- published: 13 Jun 2011
- views: 1571926
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Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915
"......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC)
Richard Strauss
An Alpine Symphony
Vienna Philharmonic Orchestra
Bernard Haitink conductor
BBC PROMS 2012
London - Royal Albert Hall
- published: 09 Sep 2012
- views: 567862
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Royal Philharmonic Orchestra
1. Also Sprach Zarathustra Einleitung
2. Also Sprach Zarathustra Von Den Hinterweltern
3. Also Sprach Zarathustra Von Der Grossen Sehnsuch
4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften
5. Also Sprach Zarathustra Das Grabilied
6. Also Sprach Zarathustra Von Der Wissenchaft
7. Also Sprach Zarathustra Der Genesende
8. Also Sprach Zarathustra Das Tanzlied
9. Also Sprach Zarathustra Nachtwanderland
10. Don Juan, op 20
11. Till Eulenspiegels Lustige Streiche Op 28
Slovak Philharmonic Orchestra
12. Daqueles mundos interiores
13. Da aspiracao suprema
14. Das alegrias e paixoes
15. O canto do funeral
16. Cancao da ciencia
17. O convalescente
18. O canto da danca
For more:
http://www.melhoresmusicasclassicas.blogspot.com
- published: 13 Sep 2013
- views: 147848
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
There are four parts (with Ritter's poetic thoughts condensed):
1. Largo (The sick man, near death)
2. Allegro molto agitato (The battle between life and death offers no respite to the man)
3. Meno mosso (The dying man's life passes before him)
4. Moderato (The sought-after transfiguration)
Conductor: David Zinman & Zurich Tonhalle Orchestra
Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich
- published: 06 Jul 2011
- views: 112034
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 25 May 2012
- views: 156620
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night
- published: 03 Jun 2015
- views: 10057
From the Lucerne Festival, 2004
Lucerne Festival Orchestra
Claudio Abbado - conductor
Renée Fleming - soprano
Richard Strauss - Vier letzte Lieder, für Sopran und Orchester
1:55 I. Frühling (Text: Herrmann Hesse)
5:40 II. September (Text: Herrmann Hesse)
10:33 III. Beim Schlafengehen (Text: Herrmann Hesse)
15:55 IV. Im Abendrot (Text: Joseph von Eichendorff)
Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH
With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines. This live-recording from the Concert de Gala 2004 includes the 4 Last Songs by Richard Strauss, with world star Renée Fleming and a concerto performance of the second act of Richard Wagner's opera Tristan and Isolde featuring Violeta Urmana, Mihoko Fujimura and René
Pape.
“I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt
- published: 10 Oct 2015
- views: 6079
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin.
Recorded 14th February 1985.
Buy from Amazon:
http://smarturl.it/DerRosenkavalier
http://www.warnerclassics.com/
- published: 01 Mar 2012
- views: 334093
Anton Barachovsky, Solo-Violin
Richard Strauss "Ein Heldenleben"
through-composed tone poem
First performed: March 3, 1898
Symphonie-Orchestrer des Bayerischen Rundfunks
Conductor: Mariss Jansons
- published: 15 Dec 2013
- views: 138822
Richard Strauss
Don Juan, Symphonic Poem Op. 20
Herbert von Karajan
Osaka, Japan 1984
- published: 03 Jul 2011
- views: 418260
Richard Strauss
Also sprach Zarathustra
Vienna Philharmonic Orchestra
Gustavo Dudamel
Salzburg, 2014
- published: 28 Nov 2014
- views: 259134
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and other orchestral works, such as Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, An Alpine Symphony, and Metamorphosen. Strauss was also a prominent conductor throughout Germany and Austria.
Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Strauss was born on 11 June 1864, in Munich, the son of Franz Strauss, who was the principal horn player at the Court Opera in Munich. In his youth, he received a thorough musical education from his father. He wrote his first composition at the age of six, and continued to write music almost until his death.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Richard_Strauss
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Don Juan (Spanish, or "Don Giovanni" in Italian) is a legendary, fictional libertine whose story has been told many times by many authors. El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina is a play set in the fourteenth century that was published in Spain around 1630. Evidence suggests it is the first written version of the Don Juan legend. Among the best known works about this character today are Molière's play Dom Juan ou le Festin de pierre (1665), Byron's epic poem Don Juan (1821), José de Espronceda's poem El estudiante de Salamanca (1840) and José Zorrilla's play Don Juan Tenorio (1844). Along with Zorrilla's work (still performed every year on November 2nd throughout the Spanish-speaking world), arguably the best known version is Don Giovanni, an opera composed by Wolfgang Amadeus Mozart with libretto by Lorenzo da Ponte, first performed in Prague in 1787 (with Giacomo Casanova probably in the audience) and itself the source of inspiration for works by E. T. A. Hoffmann, Alexander Pushkin, Søren Kierkegaard, George Bernard Shaw and Albert Camus.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Don_Juan
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Don Quixote (
/ˌdɒn kiːˈhoʊtiː/; Spanish: [ˈdoŋ kiˈxote] (
listen)), fully titled The Ingenious Gentleman Don Quixote of La Mancha (Spanish: El ingenioso hidalgo don Quixote de la Mancha), is a novel written by Miguel de Cervantes. The novel follows the adventures of Alonso Quijano, who reads too many chivalric novels, and sets out to revive chivalry under the name of Don Quixote. He recruits a simple farmer, Sancho Panza, as his squire, who frequently deals with Don Quixote's rhetorical orations on antiquated knighthood with a unique Earthy wit. He is met by the world as it is, initiating themes like Intertextuality, Realism, Metatheatre and Literary Representation.
Published in two volumes a decade apart, in 1605 and 1615, Don Quixote is considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature, and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published. In one such list, Don Quixote was cited as the "best literary work ever written".
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Don_Quixote
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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30:36Richard Strauss - Also sprach Zarathustra, Op. 30
Richard Strauss - Also sprach Zarathustra, Op. 30Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name. The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book: 1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto. 2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis. 3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat". 4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae". 5. "Das Grablied" (The Grave-Song): part where the strings prevail. 6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony. 7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement. 8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz. 9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic. Paintings by J.M.W. Turner and Caspar Friedrich. Conductor: Georg Solti & Chicago Symphony Orchestra. -
56:38Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915 "......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC) Richard Strauss An Alpine Symphony Vienna Philharmonic Orchestra Bernard Haitink conductor BBC PROMS 2012 London - Royal Albert Hall -
88:44The Best of Strauss
The Best of StraussThe Best of Strauss
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: Royal Philharmonic Orchestra 1. Also Sprach Zarathustra Einleitung 2. Also Sprach Zarathustra Von Den Hinterweltern 3. Also Sprach Zarathustra Von Der Grossen Sehnsuch 4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften 5. Also Sprach Zarathustra Das Grabilied 6. Also Sprach Zarathustra Von Der Wissenchaft 7. Also Sprach Zarathustra Der Genesende 8. Also Sprach Zarathustra Das Tanzlied 9. Also Sprach Zarathustra Nachtwanderland 10. Don Juan, op 20 11. Till Eulenspiegels Lustige Streiche Op 28 Slovak Philharmonic Orchestra 12. Daqueles mundos interiores 13. Da aspiracao suprema 14. Das alegrias e paixoes 15. O canto do funeral 16. Cancao da ciencia 17. O convalescente 18. O canto da danca For more: http://www.melhoresmusicasclassicas.blogspot.com -
25:02Richard Strauss - Tod und Verklärung, Op.24
Richard Strauss - Tod und Verklärung, Op.24Richard Strauss - Tod und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch. Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". There are four parts (with Ritter's poetic thoughts condensed): 1. Largo (The sick man, near death) 2. Allegro molto agitato (The battle between life and death offers no respite to the man) 3. Meno mosso (The dying man's life passes before him) 4. Moderato (The sought-after transfiguration) Conductor: David Zinman & Zurich Tonhalle Orchestra Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich -
28:13Richard Strauss - Metamorphosen
Richard Strauss - MetamorphosenRichard Strauss - Metamorphosen
Richard Strauss, Metamorphosen. Antoni Wit, Conductor. Staatskapelle Weimar. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
51:05Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night -
26:39Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
From the Lucerne Festival, 2004 Lucerne Festival Orchestra Claudio Abbado - conductor Renée Fleming - soprano Richard Strauss - Vier letzte Lieder, für Sopran und Orchester 1:55 I. Frühling (Text: Herrmann Hesse) 5:40 II. September (Text: Herrmann Hesse) 10:33 III. Beim Schlafengehen (Text: Herrmann Hesse) 15:55 IV. Im Abendrot (Text: Joseph von Eichendorff) Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines. This live-recording from the Concert de Gala 2004 includes the 4 Last Songs by Richard Strauss, with world star Renée Fleming and a concerto performance of the second act of Richard Wagner's opera Tristan and Isolde featuring Violeta Urmana, Mihoko Fujimura and René Pape. “I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt -
197:25Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
Strauss: Der Rosenkavalier - The Royal Opera, Covent GardenStrauss: Der Rosenkavalier - The Royal Opera, Covent Garden
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin. Recorded 14th February 1985. Buy from Amazon: http://smarturl.it/DerRosenkavalier http://www.warnerclassics.com/ -
117:41RICHARD STRAUSS -REMEMBERED-
RICHARD STRAUSS -REMEMBERED-RICHARD STRAUSS -REMEMBERED-
-
49:57Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
Strauss "Ein Heldenleben", op. 40 -- Mariss JansonsStrauss "Ein Heldenleben", op. 40 -- Mariss Jansons
Anton Barachovsky, Solo-Violin Richard Strauss "Ein Heldenleben" through-composed tone poem First performed: March 3, 1898 Symphonie-Orchestrer des Bayerischen Rundfunks Conductor: Mariss Jansons -
19:10Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss Don Juan, Symphonic Poem Op. 20 Herbert von Karajan Osaka, Japan 1984 -
60:10Strauss - Also sprach Zarathustra - Dudamel
Strauss - Also sprach Zarathustra - DudamelStrauss - Also sprach Zarathustra - Dudamel
Richard Strauss Also sprach Zarathustra Vienna Philharmonic Orchestra Gustavo Dudamel Salzburg, 2014 -
42:03Richard Strauss - Aus Italien, Op. 16
Richard Strauss - Aus Italien, Op. 16Richard Strauss - Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey. The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program. The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première. The works comprises four sections: 1. Auf dem Land 2. Ruinen von Rom 3. Am Strande von Sorrent 4. Neapolitanisches Volksleben -
41:15Richard Strauss - Don Quixote, Op. 35
Richard Strauss - Don Quixote, Op. 35Richard Strauss - Don Quixote, Op. 35
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor. The score is of 758 measures duration and is written in Sinfonia concertante form, with the solo cello representing Don Quixote, and the solo viola and tenor tuba depicting the comic Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant fluttertonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le Bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style". 1. Introduction: Mäßiges Zeitmaß. Thema mäßig. "Don Quichotte verliert über der Lektüre der Ritterromane seinen Verstand und beschließt, selbst fahrender Ritter zu werden" ("Don Quixote loses his sanity after reading novels about knights, and decides to become a knight-errant"). 2. Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" ("Don Quixote, knight of the sorrowful countenance"). 3. Maggiore: "Sancho Panza". 4. Variation I: Gemächlich. "Abenteuer an den Windmühlen" ("Adventure at the Windmills"). 5. Variation II: Kriegerisch. "Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron" ("The victorious struggle against the army of the great emperor Alifanfaron"). 6. Variation III: Mäßiges Zeitmaß. "Gespräch zwischen Ritter und Knappen" ("Dialogue between Knight and Squire"). 7. Variation IV: Etwas breiter. "Unglückliches Abenteuer mit einer Prozession von Büßern" ("Unhappy adventure with a procession of pilgrims"). 8. Variation V: Sehr langsam. "Die Waffenwache" ("The knight's vigil"). 9. Variation VI: Schnell. "Begegnung mit Dulzinea" ("The Meeting with Dulcinea"). 10. Variation VII: Ein wenig ruhiger als vorher. "Der Ritt durch die Luft" ("The Ride through the Air"). 11. Variation VIII: Gemächlich. "Die unglückliche Fahrt auf dem venezianischen Nachen" ("The unhappy voyage in the enchanted boat"). 12. Variation IX: Schnell und stürmisch. "Kampf gegen vermeintliche Zauberer" ("Battle with the magicians"). 13. Variation X: Viel breiter. "Zweikampf mit dem Ritter vom blanken Mond" ("Duel with the knight of the bright moon"). 14. Finale: Sehr ruhig. "Wieder zur Besinnung gekommen" ("Coming to his senses again" - Death of Don Quixote). Conductor: David Zinman & Zurich Tonhalle Orchestra.
