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[UKTV History] Crimean War 1853-1856
Certainly one of the best documentaries you will ever watch. I know i enjoyed it alot, hope you do too.
It is less about facts, more about the emotions and pain from those who were involved in the war.
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London, 1856 - A Steampunk Orchestra - Epic Adventure Music
*You can buy this song for $1 (or more for support :) !) at http://walidfeghali.bandcamp.com/track/london-1856-a-steampunk-orchestra *
Hey! So here's an orchestral steampunk piece I've been writing while having time off university (studying mechanical engineering).
I was thinking about a boy who runs around in this steampunk city, doing business for his steampunk professor or something! An adve
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The American Presidential Election of 1856
Mr. Beat's band: http://electricneedleroom.net/
Mr. Beat on Twitter: https://twitter.com/beatmastermatt
Help Mr. Beat spend more time making videos: https://www.patreon.com/iammrbeat
The 18th episode in a very long series about the American presidential elections from 1788 to the present. I hope to have them done by Election Day 2016. In 1856, the birth of the Republican Party, and a three-way rac
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1856 JUAN SANTAMARIA WILLIAM WALKER TELENOTICIAS CANAL 7
La Campaña Nacional de 1856-1857 fue iniciada por la República de Costa Rica contra el ejército filibustero estadounidense el cual era encabezado por William Walker, y de la cual se recuerdan principalmente la Batalla de Santa Rosa y las varias Batalla de Rivas
1856 JUAN SANTAMARIA WILLIAM WALKER TELENOTICIAS CANAL 7 COSTA RICA
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Крымская война (1853 - 1856)
Крымская война 1853—1856, также Восточная война — война между Российской империей и коалицией в составе Британской, Французской, Османской империй и Сардинского королевства. Боевые действия разворачивались на Кавказe, в Дунайских княжествах, на Балтийском, Чёрном, Белом и Баренцевом морях, а также на Камчатке. Наибольшего напряжения они достигли в Крыму.
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Redescubriendo nuestra historia: Campaña Nacional 1856-1857
Producción del Ministerio de Educación Pública.Coordinador: Anger Smith Castro. Presentadores: Lineth Gutiérrez y Orlando Torres. Apoyo en las recreaciones del Liceo San José del Río (Sarapiquí). 2014.
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La Guerra centroamericana contra los filibusteros estadounidenses. Primera etapa 1856
Se procura la realización de un viaje por la Costa Rica de 1856, para comprender la lucha desarrollada contra los filibusteros estadounidenses, con el apoyo militar de los otros países centroamericanos.
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James Buchanan and the election of 1856
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Segunda etapa de la Campaña Nacional de 1856 y 1857
Yorleny nos habla de la segunda etapa de la campaña nacional de 1856 y 1857, una guerra que desafió la sencillez de los costarricenses y saco el valor que todo tico lleva en el corazón y el profe en casa te lo trae y http://www.robledigital.com te lo facilita para que lo conozcas.
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MOOC | The Election of 1856 | The Civil War and Reconstruction, 1850-1861 | 1.6.7
Discover how the issue of slavery came to dominate American politics, and how political leaders struggled and failed to resolve the growing crisis in the nation.
A House Divided: The Road to Civil War, 1850-1861, is a course that begins by examining how generations of historians have explained the crisis of the Union. After discussing the institution of slavery and its central role in the southe
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ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856-
Concierto para piano y Orquesta Op. 54
Allegro Affettuoso
Intermezzo. Andantino gracioso
Allegro vivace
Piano: Rudolf Serkin
Orquesta de Philadelphie
Director: Eugene Ormandy
El Concierto para piano y orquesta en la menor de Robert Schumann es, de los tres conciertos escritos por él —para piano, violín y violonchelo—, el primero de ellos, opus 54, en La menor, el
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Nikola Tesla 1856-1943 Scalar Technology Is Real And This Is The Man Responsible
Nikola Tesla 1856-1943 His Legacy Lives On - looking at the life of one of the greatest inventors the world has really never been told about.
Nikola Tesla, Scalar Technology, cosmic rays, HAARP, ELF, Ionosphere,JP Morgan, free energy, zero point, ether, dark matter,philidelphia experiment, earthquakes
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© Robert Schumann 1810-1856 - Symfoni no 3 - DRSO - Thomas Dausgaard
Robert Schumann 1810-1856 - Symfoni no 3 - Danmarks Radio SymfoniOrkestret - Thomas Dausgaard.
© Danmarks Radio
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Robert Schumann(1810-1856):Requiem,Op.148(1852).
I.Requiem aeternam:4:05
II.Te decet hymnus:4:54
III.Dies irae:3:24
IV.Liber scriptus:5:22.
V.Qui Mariam:4:56
VI.Domine Jesu:2:33
VII.Hostias:0:59.
VIII.Sanctus:3:47.
IX.Benedictus.Agnus Dei:7:20.Saarbrucken Chamber Choir.
German Radio Saarbrucken-Kaiserslautern Philharmonic Orchestra.
Georg Gruen
S.Rubens,I.Danz,C.Pregardien,A.Seidel,F.Speer.
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Brahms, Geisliches Lied, op. 30 (1856)
Text : Paul Flemming (1609-1640)
Laß dich nur nichts nicht dauren mit Trauren,
sei stille, wie Gott es fügt,
so sei vergnügt mein Wille!
Was willst du heute sorgen auf morgen?
Der Eine steht allem für,
der gibt auch dir das Deine.
Sei nur in allem Handel ohn Wandel,
steh feste, was Gott beschleußt,
das ist und heißt das Beste.
Translation :
Do not be sorrowful or regretful;
Be calm, as God ha
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ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.-
Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
Lebhait
Scherzo. Sehr mässig
Nicht schnell
Feierlich
Lebhaft
Orquestad de Cleveland
Director: George Szell
Sinfonía n.º 3 (Schumann)
La sinfonía n.º 3, en mi bemol mayor, "Renana", op. 97, fue escrita por Robert Schumann a finales de 1850. Fue estrenada el 6 de febrero de 1851 en Düsseldorf bajo la dirección del propio c
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Kırım Savaşı'nda Osmanlı Ordusu (1853-1856)
19. yüzyılda Avrupalı bazı kesimlerin korkaklıkla suçladığı Osmanlı Ordusu'nun Kırım Savaşı sırasında yetersiz mühimmat ve asker gücüne rağmen Rus birlikleriyle yaptığı kahramanca mücadelenin öyküsü yine İngiliz tarihçiler tarafından aktarılıyor. Özellikle 22:40'taki bölüm Türklerin savaşın kazanılmasındaki hayati rolüne vurgu yapıyor...
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Marcelino Menéndez Pelayo (1856-1912)
Audiovisual sobre Marcelino Menéndez Pelayo. Portal Biblioteca de Menéndez Pelayo. Fondo de teatro antiguo español. Biblioteca Virtual Miguel de Cervantes.
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Er ist's - Robert Alexander Schumann ( 1810~1856 ). 도희선 소프라노
소프라노 도희선 Soprano Do HeeSun mailto : bravasunny@gmail.com
▶ 독일 베를린 국립음대, Universitaet der Kuenste Berlin
- 전문연주자과정(Lied, Oratorium, Oper) 졸업
▶ 연세대학교 음악대학 성악과 졸업
▶ 숙명여중, 고 졸업
▶사사
- 심선화, 최현수, 류지혜, 최승태, 나경혜
- professor ; Nena Brzakovic, Herbert Brauer, Regina Schudel, Regina Werner-Diedrich
Piano 박성희
▶ 독일 Heidelberg Musikhochschule 리트 반주과 졸업
▶ 이탈리아 Parma Accademia, Donizetti Accademia 오페라 반주과
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La guerre de Crimée (1853-1856) Second Empire
La guerre de Crimée. 2000 ans d'histoire sur France Inter de Parice Gélinet avec Alain Gouttman (historien). 24.04.2003
« La Crimée ressemble au fond d'un étang à peine vidé ; nos bivouacs sont changés en marécages, les cadavres de chevaux jonchent la terre, et tout a l'aspect de la désolation. »
(Colonel Cler, 2e Régiment de Zouaves)
Pourquoi y-a-t-il un zouave au pont de l'Alma ? A quels évène
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Prime Ministers of New Zealand 1856 - present
All the Prime Ministers of New Zealand, from 1856 to today.
