 parts between June 1893 and mid-1894, and met with only modest success at the time.
However, it has since been described as Beardsley's first masterpiece, launching what has come to be known as the "Beardsley look".
It was his first major commission, and included nearly 585 chapter openings, borders, initials, ornaments and full- or double-page illustrations.
Most of the Dent edition illustrations were reprinted by Dover Publications, Inc., New York, in 1972 under the title Beardsley's Illustrations for Le Morte Darthur.
A facsimile of the Beardsley edition, complete with Malory's unabridged text, was published in the 1990s.
wn.com/Le Morte Darthur 1893 94 Aubrey Beardsley
Para Luce con mucho cariño, Feliz Cumpleaños !!!
http://www.youtube.com/user/LuceBrera
Music: "Excalibur" Brandon Fiechter
http://www.youtube.com/channel/UCLLnIcQll56hJ89dDin4UcA
Muchas gracias querido Brandon, ha sido un placer hacer este video con tu música!
Le Morte Darthur, J. M. Dent & Co., London (1893-1894), by Aubrey Beardsley.
In 1892, London publisher J. M. Dent & Co. decided to produce an illustrated edition of Le Morte Darthur, in modern spelling.
They chose a 20-year-old insurance-office clerk and art student, Aubrey Beardsley, to illustrate the work.
It was issued in 12 parts between June 1893 and mid-1894, and met with only modest success at the time.
However, it has since been described as Beardsley's first masterpiece, launching what has come to be known as the "Beardsley look".
It was his first major commission, and included nearly 585 chapter openings, borders, initials, ornaments and full- or double-page illustrations.
Most of the Dent edition illustrations were reprinted by Dover Publications, Inc., New York, in 1972 under the title Beardsley's Illustrations for Le Morte Darthur.
A facsimile of the Beardsley edition, complete with Malory's unabridged text, was published in the 1990s.
- published: 15 Dec 2013
- views: 1235
Paul Verlaine and Aubrey Beardsley: Pierrot in Pantomime
- Order: Reorder
- Duration: 0:37
- Updated: 13 Aug 2009
- views: 2577
Paul Verlaine's Commedia dell'Arte poem "Pantomime" (minus one stanza), Aubrey Beardsley's Pierrot illustrations, and a brief song inspired by the Commedia.
Paul Verlaine's Commedia dell'Arte poem "Pantomime" (minus one stanza), Aubrey Beardsley's Pierrot illustrations, and a brief song inspired by the Commedia.
wn.com/Paul Verlaine And Aubrey Beardsley Pierrot In Pantomime
Paul Verlaine's Commedia dell'Arte poem "Pantomime" (minus one stanza), Aubrey Beardsley's Pierrot illustrations, and a brief song inspired by the Commedia.
- published: 13 Aug 2009
- views: 2577
Jasper Johns (DJ Aubrey Beardsley remix)
- Order: Reorder
- Duration: 9:02
- Updated: 22 Oct 2011
- views: 165
Aubrey Beardsley: The Peacock Skirt
- Order: Reorder
- Duration: 0:31
- Updated: 30 Nov 2007
- views: 4362
Banners in the wind.
The Age of Enchantment, Dulwich Picture Gallery.
- published: 30 Nov 2007
- views: 4362
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William Blake and British Visionary Art, Interview with Philippa Simson (Curator, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'. The exhibition is open between 29 November 2011 and 26 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience. These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment ... -
A GEORGIAN FANTASY BY AUBREY BEARDSLEY
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William Blake and British Visionary Art, Interview with Penelope Curtis (Director, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'. The exhibition is open between 29 November 2011 and 19 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience. These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment of P... -
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Social Welfare 20 - The Robin Hood Tax
Our positive impact project for Social Welfare 20, at UC Berkeley, Summer Sessions 2012. Compiled by Nicole, interviews by Caleb and Mary. Music copyright of The Seatbelts and Cowboy Bebop. -
After Beardsley (Part 1 -- Title sequence)
The artist Aubrey Beardsley died in 1898 at the age of 25 from consumption (TB). The film After Beardsley attempts to depict today's world through Beardsley's eyes and in his drawing style. Part 1 sets the scene by showing some of Beardsley's better known drawings, some of which take on a different guise later in the film, along with photographs of him, courtesy of the Victoria & Albert Museum. Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler. -
Beardsley Part 3
A close up look at English artist Aubrey Beardsley's life and times - and art In 4 parts -
Anne Diebel: Henry James and The Yellow Book in the 1890s
Anne Diebel discusses Henry James's situation in the 1890s, his decision to write for The Yellow Book, the three stories he published there and the effects this had on his career. In particular, Diebel examines how the content of Henry James's stories for The Yellow Book reflected his changing attitudes to the public and his own work. Diebel also touches on the art of Aubrey Beardsley, Henry James's play 'Guy Domville', his stories 'The Death of the Lion' and 'The Next Time', and his view of the public as 'ravenous autograph-hunters, exploiters of publicity, lion-hunters, exploiters of publicity‘. Read Anne Diebel in the LRB: http://www.lrb.co.uk/contributors/anne-diebel Read the latest LRB: http://www.lrb.co.uk/ ABOUT THE LRB Since 1979, the London Review of Books has stood up for th... -
After Beardsley (Part 2)
In Part 2, Beardsley is 'resurrected' from his death bed and begins to walk through time to the present. On his journey he witnesses the evolution of the car and of air and sea travel, then climbs a phallic mountain before descending into 20th century New York City. Part 3 reveals what he finds there... Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler. -
After Beardsley (Part 3)
In Part 3 of the film, the ghost of Aubrey Beardsley explores the urban jungle of New York City where, amongst other things, he sees Bob Dylan as a satyr sitting by an iconic 1959 Chevy, and Lenny Bruce being injected with heroin. He is then beckoned by Patti Smith (as Beardsley's Messalina) into a hospital room where he finds himself hooked up to life support equipment. His hospital persona shows his ghost the horrors of the present day - overpopulation, pestilence starvation, and death. Via John Lennon, he sees the horrors of a nuclear winter. The premise of the film is that, if Beardsley had been alive today instead of the 1890s, modern medicine would have kept him alive, but that, having had a glimpse of where the world was heading, he may have chosen to die anyway. Written and drawn b... -
Salomé Cover Peter Doherty
Coversong by René Schmalz, Song written by MICHAEL WHITNALL, PETER DOHERTY Drawings by Aubrey Beardsley Enter Herodias J'ai baisé ta bouche John and Salome The Black Cape The Climax The Dancer's Reward The Eyes of Herod The Peacock Skirt The Platonic Lament The Stomach Dance The Toilette of Salome I The Toilette of Salome II The Women in the Moon Photo of Isodora Duncan taken from riowang.blogspot.com -
HARRY CLARKE - Darkness in Light. The award-winning film on the life and work of Harry Clarke.
