Greetings from Tim Buckley (2012)

Actors: Olenka Denysenko (miscellaneous crew), John 'JR' Craigmile (miscellaneous crew), William Sadler (actor), Bill Pankow (editor), David C. Robinson (costume designer), Jamie Buckner (miscellaneous crew), Jason Quimby (miscellaneous crew), Imogen Poots (actress), Karen Gehres (miscellaneous crew), Ian MacGregor (miscellaneous crew), Penn Badgley (actor), Alex Ziwak (actor), Ilana Levine (actress), Frederick Zollo (producer), Jesse Hove (miscellaneous crew),

Plot: Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley's eminent 1991 performance at his father's tribute concert in St. Ann's Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him - longing, anger, forgiveness, and love. Culminating a cathartic performance of his father's most famous songs, Jeff's debut stuns the audience and launches his career as one of the greatest young musicians of his time.

Genres: Drama,

American Disciples (2011)

Actors: Geno Romo (actor), Todd A. Robinson (actor), David Fine (actor), Larry Laverty (actor), Robert Blanche (actor), Jeffrey Weissman (actor), Brett Donowho (actor), Dusty Dukatz (producer), Anthony Pierce (director), Anthony Pierce (producer), Anthony Pierce (writer), Jeffrey Schneider (actor), Matt Dotson (actor), Michelle Page (producer), Michelle Page (actress),

Genres: Comedy, Drama,
Taglines: Three brothers come together to make positive changes in the world, changing themselves in the process.

Reason to Die (1990)

Actors: Robin Smith (actor), Dezi Rorich (miscellaneous crew), Wings Hauser (actor), Anant Singh (producer), Stuart Wentzel (miscellaneous crew), Arnold Vosloo (actor), Anthony Fridjohn (actor), Patrick Lyster (actor), Helena Spring (producer), Paul Slabolepszy (actor), Paul Carlin (editor), Chris Barnes (editor), Cobus Rossouw (actor), Norman Anstey (actor), Tim Spring (director),

Genres: Action, Crime, Thriller,
Taglines: The oldest profession just met its newest nightmare.

The Rutles: All You Need Is Cash (1978)

Actors: Bill Murray (actor), Lorne Michaels (actor), David Frost (actor), Neil Innes (actor), Mick Jagger (actor), Al Franken (actor), Dan Aykroyd (actor), Barry Cryer (actor), Tom Davis (actor), Eric Idle (actor), John Belushi (actor), Eric Idle (actor), George Harrison (actor), Eric Idle (actor), Michael Palin (actor),

Plot: Rutland Weekend Television takes a look at the Pre-fab Four: Dirk, Barry, Stig and Nasty; better known as the Rutles. This documentary follows their career from their early days in Liverpool and Hamburg's infamous Rat-Keller, to their amazing worldwide success. A parody of Beatlemania and the many serious documentaries made about the Beatles.

Keywords: fake-documentary, fictional-band, imaginary-band, joke, mock-documentary, mockumentary, musical-number, musician, parody, rock-music
Genres: Comedy, Music,
Taglines: Comedy spoof of Beatlemania from Monty Python's Eric Idle... The Rutles, a living legend that will live long after other living legends have died. All You Need Is Cash

Quotes:

Stanley J. Krammerhead: Listen, looking at it very simply musicology and ethnically, the Rutles were essentially imperical malengistes of a rhythmically radical yet verbally passé and temporally transcended lyrically content welded with historically innovative melodical material transposed and transmogrified by the angst of the Rutland ethic experience which elevated them from essentially alpha exponents of in essence merely beta potential harmonic material into the prime cultural exponents of Aeolian cadencic comic stanza form

[answers to reporter's question, "What's your ambition?"]::Barry Wom: I'd like to be a hairdresser. Or two. I'd like to be two hairdressers.::Ron Nasty: [sullenly] I'd like to own a squadron of tanks.::Dirk McQuickly: What Ron and I'll do is probably to write some songs, you know, and sell them to people.