- 78 rpm
- A Hero's Life
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- Kirsten Flagstad
- Koch records
- Koch Records
- Leo Blech
- Lied
- Lohengrin (opera)
- Lorin Maazel
- Lothar Müthel
- Ludwig Karpath
- Ludwig van Beethoven
- Macbeth (Strauss)
- Magnetophon
- Maurice Ravel
- Max Liebermann
- Metamorphosen
- Morgen!
- Munich
- Nazi Party
- Nikolaus Zangius
- Norman Del Mar
- Olympische Hymne
- Oscar Wilde
- Otmar Suitner
- Otto Nicolai
- Paul Wittgenstein
- Pauline de Ahna
- Peter Cornelius
- Player piano
- Reichsmusikkammer
- Richard Strauss
- Richard Wagner
- Robert Radecke
- Robert Schumann
- Romantic music
- Rudolf Gamsjäger
- Rudolf Kempe
- Ruhe, meine Seele!
- Salome (opera)
- Schlagobers
- Schutzstaffel
- Soprano
- Stefan Zweig
- Suite (music)
- Symphonia Domestica
- Tannhäuser (opera)
- The Guardian
- Third Reich
- Thirty Years' War
- Time (magazine)
- Tone poem
- Tone poems (Strauss)
- Tristan und Isolde
- Vanguard Records
- Vienna Philharmonic
- Vienna State Opera
- Wikipedia Media help
- Wikipedia Persondata
- Wikisource
- Wilhelm Jahn
- William Brade
- Wolfgang Sawallisch
- World War II
- WorldCat
- Zubin Mehta
- Adolf Hitler
- Alexander Ritter
- Arthur Schopenhauer
- Arturo Toscanini
- Baldur von Schirach
- Bruno Walter
- Carl Maria von Weber
- Claude Debussy
- Claus Helmut Drese
- Clemens Krauss
- Daniel Barenboim
- David Dubal
- Egon Hilbert
- Egon Seefehlner
- Erich Kleiber
- Felix Mendelssohn
- Felix Mottl
- Felix Weingartner
- Ferenc Fricsay
- Franz Konwitschny
- Franz Lachner
- Franz Salmhofer
- Franz Schalk
- Franz Strauss
- Franz von Jauner
- Franz Wüllner
- Friedrich Ebert
- Gaspare Spontini
- Georg Solti
- Giacomo Meyerbeer
- Gustav Mahler
- Hans Gregor
- Hans Knappertsbusch
- Hans von Bülow
- Heinrich Karl Strohm
- Heinz Tietjen
- Herbert von Karajan
- Hermann Levi
- Hermann Zumpe
- Ioan Holender
- Johann von Herbeck
- Johannes Eccard
- Joseph Goebbels
- Joseph Keilberth
- Karl Böhm
- Kent Nagano
- Kirsten Flagstad
- Leo Blech
- Lorin Maazel
- Lothar Müthel
- Ludwig van Beethoven
- Maurice Ravel
- Max Liebermann
- Norman Del Mar
- Oscar Wilde
- Otmar Suitner
- Otto Nicolai
- Paul Wittgenstein
- Pauline de Ahna
- Peter Cornelius
- Richard Strauss
- Richard Wagner
- Robert Schumann
- Rudolf Gamsjäger
- Rudolf Kempe
- Stefan Zweig
- Wikipedia Persondata
- Wilhelm Jahn
- William Brade
- Wolfgang Sawallisch
- Zubin Mehta
'Richard Strauss' is featured as a movie character in the following productions:
Im Olymp der Kunst (2013)
Actors: Alexander Beyer (actor), Barbara von Weitershausen (editor), Rainer Bock (actor), Jonas Kaufmann (actor), Brigitte Fassbaender (actress), Hans Jochen Vogel (actor), Adrianne Pieczonka (actress), Klaus Bachler (actor), Susann Bieling (costume designer), Astrid Bscher (director),
Genres: History, Music,Bride of the Wind (2001)
Actors: Merab Ninidze (actor), Johannes Silberschneider (actor), Josef Brandmaier (miscellaneous crew), Andreas Kispert (miscellaneous crew), Stephen Endelman (composer), Vincent Perez (actor), August Schmölzer (actor), Bruce Beresford (director), Jonathan Pryce (actor), Tim Wellburn (editor), Frank Hübner (producer), Norbert Blecha (producer), Wolfgang Hübsch (actor), Simon Verhoeven (actor), Jan Fantl (producer),
Plot: Vienna, 1902: Alma Schindler meets Gustav Mahler. She beautiful, young, plays, and composes: music is her life. She becomes Mahler's lover, then he marries her, asking that she give up composing. She has two children, works as his assistant, does his books, saves him from debt, and feels stifled. In 1910, after the death of a child, she retreats to a spa where she falls in love with Walter Gropius. Will she go with him or stay with Mahler? She conducts an affair with the tempestuous Oskar Kokoschka and is stifled in another way. Then, she marries Gropius, who proves imperious. She leaves him for Franz Werfel: he finds her compositions and insists the public hear them.
Keywords: 1890s, 1900s, adultery, archduke-franz-ferdinand, architect, art, artist, artist's-studio, baby, bare-breastsGenres: Biography, Drama, Music, Romance,
Das haut den stärksten Zwilling um (1971)
Actors: Peter Weck (actor), Peter Weck (actor), Hans Terofal (actor), Karl Schönböck (actor), Franz Josef Gottlieb (actor), Walter Buschhoff (actor), Beppo Brem (actor), Walter Gross (actor), Herbert Fux (actor), Gunther Philipp (actor), Raoul Retzer (actor), Ilja Richter (actor), Miguel Ríos (actor), Willy Schultes (actor), Ralf Wolter (actor),
Genres: Comedy,Strauss, Richard Filmography
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2009, role: actor , character name: The Cop
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2008, role: actor , character name: Police Officer
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2007, role: actor , character name: Federal Agent
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2004, role: actor , character name: The Professor
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2002, role: actor , character name: Dad
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2002, role: actor , character name: Policeman
Strauss, Richard Filmography
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2004, role: actor , character name: Himself
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2004, role: writer
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1993, role: writer
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1983, role: writer
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1952, role: actor , character name: Himself
Strauss, Richard Filmography
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2014, role: actor , character name: Derek
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2013, role: actor , character name: Mr. Slatsky
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2012, role: actor , character name: Michael Stanley
Famous quotes by Richard Strauss:
"It's a wonderful networking opportunity. I've definitely furthered deals. I meet high-level and influential people here, and it's a good way to touch base."
"We've actually been at the low-end of the Street range for the fourth quarter ... (and) felt that we had to go even lower, so we did -- a nine percent across-the-board trimming here for the fourth quarter, ... The backlogs are still very significant, but the current environment is just not allowing deals to get done."
"Building brand name is key. That's what America is all about,"
"The human voice is the most beautiful instrument of all, but it is the most difficult to play."
"I may not be a first-rate composer, but I am a first-class second-rate composer."
"No one wants to quit when he's losing and no one wants to quit when he's winning."
"Never look at the trombones. You'll only encourage them."