Starting with Henry Sewell in 1856 and ending with John Key, who was elected on the 8th of November, 2008.
In total, 38 people have held the office of Prime Minister with some elected on more than one occasion.
For a detailed list see http://en.wikipedia.org/wiki/List_of_Prime_Ministers_of_New_Zealand
Henry Sewell
Sir William
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Russian War - Crimean War, 1853 to 1856
A quick and dirty history of the Crimean war, 1853 to 1856. Please go to warscholar.org for more military history. WarScholar.com has been taken by a cybersquatter.
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SAM 1856
Description
[UKTV History] Crimean War 1853-1856
Certainly one of the best documentaries you will ever watch. I know i enjoyed it alot, hope you do too.
It is less about facts, more about the emotions and pain...
Certainly one of the best documentaries you will ever watch. I know i enjoyed it alot, hope you do too.
It is less about facts, more about the emotions and pain from those who were involved in the war.
wn.com/Uktv History Crimean War 1853 1856
Certainly one of the best documentaries you will ever watch. I know i enjoyed it alot, hope you do too.
It is less about facts, more about the emotions and pain from those who were involved in the war.
- published: 04 Jul 2014
- views: 26205
London, 1856 - A Steampunk Orchestra - Epic Adventure Music
*You can buy this song for $1 (or more for support :) !) at http://walidfeghali.bandcamp.com/track/london-1856-a-steampunk-orchestra *
Hey! So here's an orches...
*You can buy this song for $1 (or more for support :) !) at http://walidfeghali.bandcamp.com/track/london-1856-a-steampunk-orchestra *
Hey! So here's an orchestral steampunk piece I've been writing while having time off university (studying mechanical engineering).
I was thinking about a boy who runs around in this steampunk city, doing business for his steampunk professor or something! An adventure starter :D
Let me know what ya think!
Walid
ARTWORK:
A Steampunk Fairytale by FrankHong: http://frankhong.deviantart.com/art/A-Steampunk-Fairytale-88910654
"Inne Piesni" - Jacek Dukaj: http://anhelli-anhelli.blogspot.se/2010/07/inne-piesni-jacek-dukaj-szata-umysu.html
Airship by Aninael: http://aninael.deviantart.com/art/Airship-138031221
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Follow my Facebook page https://www.facebook.com/walid.feghali !
My website: http://walidfeghali.com
My art gallery: http://soldatnordsken.deviantart.com
My music: http://www.soundcloud.com/walidfeghali
wn.com/London, 1856 A Steampunk Orchestra Epic Adventure Music
*You can buy this song for $1 (or more for support :) !) at http://walidfeghali.bandcamp.com/track/london-1856-a-steampunk-orchestra *
Hey! So here's an orchestral steampunk piece I've been writing while having time off university (studying mechanical engineering).
I was thinking about a boy who runs around in this steampunk city, doing business for his steampunk professor or something! An adventure starter :D
Let me know what ya think!
Walid
ARTWORK:
A Steampunk Fairytale by FrankHong: http://frankhong.deviantart.com/art/A-Steampunk-Fairytale-88910654
"Inne Piesni" - Jacek Dukaj: http://anhelli-anhelli.blogspot.se/2010/07/inne-piesni-jacek-dukaj-szata-umysu.html
Airship by Aninael: http://aninael.deviantart.com/art/Airship-138031221
----------
Follow my Facebook page https://www.facebook.com/walid.feghali !
My website: http://walidfeghali.com
My art gallery: http://soldatnordsken.deviantart.com
My music: http://www.soundcloud.com/walidfeghali
- published: 01 Oct 2011
- views: 329535
The American Presidential Election of 1856
Mr. Beat's band: http://electricneedleroom.net/
Mr. Beat on Twitter: https://twitter.com/beatmastermatt
Help Mr. Beat spend more time making videos: https://www...
Mr. Beat's band: http://electricneedleroom.net/
Mr. Beat on Twitter: https://twitter.com/beatmastermatt
Help Mr. Beat spend more time making videos: https://www.patreon.com/iammrbeat
The 18th episode in a very long series about the American presidential elections from 1788 to the present. I hope to have them done by Election Day 2016. In 1856, the birth of the Republican Party, and a three-way race that demonstrated the country's growing sectionalism.
Feeling extra dorky? Then visit here:
http://www.countingthevotes.com/1856
The 18th Presidential election in American history took place on November 4th, 1856.
Franklin Pierce had a rough going over the previous four years, and now struggled to get his own party’s renomination. At the Democratic Party’s convention, 4 main candidates were in the running: Pierce, James Buchanan, Little Giant himself Stephen Douglas, and the beautiful Lewis Cass. It was a tight race between four well established and qualified candidates. In the end, Buchanan won the nomination. His running mate was John C. Breckinridge, a former U.S. Representative from Kentucky.
By this time, the Whig Party had mostly collapsed. Most former Whigs had joined the either the Know Nothing Party or a brand new political party called the Republican Party.
The Republican Party was formed in 1854 to oppose the extremely controversial Kansas Nebraska Act. At the first Republican National Convention in June of 1856, they met to approve an anti-slavery platform, an end to polygamy in Mormon settlements, and federal aid for a transcontinental railroad. Their nominee for President was John C. Fremont, a former Senator from California, although Supreme Court justice John McClean from Ohio was in the running. Fremont’s running mate was William L. Dayton, a former Senator from New Jersey.
The American Party, formerly the Native American Party and nicknamed the “Know Nothing Party,” by this time had gained much support for their nativist platform. Nativism is the policy of protecting the interests native citizens against foreigners, and the American Party mostly targeted Irish Catholics, who they complained were hurting the country. Even though former President Millard Fillmore was not a member of the American Party, nor was he a nativist, and he never attended an American Party function, the party nominated him to be President again. He was actually out of the country at the time of the nomination, and had not been consulted beforehand. Still, he just sort of went with it. The Know-Nothings nominated Andrew Jackson Donelson, the nephew of Andrew Jackson.
There were two other political parties that ran candidates for President, the deceptively named North American party and the North American Seceders Party, but they were pretty insignificant so we won’t go into who they endorsed.
Slavery was the inescapable issue of the day, and it would be quite an understatement to say the country was divided on the issue. The Republican Party unapologetically opposed expanding slavery out west. It’s slogan was “Free speech, free press, free soil, free men, Fremont, and victory!” The Democrats warned that a Fremont victory would bring a civil war.
The American Party attacked Fremont also, call him a….gasp...a Catholic, even though it wasn’t true.
The fact is, despite their xenophobia, the American Party attracted many who were scared at how divided the country had become. Their candidate, Fillmore, promised a return to unity.
wn.com/The American Presidential Election Of 1856
Mr. Beat's band: http://electricneedleroom.net/
Mr. Beat on Twitter: https://twitter.com/beatmastermatt
Help Mr. Beat spend more time making videos: https://www.patreon.com/iammrbeat
The 18th episode in a very long series about the American presidential elections from 1788 to the present. I hope to have them done by Election Day 2016. In 1856, the birth of the Republican Party, and a three-way race that demonstrated the country's growing sectionalism.