[on manager Leggy Mountbatten's discovery of the Rutles]::Iris Mountbatten: Well, he told me that he'd been to see these young men in a dark cellar.::Narrator: Yes.::Iris Mountbatten: He was always very interested in young men.::Narrator: Oh, yes.::Iris Mountbatten: Youth clubs, Boy Scouts, that sort of thing.::Narrator: Yes.::Iris Mountbatten: But these, he said, were different.::Narrator: In what way?::Iris Mountbatten: Their hair, and... their presence... and their music...::Narrator: He liked it?::Iris Mountbatten: No, he hated it.::Narrator: What did he like?::Iris Mountbatten: Well, em... the trousers.::Narrator: What about their trousers?::Iris Mountbatten: Well, they were, eh, they were very, em... tight.

Reporter: It must have been a great honor, meeting the queen.::Ron Nasty: Yes, it must have been.::Reporter: What did she ask you?::Barry Wom: She asked us who we were. And then to get out.::Reporter: What did you say?::Dirk McQuickly: [pointing at Ron Nasty] I said I was him.

[on manager Leggy Mountbatten's emigration to Australia]::Narrator: It was a bombshell for the Rutles. They were shocked... and stunned.::Dirk McQuickly: Well, we're shocked.::Ron Nasty: Yeah, shocked.::Barry Wom: Shocked.::Dirk McQuickly: And stunned.::Ron Nasty: Yeah, stunned.::Barry Wom: Very stunned.::Reporter: Did Arthur Sultan have any words of encouragement for you?::Ron Nasty: No.::Dirk McQuickly: Well, yeah.::Ron Nasty: Well, yeah and no... he said, uh, that it took all sorts to make a world, and that we shouldn't worry unduly about where he'd gone.::Dirk McQuickly: You know, we shouldn't become covered with grief at thoughts of Australia, because ...::Ron Nasty: He did say that we could still keep in touch with him by tapping the table.::Dirk McQuickly: And postcards.::Ron Nasty: Yeah.::Barry Wom: Very stunned.

[Ron Nasty and wife Chastity are giving a press conference in Nasty's shower]::Ron Nasty: We're doing this for peace, and basically to show that the world is, you know, going astray in its thinking.::Reporter: What are you doing?::Ron Nasty: We're getting wet. In a shower. Because, basically, we talked it over, Chastity and myself, and we came to the conclusion that civilization is nothing more than an effective sewage system. And so by the use of plumbing we hope to demonstrate this to the world.

Narrator: Mick, why do you think the Rutles broke up?::Mick Jagger: Why do I think they did? Why did the Rutles break up? Women. Just women. Getting in the way. Cherchez la femme, you know.::Narrator: Do you think they'll ever get back together again?::Mick Jagger: I hope not.

Narrator: Stig, meanwhile, had hidden in the background so much that in 1969, a rumor went around that he was dead. He was supposed to have been killed in a flash fire at a waterbed shop and replaced by a plastic and wax replica from Madame Tusseaud's. Several so-called "facts" helped the emergence of this rumor. One: he never said anything publicly. Even as the "quiet one," he'd not said a word since 1966. Two: on the cover of their latest album, "Shabby Road," he is wearing no trousers, an Italian way of indicating death. Three: Nasty supposedly sings "I buried Stig" on "I Am The Waitress." In fact, he sings, "E burres stigano," which is very bad Spanish for "Have you a water buffalo?" Four: On the cover of the "Sergeant Rutter" album, Stig is leaning in the exact position of a dying Yeti, from the Rutland Book of the Dead. Five: If you sing the title of "Sergeant Rutter's Only Darts Club Band" backwards, it's supposed to sound very like "Stig has been dead for ages, honestly." In fact, it sounds uncannily like "Dnab Bulc Ylno S'rettur Tnaegres." Palpable nonsense.

Narrator: In the midst of all this public bickering, "Let it Rot" was released as a film, an album, and a lawsuit. In 1970, Dirk sued Stig, Nasty, and Barry; Barry sued Dirk, Nasty, and Stig; Nasty sued Barry, Dirk, and Stig; and Stig sued himself accidentally. It was the beginning of a golden era for lawyers, but for the Rutles, live on a London rooftop, it was the beginning of the end.

Narrator: And you turned down the Rutles.::Brian Thigh: Yeah, yeah.::[beat]::Narrator: What's it like being an asshole?