Richard Strauss
ALBUMS
- Coleção Folha Mestres da música clássica, volume 20: Richard Strauss released: 2014
- The Romantic Violin Concerto, Volume 16: Busoni: Violin Concerto in D major, op. 35a / Benedictus from Beethoven's Missa solemnis / Strauss: Violin Concerto in D minor, op. 8 released: 2014
- Josephslegende / Love Scene from "Feuersnot" / Festmarsch released: 2013
- BBC Music, Volume 20, Number 8: Der Rosenkavalier (highlights) (BBC Scottish Symphony Orchestra, conductor: Donald Runnicles, soprano: Twyla Robinson, Lucy Crowe, mezzo soprano: Daniela Sindram) released: 2012
- Bruckner: String Quintet / Richard Strauss: Capriccio released: 2011
- Brahms: Symphonie 2 / Mozart: Masonic Funeral Music / R. Strauss: Metamorphosen released: 2010
- Dvorak Strauss - Zubin Mehta released: 2010
- A capella (Feat. Accentus choir and Latvian radio choir, dir. Laurence Equilbey) released: 2009
- Capriccio (Wiener Philharmoniker feat. conductor: Ulf Schirmer) released: 2009
- Don Juan / Aus Italien / Don Quixote (Staatskapelle Dresden feat. conductor: Fabio Luisi) released: 2009
- Grandes compositores da música clássica, Volume 28: Strauss released: 2009
- Œuvres pour piano (feat. piano: Frank Braley) released: 2008
- Also sprach Zarathustra (Los Angeles Philharmonic feat. conductor: Zubin Meta) released: 2008
- Ein Heldenleben, Op. 40 (Boston Symphony Orchestra, conductor E. Leinsdorf, feat. J. Sliverstein, violin solo) released: 2007
- Eine Alpensinfonie / Vier letzte Lieder (Staatskapelle Dresden feat. conductor: Fabio Luisi) released: 2007
- Symphonia domestica / Le bourgeois gentilhomme released: 2007
- Holst: The Planets / Strauss: Don Juan released: 2007
- DIE ZEIT Klassik-Edition 03: Elisabeth Schwarzkopf singt Strauss released: 2006
- BBC Music, Volume 14, Number 13: R Strauss, Mozart, and Prokofiev (feat. The Hallé, Manchester Camerata, and BBC Philharmonic) released: 2006
- Arabella (Bayrisches Staatsorchester, feat.: conductor: Joseph Keilberth, singers: Della Case, Fischer-Dieskau, Rothenberger)) released: 2005
- Don Quixote / Ein Heldenleben / Symphonia domestica released: 2005
- Salome (Metropolitan Opera Orchestra, feat. conductor Dimitri Mitropoulos, singers: Goltz, Schöffler, Vinay, Thebom) released: 2005
- Karl Böhm Conducts Mozart and Strauss released: 2005
- Symphony no. 2 in F minor / Six Songs / Romanze for Cello and Orchestra released: 2004
- Strauss: Four Last Songs / Songs with Orchestra / Rosenkavalier Suite released: 2004
- Daphne (Chor und Sinfonieorchester des NDR, feat. conductor: Arthur Grüber, singers: Cunitz, Anders, Fehenberger, Greindl, Fischer) released: 2003
- Salome (RAI Chor und Orchester, feat. conductor: Zubin Mehta, singers: Caballé, Nimsgern, Wolff, Thiemann) released: 2001
- Richard Strauss - Music for Wind Band ("The President's Own" United States Marine Band) released: 2001
- Der Rosenkavalier (Wiener Philharmoniker feat. conductor: Georg Solti, soprano: Régine Crespin) released: 2001
- Richard Strauss conducts An alpine Symphony released: 2001
- Symphonic Poems, Volume 3: Aus Italien released: 2000
- Ariadne auf Naxos (Orchester der Wiener Staatsoper, feat. conductor Karl Böhm, singers: Reining, Seefried, Noni, Lorenz, Schöffler, Kunz) released: 2000
- Ein Heldenleben / Tod und Verklärung released: 2000
- Also sprach Zarathustra / Don Juan / Till Eulenspiegel (Royal Philharmonic Orchestra feat. conductor: Sir Charles Mackerras) released: 2000
- Deutsche Grammophon Collection: Wolf: The Spanish Songbook / Strauss: Five Songs for Voice and Orchestra released: 1999
- Ariadne auf Naxos released: 1999
- Strauss: Metamorphosen / Tchaikovsky: Souvenir de Florence released: 1999
- Ein Heldenleben / Macbeth released: 1999
- R. Strauss: A Hero's Life / Haydn: Symphony No. 90 in C major released: 1999
- The Klemperer Legacy released: 1999
- Der Rosenkavalier Highlights (London Philharmonic Orchestra feat. soprano: Yvonne Kenny, bass: John Tomlinson, mezzo-soprano: Diana Montague, soprano: Rosemary Joshua, conductor: David Parry) released: 1999
- Suite from Schlagobers / München, ein Gedächtniswalzer released: 1998
- Strauss: Also Sprach Zarathustra / Till Eulenspiegels Lustige Streiche, nach alter Schelmenweise - in Rondeauform, Op. 28 / Salome - Tanz der sieben Schleier, Op. 54 ~ Solti released: 1997
- Opera 4 Hands - Vol. 2 released: 1997
- Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno released: 1997
- Elektra (Wiener Philharmoniker feat. conductor: Giuseppe Sinopoli) released: 1997
- Die Klassiksammlung 112: R. Strauss: Sinnlicher Überschwang released: 1997
- Symphonic Poems, Volume 2: Symphonia domestica / Till Eulenspiegel / Macbeth / Don Quixote / Also sprach Zarathustra released: 1996
- Eine Alpensinfonie/ Till Eulenspiegel(feat. Staatskapelle Dresden, conductor: Karl Boehm) released: 1996
- Don Quixote - Ein Heldenleben (The MET Orchestra feat. conductor: James Levine) released: 1996
- Sinfonia Domestica / Tod und Verklärung (Bavarian Radio Symphony Orchestra feat. conductor: Lorin Maazel) released: 1996
- The Art of Conducting, Volume 1: Nikisch - Weingartner - Strauss released: 1996
- Elektra (Staatskapelle Berlin feat. conductor: Daniel Barenboim) released: 1996
- Erato Collection, Volume 14: Ainsi parlait Zarathoustra / Quatre derniers Lieder released: 1996
- Schmidt: Symphony no. 1 / Strauss: Four Interludes from Intermezzo released: 1995
- Also sprach Zarathustra / Till Eulenspiegel / Tod und Verklärung released: 1995
- Ein Heldenleben / Tod und Verklärung released: 1995
- Strauss: Horn concertos, Op. 11 and 132; Duet concertino for clarinet and bassoon, op. 147; Serenade in E-flat major for wind instruments, op. 7 released: 1995
- Eine Alpensymphonie, op.64 (Staatskapelle Dresden feat. conductor: Guiseppe Sinopoli) released: 1994
- Capriccio released: 1994
- Symphony in F minor, op. 12 / Six Songs, op. 68 released: 1993
- Orchestral Songs, Volume 2 released: 1993
- BBC Music, Volume 1, Number 5: An Alpine Symphony, Op. 64 (BBC Welsh Symphony Orchestra feat. conductor: Mariss Jansons) released: 1993
- Richard Strauss Symphonic Music (feat. conductor: Zubin Mehta, orchestra: Berlin Philharmonic) released: 1993
- Sonatas for Violin and Piano released: 1993
- Orchestral Songs, Volume 1 released: 1992
- Salomé released: 1991
- Also Sprach Zarathustra (Vienna Philharmonic Orchestra feat. conductor: Herbert von Karajan) released: 1991
- Macbeth / Der Rosenkavalier Waltz Sequences 1 & 2 / Notturno released: 1990
- Also sprach Zarathustra / Don Juan released: 1990
- An Alpine Symphony released: 1990
- Aus Italien released: 1990
- Der Rosenkavalier Suite / Salome's Dance / Suite from Capriccio released: 1989
- Don Quixote / Tot und Verklärung released: 1989
- Also sprach Zarathustra (Philadelphia Orchestra feat. conductor: Eugene Ormandy) released: 1989
- Don Quixote / Romanze in F / Ruhe, meine Seele! / Gesang der Apollopriesterin released: 1988
- Daphne (Chor und Orchester des Bayerischen Rundfunks, feat. conductor: Bernard Haitink, singers: Popp, Goldberg, Schreier, Wenkel, Moll) released: 1988
- Richard Strauss: Also Sprach Zarathustra, Don Juan (Staatskapelle Dresden, feat. conductor Herbert Blomstedt) released: 1988
- Eine Alpensinfonie / Till Eulenspiegel (The Cleveland Orchestra feat. conductor Vladimir Ashkenazy) released: 1988
- Metamorphosen / Sonatina für 16 Blasinstrumente released: 1987
- An Alpine Symphony / 4 Songs released: 1987
- Also sprach Zarathustra / Don Juan / Muttertändelei / Cäcilie released: 1987
- Ein Heldenleben / Four Last Songs released: 1987
- Symphonia Domestica / Till Eulenspiegel / 2 Songs released: 1987
- Ein Heldenleben (feat: Berlin Philharmonic, conductor: Herbert von Karajan, violin: Michel Schwalbé) released: 1987
- Oboe Concertos (Chamber Orchestra of Europe feat. oboe: Douglas Boyd, conductor: Paavo Berglund) released: 1986
- Richard Strauss: Ein Heldenleben Op. 40 (Berlin Philharmonic Orchestra, feat. conductor: Herbert von Karajan) released: 1986
- Guntram (Hungarian State Orchestra and Hungarian State Opera Chorus, feat. conductor: Eve Queler, singers Goldberg, Tokody, Solyom-Nagy, Gati, Bandi) released: 1985
- Piano Sonata in B minor, op. 5 / 5 Klavierstücke, op. 3 released: 1984
- Death and Transfiguration / Don Juan / Salome: Dance of the Seven Veils (Dallas Symphony Orchestra feat. conductor Eduardo Mata) released: 1982
- Eine Alpensinfonie, op.64 released: 1976
- Die Schweigsame Frau released: 1959
- The Great Composers: 63 - Der Rosenkavalier released:
- Violin Concerto - Oboe Concerto (Vladimir Ashkenazy, RSO Berlin) released:
- Don Juan / Don Quixote / Dance of the Seven Veils (Rudolf Kempe, Dresden State Orchestra) released:
- Horn Concertos 1 & 2, Duet Concertino, Oboe Concerto released:
- Don Juan / Till Eulenspiegel / Tod und Verklärung (Cleveland Orchestra feat. conductor: Lorin Maazel) released:
- Richard Strauss: Eine Alpensinfonie, Rosenkavaliersuite released:
- Musik für Horn und Klavier released:
- Also Sprach Zarathustra released:
Coleção Folha Mestres da música clássica, volume 20: Richard Strauss
Released 2014- add to main playlist Play in Full Screen Tod und Verklärung, op. 24
- add to main playlist Play in Full Screen Metamorphosen for 23 Solo Strings
- add to main playlist Play in Full Screen Vier letzte Lieder (4 últimas canções): I. Frühling
- add to main playlist Play in Full Screen Vier letzte Lieder (4 últimas canções): II. September
- add to main playlist Play in Full Screen Vier letzte Lieder (4 últimas canções): III. Beim Schlafengehen
- add to main playlist Play in Full Screen Vier letzte Lieder (4 últimas canções): IV. Im Abendrot
The Romantic Violin Concerto, Volume 16: Busoni: Violin Concerto in D major, op. 35a / Benedictus from Beethoven's Missa solemnis / Strauss: Violin Concerto in D minor, op. 8
Released 2014- add to main playlist Play in Full Screen Violin Concerto in D major, op. 35a: I. Allegro moderato –
- add to main playlist Play in Full Screen Violin Concerto in D major, op. 35a: II. Quasi andante
- add to main playlist Play in Full Screen Violin Concerto in D major, op. 35a: III. Allegro impetuoso
- add to main playlist Play in Full Screen Benedictus from Missa solemnis, op. 123
- add to main playlist Play in Full Screen Violin Concerto in D minor, op. 8: I. Allegro
- add to main playlist Play in Full Screen Violin Concerto in D minor, op. 8: II. Lento ma non troppo
- add to main playlist Play in Full Screen Violin Concerto in D minor, op. 8: III. Rondo: Prestissimo
Josephslegende / Love Scene from "Feuersnot" / Festmarsch
Released 2013- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Allegro moderato -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Zug und Tanz der Frauen. Allegretto -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Erste Tanzfigur. Allegro moderato -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Zweite Tanzfigur. Dasselbe Zeitmaß -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Dritte Tanzfigur. Allegro - Molto agitato - Tempo I - Schneller als das erste Mal - Langsam -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Ziemlich langsam - Allegretto -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Allegro moderato -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Ziemlich langsam - Ziemlich lebhaft - Molto allegro -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Etwas ruhiger - Schnell -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Ziemlich lebhaft - Zweite Tanzfigur. [Ziemlich lebhaft] -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Etwas mäßiger - Tempo I -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Dritte Tanzfigur. Lebhaft, in erregtem, aber stets gemessenem Schreiten - Etwas breiter - Allmählich bewegter - Sehr lebhaft - Immer schwungvoller - Immer lebhafter - Tempo I - Lebhafter -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Vierte Tanzfigur. Viel ruhiger, leicht schwebend - Più mosso - Früheres Zeitmaß (leicht schwebend) - Ziemlich ruhig -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Etwas lebhafter - Ruhig im Vortrag -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Schneller - Ziemlich lebhaft - Allmählich fließender -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Der Abend bricht herein. [ ] - Allmählich fließender - Doppelt so langsam -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Schnell -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Schnell und hastig - Agitato - Ziemlich lebhaft - Molto agitato - Immer lebhafter - Festes Zeitmaß -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Viel ruhiger, stets alla breve - Allmählich etwas bewegter -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: L’istesso tempo - Schneller - Noch schneller - Molto agitato -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Mäßig schnell - Erste Tanzfigur - Allmählich bewegter - Zweite Tanzfigur. Sehr Schnell - Immer schneller -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Mäßig bewegt - Schnell - Immer lebhafter - Tempo I, mäßig bewegt -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Sehr lebhaft - Äußerst lebhaft - Prestissimo -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Allmählich etwas ruhiger - Ruhiger - Fast doppelt so langsam beginnen, dann sofort wieder bewegter - Molto appassionato - Etwas breiter, maestoso - Schneller -
- add to main playlist Play in Full Screen Josephslegende, op. 63, TrV 231: Bewegt - Noch lebhafter - Etwas breit
- add to main playlist Play in Full Screen Love Scene from "Feuersnot", op. 50, TrV 203
- add to main playlist Play in Full Screen Festmarsch in E-flat major, op. 1, TrV 43
BBC Music, Volume 20, Number 8: Der Rosenkavalier (highlights) (BBC Scottish Symphony Orchestra, conductor: Donald Runnicles, soprano: Twyla Robinson, Lucy Crowe, mezzo soprano: Daniela Sindram)
Released 2012- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Overture
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I - Awakenng scene (Octavian, Marschallin)
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I - Parting scene (The Marschallin's monologue and duet)
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act II - Presentation of the Silver Rose (Sophie and Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act III - The Marschallin's meeting with Sophie
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act III - Final duet
Bruckner: String Quintet / Richard Strauss: Capriccio
Released 2011- add to main playlist Play in Full Screen Capriccio, op. 85: Act 1 no. 1: Prelude
- add to main playlist Play in Full Screen String Quintet in F major: I. Gemässigt
- add to main playlist Play in Full Screen String Quintet in F major: II. Scherzo: Schnell – Trio: Langsamer
- add to main playlist Play in Full Screen String Quintet in F major: III. Adagio
- add to main playlist Play in Full Screen String Quintet in F major: IV. Finale: Lebhaft bewegt
- add to main playlist Play in Full Screen Intermezzo in D minor
Brahms: Symphonie 2 / Mozart: Masonic Funeral Music / R. Strauss: Metamorphosen
Released 2010- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: I. Allegro non troppo
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: II. Adagio non troppo
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino)
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito
- add to main playlist Play in Full Screen Maurerische trauermusik (Masonic funeral music), for orchestra in C minor, KV 477 (K. 479a)
- add to main playlist Play in Full Screen Metamorphosen, study for 23 solo strings, o.Op. 142 (Trv 290, AV 142)
Dvorak Strauss - Zubin Mehta
Released 2010- add to main playlist Play in Full Screen Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio - Allegro molto
- add to main playlist Play in Full Screen Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
- add to main playlist Play in Full Screen Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
- add to main playlist Play in Full Screen Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30
Capriccio (Wiener Philharmoniker feat. conductor: Ulf Schirmer)
Released 2009- add to main playlist Play in Full Screen Capriccio, Op. 85 - Einleitung
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 1. Szene: Bezaubernd ist sie heute wieder!