Feeling extra dorky? Then visit here:
http://www.countingthevotes.com/1856
The 18th Presidential election in American history took place on November 4th, 1856.
Franklin Pierce had a rough going over the previous four years, and now struggled to get his own party’s renomination. At the Democratic Party’s convention, 4 main candidates were in the running: Pierce, James Buchanan, Little Giant himself Stephen Douglas, and the beautiful Lewis Cass. It was a tight race between four well established and qualified candidates. In the end, Buchanan won the nomination. His running mate was John C. Breckinridge, a former U.S. Representative from Kentucky.
By this time, the Whig Party had mostly collapsed. Most former Whigs had joined the either the Know Nothing Party or a brand new political party called the Republican Party.
The Republican Party was formed in 1854 to oppose the extremely controversial Kansas Nebraska Act. At the first Republican National Convention in June of 1856, they met to approve an anti-slavery platform, an end to polygamy in Mormon settlements, and federal aid for a transcontinental railroad. Their nominee for President was John C. Fremont, a former Senator from California, although Supreme Court justice John McClean from Ohio was in the running. Fremont’s running mate was William L. Dayton, a former Senator from New Jersey.
The American Party, formerly the Native American Party and nicknamed the “Know Nothing Party,” by this time had gained much support for their nativist platform. Nativism is the policy of protecting the interests native citizens against foreigners, and the American Party mostly targeted Irish Catholics, who they complained were hurting the country. Even though former President Millard Fillmore was not a member of the American Party, nor was he a nativist, and he never attended an American Party function, the party nominated him to be President again. He was actually out of the country at the time of the nomination, and had not been consulted beforehand. Still, he just sort of went with it. The Know-Nothings nominated Andrew Jackson Donelson, the nephew of Andrew Jackson.
There were two other political parties that ran candidates for President, the deceptively named North American party and the North American Seceders Party, but they were pretty insignificant so we won’t go into who they endorsed.
Slavery was the inescapable issue of the day, and it would be quite an understatement to say the country was divided on the issue. The Republican Party unapologetically opposed expanding slavery out west. It’s slogan was “Free speech, free press, free soil, free men, Fremont, and victory!” The Democrats warned that a Fremont victory would bring a civil war.
The American Party attacked Fremont also, call him a….gasp...a Catholic, even though it wasn’t true.
The fact is, despite their xenophobia, the American Party attracted many who were scared at how divided the country had become. Their candidate, Fillmore, promised a return to unity.
- published: 20 Dec 2015
- views: 397
1856 JUAN SANTAMARIA WILLIAM WALKER TELENOTICIAS CANAL 7
La Campaña Nacional de 1856-1857 fue iniciada por la República de Costa Rica contra el ejército filibustero estadounidense el cual era encabezado por William Wa...
La Campaña Nacional de 1856-1857 fue iniciada por la República de Costa Rica contra el ejército filibustero estadounidense el cual era encabezado por William Walker, y de la cual se recuerdan principalmente la Batalla de Santa Rosa y las varias Batalla de Rivas
1856 JUAN SANTAMARIA WILLIAM WALKER TELENOTICIAS CANAL 7 COSTA RICA
wn.com/1856 Juan Santamaria William Walker Telenoticias Canal 7
La Campaña Nacional de 1856-1857 fue iniciada por la República de Costa Rica contra el ejército filibustero estadounidense el cual era encabezado por William Walker, y de la cual se recuerdan principalmente la Batalla de Santa Rosa y las varias Batalla de Rivas
1856 JUAN SANTAMARIA WILLIAM WALKER TELENOTICIAS CANAL 7 COSTA RICA
- published: 08 Mar 2013
- views: 32273
Крымская война (1853 - 1856)
Крымская война 1853—1856, также Восточная война — война между Российской империей и коалицией в составе Британской, Французской, Османской империй и Сардинского...
Крымская война 1853—1856, также Восточная война — война между Российской империей и коалицией в составе Британской, Французской, Османской империй и Сардинского королевства. Боевые действия разворачивались на Кавказe, в Дунайских княжествах, на Балтийском, Чёрном, Белом и Баренцевом морях, а также на Камчатке. Наибольшего напряжения они достигли в Крыму.
wn.com/Крымская Война (1853 1856)
Крымская война 1853—1856, также Восточная война — война между Российской империей и коалицией в составе Британской, Французской, Османской империй и Сардинского королевства. Боевые действия разворачивались на Кавказe, в Дунайских княжествах, на Балтийском, Чёрном, Белом и Баренцевом морях, а также на Камчатке. Наибольшего напряжения они достигли в Крыму.
- published: 07 May 2013
- views: 39357
Redescubriendo nuestra historia: Campaña Nacional 1856-1857
Producción del Ministerio de Educación Pública.Coordinador: Anger Smith Castro. Presentadores: Lineth Gutiérrez y Orlando Torres. Apoyo en las recreaciones del ...
Producción del Ministerio de Educación Pública.Coordinador: Anger Smith Castro. Presentadores: Lineth Gutiérrez y Orlando Torres. Apoyo en las recreaciones del Liceo San José del Río (Sarapiquí). 2014.
wn.com/Redescubriendo Nuestra Historia Campaña Nacional 1856 1857
Producción del Ministerio de Educación Pública.Coordinador: Anger Smith Castro. Presentadores: Lineth Gutiérrez y Orlando Torres. Apoyo en las recreaciones del Liceo San José del Río (Sarapiquí). 2014.
- published: 15 Mar 2015
- views: 387
La Guerra centroamericana contra los filibusteros estadounidenses. Primera etapa 1856
Se procura la realización de un viaje por la Costa Rica de 1856, para comprender la lucha desarrollada contra los filibusteros estadounidenses, con el apoyo mil...
Se procura la realización de un viaje por la Costa Rica de 1856, para comprender la lucha desarrollada contra los filibusteros estadounidenses, con el apoyo militar de los otros países centroamericanos.
wn.com/La Guerra Centroamericana Contra Los Filibusteros Estadounidenses. Primera Etapa 1856
Se procura la realización de un viaje por la Costa Rica de 1856, para comprender la lucha desarrollada contra los filibusteros estadounidenses, con el apoyo militar de los otros países centroamericanos.
- published: 29 Aug 2010
- views: 38564
Segunda etapa de la Campaña Nacional de 1856 y 1857
Yorleny nos habla de la segunda etapa de la campaña nacional de 1856 y 1857, una guerra que desafió la sencillez de los costarricenses y saco el valor que todo ...
Yorleny nos habla de la segunda etapa de la campaña nacional de 1856 y 1857, una guerra que desafió la sencillez de los costarricenses y saco el valor que todo tico lleva en el corazón y el profe en casa te lo trae y http://www.robledigital.com te lo facilita para que lo conozcas.
wn.com/Segunda Etapa De La Campaña Nacional De 1856 Y 1857
Yorleny nos habla de la segunda etapa de la campaña nacional de 1856 y 1857, una guerra que desafió la sencillez de los costarricenses y saco el valor que todo tico lleva en el corazón y el profe en casa te lo trae y http://www.robledigital.com te lo facilita para que lo conozcas.
- published: 06 Apr 2013
- views: 7852
MOOC | The Election of 1856 | The Civil War and Reconstruction, 1850-1861 | 1.6.7
Discover how the issue of slavery came to dominate American politics, and how political leaders struggled and failed to resolve the growing crisis in the nation...
Discover how the issue of slavery came to dominate American politics, and how political leaders struggled and failed to resolve the growing crisis in the nation.