http://www.camelproductions.net/ Trailer for Camel Production's feature documentary Harry Clarke - Darkness in Light. Written and directed by John J Doherty the film is available from our website and is the only official film on the life and work of the great artist and features among others his only biographer Nicola Gordon-Bowe. Winner of Best Arts Documentary at the Celtic International Film and Television Festival the film was financed by TG4 and the Irish Film Board. Harry Clarke, one of Irelands most outstanding artists, created an often bizarre world in stained glass and book illustration. His work is a heady mix of the beautiful and the grotesque, the ethereal and the demonic, the romantic and the obscene. His tragic story represents a fascinating collision of Church, State and Ar... -
SHOWstudio: Hauteur Space - Nick Knight / Edward Enninful / Alexia Wight
Nick Knight looked to the timeless language of elegance expounded in the work of Erté, Aubrey Beardsley, Lillian Bassman and Irina Ionesco, amongst others, to explore the future-fantastic visions of Spring/Summer 2012 for W magazine. This fashion film captures the beauty of Nick Knight's W magazine editorial. -
2013 NVM: Dick Beardsley - Keynote Presentation
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Flowers Of Hell - TV interview with Greg Jarvis
Bravo TV News piece on the Flowers Of Hell's album "O". http://www.facebook.com/theflowersofhell -
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Cameron - MOCA U - MOCAtv
"There was a time when art was an assault on what art was, and practices were motivated by an elated passion for regions of the mind that amaze the vision more than the eyes. Cameron [b. Marjorie Cameron, Belle Plaine, Iowa, 1922; d. Los Angeles, 1995] was of a time of heedless belief in the power of art to invent and celebrate new ways of representation and being. Her work oscillates between the psychedelic and surreal and defies a conventional understanding of modernity as a logical notion of progress in art. She reminds us of how little we perceive of our existence and how much our mind, if fully explored, awakens an alternative knowledge. Her life and her art parallel with some of the greatest creative minds of our time including Kenneth Anger, Wallace Berman, William Blake, Bruce Con... -
Peter Doherty - Salome (Grace/Wastelands)
Salome... the famous Biblical story, the magical play by Oscar Wilde, the fantastic song.. Enjoy! The pictures by Aubrey Beardsley, Alex Iakimenko, Titian, Carlo Dolci, Léon Bakst, Gustave Moreau, O. Exter, Varuzhan Yepremyan, A. Kurbatov -
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The Importance of Being Earnest Opening Night
A Trivial Comedy for Serious People. Oscar Wilde’s The Importance of Being Earnest is perhaps the most perfectly funny play ever written. In this joyous production from W!LD RICE – named Singapore’s ‘sexiest theatre company’ by Lonely Planet - celebrated theatre and film director Glen Goei casts an all-male ensemble, revealing new insights into hidden identities, institutional marriage, and the politics of choosing a partner. With sets inspired by English illustrator Aubrey Beardsley, a sensational international cast dressed to the nines by fashion doyen Frederick Lee, and a live string quartet from the Queensland Conservatorium, The Importance of Being Earnest promises to lift the spirits with an evening of sparkling wit, laughter and love.
William Blake and British Visionary Art, Interview with Philippa Simson (Curator, Tate Britain)
- Order: Reorder
- Duration: 3:41
- Updated: 15 Feb 2012
- views: 1191
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and Britis...
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'.
The exhibition is open between 29 November 2011 and 26 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience.
These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment of Paris', 'Newton', 'Apostle Paul and a Snake', 'Brothers bowed down to Joseph', 'Damned Soul', 'Judgment Day', 'Pity' and illustrations to Dante's 'Divine Comedy', Shakespeare, Milton and Henry Spencer.
Displayed together, these monuments will allow visitors not only to come closer to Blake's complex messages but also to appreciate his contribution to the history of art.
Other project participants are the British Museum (London), Victoria and Albert Museum (London), National Portrait Gallery (London), the Fitzwilliam Museum (Сambridge), the Whitworth Gallery (Manchester), Petworth House (West Sussex), Britten-Pears Foundation (Aldeburgh).
Moscow
wn.com/William Blake And British Visionary Art, Interview With Philippa Simson (Curator, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'.
The exhibition is open between 29 November 2011 and 26 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience.
These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment of Paris', 'Newton', 'Apostle Paul and a Snake', 'Brothers bowed down to Joseph', 'Damned Soul', 'Judgment Day', 'Pity' and illustrations to Dante's 'Divine Comedy', Shakespeare, Milton and Henry Spencer.
Displayed together, these monuments will allow visitors not only to come closer to Blake's complex messages but also to appreciate his contribution to the history of art.
Other project participants are the British Museum (London), Victoria and Albert Museum (London), National Portrait Gallery (London), the Fitzwilliam Museum (Сambridge), the Whitworth Gallery (Manchester), Petworth House (West Sussex), Britten-Pears Foundation (Aldeburgh).
Moscow
- published: 15 Feb 2012
- views: 1191
A GEORGIAN FANTASY BY AUBREY BEARDSLEY
- Order: Reorder
- Duration: 2:05
- Updated: 01 Apr 2012
- views: 96
- published: 01 Apr 2012
- views: 96
William Blake and British Visionary Art, Interview with Penelope Curtis (Director, Tate Britain)
- Order: Reorder
- Duration: 1:46
- Updated: 15 Feb 2012
- views: 779
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and Britis...
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'.
The exhibition is open between 29 November 2011 and 19 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience.
These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment of Paris', 'Newton', 'Apostle Paul and a Snake', 'Brothers bowed down to Joseph', 'Damned Soul', 'Judgment Day', 'Pity' and illustrations to Dante's 'Divine Comedy', Shakespeare, Milton and Henry Spencer.
Displayed together, these monuments will allow visitors not only to come closer to Blake's complex messages but also to appreciate his contribution to the history of art.
Other project participants are the British Museum (London), Victoria and Albert Museum (London), National Portrait Gallery (London), the Fitzwilliam Museum (Сambridge), the Whitworth Gallery (Manchester), Petworth House (West Sussex), Britten-Pears Foundation (Aldeburgh).
Moscow
29 ноября 2011 - 19 февраля 2012 Министерство культуры РФ, ГМИИ имени А.С. Пушкина, Галерея Тейт (Великобритания) и Британский Совет представляют выставку «Уильям Блейк и британские визионеры »
Выставка, представленная в рамках XXXI музыкального фестиваля «Декабрьские вечера Святослава Рихтера», впервые познакомит российскую публику с художественным наследием выдающегося английского поэта и художника Уильяма Блейка (1757--1827), а также с творчеством таких британских мастеров XIX--XX веков, как Данте Габриэль Россетти, Эдуард Коли Бёрн-Джонс, Сэмюэл Палмер, Обри Винсент Бёрдсли, Иоганн Генрих Фюсли, Фрэнсис Бейкон и Сесил Коллинз. Именно эти художники, в той или иной мере, восприняли духовный опыт Блейка и воплотили его в своих произведениях.
wn.com/William Blake And British Visionary Art, Interview With Penelope Curtis (Director, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, Tate Britain and the British Council present 'William Blake and British Visionary Art'.
The exhibition is open between 29 November 2011 and 19 February 2012 and introduces the art heritage of the English poet and artist William Blake (1757--1827), alongside works by such British masters of 19th -- 20th century art as Dante Gabriel Rossetti, Edward Coley Burne-Jones, Samuel Palmer, Aubrey Vincent Beardsley, Henry Fuseli, Francis Bacon and Cecil Collins, to a Moscow audience.
These artists, in one way or another, appreciated Blake's spiritual experience and embodied it in their art. The core of the exhibition focuses on etchings, watercolours and tempera by William Blake, including 'The Judgment of Paris', 'Newton', 'Apostle Paul and a Snake', 'Brothers bowed down to Joseph', 'Damned Soul', 'Judgment Day', 'Pity' and illustrations to Dante's 'Divine Comedy', Shakespeare, Milton and Henry Spencer.