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 1. Szene: Bei sanfter Musik schläft sich's am besten
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 2. Szene: Der Strom der Töne trug mich fort
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 3. Szene: Die Bühne ist fertig
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 4. Szene: Sie ist doch gekommen! Du hast es erreicht
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 4. Szene: Ihr geht. Entließ Euch schon die Macht
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 4. Szene: Kein andres, das mir so im Herzen loht
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 5. Szene: Lassen Sie ihn gewähren
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 6. Szene: Kein andres, das mir so im Herzen loht
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 6. Szene: Wie schön die Worte, kaum kenn' ich sie wieder!
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 7. Szene: Verraten hab' ich meine Gefühle!
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 7. Szene: Sie erzählten beredsam von Eurem Empfinden
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 8. Szene: Welch' köstliche Begegnung!
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 9. Szene: Wir kehren zurück in die Welt des Salons
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 9. Szene: I. Tanz: Passepied (Was sagt Ihr?)
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 9. Szene: II. Tanz: Gigue (Ich bin fest entschlossen, auf keinen Fall mehr)
- add to main playlist Play in Full Screen Capriccio, Op. 85 - 9. Szene: III. Tanz: Gavotte
Don Juan / Aus Italien / Don Quixote (Staatskapelle Dresden feat. conductor: Fabio Luisi)
Released 2009- add to main playlist Play in Full Screen Don Juan, Op. 20
- add to main playlist Play in Full Screen Aus Italien, Op. 16: I. Auf der Campagna
- add to main playlist Play in Full Screen Aus Italien, Op. 16: II. In Roms Ruinen
- add to main playlist Play in Full Screen Aus Italien, Op. 16: III. Am Strande von Sorrent
- add to main playlist Play in Full Screen Aus Italien, Op. 16: IV. Neapolitanisches Volksleben. Finale
Grandes compositores da música clássica, Volume 28: Strauss
Released 2009- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: I. Assim falou Zaratustra
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: II. Daqueles mundos interiores
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: III. Da aspiração suprema
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: IV. Das alegrias e paixões
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: V. O canto do funeral
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: VI. Canção da ciência
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: VII. O convalescente
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: VIII. O canto da dança
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: IX. A canção da noite
- add to main playlist Play in Full Screen Assim falou Zaratustra, Op. 30: X. A canção do viajante da noite
- add to main playlist Play in Full Screen Don Juan, Op. 20
- add to main playlist Play in Full Screen Till Eulenspiegels, Op. 28
Œuvres pour piano (feat. piano: Frank Braley)
Released 2008- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 3: I. Andante
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 3: II. Allegro vivace scherzando
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 3: III. Largo
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 3: IV. Allegro molto
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 3: V. Allegro marcarissimo
- add to main playlist Play in Full Screen Sonate op. 5 en si mineur: I. Allegro molto appassionato
- add to main playlist Play in Full Screen Sonate op. 5 en si mineur: II. Adagio cantabile
- add to main playlist Play in Full Screen Sonate op. 5 en si mineur: III. Scherzo
- add to main playlist Play in Full Screen Sonate op. 5 en si mineur: IV. Finale: Allegro vivo
- add to main playlist Play in Full Screen Stimmungsbilder, op. 9: I. Auf stillem Waldespfad - Andante
- add to main playlist Play in Full Screen Stimmungsbilder, op. 9: II. An einsamer Quelle - Lento
- add to main playlist Play in Full Screen Stimmungsbilder, op. 9: III. Intermezzo - Allegretto
- add to main playlist Play in Full Screen Stimmungsbilder, op. 9: IV. Träumerei - Andantino
- add to main playlist Play in Full Screen Stimmungsbilder, op. 9: V. Heidebild - Lento non troppo
Also sprach Zarathustra (Los Angeles Philharmonic feat. conductor: Zubin Meta)
Released 2008- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von den Hinterweltiern
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Das Grablied
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von der Wissenschaft
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Der Genesende
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Das Tanzlied - Das Nachtlied
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Das Nachtwanderlied
Ein Heldenleben, Op. 40 (Boston Symphony Orchestra, conductor E. Leinsdorf, feat. J. Sliverstein, violin solo)
Released 2007- add to main playlist Play in Full Screen The Hero
- add to main playlist Play in Full Screen The Hero's Adversaries
- add to main playlist Play in Full Screen The Hero's Companion
- add to main playlist Play in Full Screen The Hero's Battlefield
- add to main playlist Play in Full Screen The Hero's Works of Peace
- add to main playlist Play in Full Screen The Hero's Retreat from the World and Fulfillment
Eine Alpensinfonie / Vier letzte Lieder (Staatskapelle Dresden feat. conductor: Fabio Luisi)
Released 2007- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nacht (Night)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Sonnenaufgang (Sunrise)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Der Anstieg (The Ascent)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Eintritt in den Wald (Entry Into the Wood): Wanderung neben dem Bache (Wandering by the Stream)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Am Wasserfall (At the Waterfall): Erscheinung (Apparition)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf blumigen Wiesen (On Flowering Meadows)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf der Alm (On the Alpine Pasture)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Durch Dickicht und Gestrüp auf Irrwegen (Straying Through Thicket and Undergrowth)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf dem Gletscher (On the Glacier)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Grefahrvolle Augenblicke (Dangerous Moments)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf dem Gipfel (On the Summit)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Vision
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nebel steigt auf (Mists Rise)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Die Sonne verdüstert sich allmählich (The Sun Gradually Darkens)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Elegie (Elegy)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Stille vor der Sturme (Calm Before the Storm)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Gewitter und Sturm, Abstieg (Thunder and Storm, Descent)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Sonnenuntergang (Sunset)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Ausklang (Final Sounds)
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nacht (Night)
- add to main playlist Play in Full Screen Vier letzte Lieder, AV 150: Nr. 1, Frühling
- add to main playlist Play in Full Screen Vier letzte Lieder, AV 150: Nr. 2, September
- add to main playlist Play in Full Screen Vier letzte Lieder, AV 150: Nr. 3, Beim Schlafengehen
- add to main playlist Play in Full Screen Vier letzte Lieder, AV 150: Nr. 4, Im Abendrot
Symphonia domestica / Le bourgeois gentilhomme
Released 2007- add to main playlist Play in Full Screen Symphonia domestica, op. 53: I. Bewegt
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: II. Scherzo
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: III. Wiegenlied / Cradle song
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: IV. Adagio
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: V. Finale
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: I. Overture
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: II. Minuet
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: III. The Fencing Master
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: IV. Entrance and Dance of the Tailors
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: V. Entrance of Cléonte
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: VI. Prelude to Act II (Intermezzo)
- add to main playlist Play in Full Screen Le bourgeois gentilhomme, op. 60: VII. The Dinner
Holst: The Planets / Strauss: Don Juan
Released 2007- add to main playlist Play in Full Screen The Planets, op. 32: Mars, the Bringer of War
- add to main playlist Play in Full Screen The Planets, op. 32: Venus, the Bringer of Peace
- add to main playlist Play in Full Screen The Planets, op. 32: Mercury, the Winged Messenger
- add to main playlist Play in Full Screen The Planets, op. 32: Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen The Planets, op. 32: Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen The Planets, op. 32: Uranus, the Magician
- add to main playlist Play in Full Screen The Planets, op. 32: Neptune, the Mystic
- add to main playlist Play in Full Screen Don Juan, op. 20
DIE ZEIT Klassik-Edition 03: Elisabeth Schwarzkopf singt Strauss
Released 2006- add to main playlist Play in Full Screen Vier letzte Lieder op. posth.: I. Frühling
- add to main playlist Play in Full Screen Vier letzte Lieder op. posth.: II. September
- add to main playlist Play in Full Screen Vier letzte Lieder op. posth.: III. Beim Schlafengehen
- add to main playlist Play in Full Screen Vier letzte Lieder op. posth.: IV. Im Abendrot
- add to main playlist Play in Full Screen Fünf Orchesterlieder: Zueignung, op. 10 Nr. 1
- add to main playlist Play in Full Screen Fünf Orchesterlieder: Freundliche Vision, op. 48 Nr. 1
- add to main playlist Play in Full Screen Fünf Orchesterlieder: Das Rosenband, op. 36 Nr. 1
- add to main playlist Play in Full Screen Fünf Orchesterlieder: Ruhe, meine Seele, op. 27 Nr. 1
- add to main playlist Play in Full Screen Fünf Orchesterlieder: Morgen, op. 27 Nr. 4
- add to main playlist Play in Full Screen Der Rosenkavalier, op. 59: Da geht er hin... (Finale 1. Akt, Marschallin - Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier, op. 59: Marie Theres'!...Hab mir's gelobt... (Finale 3. Akt, Octavian - Marschallin - Sophie - Faninal)
BBC Music, Volume 14, Number 13: R Strauss, Mozart, and Prokofiev (feat. The Hallé, Manchester Camerata, and BBC Philharmonic)
Released 2006- add to main playlist Play in Full Screen Four Last Songs: Frühling
- add to main playlist Play in Full Screen Four Last Songs: September
- add to main playlist Play in Full Screen Four Last Songs: Beim Schlafengehen
- add to main playlist Play in Full Screen Four Last Songs: Im Abendrot
- add to main playlist Play in Full Screen Piano Concerto No.20 in D minor K466: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No.20 in D minor K466: II. Romance
- add to main playlist Play in Full Screen Piano Concerto No.20 in D minor K466: III. Allegro assai
- add to main playlist Play in Full Screen Romeo and Juliet: Montagues and Capulets
- add to main playlist Play in Full Screen Romeo and Juliet: Romeo and Juliet before parting
- add to main playlist Play in Full Screen Romeo and Juliet: Aubade
- add to main playlist Play in Full Screen Romeo and Juliet: Dance of the Antilles Girls
- add to main playlist Play in Full Screen Romeo and Juliet: Death of Tybalt
Arabella (Bayrisches Staatsorchester, feat.: conductor: Joseph Keilberth, singers: Della Case, Fischer-Dieskau, Rothenberger))
Released 2005- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Die Karten fallen besser als das letzte Mal"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Sie wollen alle Geld!"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Matteo! - Zdenko! Du! Bist du allein?"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Ich danke, Fräulein"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Er ist der Richtige nicht für mich!"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Aber der Richtige, wenns einen gibt"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Das ist der Schlitten vom Elemer"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "So triumphierend treten Sie herein?"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Laßt uns allein, meine Kinder"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Mandryka! Der reiche Kerl!"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Herr Graf, Sie haben Ihrem werten Brief"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Der Onkel ist dahin"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Das ist ein Fall von andrer Art"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Hab' ich geträumt?"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Papa! Er ist schon fort"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt I. "Mein Elemer! - das hat so einen sonderbaren Klang"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt II. "Das ist ein Engel"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt II. "Sie sehn nicht aus wie jemand"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt II. "Ich habe eine Frau gehabt"
- add to main playlist Play in Full Screen Arabella, Op. 79: Akt II. "Sie wolln mich heiraten, sagt mein" Vater"
Don Quixote / Ein Heldenleben / Symphonia domestica
Released 2005- add to main playlist Play in Full Screen Don Quixote, op. 35: Introduction. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Don Quixote, op. 35: Thema. Mäßig
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation I. Gemächlich
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation II. Kriegerisch
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IV. Etwas breiter
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation V. Sehr langsam
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VI. Schnell
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VIII. Gemächlich
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IX. Schnell und stürmisch
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation X. Viel breiter
- add to main playlist Play in Full Screen Don Quixote, op. 35: Finale – Sehr Ruhig
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: I. Thema I: Bewegt – Thema II: Sehr lebhaft – Thema III: Ruhig
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: II. Scherzo (Munter) – Wiegenlied. Mäßig langsam
- add to main playlist Play in Full Screen Symphonia domestica, op. 53: III. Adagio – Langsam
Salome (Metropolitan Opera Orchestra, feat. conductor Dimitri Mitropoulos, singers: Goltz, Schöffler, Vinay, Thebom)
Released 2005- add to main playlist Play in Full Screen Salome: "Tanz für mich, Salome"
- add to main playlist Play in Full Screen Salome: Tanz der sieben Schleier
- add to main playlist Play in Full Screen Salome: "Ah! Herrlich! Wundervoll!"