A House Divided: The Road to Civil War, 1850-1861, is a course that begins by examining how generations of historians have explained the crisis of the Union. After discussing the institution of slavery and its central role in the southern and national economies, it turns to an account of the political and social history of the 1850s. It traces how the issue of the expansion of slavery came to dominate national politics, and how political leaders struggled, unsuccessfully, to resolve the growing crisis. We will examine the impact of key events such as Bleeding Kansas, the Dred Scott decision, the Lincoln-Douglas debates, and John Brown’s raid on Harpers Ferry, and end with the dissolution of the Union in the winter of 1860-1861.
This course is part of the series, The Civil War and Reconstruction, which introduces students to the most pivotal era in American history. The Civil War transformed the nation by eliminating the threat of secession and destroying the institution of slavery. It raised questions that remain central to our understanding of ourselves as a people and a nation — the balance of power between local and national authority, the boundaries of citizenship, and the meanings of freedom and equality. The series will examine the causes of the war, the road to secession, the conduct of the Civil War, the coming of emancipation, and the struggle after the war to breathe meaning into the promise of freedom for four million emancipated slaves. One theme throughout the series is what might be called the politics of history — how the world in which a historian lives affects his or her view of the past, and how historical interpretations reinforce or challenge the social order of the present.
Eric Foner, DeWitt Clinton Professor of History at Columbia University, is one of the most prominent historians in the United States. Professor Foner is the author or editor of over twenty books concentrating on the intersections of intellectual, political and social history and the history of American race relations. His recent book, The Fiery Trial: Abraham Lincoln and American Slavery, was awarded the Pulitzer Prize, the Bancroft Prize, and the Lincoln Prize. He is the author of Give Me Liberty!: An American History, a widely-used survey textbook of U. S. history published by W. W. Norton. Additionally, he is the recipient of the Presidential Award for Outstanding Teaching from Columbia University. He is one of only two persons ever to serve as president of the three major professional organizations: the American Historical Association, Organization of American Historians, and Society of American Historians. As co-curator of two award-winning historical exhibitions, and through frequent appearances in newspapers and magazines and on radio and television discussion programs, he has also endeavored to bring historical knowledge to a broad public outside the university.
Enroll today!
https://www.edx.org/course/columbiax/columbiax-hist1-1x-civil-war-2241#
See other courses in this series:
The Civil War and Reconstruction - 1861-1865
The Civil War and Reconstruction - 1865-1890
Credits: Many images courtesy of Eric Foner and Blackpast.org; the Chicago Historical Society; Colby College; Columbia University; Cornell University; Paul J. Cronin; HarperCollins; LaborArts.org; Library of Congress; Museum of Modern Art; New York University; the Roam Agency; Wikipedia; W. W. Norton & Co.; and additional cultural and educational institutions. The design, production, and distribution of "The Civil War and Reconstruction” series is generously supported by the Office of the Provost at Columbia University.
"The Civil War and Reconstruction" course series is Copyright © 2014, Eric Foner and the Trustees of Columbia University in the City of New York. Except where otherwise noted. Professor Foner’s course lecture videos in the series are licensed with the Creative Commons license BY-NC-SA 4.0, which means that anyone anywhere may copy, share, adapt, and remix the videos and the videos’ key media components, including transcripts, without having to ask for prior permission, as long as such sharing is done for noncommercial purposes and the original author, work, and copyright and Creative Commons notice above are cited. For more information, visit: http://creativecommons.org/licenses/by-nc-sa/4.0/
wn.com/Mooc | The Election Of 1856 | The Civil War And Reconstruction, 1850 1861 | 1.6.7
Discover how the issue of slavery came to dominate American politics, and how political leaders struggled and failed to resolve the growing crisis in the nation.
A House Divided: The Road to Civil War, 1850-1861, is a course that begins by examining how generations of historians have explained the crisis of the Union. After discussing the institution of slavery and its central role in the southern and national economies, it turns to an account of the political and social history of the 1850s. It traces how the issue of the expansion of slavery came to dominate national politics, and how political leaders struggled, unsuccessfully, to resolve the growing crisis. We will examine the impact of key events such as Bleeding Kansas, the Dred Scott decision, the Lincoln-Douglas debates, and John Brown’s raid on Harpers Ferry, and end with the dissolution of the Union in the winter of 1860-1861.
This course is part of the series, The Civil War and Reconstruction, which introduces students to the most pivotal era in American history. The Civil War transformed the nation by eliminating the threat of secession and destroying the institution of slavery. It raised questions that remain central to our understanding of ourselves as a people and a nation — the balance of power between local and national authority, the boundaries of citizenship, and the meanings of freedom and equality. The series will examine the causes of the war, the road to secession, the conduct of the Civil War, the coming of emancipation, and the struggle after the war to breathe meaning into the promise of freedom for four million emancipated slaves. One theme throughout the series is what might be called the politics of history — how the world in which a historian lives affects his or her view of the past, and how historical interpretations reinforce or challenge the social order of the present.
Eric Foner, DeWitt Clinton Professor of History at Columbia University, is one of the most prominent historians in the United States. Professor Foner is the author or editor of over twenty books concentrating on the intersections of intellectual, political and social history and the history of American race relations. His recent book, The Fiery Trial: Abraham Lincoln and American Slavery, was awarded the Pulitzer Prize, the Bancroft Prize, and the Lincoln Prize. He is the author of Give Me Liberty!: An American History, a widely-used survey textbook of U. S. history published by W. W. Norton. Additionally, he is the recipient of the Presidential Award for Outstanding Teaching from Columbia University. He is one of only two persons ever to serve as president of the three major professional organizations: the American Historical Association, Organization of American Historians, and Society of American Historians. As co-curator of two award-winning historical exhibitions, and through frequent appearances in newspapers and magazines and on radio and television discussion programs, he has also endeavored to bring historical knowledge to a broad public outside the university.
Enroll today!
https://www.edx.org/course/columbiax/columbiax-hist1-1x-civil-war-2241#
See other courses in this series:
The Civil War and Reconstruction - 1861-1865
The Civil War and Reconstruction - 1865-1890
Credits: Many images courtesy of Eric Foner and Blackpast.org; the Chicago Historical Society; Colby College; Columbia University; Cornell University; Paul J. Cronin; HarperCollins; LaborArts.org; Library of Congress; Museum of Modern Art; New York University; the Roam Agency; Wikipedia; W. W. Norton & Co.; and additional cultural and educational institutions. The design, production, and distribution of "The Civil War and Reconstruction” series is generously supported by the Office of the Provost at Columbia University.
"The Civil War and Reconstruction" course series is Copyright © 2014, Eric Foner and the Trustees of Columbia University in the City of New York. Except where otherwise noted. Professor Foner’s course lecture videos in the series are licensed with the Creative Commons license BY-NC-SA 4.0, which means that anyone anywhere may copy, share, adapt, and remix the videos and the videos’ key media components, including transcripts, without having to ask for prior permission, as long as such sharing is done for noncommercial purposes and the original author, work, and copyright and Creative Commons notice above are cited. For more information, visit: http://creativecommons.org/licenses/by-nc-sa/4.0/
- published: 10 Nov 2014
- views: 3211
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856-
Concierto para piano y Orquesta Op. 54
Allegro Affettuoso
Intermezzo. Andantino gracioso
Allegro vivace
Piano: Rudolf Serkin
Or...