Displayed together, these monuments will allow visitors not only to come closer to Blake's complex messages but also to appreciate his contribution to the history of art.
Other project participants are the British Museum (London), Victoria and Albert Museum (London), National Portrait Gallery (London), the Fitzwilliam Museum (Сambridge), the Whitworth Gallery (Manchester), Petworth House (West Sussex), Britten-Pears Foundation (Aldeburgh).
Moscow
29 ноября 2011 - 19 февраля 2012 Министерство культуры РФ, ГМИИ имени А.С. Пушкина, Галерея Тейт (Великобритания) и Британский Совет представляют выставку «Уильям Блейк и британские визионеры »
Выставка, представленная в рамках XXXI музыкального фестиваля «Декабрьские вечера Святослава Рихтера», впервые познакомит российскую публику с художественным наследием выдающегося английского поэта и художника Уильяма Блейка (1757--1827), а также с творчеством таких британских мастеров XIX--XX веков, как Данте Габриэль Россетти, Эдуард Коли Бёрн-Джонс, Сэмюэл Палмер, Обри Винсент Бёрдсли, Иоганн Генрих Фюсли, Фрэнсис Бейкон и Сесил Коллинз. Именно эти художники, в той или иной мере, восприняли духовный опыт Блейка и воплотили его в своих произведениях.
- published: 15 Feb 2012
- views: 779
Aubrey Amos Jr. interview
- Order: Reorder
- Duration: 9:15
- Updated: 27 Apr 2009
- views: 1919
Aubrey Amos Jr., 19, talks about being charged with first-degree murder in connection to the Relland Stovall slaying on April 5. Officials dropped the murder ch...
Aubrey Amos Jr., 19, talks about being charged with first-degree murder in connection to the Relland Stovall slaying on April 5. Officials dropped the murder charge Monday.
wn.com/Aubrey Amos Jr. Interview
Social Welfare 20 - The Robin Hood Tax
- Order: Reorder
- Duration: 7:56
- Updated: 08 Aug 2012
- views: 23
Our positive impact project for Social Welfare 20, at UC Berkeley, Summer Sessions 2012. Compiled by Nicole, interviews by Caleb and Mary. Music copyright of Th...
Our positive impact project for Social Welfare 20, at UC Berkeley, Summer Sessions 2012. Compiled by Nicole, interviews by Caleb and Mary. Music copyright of The Seatbelts and Cowboy Bebop.
wn.com/Social Welfare 20 The Robin Hood Tax
Our positive impact project for Social Welfare 20, at UC Berkeley, Summer Sessions 2012. Compiled by Nicole, interviews by Caleb and Mary. Music copyright of The Seatbelts and Cowboy Bebop.
- published: 08 Aug 2012
- views: 23
After Beardsley (Part 1 -- Title sequence)
- Order: Reorder
- Duration: 4:21
- Updated: 07 Jul 2007
- views: 10990
The artist Aubrey Beardsley died in 1898 at the age of 25 from consumption (TB).
The film After Beardsley attempts to depict today's world through Beardsley's ...
The artist Aubrey Beardsley died in 1898 at the age of 25 from consumption (TB).
The film After Beardsley attempts to depict today's world through Beardsley's eyes and in his drawing style. Part 1 sets the scene by showing some of Beardsley's better known drawings, some of which take on a different guise later in the film, along with photographs of him, courtesy of the Victoria & Albert Museum. Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
wn.com/After Beardsley (Part 1 Title Sequence)
The artist Aubrey Beardsley died in 1898 at the age of 25 from consumption (TB).
The film After Beardsley attempts to depict today's world through Beardsley's eyes and in his drawing style. Part 1 sets the scene by showing some of Beardsley's better known drawings, some of which take on a different guise later in the film, along with photographs of him, courtesy of the Victoria & Albert Museum. Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
- published: 07 Jul 2007
- views: 10990
Beardsley Part 3
- Order: Reorder
- Duration: 14:01
- Updated: 19 Mar 2011
- views: 5076
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
wn.com/Beardsley Part 3
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
- published: 19 Mar 2011
- views: 5076
Anne Diebel: Henry James and The Yellow Book in the 1890s
- Order: Reorder
- Duration: 8:40
- Updated: 28 Jul 2015
- views: 1507
Anne Diebel discusses Henry James's situation in the 1890s, his decision to write for The Yellow Book, the three stories he published there and the effects this...
Anne Diebel discusses Henry James's situation in the 1890s, his decision to write for The Yellow Book, the three stories he published there and the effects this had on his career. In particular, Diebel examines how the content of Henry James's stories for The Yellow Book reflected his changing attitudes to the public and his own work.
Diebel also touches on the art of Aubrey Beardsley, Henry James's play 'Guy Domville', his stories 'The Death of the Lion' and 'The Next Time', and his view of the public as 'ravenous autograph-hunters, exploiters of publicity, lion-hunters, exploiters of publicity‘.
Read Anne Diebel in the LRB: http://www.lrb.co.uk/contributors/anne-diebel
Read the latest LRB: http://www.lrb.co.uk/
ABOUT THE LRB
Since 1979, the London Review of Books has stood up for the tradition of the literary and intellectual essay in English. Each issue contains up to 15 long reviews and essays by academics, writers and journalists. There are also shorter art and film reviews, as well as poems and a lively letters page.
A typical issue moves through political commentary to science or ancient history by way of literary criticism and social anthropology. So, for example, an issue can open with a piece on the rhetoric of war, move on to reassessing the reputation of Pythagoras, follow that with articles on the situation in Iraq, the 19th-century super-rich, Nabokov’s unpublished novel, how saints got to be saints, the life and work of William Empson, and an assessment of the poetry of Alice Oswald.
wn.com/Anne Diebel Henry James And The Yellow Book In The 1890S
Anne Diebel discusses Henry James's situation in the 1890s, his decision to write for The Yellow Book, the three stories he published there and the effects this had on his career. In particular, Diebel examines how the content of Henry James's stories for The Yellow Book reflected his changing attitudes to the public and his own work.
Diebel also touches on the art of Aubrey Beardsley, Henry James's play 'Guy Domville', his stories 'The Death of the Lion' and 'The Next Time', and his view of the public as 'ravenous autograph-hunters, exploiters of publicity, lion-hunters, exploiters of publicity‘.
Read Anne Diebel in the LRB: http://www.lrb.co.uk/contributors/anne-diebel
Read the latest LRB: http://www.lrb.co.uk/
ABOUT THE LRB
Since 1979, the London Review of Books has stood up for the tradition of the literary and intellectual essay in English. Each issue contains up to 15 long reviews and essays by academics, writers and journalists. There are also shorter art and film reviews, as well as poems and a lively letters page.
A typical issue moves through political commentary to science or ancient history by way of literary criticism and social anthropology. So, for example, an issue can open with a piece on the rhetoric of war, move on to reassessing the reputation of Pythagoras, follow that with articles on the situation in Iraq, the 19th-century super-rich, Nabokov’s unpublished novel, how saints got to be saints, the life and work of William Empson, and an assessment of the poetry of Alice Oswald.
- published: 28 Jul 2015
- views: 1507
After Beardsley (Part 2)
- Order: Reorder
- Duration: 4:12
- Updated: 07 Jul 2007
- views: 6277
In Part 2, Beardsley is 'resurrected' from his death bed and begins to walk through time to the present. On his journey he witnesses the evolution of the car a...