- add to main playlist Play in Full Screen Salome: "Was ist es, das du haben möchtest, Salome?"
- add to main playlist Play in Full Screen Salome: "Salome, ich beschwöre dich, sei nicht trotzig"
- add to main playlist Play in Full Screen Salome: "Salome, bedkenk, was du tun willst"
- add to main playlist Play in Full Screen Salome: "Es ist kein Laut zu vernehmen"
- add to main playlist Play in Full Screen Salome: "Ah! Du wolltest mich nicht deinen Mund küssen lassen"
- add to main playlist Play in Full Screen Salome: "Und deine Zunge, sie spricht kein Wort"
- add to main playlist Play in Full Screen Salome: "Ah! Warum hast du mich nicht angesehn"
- add to main playlist Play in Full Screen Salome: "Sie ist ein Ungeheuer, deine Tochter"
- add to main playlist Play in Full Screen Salome: "Ah! Ich habe deinen Mund geküßt"
Karl Böhm Conducts Mozart and Strauss
Released 2005- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): I. Introitus: Requiem
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): II. Kyrie
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Dies irae
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Tuba mirum
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Rex tremendae
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Recordare
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Confutatis
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): III. Sequentia: Lacrimosa
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): IV. Offertorium: Domine Jesu
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): IV. Offertorium: Hostias
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): V. Sanctus
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VI. Benedictus
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VII. Agnus Dei
- add to main playlist Play in Full Screen Requiem in D minor, K. 626 (Franz Xaver Süssmayer completion): VIII.Communio: Lux aeterna
- add to main playlist Play in Full Screen Symphony No. 26 in E-flat major, K. 184: I. Molto presto
- add to main playlist Play in Full Screen Symphony No. 26 in E-flat major, K. 184: II. Andante
- add to main playlist Play in Full Screen Symphony No. 26 in E-flat major, K. 184: III. Allegro
- add to main playlist Play in Full Screen Symphony No. 32 in G major, K. 318 (Overture in G): I. Allegro spiritoso
- add to main playlist Play in Full Screen Symphony No. 32 in G major, K. 318 (Overture in G): II. Andante
- add to main playlist Play in Full Screen Symphony No. 32 in G major, K. 318 (Overture in G): III. Tempo I
Symphony no. 2 in F minor / Six Songs / Romanze for Cello and Orchestra
Released 2004- add to main playlist Play in Full Screen Symphony no. 2 in F minor, op. 12: I. Allegro ma non troppo, un poco maestoso
- add to main playlist Play in Full Screen Symphony no. 2 in F minor, op. 12: II. Scherzo. Presto
- add to main playlist Play in Full Screen Symphony no. 2 in F minor, op. 12: III. Andante cantabile
- add to main playlist Play in Full Screen Symphony no. 2 in F minor, op. 12: IV. Finale. Allegro assai, molto appassionato
- add to main playlist Play in Full Screen Romanze in F major for Cello and Orchestra
- add to main playlist Play in Full Screen Six Songs, op. 68: 1. An die Nacht
- add to main playlist Play in Full Screen Six Songs, op. 68: 2. Ich wollt’ ein Sträußlein binden
- add to main playlist Play in Full Screen Six Songs, op. 68: 3. Säusle, liebe Myrthe
- add to main playlist Play in Full Screen Six Songs, op. 68: 4. Als mir dein Lied erklang
- add to main playlist Play in Full Screen Six Songs, op. 68: 5. Amor
- add to main playlist Play in Full Screen Six Songs, op. 68: 6. Lied der Frauen
Strauss: Four Last Songs / Songs with Orchestra / Rosenkavalier Suite
Released 2004- add to main playlist Play in Full Screen Vier letzte Lieder "Four Last Songs": I. Frühling
- add to main playlist Play in Full Screen Vier letzte Lieder "Four Last Songs": II. September
- add to main playlist Play in Full Screen Vier letzte Lieder "Four Last Songs": III. Beim Schlafengehn
- add to main playlist Play in Full Screen Vier letzte Lieder "Four Last Songs": IV. Im Abendrot
- add to main playlist Play in Full Screen Orchesterlieder "Songs with Orchestra": Befreit, Op. 39 No. 4
- add to main playlist Play in Full Screen Orchesterlieder "Songs with Orchestra": Muttertändelei, Op. 43 No. 2
- add to main playlist Play in Full Screen Orchesterlieder "Songs with Orchestra": Wiegenlied, Op. 41 No. 1
- add to main playlist Play in Full Screen Orchesterlieder "Songs with Orchestra": Waldseligkeit, Op. 49 No. 1
- add to main playlist Play in Full Screen Orchesterlieder "Songs with Orchestra": Cäcilie, Op. 27 No. 2
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Suite
Daphne (Chor und Sinfonieorchester des NDR, feat. conductor: Arthur Grüber, singers: Cunitz, Anders, Fehenberger, Greindl, Fischer)
Released 2003- add to main playlist Play in Full Screen Daphne: Orchestereinleitung / "Kleontes!" / "Adrast!"
- add to main playlist Play in Full Screen Daphne: "O bleib geliebter Tag!"
- add to main playlist Play in Full Screen Daphne: "O wie gerne blieb ich bei dir"
- add to main playlist Play in Full Screen Daphne: "Leukippos, du?"
- add to main playlist Play in Full Screen Daphne: "Daphne!" / "Mutter!" / "Wir warten dein"
- add to main playlist Play in Full Screen Daphne: "Ei, so fliegt sie dahin"
- add to main playlist Play in Full Screen Daphne: "Seid ihr um mich, ihr Hirten alle?"
- add to main playlist Play in Full Screen Daphne: "Ich grüße dich, weiser, erfahrener Fischer"
- add to main playlist Play in Full Screen Daphne: "Was führt dich her in niedern Gewande"
- add to main playlist Play in Full Screen Daphne: "Dieser Kuß - dies Umarmen"
- add to main playlist Play in Full Screen Daphne: "Allüberall blüht Dionysos"
- add to main playlist Play in Full Screen Daphne: "Trinke, du Tochter!"
- add to main playlist Play in Full Screen Daphne: "Furchtbare Schmach dem Gotte!"
- add to main playlist Play in Full Screen Daphne: "Zu dir nun, Knabe!"
- add to main playlist Play in Full Screen Daphne: "Jeden heiligen Morgen"
Salome (RAI Chor und Orchester, feat. conductor: Zubin Mehta, singers: Caballé, Nimsgern, Wolff, Thiemann)
Released 2001- add to main playlist Play in Full Screen Salome: "Wie schön is die Prinzessin Salome heute nacht!"
- add to main playlist Play in Full Screen Salome: "Ich will nicht bleiben"
- add to main playlist Play in Full Screen Salome: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
- add to main playlist Play in Full Screen Salome: "Ich bin Salome, die Tochter der Herodias"
- add to main playlist Play in Full Screen Salome: "In dein Haar bin ich verliebt, Jokanaan."
- add to main playlist Play in Full Screen Salome: "Ich will deinen Mund küssen, Jokanaan."
- add to main playlist Play in Full Screen Salome: "Wo ist Salome? Wo ist die Prinzessin?"
- add to main playlist Play in Full Screen Salome: "Salome, komm, trink Wein mit mir."
- add to main playlist Play in Full Screen Salome: "Siehe, der Tag ist nahe, der Tag des Herrn."