ROBERT SCHUMANN.-1810-1856-
Concierto para piano y Orquesta Op. 54
Allegro Affettuoso
Intermezzo. Andantino gracioso
Allegro vivace
Piano: Rudolf Serkin
Orquesta de Philadelphie
Director: Eugene Ormandy
El Concierto para piano y orquesta en la menor de Robert Schumann es, de los tres conciertos escritos por él —para piano, violín y violonchelo—, el primero de ellos, opus 54, en La menor, el que ha alcanzado mayor difusión, y está considerado como una de las columnas básicas del repertorio para piano y orquesta. Schumann había compuesto en 1841 una fantasía para esta combinación, pero no estando satisfecho con ella la dejó reposar durante un tiempo. En 1845 la revisó cuidadosamente y añadió al inicial otros dos movimientos, con lo que formó su Concierto para piano. El resultado fue una obra singular, alejada del modelo de concierto establecido por Mozart y consolidado por Beethoven, que el propio Schumann calificó de «algo entre concierto, sinfonía y gran sonata».
El estreno tuvo lugar el 1 de enero de 1846 en Leipzig, teniendo a la esposa del compositor, Clara, como extraordinaria solista. Hasta casi el final de sus días, en 1896, tocó esta gran artista el concierto de su marido por las salas de concierto de Europa. Edvard Grieg (estudiante en el Conservatorio de Leipzig en aquellos momentos), escucharía el concierto, interpretado de nuevo por Clara Schumann, en 1859, y reflejará en su Concierto para piano y orquesta en La menor la influencia schumaniana.
El Concierto es una partitura de especial dificultad para el solista, pero no es una obra virtuosística en el sentido habitual del término: musicalidad, estilo, sensibilidad, son más necesarios que el deslumbramiento técnico o mecánico. La personalísima orquestación que utilizó su autor contribuye al ámbito intimista de la partitura, alejada de cualquier veleidad de efectismos vulgares.
Consta este Concierto para piano y orquesta en la menor de dos movimientos, si bien en el segundo de ellos se funden el segundo propiamente y el tercero:
Allegro affettuoso. Este primer movimiento se inicia sin introducción orquesta, y todo él se vertebra en torno a un precioso tema principal, aun cuando, de manera muy libre, el movimiento está construido a grandes rasgos en la tradicional forma sonata.
Intermezzo - Andantino grazioso - Allegro vivace. El segundo movimiento hace honor a su doble nombre. Tiene gracia y finura, además de un tono intimista y romántico. El amoroso diálogo entre solista y orquesta preside todo este tiempo, que, en su última secuencia, retoma el tema del primer movimiento, sirviéndole de lazo de unión con el Allegro vivace final, de gran y variada riqueza melódica, tono sonriente y ritmos marcados, con pasajes sincopados de gran efecto dentro del ámbito de lírica sobriedad que preside la composición.
wn.com/Robert Schumann. 1810 1856 Concierto Para Piano Y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856-
Concierto para piano y Orquesta Op. 54
Allegro Affettuoso
Intermezzo. Andantino gracioso
Allegro vivace
Piano: Rudolf Serkin
Orquesta de Philadelphie
Director: Eugene Ormandy
El Concierto para piano y orquesta en la menor de Robert Schumann es, de los tres conciertos escritos por él —para piano, violín y violonchelo—, el primero de ellos, opus 54, en La menor, el que ha alcanzado mayor difusión, y está considerado como una de las columnas básicas del repertorio para piano y orquesta. Schumann había compuesto en 1841 una fantasía para esta combinación, pero no estando satisfecho con ella la dejó reposar durante un tiempo. En 1845 la revisó cuidadosamente y añadió al inicial otros dos movimientos, con lo que formó su Concierto para piano. El resultado fue una obra singular, alejada del modelo de concierto establecido por Mozart y consolidado por Beethoven, que el propio Schumann calificó de «algo entre concierto, sinfonía y gran sonata».
El estreno tuvo lugar el 1 de enero de 1846 en Leipzig, teniendo a la esposa del compositor, Clara, como extraordinaria solista. Hasta casi el final de sus días, en 1896, tocó esta gran artista el concierto de su marido por las salas de concierto de Europa. Edvard Grieg (estudiante en el Conservatorio de Leipzig en aquellos momentos), escucharía el concierto, interpretado de nuevo por Clara Schumann, en 1859, y reflejará en su Concierto para piano y orquesta en La menor la influencia schumaniana.
El Concierto es una partitura de especial dificultad para el solista, pero no es una obra virtuosística en el sentido habitual del término: musicalidad, estilo, sensibilidad, son más necesarios que el deslumbramiento técnico o mecánico. La personalísima orquestación que utilizó su autor contribuye al ámbito intimista de la partitura, alejada de cualquier veleidad de efectismos vulgares.
Consta este Concierto para piano y orquesta en la menor de dos movimientos, si bien en el segundo de ellos se funden el segundo propiamente y el tercero:
Allegro affettuoso. Este primer movimiento se inicia sin introducción orquesta, y todo él se vertebra en torno a un precioso tema principal, aun cuando, de manera muy libre, el movimiento está construido a grandes rasgos en la tradicional forma sonata.
Intermezzo - Andantino grazioso - Allegro vivace. El segundo movimiento hace honor a su doble nombre. Tiene gracia y finura, además de un tono intimista y romántico. El amoroso diálogo entre solista y orquesta preside todo este tiempo, que, en su última secuencia, retoma el tema del primer movimiento, sirviéndole de lazo de unión con el Allegro vivace final, de gran y variada riqueza melódica, tono sonriente y ritmos marcados, con pasajes sincopados de gran efecto dentro del ámbito de lírica sobriedad que preside la composición.
- published: 09 Jan 2013
- views: 29121
Nikola Tesla 1856-1943 Scalar Technology Is Real And This Is The Man Responsible
Nikola Tesla 1856-1943 His Legacy Lives On - looking at the life of one of the greatest inventors the world has really never been told about.
Nikola Tesla, S...
Nikola Tesla 1856-1943 His Legacy Lives On - looking at the life of one of the greatest inventors the world has really never been told about.
Nikola Tesla, Scalar Technology, cosmic rays, HAARP, ELF, Ionosphere,JP Morgan, free energy, zero point, ether, dark matter,philidelphia experiment, earthquakes
wn.com/Nikola Tesla 1856 1943 Scalar Technology Is Real And This Is The Man Responsible
Nikola Tesla 1856-1943 His Legacy Lives On - looking at the life of one of the greatest inventors the world has really never been told about.
Nikola Tesla, Scalar Technology, cosmic rays, HAARP, ELF, Ionosphere,JP Morgan, free energy, zero point, ether, dark matter,philidelphia experiment, earthquakes
- published: 24 Mar 2011
- views: 39218
© Robert Schumann 1810-1856 - Symfoni no 3 - DRSO - Thomas Dausgaard
Robert Schumann 1810-1856 - Symfoni no 3 - Danmarks Radio SymfoniOrkestret - Thomas Dausgaard.
© Danmarks Radio...
Robert Schumann 1810-1856 - Symfoni no 3 - Danmarks Radio SymfoniOrkestret - Thomas Dausgaard.
© Danmarks Radio
wn.com/© Robert Schumann 1810 1856 Symfoni No 3 Drso Thomas Dausgaard
Robert Schumann 1810-1856 - Symfoni no 3 - Danmarks Radio SymfoniOrkestret - Thomas Dausgaard.
© Danmarks Radio
- published: 27 Oct 2012
- views: 32865
Robert Schumann(1810-1856):Requiem,Op.148(1852).
I.Requiem aeternam:4:05
II.Te decet hymnus:4:54
III.Dies irae:3:24
IV.Liber scriptus:5:22.
V.Qui Mariam:4:56
VI.Domine Jesu:2:33
VII.Hostias:0:59.
VIII.Sanctus...
