The Mark (1961 film)

The Mark is a 1961 film which tells the story of a convicted child molester, now out of prison, who is suspected in the molestation and beating of another child. The picture stars Stuart Whitman, Maria Schell, Rod Steiger and Brenda De Banzie.

Adapted by Sidney Buchman and Stanley Mann from the novel by Charles E. Israel, the movie was directed by Guy Green.

The Mark was selected to compete for a Palme d'Or at the Cannes Film Festival and Whitman was nominated for the Academy Award for Best Actor in a Leading Role.

Plot

Jim Fuller is released from prison after serving time for intent to commit child molestation. He attempts to return to society while dealing with his psychological demons with the help of a psychiatrist, Dr. McNally.

After finding employment, Jim begins a romantic relationship with the company's secretary, Ruth Leighton, and appears to be on the way to a better life. But when a child is reported as a possible abuse victim, Jim is picked up for questioning by the police. He has an alibi and is cleared, but a reporter exposes Jim's previous conviction and his presence in the company and community is no longer wanted.

The Mark (Manhattan)

The Mark Hotel is a luxury hotel, situated at 25 East 77th Street, at Madison Avenue, on the Upper East Side of Manhattan, New York City. Originally constructed in 1927 in the Art Deco style, the building was purchased by Izak Senbahar of Alexico Group and Simon Elias in 2006 and the building's interiors were reimagined by French designer Jacques Grange in 2009.

In addition to housing 150 hotel rooms starting at $725 per night and 10 cooperative residences starting at $2.95 million, the building features a Frédéric Fekkai salon, a Jean Georges restaurant and bar, a fitness center operated by Punch, John Lobb shoe care services, and a Federick Malle exclusive scent. Jacques Grange commissioned seven international artists and artisans, including Ron Arad, Eric Schmitt, Paul Mathieu, Mattia Bonetti, and Vladamir Kagan to create exclusive artwork and furnishings for The Mark collection.

Awards and recognitions

The Mark Hotel has received the following awards and recognitions.

Cobra (album)

Cobra is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory (John Zorn's Cobra: Live at the Knitting Factory (1992)), Avant (John Zorn's Cobra: Tokyo Operations '94 (1994)) and Zorn's own label Tzadik Records, (Cobra: John Zorn's Game Pieces Volume 2)) in 2002.

Reception

The Allmusic site contains two disparate reviews of the album, the first by Brian Olewnick awarded the album 3 stars stating "one is left with the nagging (and correct) sense of something crucial being missed. As a document in Zorn's career, Cobra is essential. As a purely musical experience, it is, quite unfortunately, less so".

The second review of the 2002 CD reissue by Steve Loewy rated the album 4½ stars calling it "A masterpiece of eclecticism... all presented in Zorn's wickedly demented style, which tends toward pastiche but fascinates with its energy and variety. For Zorn enthusiasts, this is a must-have release".

Mark (dinghy)

The Mark is a single-hander class of small sailing dinghy. The design probably first appeared in the 1960s, at about the same time as the Laser, but never took off as a popular racing class. The Mark is 12 feet (3.7 m) in length, with forward and side buoyancy compartments. A 19 feet (5.8 m) free standing rotating mast stepped far forward in the front buoyancy compartment supports a mainsail.

Gospel of Mark

The Gospel According to Mark (Greek: τὸ κατὰ Μᾶρκον εὐαγγέλιον, to kata Markon euangelion), the second book of the New Testament, is one of the four canonical gospels and the three synoptic gospels. It was traditionally thought to be an epitome (summary) of Matthew, which accounts for its place as the second gospel in the Bible, but most scholars now regard it as the earliest of the gospels. Most modern scholars reject the tradition which ascribes it to Mark the Evangelist, the companion of Peter, and regard it as the work of an unknown author working with various sources including collections of miracle stories, controversy stories, parables, and a passion narrative.

Mark tells of the ministry of Jesus from his baptism by John the Baptist to his death and burial and the discovery of the empty tomb – there is no genealogy or birth narrative, nor, in the original ending at chapter 16, any post-resurrection appearances. It portrays Jesus as a heroic man of action, an exorcist, healer and miracle worker. Jesus is also the Son of God, but he keeps his identity secret, concealing it in parables so that even the disciples fail to understand. All this is in keeping with prophecy, which foretold the fate of the messiah as Suffering Servant. The gospel ends, in its original version, with the discovery of the empty tomb, a promise to meet again in Galilee, and an unheeded instruction to spread the good news of the resurrection.

March (territorial entity)

A march or mark was, in broad terms, a medieval European term for any kind of borderland, as opposed to a notional "heartland". More specifically, a march was a border between realms, and/or a neutral/buffer zone under joint control of two states, in which different laws might apply. In both of these senses, marches served a political purpose, such as providing warning of military incursions, or regulating cross-border trade, or both.

Just as counties were traditionally ruled by counts, marches gave rise to titles such as: marquess (masculine) or marchioness (feminine) in England, marquis (masc.) or marquise (fem.) in France and Scotland, margrave (Markgraf i.e. "march count"; masc.) or margravine (Markgräfin i.e. "march countess", fem.) in Germany, and corresponding titles in other European states.

Etymology

The word "march" derives ultimately from a Proto-Indo-European root *mereg-, meaning "edge, boundary". The root *mereg- produced Latin margo ("margin"), Old Irish mruig ("borderland"), and Persian and Armenian marz ("borderland"). The Proto-Germanic *marko gave rise to the Old English word mearc and Frankish marka, as well as Old Norse mörk meaning "borderland, forest", and derived form merki "boundary, sign", denoting a borderland between two centres of power.

Quick (German magazine)

Quick was a German-language weekly illustrated news magazine published from 25 April 1948 to 27 August 1992 in Hamburg, Germany.

History and profile

Quick was the first magazine published in Germany after the Second World War. The magazine was first published on 25 April 1948 and had an initial print run of 110,000 copies. It had its headquarters in Hamburg. The magazine was launched by the Bauer Media Group and was published on a weekly basis.

Traudl Junge, Adolf Hitler's secretary, for many years worked as a secretary for the chief editorial staff of Quick.

At one time one of the most important magazines in its class, it reached a peak circulation of 1.7 million copies in 1960. As attitudes towards sex changed, the magazine tried to adapt, including more coverage of sex and crime in the 1980s. This was not a success; advertising revenue fell by 50% and circulation to 700,000 between 1990 and the closing of the magazine in 1992. It ceased publication on 27 August 1992.