Richard Strauss - Music for Wind Band ("The President's Own" United States Marine Band)
Released 2001- add to main playlist Play in Full Screen Festmusik der Stadt Wien
- add to main playlist Play in Full Screen Serenade for Winds, Op. 7
- add to main playlist Play in Full Screen Prelude to Act 2 From Guntram, Op. 25
- add to main playlist Play in Full Screen Parade-Marsch des Regiments Königs-Jäger zu Pferde No. 1
- add to main playlist Play in Full Screen Parade-Marsch Cavallerie No. 2
- add to main playlist Play in Full Screen Love Scene from Feuersnot, Op. 50
- add to main playlist Play in Full Screen Feierlicher Einzug der Ritter des Johanniter-Ordens
- add to main playlist Play in Full Screen Suite from Der Rosenkavalier, Op. 59
Der Rosenkavalier (Wiener Philharmoniker feat. conductor: Georg Solti, soprano: Régine Crespin)
Released 2001- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. Introduction
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Wie du warst!"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Marie Theres'!" - "Octavian!"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Quinquin, es ist mein Mann!"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Selbstverständlich empfängt mich Ihro Gnaden"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Hat Sie schon einmal mit einem Kavalier"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Nein, er agiert mir gar zu gut!"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "I komm' glei"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Di rigori armato il seno"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Als Morgengabe"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Mein lieber Hippolyte"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Da geht er hin"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Ach! Du bist wieder da!"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Die Zeit ist...Mein schöner Schatz...Ich werde jetzt"
- add to main playlist Play in Full Screen Der Rosenkavalier, Op. 59: Act I. "Ich hab' ihn nicht einmal geküßt"
Richard Strauss conducts An alpine Symphony
Released 2001- add to main playlist Play in Full Screen Nacht
- add to main playlist Play in Full Screen Sonnenaufgang
- add to main playlist Play in Full Screen Der Anstieg
- add to main playlist Play in Full Screen Eintritt in den Wald - Wanderung neben dem Bache
- add to main playlist Play in Full Screen Am Wasserfall
- add to main playlist Play in Full Screen Erscheinung
- add to main playlist Play in Full Screen Auf blumigen Wiesen
- add to main playlist Play in Full Screen Auf der Alm
- add to main playlist Play in Full Screen Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen Auf dem Gletscher
- add to main playlist Play in Full Screen Gefahrvolle Augenblicke
- add to main playlist Play in Full Screen Vision
- add to main playlist Play in Full Screen Nebel steigen auf
- add to main playlist Play in Full Screen Die Sonne verdüstert sich allmählich
- add to main playlist Play in Full Screen Elegie
- add to main playlist Play in Full Screen Stille vor dem Sturm
- add to main playlist Play in Full Screen Gewitter und Sturm, Absteig
- add to main playlist Play in Full Screen Sonnenuntergang
- add to main playlist Play in Full Screen Ausklang
- add to main playlist Play in Full Screen Nacht
- add to main playlist Play in Full Screen Der Rosenkavalier: Waltzes act III
- add to main playlist Play in Full Screen Don Juan Tone Poem op.20
Symphonic Poems, Volume 3: Aus Italien
Released 2000- add to main playlist Play in Full Screen Aus Italien, op. 16: I. Auf der Campagna. Andante
- add to main playlist Play in Full Screen Aus Italien, op. 16: II. In Roms Ruinen. Allegro molto con brio
- add to main playlist Play in Full Screen Aus Italien, op. 16: III. Am Strande von Sorrent. Andantino
- add to main playlist Play in Full Screen Aus Italien, op. 16: IV. Neapolitanisches Volksleben. Allegro molto
- add to main playlist Play in Full Screen Metamorphosen
Ariadne auf Naxos (Orchester der Wiener Staatsoper, feat. conductor Karl Böhm, singers: Reining, Seefried, Noni, Lorenz, Schöffler, Kunz)
Released 2000- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel Ouvertüre
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Mein Herr Haushofmeister!"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Lieber Freund, verschaffen sie mir die Geigen"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "O ich möcht vieles ändern noch in zwölfter Stund"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Das! für einen Bacchus!"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Erst nach der Oper kommen wir daran"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Nach meiner Oper?"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Mein Partner, meine erprobten Freunde!"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Die Herrschaften stehen vom Tisch auf!"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Ariadne auf Naxos, Herr"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Nein, Herr, so kommt es nicht"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "Kindskopf. Merkt auf - wir spielen mit in dem Stück"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Vorspiel "An ihre Plätze, meine Damen und Herren!"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Aufzug Ouvertüre
- add to main playlist Play in Full Screen Ariadne auf Naxos: Aufzug "Schläft sie?"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Aufzug "Ach! Wo war ich?"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Aufzug "Ein Schönes war - hieß Theseus - Ariadne"
- add to main playlist Play in Full Screen Ariadne auf Naxos: Aufzug "Ach, so versuchet doch ein kleines Lied"
Ein Heldenleben / Tod und Verklärung
Released 2000- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: I. Der Held
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: II. Des Helden Widersacher
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: III. Des Helden Gefährtin
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: IV. Des Helden Walstatt
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung
- add to main playlist Play in Full Screen Tot und Verklärung, Op. 24
Also sprach Zarathustra / Don Juan / Till Eulenspiegel (Royal Philharmonic Orchestra feat. conductor: Sir Charles Mackerras)
Released 2000- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Einleitung
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von den Hinterwelten
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Das Grablied
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von der Wissenschaft
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Der Genesende
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Das Tanzlied
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Nachtwanderland
- add to main playlist Play in Full Screen Don Juan, Op. 20
- add to main playlist Play in Full Screen Till Eulenspiegels Lustige Streiche, Op. 28
Deutsche Grammophon Collection: Wolf: The Spanish Songbook / Strauss: Five Songs for Voice and Orchestra
Released 1999- add to main playlist Play in Full Screen The Spanish Songbook: Spiritual Songs, no. 4: Die ihr schwebet
- add to main playlist Play in Full Screen The Spanish Songbook: Spiritual Songs, no. 6: Ach, des Knaben Augen sind
- add to main playlist Play in Full Screen The Spanish Songbook: Spiritual Songs, no. 7: Mühvoll komm ich und beladen
- add to main playlist Play in Full Screen The Spanish Songbook: Spiritual Songs, no. 10: Wunden trägst du, mein Geliebter
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 1: Klinge, klinge, mein Pandero
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 2: In dem Schatten meiner Locken
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 10: Eide, so die Liebe schwur
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 12: Sagt, seid Ihr es, feiner Herr
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 13: Mögen alle bösen Zungen
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 14: Köpfchen, Köpfchen, nicht gewimmert
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 15: Sagt ihm, daß er zu mir komme
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 16: Bitt' ihn, o Mutter
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 17: Liebe mir im Busen zündet
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 18: Schmerzliche Wonnen und wonnige Schmerzen
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 19: Trau' nicht der Liebe
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 25: Ob auch finstre Blicke glitten
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 26: Bedeckt mich mit Blumen
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 28: Sie blasen zum Abmarsch
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 29: Weint nicht, ihr Äuglein
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 30: Wer tat deinem Füßlein weh?
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 33: Wehe der, die mir verstrickte
- add to main playlist Play in Full Screen The Spanish Songbook: Secular Songs, no. 34: Geh, Geliebter, geh jetzt!
- add to main playlist Play in Full Screen Songs for Voice and Orchestra: Cäcilie, op. 27 no. 2
- add to main playlist Play in Full Screen Songs for Voice and Orchestra: Wiegenlied, op. 41 no. 1
- add to main playlist Play in Full Screen Songs for Voice and Orchestra: Ich liebe dich, op. 37 no. 2
- add to main playlist Play in Full Screen Songs for Voice and Orchestra: Morgen, op. 27 no. 4
- add to main playlist Play in Full Screen Songs for Voice and Orchestra: Zueignung, op. 10 no. 1
Ariadne auf Naxos
Released 1999- add to main playlist Play in Full Screen PROLOG - Ouvertüre
- add to main playlist Play in Full Screen Mein Herr Haushofmeister! [Musiklehrer, Haushofmeister, Lakai, Offizier]
- add to main playlist Play in Full Screen Lieber Freund! Verschaffen Sie mir die Geigen [Komponist, Lakai]
- add to main playlist Play in Full Screen O, ich möcht vieles ändern noch in zwölfter Stund [Komponist]
- add to main playlist Play in Full Screen Das! Für einen Bacchus! [Tenor, Komponist, Perückenmacher]
- add to main playlist Play in Full Screen Erst nach der Oper kommen wir daran [Zerbinetta, Primadonna, Musiklehrer, etc]
- add to main playlist Play in Full Screen Nach meiner Oper? [Komponist, Musiklehrer]
- add to main playlist Play in Full Screen Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc]
- add to main playlist Play in Full Screen Die Herrschaften stehen vom Tisch auf! [Lakai, Musiklehrer, Haushofmeister, etc]
- add to main playlist Play in Full Screen Ariadne auf Naxos, Herr [Komponist, Tanzmeister, Haushofmeister, etc]
- add to main playlist Play in Full Screen Nein, Herr, so kommt es nicht! [Komponist, Zerbinetta, Musiklehrer]
- add to main playlist Play in Full Screen Kindskopf! Merkt auf, wir spielen mit in dem Stück [Zerbinetta, Komponist]
- add to main playlist Play in Full Screen An Ihre Plätze, meine Damen und Herren! [Musiklehrer, Primadonna, Komponist]
- add to main playlist Play in Full Screen OPER - Ouvertüre
- add to main playlist Play in Full Screen Schläft sie? [Najade, Dryade, Echo]
- add to main playlist Play in Full Screen Ach!... Ach!... Wo war ich? [Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin]
- add to main playlist Play in Full Screen Ein Schönes war, hieß Theseus-Ariadne [Ariadne, Najade, Dryade, Echo, etc]
- add to main playlist Play in Full Screen Ach, so versuchet doch ein kleines Lied! [Zerbinetta, Harlekin]
Strauss: Metamorphosen / Tchaikovsky: Souvenir de Florence
Released 1999- add to main playlist Play in Full Screen Souvenir de Florence, op. 70: I. Allegro con spirito
- add to main playlist Play in Full Screen Souvenir de Florence, op. 70: II. Adagio cantabile e con moto
- add to main playlist Play in Full Screen Souvenir de Florence, op. 70: III. Allegretto moderato
- add to main playlist Play in Full Screen Souvenir de Florence, op. 70: IV. Allegro vivace
- add to main playlist Play in Full Screen Metamorphosen, AV 142
Ein Heldenleben / Macbeth
Released 1999- add to main playlist Play in Full Screen Macbeth, Op. 23
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Der Held
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Widersacher
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Gefährtin
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Walstatt
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Friedenswerke
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung
R. Strauss: A Hero's Life / Haydn: Symphony No. 90 in C major
Released 1999- add to main playlist Play in Full Screen A Hero's Life, Op. 40: I. The Hero
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: II. The Hero's Adversaries
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: III. The Hero's Companion (I)
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: IV. The Hero's Companion (II)
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: V. The Hero's Battlefield
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: VI. The Hero's Works of Peace
- add to main playlist Play in Full Screen A Hero's Life, Op. 40: VII. The Hero's Retirement From the World and Fulfillment
- add to main playlist Play in Full Screen Symphony No. 90 in C major, Hob. I:90: I. Adagio - Allegro assai
- add to main playlist Play in Full Screen Symphony No. 90 in C major, Hob. I:90: II. Andante
- add to main playlist Play in Full Screen Symphony No. 90 in C major, Hob. I:90: III. Menuett - Trio
- add to main playlist Play in Full Screen Symphony No. 90 in C major, Hob. I:90: IV. Allegro assai
Der Rosenkavalier Highlights (London Philharmonic Orchestra feat. soprano: Yvonne Kenny, bass: John Tomlinson, mezzo-soprano: Diana Montague, soprano: Rosemary Joshua, conductor: David Parry)
Released 1999- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. Introduction
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act II. “Here” (Ochs, Annina)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin)
- add to main playlist Play in Full Screen Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie)
Suite from Schlagobers / München, ein Gedächtniswalzer
Released 1998- add to main playlist Play in Full Screen Suite from Schlagobers: [Vorspiel] –
- add to main playlist Play in Full Screen Suite from Schlagobers: I. In der Konditorküche –
- add to main playlist Play in Full Screen Suite from Schlagobers: II. Tanz der Teeblüte –
- add to main playlist Play in Full Screen Suite from Schlagobers: III. Tanz des Kaffees – Träumerei –
- add to main playlist Play in Full Screen Suite from Schlagobers: IV. Schlagoberswaltzer
- add to main playlist Play in Full Screen Suite from Schlagobers: V. Tanz der Prinzessin
- add to main playlist Play in Full Screen Suite from Schlagobers: VI. Tanz der kleinen Pralinees – Springtanz der Knallbonbons – Galop
- add to main playlist Play in Full Screen Suite from Schlagobers: VII. Menuett und Pas de deux
- add to main playlist Play in Full Screen Suite from Schlagobers: VIII. Allgemeiner Tanz: Finale
- add to main playlist Play in Full Screen München – ein Gedächtniswaltzer
Strauss: Also Sprach Zarathustra / Till Eulenspiegels Lustige Streiche, nach alter Schelmenweise - in Rondeauform, Op. 28 / Salome - Tanz der sieben Schleier, Op. 54 ~ Solti
Released 1997- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Einleitung
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: V. Das Grablied
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: VII. Der Genesende
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: VIII. Das Tanzlied
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: IX. Nachtwanderlied
- add to main playlist Play in Full Screen Till Eulenspiegels lustige Streiche, op. 28
- add to main playlist Play in Full Screen Salome: Tanz der sieben Schleier
Opera 4 Hands - Vol. 2
Released 1997- add to main playlist Play in Full Screen Guillaume Tell - Overture (arr. for two pianos Joseph Rummel)
- add to main playlist Play in Full Screen Faust - Ballet Music, I. Allegretto (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, II. Adagio (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, III. Allegretto (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, IV. Moderato maestoso (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, V. Moderato con moto (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, VI. Allegretto (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Faust - Ballet Music, VII. Allegro vivo (arr. for two pianos André Wormser)
- add to main playlist Play in Full Screen Salome - Dance of the Seven Veils (arr. for two pianos Otto Taubmann)
- add to main playlist Play in Full Screen Du und Du Waltz (on themes from Die Fledermaus), op. 367
- add to main playlist Play in Full Screen Il Trovatore - Morceau de Concert by Claude Molnette, op. 117
- add to main playlist Play in Full Screen Réminiscences de Don Juan (W. A. Mozart) for two pianos, S. 656
Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno
Released 1997- add to main playlist Play in Full Screen Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n…
- add to main playlist Play in Full Screen Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen…
- add to main playlist Play in Full Screen Kindertotenlieder: III. Wenn dein Mütterlein…
- add to main playlist Play in Full Screen Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen!