I.Requiem aeternam:4:05
II.Te decet hymnus:4:54
III.Dies irae:3:24
IV.Liber scriptus:5:22.
V.Qui Mariam:4:56
VI.Domine Jesu:2:33
VII.Hostias:0:59.
VIII.Sanctus:3:47.
IX.Benedictus.Agnus Dei:7:20.Saarbrucken Chamber Choir.
German Radio Saarbrucken-Kaiserslautern Philharmonic Orchestra.
Georg Gruen
S.Rubens,I.Danz,C.Pregardien,A.Seidel,F.Speer.
wn.com/Robert Schumann(1810 1856) Requiem,Op.148(1852).
I.Requiem aeternam:4:05
II.Te decet hymnus:4:54
III.Dies irae:3:24
IV.Liber scriptus:5:22.
V.Qui Mariam:4:56
VI.Domine Jesu:2:33
VII.Hostias:0:59.
VIII.Sanctus:3:47.
IX.Benedictus.Agnus Dei:7:20.Saarbrucken Chamber Choir.
German Radio Saarbrucken-Kaiserslautern Philharmonic Orchestra.
Georg Gruen
S.Rubens,I.Danz,C.Pregardien,A.Seidel,F.Speer.
- published: 13 Jul 2015
- views: 3350
Brahms, Geisliches Lied, op. 30 (1856)
Text : Paul Flemming (1609-1640)
Laß dich nur nichts nicht dauren mit Trauren,
sei stille, wie Gott es fügt,
so sei vergnügt mein Wille!
Was willst du heute s...
Text : Paul Flemming (1609-1640)
Laß dich nur nichts nicht dauren mit Trauren,
sei stille, wie Gott es fügt,
so sei vergnügt mein Wille!
Was willst du heute sorgen auf morgen?
Der Eine steht allem für,
der gibt auch dir das Deine.
Sei nur in allem Handel ohn Wandel,
steh feste, was Gott beschleußt,
das ist und heißt das Beste.
Translation :
Do not be sorrowful or regretful;
Be calm, as God has ordained,
and thus my will shall be content.
What do you want to worry about from day to day?
There is One who stands above all
who gives you, too, what is yours.
Only be steadfast in all you do,
stand firm; what God has decided,
that is and must be the best.
wn.com/Brahms, Geisliches Lied, Op. 30 (1856)
Text : Paul Flemming (1609-1640)
Laß dich nur nichts nicht dauren mit Trauren,
sei stille, wie Gott es fügt,
so sei vergnügt mein Wille!
Was willst du heute sorgen auf morgen?
Der Eine steht allem für,
der gibt auch dir das Deine.
Sei nur in allem Handel ohn Wandel,
steh feste, was Gott beschleußt,
das ist und heißt das Beste.
Translation :
Do not be sorrowful or regretful;
Be calm, as God has ordained,
and thus my will shall be content.
What do you want to worry about from day to day?
There is One who stands above all
who gives you, too, what is yours.
Only be steadfast in all you do,
stand firm; what God has decided,
that is and must be the best.
- published: 07 Mar 2013
- views: 16186
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.-
Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
Lebhait
Scherzo. Sehr mässig
Nicht schnell
Feierlich
Lebhaft
Orquestad de Cleveland
...
ROBERT SCHUMANN.- 1810-1856.-
Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
Lebhait
Scherzo. Sehr mässig
Nicht schnell
Feierlich
Lebhaft
Orquestad de Cleveland
Director: George Szell
Sinfonía n.º 3 (Schumann)
La sinfonía n.º 3, en mi bemol mayor, "Renana", op. 97, fue escrita por Robert Schumann a finales de 1850. Fue estrenada el 6 de febrero de 1851 en Düsseldorf bajo la dirección del propio compositor. La sinfonía se empezó a llamar rápidamente "renana", aunque este apodo no fuera usado por el compositor.
En esta obra, quizás la más brillante y optimista de las obras sinfónicas de Schumann, el compositor se empeñó en lograr una amplia aceptación por parte del público. Así, le comentó a su biógrafo, Wilhelm von Wasielewski, que quería que los "elementos populares" dominaran la obra. De hecho, el carácter melódico y cuasi folklórico, ayudó a ganar a público y crítica, y la "renana" pronto se convirtió en uno de los éxitos más importantes de Schumann.
Estructura
Poco usual para su tiempo, la sinfonía está estructurada en cinco movimiento. Sin embargo, Schumann fue rápido al confiarle a su editor que la sinfonía no sería grande o pesada como resultado de ese movimiento extra. De hecho, la relativa brevedad de los movimientos tercero y cuarto sirve para crear una ilusión de un movimiento lento más largo.
La estructura de la sinfonía es:
Lebhaft (mi bemol mayor)
Scherzo: Sehr mäßig (do mayor)
Nicht schnell (la bemol mayor)
Feierlich (mi bemol mayor)
Lebhaft (mi bemol mayor)
La sinfonía se inicia con un tema poderoso escrito en mi bemol mayor, sincopado y con forma de fanfarria, que ocupa diecisiete compases. El segundo movimiento tiene un carácter más rústico con temas al estilo länder y minueto. El tercer movimiento es lírico y sirve como intermezzo entre el scherzo y el cuarto movimiento. Éste último podría haber sido inspirado por reportes periodísticos que leyó Schumann, sobre el ascenso a rango de cardenal del arzobispo Johannes von Geissel de Colonia. El título original del movimiento era Al estilo de acompañamiento a una ceremonia solemne. El quinto y último movimiento nos devuelve al aire boyante del primer movimiento y termina de forma radiante.
wn.com/Robert Schumann. 1810 1856. Sinfonia Nº 3 En Mi Bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.-
Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
Lebhait
Scherzo. Sehr mässig
Nicht schnell
Feierlich
Lebhaft
Orquestad de Cleveland
Director: George Szell
Sinfonía n.º 3 (Schumann)
La sinfonía n.º 3, en mi bemol mayor, "Renana", op. 97, fue escrita por Robert Schumann a finales de 1850. Fue estrenada el 6 de febrero de 1851 en Düsseldorf bajo la dirección del propio compositor. La sinfonía se empezó a llamar rápidamente "renana", aunque este apodo no fuera usado por el compositor.
En esta obra, quizás la más brillante y optimista de las obras sinfónicas de Schumann, el compositor se empeñó en lograr una amplia aceptación por parte del público. Así, le comentó a su biógrafo, Wilhelm von Wasielewski, que quería que los "elementos populares" dominaran la obra. De hecho, el carácter melódico y cuasi folklórico, ayudó a ganar a público y crítica, y la "renana" pronto se convirtió en uno de los éxitos más importantes de Schumann.
Estructura
Poco usual para su tiempo, la sinfonía está estructurada en cinco movimiento. Sin embargo, Schumann fue rápido al confiarle a su editor que la sinfonía no sería grande o pesada como resultado de ese movimiento extra. De hecho, la relativa brevedad de los movimientos tercero y cuarto sirve para crear una ilusión de un movimiento lento más largo.
La estructura de la sinfonía es:
Lebhaft (mi bemol mayor)
Scherzo: Sehr mäßig (do mayor)
Nicht schnell (la bemol mayor)
Feierlich (mi bemol mayor)
Lebhaft (mi bemol mayor)
La sinfonía se inicia con un tema poderoso escrito en mi bemol mayor, sincopado y con forma de fanfarria, que ocupa diecisiete compases. El segundo movimiento tiene un carácter más rústico con temas al estilo länder y minueto. El tercer movimiento es lírico y sirve como intermezzo entre el scherzo y el cuarto movimiento. Éste último podría haber sido inspirado por reportes periodísticos que leyó Schumann, sobre el ascenso a rango de cardenal del arzobispo Johannes von Geissel de Colonia. El título original del movimiento era Al estilo de acompañamiento a una ceremonia solemne. El quinto y último movimiento nos devuelve al aire boyante del primer movimiento y termina de forma radiante.