In Part 2, Beardsley is 'resurrected' from his death bed and begins to walk through time to the present. On his journey he witnesses the evolution of the car and of air and sea travel, then climbs a phallic mountain before descending into 20th century New York City. Part 3 reveals what he finds there... Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
wn.com/After Beardsley (Part 2)
In Part 2, Beardsley is 'resurrected' from his death bed and begins to walk through time to the present. On his journey he witnesses the evolution of the car and of air and sea travel, then climbs a phallic mountain before descending into 20th century New York City. Part 3 reveals what he finds there... Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
- published: 07 Jul 2007
- views: 6277
After Beardsley (Part 3)
- Order: Reorder
- Duration: 6:29
- Updated: 08 Jul 2007
- views: 3778
In Part 3 of the film, the ghost of Aubrey Beardsley explores the urban jungle of New York City where, amongst other things, he sees Bob Dylan as a satyr sittin...
In Part 3 of the film, the ghost of Aubrey Beardsley explores the urban jungle of New York City where, amongst other things, he sees Bob Dylan as a satyr sitting by an iconic 1959 Chevy, and Lenny Bruce being injected with heroin. He is then beckoned by Patti Smith (as Beardsley's Messalina) into a hospital room where he finds himself hooked up to life support equipment. His hospital persona shows his ghost the horrors of the present day - overpopulation, pestilence starvation, and death. Via John Lennon, he sees the horrors of a nuclear winter. The premise of the film is that, if Beardsley had been alive today instead of the 1890s, modern medicine would have kept him alive, but that, having had a glimpse of where the world was heading, he may have chosen to die anyway. Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
wn.com/After Beardsley (Part 3)
In Part 3 of the film, the ghost of Aubrey Beardsley explores the urban jungle of New York City where, amongst other things, he sees Bob Dylan as a satyr sitting by an iconic 1959 Chevy, and Lenny Bruce being injected with heroin. He is then beckoned by Patti Smith (as Beardsley's Messalina) into a hospital room where he finds himself hooked up to life support equipment. His hospital persona shows his ghost the horrors of the present day - overpopulation, pestilence starvation, and death. Via John Lennon, he sees the horrors of a nuclear winter. The premise of the film is that, if Beardsley had been alive today instead of the 1890s, modern medicine would have kept him alive, but that, having had a glimpse of where the world was heading, he may have chosen to die anyway. Written and drawn by Chris James, after Aubrey Beardsley. Music by Ronnie Fowler.
- published: 08 Jul 2007
- views: 3778
Salomé Cover Peter Doherty
- Order: Reorder
- Duration: 3:28
- Updated: 15 Jan 2016
- views: 59
Coversong by René Schmalz, Song written by
MICHAEL WHITNALL, PETER DOHERTY
Drawings by Aubrey Beardsley
Enter Herodias
J'ai baisé ta bouche
John and Salome...
Coversong by René Schmalz, Song written by
MICHAEL WHITNALL, PETER DOHERTY
Drawings by Aubrey Beardsley
Enter Herodias
J'ai baisé ta bouche
John and Salome
The Black Cape
The Climax
The Dancer's Reward
The Eyes of Herod
The Peacock Skirt
The Platonic Lament
The Stomach Dance
The Toilette of Salome I
The Toilette of Salome II
The Women in the Moon
Photo of Isodora Duncan taken from riowang.blogspot.com
wn.com/Salomé Cover Peter Doherty
Coversong by René Schmalz, Song written by
MICHAEL WHITNALL, PETER DOHERTY
Drawings by Aubrey Beardsley
Enter Herodias
J'ai baisé ta bouche
John and Salome
The Black Cape
The Climax
The Dancer's Reward
The Eyes of Herod
The Peacock Skirt
The Platonic Lament
The Stomach Dance
The Toilette of Salome I
The Toilette of Salome II
The Women in the Moon
Photo of Isodora Duncan taken from riowang.blogspot.com
- published: 15 Jan 2016
- views: 59
HARRY CLARKE - Darkness in Light. The award-winning film on the life and work of Harry Clarke.
- Order: Reorder
- Duration: 2:09
- Updated: 01 Sep 2009
- views: 11470
http://www.camelproductions.net/
Trailer for Camel Production's feature documentary Harry Clarke - Darkness in Light. Written and directed by John J Doherty the...
http://www.camelproductions.net/
Trailer for Camel Production's feature documentary Harry Clarke - Darkness in Light. Written and directed by John J Doherty the film is available from our website and is the only official film on the life and work of the great artist and features among others his only biographer Nicola Gordon-Bowe.
Winner of Best Arts Documentary at the Celtic International Film and Television Festival the film was financed by TG4 and the Irish Film Board.
Harry Clarke, one of Irelands most outstanding artists, created an often bizarre world in stained glass and book illustration. His work is a heady mix of the beautiful and the grotesque, the ethereal and the demonic, the romantic and the obscene. His tragic story represents a fascinating collision of Church, State and Art and one mans battle for freedom of expression.
Documentarian John J Doherty examines the life of Harry Clarke and the controversial nature of his work, culminating in his clash with the conservative Irish Free State over his offensive masterpiece, the Geneva Window. Visually spectacular and poetically told, Darkness in Light is a fitting showcase of Clarkes unique and haunting vision. Boston Irish Film Festival
Filmmaker John J Doherty in his film Harry Clarke -- Darkness in Light traces the life and work of the Irish artist, book illustrator and stained glass artist Harry Clarke (1889-1931) with major contributions from his biographer Nicola Gordon Bowe as well as many stained glass artists, poets and historians. Harry Clarke was born into the church decorating business and went on to become one of Ireland's most original artists, created an often bizarre world in stained glass and book illustration. The work he produced is a heady mix of the beautiful and the grotesque, the ethereal and the demonic, the romantic and the obscene. Struck down by TB in his prime his tragic story represents a fascinating collision of Church, State and Art and one man's battle for freedom of expression in early twentieth century Ireland at a time of struggle for national independence and religious dominance. The film takes the artist's work in stained glass, which was mainly religious & ethereal, and in book illustration, which was mainly dark & fantastical, as the basis for its title and tells a story of talent, struggle, success and the censorship of his final erotic masterpiece 'the Geneva Window'. Harry Clarke brought his expertise in working in fine decorative detail in glass to his book illustrations, most notably in the tales of Hans Anderson and, perhaps most famously, Edgar Allan Poe's Tales of Mystery and Imagination where he is often compared to Aubrey Beardsley and which are featured in the film and paralleled with German Expressionist cinema of the time. Clarke's work seems to have anticipated many of the images and themes of these films as well as anticipating the psychedelic imagery of the 1960′s. The work of Francis Bacon is also possibly traced to this artist -- the two coincidentally born in Dublin and having a morbid fascination with the darker side of life.
wn.com/Harry Clarke Darkness In Light. The Award Winning Film On The Life And Work Of Harry Clarke.
http://www.camelproductions.net/
Trailer for Camel Production's feature documentary Harry Clarke - Darkness in Light. Written and directed by John J Doherty the film is available from our website and is the only official film on the life and work of the great artist and features among others his only biographer Nicola Gordon-Bowe.
Winner of Best Arts Documentary at the Celtic International Film and Television Festival the film was financed by TG4 and the Irish Film Board.
Harry Clarke, one of Irelands most outstanding artists, created an often bizarre world in stained glass and book illustration. His work is a heady mix of the beautiful and the grotesque, the ethereal and the demonic, the romantic and the obscene. His tragic story represents a fascinating collision of Church, State and Art and one mans battle for freedom of expression.
