The Trap may refer to:
The Trap is an adventure/romance film released in 1966, written by David D. Osborn and directed by Sidney Hayers. Shot in the wilderness of the Canadian province of British Columbia, Oliver Reed and Rita Tushingham star in this unusual love story about a rough trapper and a mute orphan girl. The soundtrack was composed by Ron Goodwin and the main theme (Main Titles to The Trap) is familiar as the title music used by the BBC for London Marathon coverage.
The film had its World Premiere on 15 September 1966 at the Leicester Square Theatre in the West End of London.
Fur trapper Jean La Bête (Oliver Reed) paddles his canoe through wild water towards the settlement in order to sell a load of furs. At the settlement, a steamboat is landing and the trader and his foster-child Eve (Rita Tushingham) arrive at the seaport to fetch mail and consumer goods. The trader explains to Eve that the ship brings "Jailbirds ... from the east" and that "their husbands-to-be had bailed them out and paid their fines and their passages with a guarantee of marriage". Later, the captain is auctioning off one of those women because her husband-to-be has died in the meantime. Jean La Bête decides to take his chance to buy the wife, but he makes his bid too late.
Klopka (English: The Trap, Serbian: Клопка, Klopka) is a 2007 psychological thriller directed by Srdan Golubović, based on the novel of the same name, written by Nenad Teofilović.
The film is a neo-noir piece that explores the age old question of how far a parent is willing to go to help an ailing child. Simultaneously, it also deals with the issues and challenges faced by the people living in post-Milošević Serbian society.
The film opens with Mladen Pavlović (Nebojša Glogovac), sporting bumps and bruises on his face, nervously smoking a cigarette while talking to unrevealed individual(s). Among other things, he says that he is trying to "do this one thing right, after a series of wrongs that never should have happened".
The movie occasionally returns to the scene of Mladen talking to the unseen individual(s) and discussing different details following key plot points or displaying inner torment over the unfolding story.
Mladen is a young professional residing in Belgrade where he works as construction engineer in a decrepit state-owned company that's undergoing the process of privatization. He drives a beat-up Renault 4 and rents an apartment with his wife Marija (Nataša Ninković) who teaches English in a primary school. Together they're raising their only child—an 8-year-old boy named Nemanja (Marko Djurovic). Despite their limited means, they're still managing to make ends meet and provide for their son. They arrange and lead a fairly normal and happy family life—cheering Nemanja on at swim meets and taking him to the local playground where Mladen becomes acquainted with their blonde neighbour (Anica Dobra) who also brings her daughter to play there.
Home Alone 4 (also known in the United States and Canada as Home Alone: Taking Back the House) is a 2002 American made-for-television Christmas family comedy film directed by Rod Daniel, which first aired on ABC on November 3, 2002.
It is the fourth installment in the Home Alone series. The film brings back several of the main characters from the first two films including Kevin McCallister, but with all of the roles played by different actors. The film also features culture and technology from the late 1990s and early 2000s as opposed to the early 1990s setting in the original films with the same characters at the same age. It is also the only film in the series to be filmed outside the United States. Although set in Chicago, it was actually shot in South Africa. The plot revolves around Kevin McCallister (Mike Weinberg) trying to defend his future stepmother's house from his old nemesis Marv (French Stewart) and his wife Vera (Missi Pyle).
Home Alone 3 is a 1997 American family comedy film written and produced by John Hughes. It is the third film in the Home Alone series and the first not to feature actor Macaulay Culkin and the cast from the previous sequels (1990, 1992), director Chris Columbus, and composer John Williams. The film is directed by Raja Gosnell (in his directorial debut), who served as the editor of both original films and stars Alex D. Linz as Alex Pruitt, a resourceful boy who is left home alone and has to defend his home from a band of criminals. The film was followed by a made-for-television sequel, Home Alone 4: Taking Back the House, in 2002.
Peter Beaupre, Alice Ribbons, Burton Jernigan, and Earl Unger, four internationally wanted hitmen working for a North Korean terrorist group, have stolen a US$10 million missile cloaking computer chip. The thieves put it inside a remote control car to sneak it past security at San Francisco International Airport. However, a luggage mix-up occurs, causing a woman named Mrs. Hess to inadvertently take the thieves' bag containing the remote control car while returning home to Chicago. The four thieves arrive in Chicago and systematically search every house in Hess's suburban neighborhood to find the chip.
Malcolm in the Middle is a Fox sitcom that ran for seven seasons from January 9, 2000 to May 14, 2006 with 151 episodes produced.
Whispered leaves on swaying trees and
Mysteries define
Summer nights of endless light
Remind us of the line that's
Yours & Mine
Thoughts of green and breezes mean
I'm growing from a stem
Missing dirt on my T-shirt
You'll move a little closer but the moving isn't over if it's
Them & You & Me
Stringing electricity
And the rest of it is waiting under
When it overflows
Taking us where no one knows
We remember when we fell into the trap
Midnight air is unprepared for
Thoughts we would condemn
Silence of the stars above
In any other weather
We would try to stay together but it's
Them & You & Me
Stringing electricity
And the rest of it is waiting under
When it overflows
Taking us where no one knows
We remember when we fell into the trap
Mother & Fathers without
Will doubt
Brother to brother another
Hold out
Imagine a world if the numbers would take some
Time out
Me without you & you without
I want to break out of this abstracting pattern of layers but it's