"Jive Talkin'" is a song by the Bee Gees, released as a single on 31 May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the summer of 1975. Largely recognised as the group's "comeback" song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
The song was originally called "Drive Talking". The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami.
Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. The scratchy guitar intro was done by Barry and the funky bass line by Maurice. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. It was overdubbed by keyboardist Blue Weaver using a then state-of-the-art ARP 2600, which producer Arif Mardin had brought in for the recording of the Main Course album. Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". "I really liked the synth bass lines", Maurice said. "I overdubbed certain sections to add bass extra emphasis".
Coordinates: 54°54′32″N 2°42′14″W / 54.909°N 2.704°W / 54.909; -2.704
Talkin is a village in Cumbria, England situated close to Talkin Tarn. Area soil is dry and gravelly.
The name is of Brittonic origin. The Brittonic dialect known as Cumbric was formerly spoken in the area. According to A. M. Armstrong, et al., the first element, tal, means "brow" or "end" in Brittonic and modern Welsh, Cornish, and Breton. The second element is unclear. It may come from the Brittonic word which appears in Welsh and Old Cornish as can ("white") and Breton as kann ("bland, brilliant"). Talkin may be a hill-name meaning "white brow".
Media related to Talkin at Wikimedia Commons
Jive talkin¡¯
Oh, you¡¯re no good
Jive talkin¡¯
So misunderstood
Jive talkin¡¯
You¡¯ll never know how
Jive talkin¡¯
You¡¯ll never know now
Ooh baby, you just don¡¯t know
What you¡¯ve done to me
You¡¯ve tried, you¡¯ll never know
Tryin¡¯ to take away my energy
With all your jive talkin¡¯
You¡¯re tellin¡¯ a lie
Jive talkin¡¯
You wear a disguise
Jive talkin¡¯
You know you¡¯re no good
You¡¯re just a jive talkin¡¯
So misunderstood
Oh baby, you¡¯ll never know just
What you¡¯ve done to me
Only tryin¡¯, you¡¯re only tryin¡¯ to
Tryin¡¯ to take away my energy
With all your jive talkin¡¯
Jive talkin¡¯
Just a dirty, dirty liar
Jive talkin¡¯
You know I love you
Jive talkin¡¯
You¡¯ll never be true
Jive talkin¡¯
(repeat to fade)
"Jive Talkin'" is a song by the Bee Gees, released as a single on 31 May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the summer of 1975. Largely recognised as the group's "comeback" song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
The song was originally called "Drive Talking". The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami.
Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. The scratchy guitar intro was done by Barry and the funky bass line by Maurice. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. It was overdubbed by keyboardist Blue Weaver using a then state-of-the-art ARP 2600, which producer Arif Mardin had brought in for the recording of the Main Course album. Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". "I really liked the synth bass lines", Maurice said. "I overdubbed certain sections to add bass extra emphasis".
CNN | 25 Aug 2018