Documentarian John J Doherty examines the life of Harry Clarke and the controversial nature of his work, culminating in his clash with the conservative Irish Free State over his offensive masterpiece, the Geneva Window. Visually spectacular and poetically told, Darkness in Light is a fitting showcase of Clarkes unique and haunting vision. Boston Irish Film Festival
Filmmaker John J Doherty in his film Harry Clarke -- Darkness in Light traces the life and work of the Irish artist, book illustrator and stained glass artist Harry Clarke (1889-1931) with major contributions from his biographer Nicola Gordon Bowe as well as many stained glass artists, poets and historians. Harry Clarke was born into the church decorating business and went on to become one of Ireland's most original artists, created an often bizarre world in stained glass and book illustration. The work he produced is a heady mix of the beautiful and the grotesque, the ethereal and the demonic, the romantic and the obscene. Struck down by TB in his prime his tragic story represents a fascinating collision of Church, State and Art and one man's battle for freedom of expression in early twentieth century Ireland at a time of struggle for national independence and religious dominance. The film takes the artist's work in stained glass, which was mainly religious & ethereal, and in book illustration, which was mainly dark & fantastical, as the basis for its title and tells a story of talent, struggle, success and the censorship of his final erotic masterpiece 'the Geneva Window'. Harry Clarke brought his expertise in working in fine decorative detail in glass to his book illustrations, most notably in the tales of Hans Anderson and, perhaps most famously, Edgar Allan Poe's Tales of Mystery and Imagination where he is often compared to Aubrey Beardsley and which are featured in the film and paralleled with German Expressionist cinema of the time. Clarke's work seems to have anticipated many of the images and themes of these films as well as anticipating the psychedelic imagery of the 1960′s. The work of Francis Bacon is also possibly traced to this artist -- the two coincidentally born in Dublin and having a morbid fascination with the darker side of life.
- published: 01 Sep 2009
- views: 11470
SHOWstudio: Hauteur Space - Nick Knight / Edward Enninful / Alexia Wight
- Order: Reorder
- Duration: 2:43
- Updated: 01 Apr 2014
- views: 2304
Nick Knight looked to the timeless language of elegance expounded in the work of Erté, Aubrey Beardsley, Lillian Bassman and Irina Ionesco, amongst others, to e...
Nick Knight looked to the timeless language of elegance expounded in the work of Erté, Aubrey Beardsley, Lillian Bassman and Irina Ionesco, amongst others, to explore the future-fantastic visions of Spring/Summer 2012 for W magazine.
This fashion film captures the beauty of Nick Knight's W magazine editorial.
wn.com/Showstudio Hauteur Space Nick Knight Edward Enninful Alexia Wight
Nick Knight looked to the timeless language of elegance expounded in the work of Erté, Aubrey Beardsley, Lillian Bassman and Irina Ionesco, amongst others, to explore the future-fantastic visions of Spring/Summer 2012 for W magazine.
This fashion film captures the beauty of Nick Knight's W magazine editorial.
- published: 01 Apr 2014
- views: 2304
2013 NVM: Dick Beardsley - Keynote Presentation
- Order: Reorder
- Duration: 38:57
- Updated: 29 Jun 2013
- views: 1377
- published: 29 Jun 2013
- views: 1377
Flowers Of Hell - TV interview with Greg Jarvis
- Order: Reorder
- Duration: 1:09
- Updated: 03 Jan 2011
- views: 1085
Bravo TV News piece on the Flowers Of Hell's album "O". http://www.facebook.com/theflowersofhell
- published: 03 Jan 2011
- views: 1085
Aubrey Orsini - Garden
- Order: Reorder
- Duration: 3:18
- Updated: 01 Dec 2014
- views: 624
Aubrey Orsini - a new hero for rural Suffolk.
In this episode Aubrey tells of how he found something unmentionable in his garden after strong winds!
Whilst thi...
Aubrey Orsini - a new hero for rural Suffolk.
In this episode Aubrey tells of how he found something unmentionable in his garden after strong winds!
Whilst this video contains no swearing, no nudity and no violence, it does contain adult themed humour.
wn.com/Aubrey Orsini Garden
Cameron - MOCA U - MOCAtv
- Order: Reorder
- Duration: 6:01
- Updated: 06 Nov 2014
- views: 8195
"There was a time when art was an assault on what art was, and practices were motivated by an elated passion for regions of the mind that amaze the vision more ...
"There was a time when art was an assault on what art was, and practices were motivated by an elated passion for regions of the mind that amaze the vision more than the eyes. Cameron [b. Marjorie Cameron, Belle Plaine, Iowa, 1922; d. Los Angeles, 1995] was of a time of heedless belief in the power of art to invent and celebrate new ways of representation and being. Her work oscillates between the psychedelic and surreal and defies a conventional understanding of modernity as a logical notion of progress in art. She reminds us of how little we perceive of our existence and how much our mind, if fully explored, awakens an alternative knowledge.
Her life and her art parallel with some of the greatest creative minds of our time including Kenneth Anger, Wallace Berman, William Blake, Bruce Conner, George Herms, Henri Michaux, and Unica Zurn. With intellectual chemistry, a different history of our time can be written. If not written, a history that can be hallucinated is the only strategy to overcome the gruesome cruelty of a culture that has neglected the values of humanity for way too long, a culture that might leave the negative trace of systematic erosion, destruction, and obliteration. From Cameron's work, a museum can learn courage—the courage of a woman who defied the conventions of her time and followed so many women who remained in the shadow of patriarchy but who have often taken more revolutionary risk than their seminal husbands, lovers, and friends."
—Philippe Vergne, Director, MOCA.
Cameron: Songs for the Witch Woman (MOCA Pacific Design Center, West Hollywood, October 11, 2014 — January 11, 2015) is organized by MOCA Senior Curator Alma Ruiz and curated by Guest Curator Yael Lipschutz. Generous support for MOCA Pacific Design Center is provided by Charles S. Cohen. Additional support is provided by the Cameron Parsons Foundation, Santa Monica. In-kind media support is provided by KCRW 89.9 FM and Los Angeles magazine.
wn.com/Cameron Moca U Mocatv
"There was a time when art was an assault on what art was, and practices were motivated by an elated passion for regions of the mind that amaze the vision more than the eyes. Cameron [b. Marjorie Cameron, Belle Plaine, Iowa, 1922; d. Los Angeles, 1995] was of a time of heedless belief in the power of art to invent and celebrate new ways of representation and being. Her work oscillates between the psychedelic and surreal and defies a conventional understanding of modernity as a logical notion of progress in art. She reminds us of how little we perceive of our existence and how much our mind, if fully explored, awakens an alternative knowledge.
Her life and her art parallel with some of the greatest creative minds of our time including Kenneth Anger, Wallace Berman, William Blake, Bruce Conner, George Herms, Henri Michaux, and Unica Zurn. With intellectual chemistry, a different history of our time can be written. If not written, a history that can be hallucinated is the only strategy to overcome the gruesome cruelty of a culture that has neglected the values of humanity for way too long, a culture that might leave the negative trace of systematic erosion, destruction, and obliteration. From Cameron's work, a museum can learn courage—the courage of a woman who defied the conventions of her time and followed so many women who remained in the shadow of patriarchy but who have often taken more revolutionary risk than their seminal husbands, lovers, and friends."