- published: 13 Jun 2012
- views: 21548
Kırım Savaşı'nda Osmanlı Ordusu (1853-1856)
19. yüzyılda Avrupalı bazı kesimlerin korkaklıkla suçladığı Osmanlı Ordusu'nun Kırım Savaşı sırasında yetersiz mühimmat ve asker gücüne rağmen Rus birlikleriyle...
19. yüzyılda Avrupalı bazı kesimlerin korkaklıkla suçladığı Osmanlı Ordusu'nun Kırım Savaşı sırasında yetersiz mühimmat ve asker gücüne rağmen Rus birlikleriyle yaptığı kahramanca mücadelenin öyküsü yine İngiliz tarihçiler tarafından aktarılıyor. Özellikle 22:40'taki bölüm Türklerin savaşın kazanılmasındaki hayati rolüne vurgu yapıyor...
wn.com/Kırım Savaşı'Nda Osmanlı Ordusu (1853 1856)
19. yüzyılda Avrupalı bazı kesimlerin korkaklıkla suçladığı Osmanlı Ordusu'nun Kırım Savaşı sırasında yetersiz mühimmat ve asker gücüne rağmen Rus birlikleriyle yaptığı kahramanca mücadelenin öyküsü yine İngiliz tarihçiler tarafından aktarılıyor. Özellikle 22:40'taki bölüm Türklerin savaşın kazanılmasındaki hayati rolüne vurgu yapıyor...
- published: 07 Jun 2014
- views: 7565
Marcelino Menéndez Pelayo (1856-1912)
Audiovisual sobre Marcelino Menéndez Pelayo. Portal Biblioteca de Menéndez Pelayo. Fondo de teatro antiguo español. Biblioteca Virtual Miguel de Cervantes....
Audiovisual sobre Marcelino Menéndez Pelayo. Portal Biblioteca de Menéndez Pelayo. Fondo de teatro antiguo español. Biblioteca Virtual Miguel de Cervantes.
wn.com/Marcelino Menéndez Pelayo (1856 1912)
Audiovisual sobre Marcelino Menéndez Pelayo. Portal Biblioteca de Menéndez Pelayo. Fondo de teatro antiguo español. Biblioteca Virtual Miguel de Cervantes.
- published: 11 May 2012
- views: 3507
Er ist's - Robert Alexander Schumann ( 1810~1856 ). 도희선 소프라노
소프라노 도희선 Soprano Do HeeSun mailto : bravasunny@gmail.com
▶ 독일 베를린 국립음대, Universitaet der Kuenste Berlin
- 전문연주자과정(Lied, Oratorium, Oper) 졸업
▶ 연세대학교 음악대학 성악과...
소프라노 도희선 Soprano Do HeeSun mailto : bravasunny@gmail.com
▶ 독일 베를린 국립음대, Universitaet der Kuenste Berlin
- 전문연주자과정(Lied, Oratorium, Oper) 졸업
▶ 연세대학교 음악대학 성악과 졸업
▶ 숙명여중, 고 졸업
▶사사
- 심선화, 최현수, 류지혜, 최승태, 나경혜
- professor ; Nena Brzakovic, Herbert Brauer, Regina Schudel, Regina Werner-Diedrich
Piano 박성희
▶ 독일 Heidelberg Musikhochschule 리트 반주과 졸업
▶ 이탈리아 Parma Accademia, Donizetti Accademia 오페라 반주과 졸업
▶ 이탈리아 Firenze Luigi Cherubini Concervatoria 수료
▶ 이화여자대학교 음악대학 피아노과 졸업
▶ Inge-Pittler Gesang Wettbewerb 반주자상 수상
▶ Recoding & Editing by : 이정수 Joseph Lee, Panasonic Lumix GH1, 14-140 Lens, IA Mode with Motion JPEG,HD 1280X720 24fps.
Copyrightⓒ All Rights Reserved by Hee-Sun Do.
wn.com/Er Ist's Robert Alexander Schumann ( 1810~1856 ). 도희선 소프라노
소프라노 도희선 Soprano Do HeeSun mailto : bravasunny@gmail.com
▶ 독일 베를린 국립음대, Universitaet der Kuenste Berlin
- 전문연주자과정(Lied, Oratorium, Oper) 졸업
▶ 연세대학교 음악대학 성악과 졸업
▶ 숙명여중, 고 졸업
▶사사
- 심선화, 최현수, 류지혜, 최승태, 나경혜
- professor ; Nena Brzakovic, Herbert Brauer, Regina Schudel, Regina Werner-Diedrich
Piano 박성희
▶ 독일 Heidelberg Musikhochschule 리트 반주과 졸업
▶ 이탈리아 Parma Accademia, Donizetti Accademia 오페라 반주과 졸업
▶ 이탈리아 Firenze Luigi Cherubini Concervatoria 수료
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- published: 05 Oct 2011
- views: 38120
La guerre de Crimée (1853-1856) Second Empire
La guerre de Crimée. 2000 ans d'histoire sur France Inter de Parice Gélinet avec Alain Gouttman (historien). 24.04.2003
« La Crimée ressemble au fond d'un étan...
La guerre de Crimée. 2000 ans d'histoire sur France Inter de Parice Gélinet avec Alain Gouttman (historien). 24.04.2003
« La Crimée ressemble au fond d'un étang à peine vidé ; nos bivouacs sont changés en marécages, les cadavres de chevaux jonchent la terre, et tout a l'aspect de la désolation. »
(Colonel Cler, 2e Régiment de Zouaves)
Pourquoi y-a-t-il un zouave au pont de l'Alma ? A quels évènements, ou à quels personnages de l'histoire, correspondent les noms du boulevard de Sébastopol, de la rue de Crimée ou des avenues Bosquet et Malakoff ?
La plupart des parisiens qui passent dans ses rues ignorent qu'il y a longtemps, des milliers de Français, d'Anglais et de Russes sont morts devant la forteresse de Sébastopol ou sur la rivière de l'Alma où se sont, disent-ils, illustrés les Zouaves du général Bosquet.
C'était, il y a 150 ans, sur les rives de la Mer Noire où s'est déroulée une guerre oubliée, la première guerre moderne, la guerre de Crimée. La France y a perdu près de 100 000 hommes, et l'Angleterre, la fine fleur de son armée, une brigade décimée par l'artillerie russe, dans une des plus célèbres charges de cavalerie de l'Histoire, la charge de la Brigade Légère.
--------------------------------------------------------------------
invité:
*Alain Gouttman
historien, éditeur
--------------------------------------------------------------------
livre:
*La Guerre de Crimée 1853-1856 : La première guerre moderne
Alain Gouttman
Perrin
2003
« Le 30 novembre 1853, l'escadre de l'amiral Nakhimov détruit la flotte turque d'Osman-pacha dans le port de Sinope, sur la mer Noire - qui devient un lac russe. L'expansionnisme tsariste au détriment des possessions ottomanes met ainsi en péril l'équilibre européen.
La France de Napoléon III prend alors l'initiative d'une intervention, à laquelle se rallie l'Angleterre de Victoria. Le 27 mars 1854, les deux pays déclarent la guerre à la Russie. Commencent deux années d'expéditions et d'opérations très dures. Ce sont les mésententes entre alliés, la succession des chefs, de Saint-Arnaud à Pélissier, les épisodes fous comme la charge de la brigade légère, puis glorieux, conduisant à la prise de Sebastopol en septembre 1855 et à la victoire entérinée au Congrès de Paris. Dès lors, la France retrouve en Europe la place qu'elle avait perdue après Waterloo. Pourtant, en dépit de noms acclimatés chez nous - l'Alma, Malakoff, Sebastopol -, les soldats de Crimée ont été abandonnés par l'histoire.