- add to main playlist Play in Full Screen Kindertotenlieder: V. In diesem Wetter, in diesem Braus…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz…
- add to main playlist Play in Full Screen Notturno, op. 44 no. 1
Elektra (Wiener Philharmoniker feat. conductor: Giuseppe Sinopoli)
Released 1997- add to main playlist Play in Full Screen Elektra: Act I. "Wo bleibt Elektra?" (Fünf Mägde, Aufseherin)
- add to main playlist Play in Full Screen Elektra: Act I. "Allein! Weh, ganz allein" (Elektra)
- add to main playlist Play in Full Screen Elektra: Act I. "Ah! das Gesicht!" (Elektra, Chrysothemis)
- add to main playlist Play in Full Screen Elektra: Act I. "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Die Vertraute, Die Schleppträgerin)
- add to main playlist Play in Full Screen Elektra: Act I. "Ich habe keine guten Nächte" (Klytämnestra, Elektra)
Die Klassiksammlung 112: R. Strauss: Sinnlicher Überschwang
Released 1997- add to main playlist Play in Full Screen Till Eulenspiegels lustige Streich, Op. 28 (Symphonieorchester Radio Bratislawa feat. conductor: Ondrej Lenard)
- add to main playlist Play in Full Screen Salome, Op. 54 (Schluss-Szene) (Symphonieorchester Radio Bratislawa feat. conductor: Ondrej Lenard, soprano: Elena Kittnarova)
- add to main playlist Play in Full Screen Vier letzte Lieder: Frühling (feat. soprano: Magdaléna Hajossyova)
- add to main playlist Play in Full Screen Vier letzte Lieder: September (feat. soprano: Magdaléna Hajossyova)
- add to main playlist Play in Full Screen Vier letzte Lieder: Beim Schlafengehen (feat. soprano: Magdaléna Hajossyova)
- add to main playlist Play in Full Screen Vier letzte Lieder: Im Abendrot (feat. soprano: Magdaléna Hajossyova)
Symphonic Poems, Volume 2: Symphonia domestica / Till Eulenspiegel / Macbeth / Don Quixote / Also sprach Zarathustra
Released 1996- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: Part 1. Introduktion -
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: Part 1. Scherzo -
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: Part 1. Adagio
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: Part 2. Finale -
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: Part 2. Epilog
- add to main playlist Play in Full Screen Till Eulenspiegels lustige Streiche, op. 28
- add to main playlist Play in Full Screen Macbeth, op. 23
Eine Alpensinfonie/ Till Eulenspiegel(feat. Staatskapelle Dresden, conductor: Karl Boehm)
Released 1996- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: I. Nacht - Sonnenaufgang
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: II. Der Anstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: III. Eintritt in den WaldEintritt in den Wald
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: IV. Eintritt (cont.) - Wanderung neben dem Bache- Am Wasserfall- Erscheinung
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: V. Auf blumige Wiesen-Auf der Alm-Durch Dickicht-Auf dem Gletscher
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: VI. Gefahrvolle Augenblicke - Auf dem Gipfel - Vision
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: VII. Nebel steigen auf - Die Sonne verdüstert sich - Elegie
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: VIII. Stille vor dem Sturm
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: IX. Gewitter und Sturm, Abstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: X. Sonnenuntergang
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op 64: XI. Ausklang - Nacht
- add to main playlist Play in Full Screen Till Eulenspiegel's Merry Pranks (Till Eulenspiegels lustige Streiche), Op. 28
Don Quixote - Ein Heldenleben (The MET Orchestra feat. conductor: James Levine)
Released 1996- add to main playlist Play in Full Screen Introduktion. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Thema. Mäßig
- add to main playlist Play in Full Screen Variation I. Gemächlich
- add to main playlist Play in Full Screen Variation II. Kriegerisch
- add to main playlist Play in Full Screen Variation III. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Variation IV. Etwas breiter
- add to main playlist Play in Full Screen Variation V. Sehr langsam
- add to main playlist Play in Full Screen Variation VI. Schnell
- add to main playlist Play in Full Screen Variation VII. Ein wenig ruhiger als vorher
- add to main playlist Play in Full Screen Variation VIII. Gemächlich
- add to main playlist Play in Full Screen Variation IX. Schnell und stürmisch
- add to main playlist Play in Full Screen Variation X. Viel breiter
- add to main playlist Play in Full Screen Finale. Sehr ruhig
- add to main playlist Play in Full Screen Tod und Verklärung
Sinfonia Domestica / Tod und Verklärung (Bavarian Radio Symphony Orchestra feat. conductor: Lorin Maazel)
Released 1996- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Thema I: Bewegt
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Thema II: (Sehr lebhaft)
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Thema III: (Ruhig)
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Scherzo (Munter)
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Mässig langsam (Wiegenlied)
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Adagio (Langsam)
- add to main playlist Play in Full Screen Sinfonia domestica, Op. 53: Finale (Sehr lebhaft)
- add to main playlist Play in Full Screen Tod und Verklärung, Op. 24
The Art of Conducting, Volume 1: Nikisch - Weingartner - Strauss
Released 1996- add to main playlist Play in Full Screen Oberon: Overture
- add to main playlist Play in Full Screen Symphony no. 4: I. Allegro non troppo
- add to main playlist Play in Full Screen Symphony no. 4: II. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 4: III. Allegro giocoso - Poco meno presto
- add to main playlist Play in Full Screen Symphony no. 4: IV. Allegro energico e passionato - Piu allegro
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Introduction - Love Scene
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Marschallin's Monologue
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): No. 1 From de Zwei Militarmarche
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): The Presentation of the Silver Rose
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Love Duet
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Waltz
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Trio
- add to main playlist Play in Full Screen Der Rosenkavalier - Film Music (1925): Final Duet
Elektra (Staatskapelle Berlin feat. conductor: Daniel Barenboim)
Released 1996- add to main playlist Play in Full Screen Elektra: "Wo bleibt Elektra?" (1., 2., 3. & 4. Magd)
- add to main playlist Play in Full Screen Elektra: "Ich will vor ihr mich niederwerfen" (5. Magd, Aufseherin, 1., 3., 2. & 4. Magd)
- add to main playlist Play in Full Screen Elektra: "Allein! Weh ganz allein" (Elektra)
- add to main playlist Play in Full Screen Elektra: "Elektra!... Ah, das Gesicht!" (Chrysothemis, Elektra)
- add to main playlist Play in Full Screen Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra)
- add to main playlist Play in Full Screen Elektra: "Es geht ein Lärm los" (Elektra, Chrysothemis)
- add to main playlist Play in Full Screen Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin)
- add to main playlist Play in Full Screen Elektra: "Ich will nichts hören" (Klytämnestra)
- add to main playlist Play in Full Screen Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra)
- add to main playlist Play in Full Screen Elektra: "Wenn das rechte Blutopfer unterm Beile fällt" (Elektra, Klytämnestra)
- add to main playlist Play in Full Screen Elektra: "Läßt Du den Bruder nicht nach Hause, Mutter?" (Elektra, Klytämnestra)
- add to main playlist Play in Full Screen Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra)
Erato Collection, Volume 14: Ainsi parlait Zarathoustra / Quatre derniers Lieder
Released 1996- add to main playlist Play in Full Screen Ainsi parlait Zarathoustra, op. 30
- add to main playlist Play in Full Screen Les Joyeuses Equipées de Till l'Espiègle, op. 28
- add to main playlist Play in Full Screen Quatre derniers Lieder: Frühling
- add to main playlist Play in Full Screen Quatre derniers Lieder: September
- add to main playlist Play in Full Screen Quatre derniers Lieder: Beim Schlafengehen
- add to main playlist Play in Full Screen Quatre derniers Lieder: Im Abendrot
Schmidt: Symphony no. 1 / Strauss: Four Interludes from Intermezzo
Released 1995- add to main playlist Play in Full Screen Symphony no. 1 in E major: I. Sehr langsam – Sehr lebhaft
- add to main playlist Play in Full Screen Symphony no. 1 in E major: II. Langsam
- add to main playlist Play in Full Screen Symphony no. 1 in E major: III. Schnell und leicht
- add to main playlist Play in Full Screen Symphony no. 1 in E major: IV. Lebhaft, doch nicht zu schnell
- add to main playlist Play in Full Screen Four Symphonic Interludes from Intermezzo: No. 1. Reisefieber und Walzerszene: Lebhaft – Walzer: ruhig beginnend
- add to main playlist Play in Full Screen Four Symphonic Interludes from Intermezzo: No. 2. Träumerei am Kamin: Ruhig schwebend
- add to main playlist Play in Full Screen Four Symphonic Interludes from Intermezzo: No. 3. Am Spieltisch: Sehr gemächlich – Gemächlich fließend
- add to main playlist Play in Full Screen Four Symphonic Interludes from Intermezzo: No. 4. Fröhlicher Beschluß: Sehr lebhaft und fröhlich
Also sprach Zarathustra / Till Eulenspiegel / Tod und Verklärung
Released 1995- add to main playlist Play in Full Screen Till Eulenspiegels lustige Streiche, op. 28
- add to main playlist Play in Full Screen Tod und Verklärung, op. 24
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Einleitung, oder Sonnenaufgang (Introduction, or Sunrise)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von den Hinterweltlern (Of Those in Backwaters)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von der großen Sehnsucht (Of the Great Longing)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften (Of Joys and Passions)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Das Grablied (The Song of the Grave)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von der Wissenschaft (Of Science and Learning)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Der Genesende (The Convalescent)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Das Tanzlied (The Dance Song)
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Nachtwandlerlied (Song of the Night Wanderer)
Ein Heldenleben / Tod und Verklärung
Released 1995- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Der Held
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Des Helden Widersacher
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Des Helden Gefährtin
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Des Helden Walstatt
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Des Helden Friedenswerke
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung
- add to main playlist Play in Full Screen Tod und Verklärung, op. 24
Strauss: Horn concertos, Op. 11 and 132; Duet concertino for clarinet and bassoon, op. 147; Serenade in E-flat major for wind instruments, op. 7
Released 1995- add to main playlist Play in Full Screen Horn concerto, No. 1 in E-flat major, Op. 11: I.Allegro
- add to main playlist Play in Full Screen Horn concerto, No. 1 in E-flat major, Op. 11: II. Andante
- add to main playlist Play in Full Screen Horn concerto, No. 1 in E-flat major, Op. 11: III. Allegro
- add to main playlist Play in Full Screen Duet concertino for clarinet and bassoon,: I. Allegro moderato
- add to main playlist Play in Full Screen Duet concertino for clarinet and bassoon,: II. Andante
- add to main playlist Play in Full Screen Duet concertino for clarinet and bassoon,: III. Rondo. Allegroma non troppo
- add to main playlist Play in Full Screen Serenade in E-flat major, Op. 7 for wind instruments
- add to main playlist Play in Full Screen Horn concerto, No. 2 in E-flat Major: I. Allegro
- add to main playlist Play in Full Screen Horn concerto, No. 2 in E-flat Major: II. Andante con moto
- add to main playlist Play in Full Screen Horn concerto, No. 2 in E-flat Major: III. Rondo. Allegro molto
Eine Alpensymphonie, op.64 (Staatskapelle Dresden feat. conductor: Guiseppe Sinopoli)
Released 1994- add to main playlist Play in Full Screen Nacht
- add to main playlist Play in Full Screen Sonnenaufgang
- add to main playlist Play in Full Screen Der Anstieg
- add to main playlist Play in Full Screen Eintritt in den Wald
- add to main playlist Play in Full Screen Wanderung neben dem Bache
- add to main playlist Play in Full Screen Am Wasserfall
- add to main playlist Play in Full Screen Erscheinung
- add to main playlist Play in Full Screen Auf blumige Wiesen
- add to main playlist Play in Full Screen Auf der Alm
- add to main playlist Play in Full Screen Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen Auf dem Gletscher
- add to main playlist Play in Full Screen Gefahrvolle Augenblicke
- add to main playlist Play in Full Screen Auf dem Gipfel
- add to main playlist Play in Full Screen Vision
- add to main playlist Play in Full Screen Nebel steigen auf
- add to main playlist Play in Full Screen Die Sonne verdüstert sich allmählich
- add to main playlist Play in Full Screen Elegie
- add to main playlist Play in Full Screen Stille vor dem Sturm
- add to main playlist Play in Full Screen Gewitter und Sturm, Abstieg
- add to main playlist Play in Full Screen Sonnenuntergang
- add to main playlist Play in Full Screen Ausklang
- add to main playlist Play in Full Screen Nacht
Capriccio
Released 1994- add to main playlist Play in Full Screen Capriccio: Einleitung
- add to main playlist Play in Full Screen Capriccio: I. Szene "Bezaubernd ist sie heute wieder"
- add to main playlist Play in Full Screen Capriccio: I. Szene "Bei sanfter Musik schläft sich's am besten"
- add to main playlist Play in Full Screen Capriccio: II. Szene "Der Strom der Tränen trug mich fort"
- add to main playlist Play in Full Screen Capriccio: III. Szene "Die Bühne ist fertig"
- add to main playlist Play in Full Screen Capriccio: III. Szene "Da ist sie! Ich eile, sie zu begrüssen"
- add to main playlist Play in Full Screen Capriccio: IV. Szene "Ihr geht.""