—Philippe Vergne, Director, MOCA.
Cameron: Songs for the Witch Woman (MOCA Pacific Design Center, West Hollywood, October 11, 2014 — January 11, 2015) is organized by MOCA Senior Curator Alma Ruiz and curated by Guest Curator Yael Lipschutz. Generous support for MOCA Pacific Design Center is provided by Charles S. Cohen. Additional support is provided by the Cameron Parsons Foundation, Santa Monica. In-kind media support is provided by KCRW 89.9 FM and Los Angeles magazine.
- published: 06 Nov 2014
- views: 8195
Peter Doherty - Salome (Grace/Wastelands)
- Order: Reorder
- Duration: 3:18
- Updated: 13 Apr 2009
- views: 148163
Salome... the famous Biblical story, the magical play by Oscar Wilde, the fantastic song.. Enjoy!
The pictures by Aubrey Beardsley, Alex Iakimenko, Titian, Ca...
Salome... the famous Biblical story, the magical play by Oscar Wilde, the fantastic song.. Enjoy!
The pictures by Aubrey Beardsley, Alex Iakimenko, Titian, Carlo Dolci, Léon Bakst, Gustave Moreau, O. Exter, Varuzhan Yepremyan, A. Kurbatov
wn.com/Peter Doherty Salome (Grace Wastelands)
Salome... the famous Biblical story, the magical play by Oscar Wilde, the fantastic song.. Enjoy!
The pictures by Aubrey Beardsley, Alex Iakimenko, Titian, Carlo Dolci, Léon Bakst, Gustave Moreau, O. Exter, Varuzhan Yepremyan, A. Kurbatov
- published: 13 Apr 2009
- views: 148163
Salome - Scott MacAllister Interview
- Order: Reorder
- Duration: 1:31
- Updated: 17 Jan 2012
- views: 599
Scott MacAllister interview about "Salome" - 25th and 26th January 2012 in Bolzano (South Tyrol | Italy). Further information on www.ntbz.net and www.vipticket....
Scott MacAllister interview about "Salome" - 25th and 26th January 2012 in Bolzano (South Tyrol | Italy). Further information on www.ntbz.net and www.vipticket.it
Video: Armin Ferrari
wn.com/Salome Scott Macallister Interview
The Importance of Being Earnest Opening Night
- Order: Reorder
- Duration: 1:30
- Updated: 12 Sep 2015
- views: 1702
A Trivial Comedy for Serious People.
Oscar Wilde’s The Importance of Being Earnest is perhaps the most perfectly funny play ever written.
In this joyous produ...
A Trivial Comedy for Serious People.
Oscar Wilde’s The Importance of Being Earnest is perhaps the most perfectly funny play ever written.
In this joyous production from W!LD RICE – named Singapore’s ‘sexiest theatre company’ by Lonely Planet - celebrated theatre and film director Glen Goei casts an all-male ensemble, revealing new insights into hidden identities, institutional marriage, and the politics of choosing a partner.
With sets inspired by English illustrator Aubrey Beardsley, a sensational international cast dressed to the nines by fashion doyen Frederick Lee, and a live string quartet from the Queensland Conservatorium, The Importance of Being Earnest promises to lift the spirits with an evening of sparkling wit, laughter and love.
wn.com/The Importance Of Being Earnest Opening Night
A Trivial Comedy for Serious People.
Oscar Wilde’s The Importance of Being Earnest is perhaps the most perfectly funny play ever written.
In this joyous production from W!LD RICE – named Singapore’s ‘sexiest theatre company’ by Lonely Planet - celebrated theatre and film director Glen Goei casts an all-male ensemble, revealing new insights into hidden identities, institutional marriage, and the politics of choosing a partner.
With sets inspired by English illustrator Aubrey Beardsley, a sensational international cast dressed to the nines by fashion doyen Frederick Lee, and a live string quartet from the Queensland Conservatorium, The Importance of Being Earnest promises to lift the spirits with an evening of sparkling wit, laughter and love.
- published: 12 Sep 2015
- views: 1702
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11:01
Aubrey Beardsley Part 1
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
published: 19 Mar 2011
Aubrey Beardsley Part 1
Aubrey Beardsley Part 1
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- published: 19 Mar 2011
- views: 14016
4:40
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
Animation about birth myths and place of birth, rendered in the style of and as a homage t...
published: 04 Mar 2008
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
Aubrey Beardsley - Alphabetic 'The A to Z of Birth'
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- published: 04 Mar 2008
- views: 11851
7:47
Aubrey Beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and a...
published: 22 Aug 2015
Aubrey Beardsley
Aubrey Beardsley
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- published: 22 Aug 2015
- views: 3944
4:11
Aubrey Beardsley
published: 10 Dec 2010
Aubrey Beardsley
Aubrey Beardsley
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- published: 10 Dec 2010
- views: 494
67:54
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
Lecture by Alison Brown, curator for European Decorative Art at Glasgow Museums, in the fr...
published: 11 Mar 2015
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
Alison Brown. Aubrey Beardsley’s influence on the Glasgow Style.
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- published: 11 Mar 2015
- views: 450
37:23
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
Lecture by Emma Sutton, Professor of St Andrews University (Edinburgh), in the framework o...
published: 11 Mar 2015
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
Emma Sutton. Aubrey Beardsley and British Wagnerism in 1890s.
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- published: 11 Mar 2015
- views: 171
4:06
Aubrey Beardsley - Un extracto de su obra.wmv
un poco de su vida y obra, acompañada por la musica de chopin
published: 02 Jul 2010
Aubrey Beardsley - Un extracto de su obra.wmv
Aubrey Beardsley - Un extracto de su obra.wmv
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- published: 02 Jul 2010
- views: 1619
6:54
Aubrey Beardsley and Jim Morrison
Leo and Sagittarius
published: 28 Nov 2008
Aubrey Beardsley and Jim Morrison
Aubrey Beardsley and Jim Morrison
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- published: 28 Nov 2008
- views: 15289
0:58
Aubrey Beardsley Oil Paintings
Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for hi...
published: 24 Apr 2013
Aubrey Beardsley Oil Paintings
Aubrey Beardsley Oil Paintings
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- published: 24 Apr 2013
- views: 1120
1:44
Aubrey Beardsley - A Tribute
A tribute to Beardsley including some of his most famous drawings as well as a piano piece...
published: 05 Feb 2009
Aubrey Beardsley - A Tribute
Aubrey Beardsley - A Tribute
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- published: 05 Feb 2009
- views: 5297
6:25
Aubrey Vincent Beardsley - Nicolo Paganini
published: 28 Nov 2011
Aubrey Vincent Beardsley - Nicolo Paganini
Aubrey Vincent Beardsley - Nicolo Paganini
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- published: 28 Nov 2011
- views: 1093
5:46
Aubrey Beardsley ~ bawdy, edgy
-- music by Arnold Schoenberg, Piano Concerto op. 42 (Excerpt)
-- for educational purpose...
published: 26 Jul 2014
Aubrey Beardsley ~ bawdy, edgy
Aubrey Beardsley ~ bawdy, edgy
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- published: 26 Jul 2014
- views: 66
1:20
Sliver Art - Aubrey Beardsley
A tribute to the infamous illustrator who declared, "I have one aim — the grotesque. If I ...