Voici rendue à sa vérité cette guerre où l'héroïsme et la tragédie côtoient des conceptions et des techniques militaires nouvelles, qu'il s'agisse de la projection de dizaines de milliers d'hommes à quatre mille kilomètres de distance, de la mise au point du navire cuirassé ou de l'utilisation de l'obus explosif.
Cet ouvrage a été augmenté et entièrement revu depuis sa première édition. »
--------------------------------------------------------------------
vidéo:
*La Charge de la brigade légère (The Charge of the Light Brigade)
Michael Curtiz
1936
VHS
wn.com/La Guerre De Crimée (1853 1856) Second Empire
La guerre de Crimée. 2000 ans d'histoire sur France Inter de Parice Gélinet avec Alain Gouttman (historien). 24.04.2003
« La Crimée ressemble au fond d'un étang à peine vidé ; nos bivouacs sont changés en marécages, les cadavres de chevaux jonchent la terre, et tout a l'aspect de la désolation. »
(Colonel Cler, 2e Régiment de Zouaves)
Pourquoi y-a-t-il un zouave au pont de l'Alma ? A quels évènements, ou à quels personnages de l'histoire, correspondent les noms du boulevard de Sébastopol, de la rue de Crimée ou des avenues Bosquet et Malakoff ?
La plupart des parisiens qui passent dans ses rues ignorent qu'il y a longtemps, des milliers de Français, d'Anglais et de Russes sont morts devant la forteresse de Sébastopol ou sur la rivière de l'Alma où se sont, disent-ils, illustrés les Zouaves du général Bosquet.
C'était, il y a 150 ans, sur les rives de la Mer Noire où s'est déroulée une guerre oubliée, la première guerre moderne, la guerre de Crimée. La France y a perdu près de 100 000 hommes, et l'Angleterre, la fine fleur de son armée, une brigade décimée par l'artillerie russe, dans une des plus célèbres charges de cavalerie de l'Histoire, la charge de la Brigade Légère.
--------------------------------------------------------------------
invité:
*Alain Gouttman
historien, éditeur
--------------------------------------------------------------------
livre:
*La Guerre de Crimée 1853-1856 : La première guerre moderne
Alain Gouttman
Perrin
2003
« Le 30 novembre 1853, l'escadre de l'amiral Nakhimov détruit la flotte turque d'Osman-pacha dans le port de Sinope, sur la mer Noire - qui devient un lac russe. L'expansionnisme tsariste au détriment des possessions ottomanes met ainsi en péril l'équilibre européen.
La France de Napoléon III prend alors l'initiative d'une intervention, à laquelle se rallie l'Angleterre de Victoria. Le 27 mars 1854, les deux pays déclarent la guerre à la Russie. Commencent deux années d'expéditions et d'opérations très dures. Ce sont les mésententes entre alliés, la succession des chefs, de Saint-Arnaud à Pélissier, les épisodes fous comme la charge de la brigade légère, puis glorieux, conduisant à la prise de Sebastopol en septembre 1855 et à la victoire entérinée au Congrès de Paris. Dès lors, la France retrouve en Europe la place qu'elle avait perdue après Waterloo. Pourtant, en dépit de noms acclimatés chez nous - l'Alma, Malakoff, Sebastopol -, les soldats de Crimée ont été abandonnés par l'histoire.
Voici rendue à sa vérité cette guerre où l'héroïsme et la tragédie côtoient des conceptions et des techniques militaires nouvelles, qu'il s'agisse de la projection de dizaines de milliers d'hommes à quatre mille kilomètres de distance, de la mise au point du navire cuirassé ou de l'utilisation de l'obus explosif.
Cet ouvrage a été augmenté et entièrement revu depuis sa première édition. »
--------------------------------------------------------------------
vidéo:
*La Charge de la brigade légère (The Charge of the Light Brigade)
Michael Curtiz
1936
VHS
- published: 13 Oct 2012
- views: 13026
Prime Ministers of New Zealand 1856 - present
All the Prime Ministers of New Zealand, from 1856 to today.
Starting with Henry Sewell in 1856 and ending with John Key, who was elected on the 8th of Novemb...
All the Prime Ministers of New Zealand, from 1856 to today.
Starting with Henry Sewell in 1856 and ending with John Key, who was elected on the 8th of November, 2008.
In total, 38 people have held the office of Prime Minister with some elected on more than one occasion.
For a detailed list see http://en.wikipedia.org/wiki/List_of_Prime_Ministers_of_New_Zealand
Henry Sewell
Sir William Fox
Sir Edward Stafford
Alfred Domett
Sir Frederick Whitaker
Sir Frederick Weld
George Waterhouse
Sir Julius Vogel
Daniel Pollen
Sir Harry Atkinson
Sir George Grey
John Hall
Sir Robert Stout
John Ballance
Richard Seddon
William Hall-Jones
Sir Joseph Ward
Thomas MacKenzie
William Massey
Sir Francis Bell
Gordon Coates
George Forbes
Michael Joseph Savage
Peter Fraser
Sir Sidney Holland
Sir Keith Holyoake
Walter Nash
Jack Marshall
Norman Kirk
Bill Rowling
Sir Robert Muldoon
David Lange
Sir Geoffrey Palmer
Mike Moore
Jim Bolger
Jenny Shipley
Helen Clark
John Key
wn.com/Prime Ministers Of New Zealand 1856 Present
All the Prime Ministers of New Zealand, from 1856 to today.
Starting with Henry Sewell in 1856 and ending with John Key, who was elected on the 8th of November, 2008.
In total, 38 people have held the office of Prime Minister with some elected on more than one occasion.
For a detailed list see http://en.wikipedia.org/wiki/List_of_Prime_Ministers_of_New_Zealand
Henry Sewell
Sir William Fox
Sir Edward Stafford
Alfred Domett
Sir Frederick Whitaker
Sir Frederick Weld
George Waterhouse
Sir Julius Vogel
Daniel Pollen
Sir Harry Atkinson
Sir George Grey
John Hall
Sir Robert Stout
John Ballance
Richard Seddon
William Hall-Jones
Sir Joseph Ward
Thomas MacKenzie
William Massey
Sir Francis Bell
Gordon Coates
George Forbes
Michael Joseph Savage
Peter Fraser
Sir Sidney Holland
Sir Keith Holyoake
Walter Nash
Jack Marshall
Norman Kirk
Bill Rowling
Sir Robert Muldoon
David Lange
Sir Geoffrey Palmer
Mike Moore
Jim Bolger
Jenny Shipley
Helen Clark
John Key
- published: 09 Nov 2008
- views: 8000
Russian War - Crimean War, 1853 to 1856
A quick and dirty history of the Crimean war, 1853 to 1856. Please go to warscholar.org for more military history. WarScholar.com has been taken by a cybersqu...
A quick and dirty history of the Crimean war, 1853 to 1856. Please go to warscholar.org for more military history. WarScholar.com has been taken by a cybersquatter.
wn.com/Russian War Crimean War, 1853 To 1856
A quick and dirty history of the Crimean war, 1853 to 1856. Please go to warscholar.org for more military history. WarScholar.com has been taken by a cybersquatter.
- published: 12 Aug 2009
- views: 55266
SAM 1856
Description...
Description
wn.com/Sam 1856
Description
- published: 27 Jul 2015
- views: 13