published: 30 Jan 2010
Sliver Art - Aubrey Beardsley
Sliver Art - Aubrey Beardsley
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- published: 30 Jan 2010
- views: 1097
9:42
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
Ilya Kaminsky reads his poem "What She Saw, Lifting the Curtain," at the Getty Center. The...
published: 26 Sep 2011
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
Ilya Kaminsky Reads a New Poem Inspired by Aubrey Beardsley's "Dream"
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- published: 26 Sep 2011
- views: 1164
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3:41
William Blake and British Visionary Art, Interview with Philippa Simson (Curator, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, ...
published: 15 Feb 2012
William Blake and British Visionary Art, Interview with Philippa Simson (Curator, Tate Britain)
William Blake and British Visionary Art, Interview with Philippa Simson (Curator, Tate Britain)
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- published: 15 Feb 2012
- views: 1191
2:05
A GEORGIAN FANTASY BY AUBREY BEARDSLEY
published: 01 Apr 2012
A GEORGIAN FANTASY BY AUBREY BEARDSLEY
A GEORGIAN FANTASY BY AUBREY BEARDSLEY
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- published: 01 Apr 2012
- views: 96
1:46
William Blake and British Visionary Art, Interview with Penelope Curtis (Director, Tate Britain)
The Ministry of Culture of the Russian Federation, the Pushkin State Museum of Fine Arts, ...
published: 15 Feb 2012
William Blake and British Visionary Art, Interview with Penelope Curtis (Director, Tate Britain)
William Blake and British Visionary Art, Interview with Penelope Curtis (Director, Tate Britain)
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- published: 15 Feb 2012
- views: 779
9:15
Aubrey Amos Jr. interview
Aubrey Amos Jr., 19, talks about being charged with first-degree murder in connection to t...
published: 27 Apr 2009
Aubrey Amos Jr. interview
Aubrey Amos Jr. interview
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- published: 27 Apr 2009
- views: 1919
7:56
Social Welfare 20 - The Robin Hood Tax
Our positive impact project for Social Welfare 20, at UC Berkeley, Summer Sessions 2012. C...
published: 08 Aug 2012
Social Welfare 20 - The Robin Hood Tax
Social Welfare 20 - The Robin Hood Tax
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- published: 08 Aug 2012
- views: 23
4:21
After Beardsley (Part 1 -- Title sequence)
The artist Aubrey Beardsley died in 1898 at the age of 25 from consumption (TB).
The film...
published: 07 Jul 2007
After Beardsley (Part 1 -- Title sequence)
After Beardsley (Part 1 -- Title sequence)
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- published: 07 Jul 2007
- views: 10990
14:01
Beardsley Part 3
A close up look at English artist Aubrey Beardsley's life and times - and art
In 4 parts
published: 19 Mar 2011
Beardsley Part 3
Beardsley Part 3
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- published: 19 Mar 2011
- views: 5076
8:40
Anne Diebel: Henry James and The Yellow Book in the 1890s
Anne Diebel discusses Henry James's situation in the 1890s, his decision to write for The ...
published: 28 Jul 2015
Anne Diebel: Henry James and The Yellow Book in the 1890s
Anne Diebel: Henry James and The Yellow Book in the 1890s
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- published: 28 Jul 2015
- views: 1507
4:12
After Beardsley (Part 2)
In Part 2, Beardsley is 'resurrected' from his death bed and begins to walk through time t...
published: 07 Jul 2007
After Beardsley (Part 2)
After Beardsley (Part 2)
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- published: 07 Jul 2007
- views: 6277
6:29
After Beardsley (Part 3)
In Part 3 of the film, the ghost of Aubrey Beardsley explores the urban jungle of New York...
published: 08 Jul 2007
After Beardsley (Part 3)
After Beardsley (Part 3)
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- published: 08 Jul 2007
- views: 3778
3:28
Salomé Cover Peter Doherty
Coversong by René Schmalz, Song written by
MICHAEL WHITNALL, PETER DOHERTY
Drawings by ...
published: 15 Jan 2016
Salomé Cover Peter Doherty
Salomé Cover Peter Doherty
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- published: 15 Jan 2016
- views: 59
2:09
HARRY CLARKE - Darkness in Light. The award-winning film on the life and work of Harry Clarke.
http://www.camelproductions.net/
Trailer for Camel Production's feature documentary Harry ...
published: 01 Sep 2009
HARRY CLARKE - Darkness in Light. The award-winning film on the life and work of Harry Clarke.
HARRY CLARKE - Darkness in Light. The award-winning film on the life and work of Harry Clarke.
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- published: 01 Sep 2009
- views: 11470
2:43
SHOWstudio: Hauteur Space - Nick Knight / Edward Enninful / Alexia Wight
Nick Knight looked to the timeless language of elegance expounded in the work of Erté, Aub...
published: 01 Apr 2014
SHOWstudio: Hauteur Space - Nick Knight / Edward Enninful / Alexia Wight
SHOWstudio: Hauteur Space - Nick Knight / Edward Enninful / Alexia Wight
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- published: 01 Apr 2014
- views: 2304
38:57
2013 NVM: Dick Beardsley - Keynote Presentation
published: 29 Jun 2013
2013 NVM: Dick Beardsley - Keynote Presentation
2013 NVM: Dick Beardsley - Keynote Presentation
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- published: 29 Jun 2013
- views: 1377
William Blake and British Visionary Art, Interview...
A GEORGIAN FANTASY BY AUBREY BEARDSLEY...
William Blake and British Visionary Art, Interview...
Aubrey Amos Jr. interview...
Social Welfare 20 - The Robin Hood Tax...
After Beardsley (Part 1 -- Title sequence)...
Beardsley Part 3...
Anne Diebel: Henry James and The Yellow Book in th...
After Beardsley (Part 2)...
After Beardsley (Part 3)...
Salomé Cover Peter Doherty...
HARRY CLARKE - Darkness in Light. The award-winnin...
SHOWstudio: Hauteur Space - Nick Knight / Edward E...
2013 NVM: Dick Beardsley - Keynote Presentation...
Flowers Of Hell - TV interview with Greg Jarvis...
Aubrey Orsini - Garden...
Cameron - MOCA U - MOCAtv...
Peter Doherty - Salome (Grace/Wastelands)...
Salome - Scott MacAllister Interview...
The Importance of Being Earnest Opening Night...
photo: WN / Aruna Mirasdar
Porn and the Threat to Virility
Edit Time Magazine 31 Mar 2016
Noah Church is a 26-year-old part-time wildland firefighter in Portland, Ore. When he was 9, he found naked pictures on the Internet. He learned how to download explicit videos. When he was 15, streaming videos arrived, and he watched those. Often. Several times a day, doing that which people often do while watching that genre by themselves ... After the appeal of those waned, he moved on to the next level, more intense, often more violent ... ....
photo: Twitter
Kim Kardashian, Emily Ratajkowski post topless bathroom pic
Edit New York Daily News 30 Mar 2016
Kim Kardashian has added a friend to her set of scandalous selfies ... ....
photo: AP / Bikas Das
At Least 21 Confirmed Dead, Scores Injured, Missing In Kolkata Overpass Collapse
Edit WorldNews.com 31 Mar 2016
Rescuers in Kolkata used saws, small cranes and bare hands to dig through the wreckage after a long section of a road overpass under construction collapsed in a crowded Indian neighborhood Thursday killing 21 people and leave scores of injured, the Belfast Telegraph reported Thursday ... “[It] came down with a huge crashing sound. I left my cup of tea and ran. I was crying at the spot.” – Yogesh Sharma, eyewitness to the overpass collapse....
photo: Creative Commons
On 55 Cancri e., It's Always Summer. Super-Earth A 'Cool' 2,060º At Night
Edit WorldNews.com 31 Mar 2016
Scientists have made a scorching hot discovery involving a “super-Earth” exo-planet 40 light years from Earth.The exo-planet, known as 55 Cancri e, is a bit warmer than originally thought – how much warmer? – well, dayside temperatures are about 4,400 degrees Fahrenheit, while nightside temperatures are a “brisk” 2,060 degrees Fahrenheit, CNN reports ... They can be made of gas, rock or a combination of both....
photo: AP / Sunday Alamba
Nigeria's Buhari Asks US for Help in Returning Stolen Assets
Edit Voa News 01 Apr 2016
Reuters. Nigerian President Muhammadu Buhari has asked the United States for help in returning stolen Nigerian assets stashed in U.S. banks as part of his efforts to crack down on corruption, according to a statement from his office Thursday. Buhari made the request during a meeting with U.S ... ....
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Gucci, Roberto Cavalli headline Day 1 of Milan Fashion Week
Edit The Malta Independent 11 Mar 2016
Premier Matteo Renzi opened Milan Fashion Week for the first time, signaling a fresh government focus on the strategic center of Italian fashion ... Both designers took the helm of major Italian fashion houses last year, representing a generational shift ... ___ ... ____ ... ___ ... "Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley things that give me a kick," Dundas said backstage, describing his inspirations....
Top eight designs from Milan fashion week - in pictures
Edit The National 02 Mar 2016
Milan Fashion Week delivered some inspiring and demanding collections this week. There were great ideas that would fly straight off the catwalk, as well as gorgeous looks that might be challenging to carry off ... newslide ... newslide ... The lean, sinuous looks were inspired by orientalism through the 1930s and the graphics of art nouveau illustrator Aubrey Beardsley, but there were references to the 1970s and Led Zeppelin's glam rock as well....
Fairy tales reconstructed as modern
Edit Otago Daily Times 21 Feb 2016
For many readers Michael Cunningham is best known for his novel The Hours, but it is probably to those who appreciated his contemporary reconstructions of traditional tales and events in both Specimen Days and The Snow Queen that this collection of reinterpretations of fairy stories will appeal ... In the prologue, "Dis ... "Most of us are safe ... Illustrations by Yuko Shimizu represent the content in a style reminiscent of Aubrey Beardsley ... ....
Sleeping in Van Gogh's bed
Edit Mail Guardian South Africa 19 Feb 2016
The room can be rented through Airbnb, allowing up to two people the opportunity to sleep in style in this recreated room in Vincent’s Yellow House ... His domestic interiors are self-portraits in loneliness ... The huge four-poster in which the decadent artist Aubrey Beardsley portrayed himself as a “monster”, ensconced in his luxurious lair, might make a fine stop-off if you are planning a weekend of drugged ecstasy or Fifty Shades sex....
Are the 1890s the new 1990s in fashion?
Edit The Guardian 17 Feb 2016
Consider Wilde’s affair with Bosey, a gay scandal that eventually landed him in jail; Aubrey Beardsley’s erotic drawings; the early death and subsequent mythologising of the poet Arthur Rimbaud; the dancers at the Moulin Rouge in Paris and Charlotte Perkins Gilman’s proto-feminist short story, The Yellow Wallpaper....
From Battleship Potemkin to Baker Street: sightseeing with Sergei Eisenstein
Edit The Guardian 13 Feb 2016
At the height of his notoriety, the great Russian director came to Britain for a whistlestop tour of everything from Bloomsbury to Windsor and Hampton Court. As a new exhibition opens up his dazzling sketchbooks, we reveal a different side of Eisenstein ... Eisenstein’s Anglophilia ran deep ... Shakespeare was a lifelong passion, as was Ben Jonson, whom he had discovered after buying a copy of Volpone for Aubrey Beardsley’s illustrations ... ....
Van Gogh's bedroom or Tracey's bed: where would you rather sleep over?
Edit The Guardian 11 Feb 2016
Following Airbnb’s recreation of Van Gogh’s room in Arles, the history of art has a wealth of possibilities for similar ventures – but whose crib would you book?. Related ... Twitter ... Twitter ... The huge four-poster in which the decadent artist Aubrey Beardsley portrayed himself as a “monster”, esconced in his luxurious lair, might make a fine stop-off if you are planning a weekend of drugged ecstasy or Fifty Shades sex ... No tidying up, now! ... ....
Dubai artist Hatty Pedder creates high-flying designs for Emirates airline
Edit The National 01 Feb 2016
For as long as she can remember, Hatty Pedder wanted to be an artist. And for the past 22 years, the Dubai-based British-born illustrator and photographer has been realising her creative dreams with an impressive back catalogue of VIP clients Cartier and Lanvin, and Maserati ... Pedder paints a picture of how it all came about. What drew you to art? ... Comparisons of your black line illustrations with Aubrey Beardsley's are inevitable....
South Florida Visual Arts Scene
Edit The Miami Herald 31 Dec 2015
9 ... The gallery, 2620 NW Second Ave., Miami, is open 1-5 p.m. Tuesday-Saturday ... Pelican Grand is at 2000 N ... 31 ... 3-7 ... ▪ The Lowe Art Museum exhibit “Contemplating Character,” which spotlights 125 rare portrait drawings and oil sketches by visionaries from the late 1700s to the present like Jacques-Louis David, Lucian Freud and Aubrey Beardsley, will be on view for two weeks after the museum reopens — from Monday through Jan. 17 ... to 7 p.m....
Musical version of ‘Jazz Singer’ presented in Boca Raton
Edit The Miami Herald 31 Dec 2015
A musical version of The Jazz Singer, based on the 1925 play by Samson Raphaelson, runs Jan ... Military Trail, Boca Raton ... 9 ... ▪ The Lowe Art Museum exhibit “Contemplating Character,” which spotlights 125 rare portrait drawings and oil sketches by visionaries from the late 1700s to the present like Jacques-Louis David, Lucian Freud and Aubrey Beardsley, will be on view for two weeks after the museum reopens — from Monday through Jan....
Exclusive: Interview With Peter Rubin "Man of Steel" Shield Designer
Edit About.com 19 Dec 2015
Have you ever wanted to draw the Superman S shield? Would you want to have to redesign one of the most recognized symbols in the world? There have been six theatrical Superman movies and this one set out to be different ... He's worked on films like Stargate (1994), Battlestar Galactica. Blood and Chrome and Green Lantern (2011) ... Maurice Mitchell ... MM ... PR ... We looked at Mucha, Louis Sullivan, Aubrey Beardsley, Gaudi, and dozens of others ... R....
Amex: The Credit Crunch (Middlesbrough Football & Athletic Company (1986) Ltd)
Edit Public Technologies 18 Dec 2015
(Source. Middlesbrough Football & Athletic Company (1986) Ltd). What It Means ... Why It's There ... Why They're There ... Boro Lows ... Holly Willoughby, Fatboy Slim, Steve Bell, Ismbard Kingdom Brunel, Natasha Kaplinsky, Simon Cowell, Aubrey Beardsley, Tony Hawks, and more actors than former members of The Fall, from Olivier downwards, and Anita Roddick, founder of the Body Shop, responsible for millions of British women smelling like a fruit salad....
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