- add to main playlist Play in Full Screen Capriccio: IV. Szene "Ein schönes Gedicht!""
- add to main playlist Play in Full Screen Capriccio: V. Szene "Lassen Sie ihn bewähren"
- add to main playlist Play in Full Screen Capriccio: V. Szene "Meine Prosa verstummt"
- add to main playlist Play in Full Screen Capriccio: V. Szene "Hier ist er!"
- add to main playlist Play in Full Screen Capriccio: VI. Szene "Wie schön sind die Worte, kaum mehr kenn' ich sie"
- add to main playlist Play in Full Screen Capriccio: VII. Szene "Verraten hab' ich meine Gefühle"
- add to main playlist Play in Full Screen Capriccio: VII. Szene "Diese Liebe, plötzlich geboren"
- add to main playlist Play in Full Screen Capriccio: VII. Szene "Wir werden die Schokolade hier im Salon einnehmen"
- add to main playlist Play in Full Screen Capriccio: VIII. Szene "Welch' köstliche Begegnung"
- add to main playlist Play in Full Screen Capriccio: IX. Szene "Wir kehren zurück in die Welt des Salons"
- add to main playlist Play in Full Screen Capriccio: IX. Szene 1. Tanz: Passepied "Was sagt ihr?"
- add to main playlist Play in Full Screen Capriccio: IX. Szene 2. Tanz: Gigue "Ich bin fest entschlossen"
- add to main playlist Play in Full Screen Capriccio: IX. Szene 3. Tanz: Gavotte Eure Kunst entzückt und begeistert mich"
- add to main playlist Play in Full Screen Capriccio: IX. Szene Fuge "Tanz und Musik stehn im Bann des Rhythmus"
- add to main playlist Play in Full Screen Capriccio: IX. Szene "Eine Oper ist ein absurdes Ding"
Symphony in F minor, op. 12 / Six Songs, op. 68
Released 1993- add to main playlist Play in Full Screen Symphony in F minor, op. 12: I. Allegro ma non troppo, un poco maestoso
- add to main playlist Play in Full Screen Symphony in F minor, op. 12: II. Scherzo: Presto
- add to main playlist Play in Full Screen Symphony in F minor, op. 12: III. Antante cantabile
- add to main playlist Play in Full Screen Symphony in F minor, op. 12: IV. Finale: Allegro assai, molto appassionato
- add to main playlist Play in Full Screen Six Songs, op. 68: 1. An die Nacht
- add to main playlist Play in Full Screen Six Songs, op. 68: 2. Ich wollt ein Sträußlein binden
- add to main playlist Play in Full Screen Six Songs, op. 68: 3. Säusle, liebe Myrthe
- add to main playlist Play in Full Screen Six Songs, op. 68: 4. Als mir dein Lied erklang
- add to main playlist Play in Full Screen Six Songs, op. 68: 5. Amor
- add to main playlist Play in Full Screen Six Songs, op. 68: 6. Lied der Frauen
Orchestral Songs, Volume 2
Released 1993- add to main playlist Play in Full Screen Verführung, op. 33 no. 1
- add to main playlist Play in Full Screen Winterliebe, op. 48 no. 5
- add to main playlist Play in Full Screen Des Dichters Abendgang, op. 47 no. 2
- add to main playlist Play in Full Screen Frühlingsfeier, op. 56 no. 5
- add to main playlist Play in Full Screen Liebeshymnus, op. 32 no. 3
- add to main playlist Play in Full Screen Winterweihe, op. 48 no. 4
- add to main playlist Play in Full Screen Das Rosenband, op. 36 no. 1
- add to main playlist Play in Full Screen Gesang der Apollopriesterin, op. 33 no. 2
- add to main playlist Play in Full Screen Zueignung, op. 10 no. 1
- add to main playlist Play in Full Screen Drei Hymnen, op. 71: Hymne an die Liebe
- add to main playlist Play in Full Screen Drei Hymnen, op. 71: Rückkehr in die Heimat
- add to main playlist Play in Full Screen Drei Hymnen, op. 71: Die Liebe
BBC Music, Volume 1, Number 5: An Alpine Symphony, Op. 64 (BBC Welsh Symphony Orchestra feat. conductor: Mariss Jansons)
Released 1993- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Nacht
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Sonnenaufgang
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Der Anstieg
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Eintritt in den Wald
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Wanderung neben dem Bache
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Am Wasserfall
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Erscheinung
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Auf blumigen Weisen
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Auf der Alm
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Auf dem Gletscher
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Gefahrvolle Augenblicke
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Auf dem Gipfel
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Vision
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Nebel steigen auf
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Die Sonne verdüstert sich allmählich
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Elegie
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Stille vor dem Sturm
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Gewitter und Sturm, Absteig
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Sonnenuntergang
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Ausklang
- add to main playlist Play in Full Screen An Alpine Symphony, Op. 64: Nacht
Richard Strauss Symphonic Music (feat. conductor: Zubin Mehta, orchestra: Berlin Philharmonic)
Released 1993- add to main playlist Play in Full Screen Walzerfolge aus "Der Rosenkavalier" (Akt I & II)
- add to main playlist Play in Full Screen Symphonisches Fragment aus "Die Liebe du Danae" Molto vivace
- add to main playlist Play in Full Screen Symphonisches Fragment aus "Die Liebe du Danae" Piu tranquillo
- add to main playlist Play in Full Screen Symphonische Zwischenspiele aus "Intermezzo" I. Teisefieber und Walzerszene
- add to main playlist Play in Full Screen Symphonische Zwischenspiele aus "Intermezzo" II. Traumerei am Kami
- add to main playlist Play in Full Screen Symphonische Zwischenspiele aus "Intermezzo" III. Am Spieltisch
- add to main playlist Play in Full Screen Symphonische Zwischenspiele aus "Intermezzo" IV. Frohlicher Beschlub
- add to main playlist Play in Full Screen Symphonische Fantasie aus "Die Frau ohne Schatten"
Sonatas for Violin and Piano
Released 1993- add to main playlist Play in Full Screen Sonata for Violin and Piano in E-flat major, Op. 18: I. Allegro ma non troppo
- add to main playlist Play in Full Screen Sonata for Violin and Piano in E-flat major, Op. 18: II. Improvisation. Andante cantabile
- add to main playlist Play in Full Screen Sonata for Violin and Piano in E-flat major, Op. 18: III. Finale. Andante - Allegro
- add to main playlist Play in Full Screen Sonata for Violin and Piano in A major: I. Allegretto moderato
- add to main playlist Play in Full Screen Sonata for Violin and Piano in A major: II. Allegro
- add to main playlist Play in Full Screen Sonata for Violin and Piano in A major: III. Recitativo - Fantasia. Ben moderato
- add to main playlist Play in Full Screen Sonata for Violin and Piano in A major: IV. Allegretto poco mosso
Orchestral Songs, Volume 1
Released 1992- add to main playlist Play in Full Screen Muttertändelei, op. 43 no. 2
- add to main playlist Play in Full Screen Meinem Kinde, op. 37 no. 3
- add to main playlist Play in Full Screen Wiegenlied, op. 41 no. 1
- add to main playlist Play in Full Screen Das Bächlein, op. 88 no. 1
- add to main playlist Play in Full Screen Ruhe, meine Seele!, op. 27 no. 1
- add to main playlist Play in Full Screen Mein Auge, op. 37 no. 4
- add to main playlist Play in Full Screen Die heliegen drei Könige aus Morgenland, op. 56 no. 6
- add to main playlist Play in Full Screen Freundliche Vision, op. 48 no. 1
- add to main playlist Play in Full Screen Befreit, op. 39 no. 4
- add to main playlist Play in Full Screen Waldseligkeit, op. 49 no. 1
- add to main playlist Play in Full Screen Cäcilie, op. 27 no. 2
- add to main playlist Play in Full Screen Morgen!, op. 27 no. 4
- add to main playlist Play in Full Screen Vier letzte Lieder, op. posth.: Beim Schlafengehen
- add to main playlist Play in Full Screen Vier letzte Lieder, op. posth.: September
- add to main playlist Play in Full Screen Vier letzte Lieder, op. posth.: Frühling
- add to main playlist Play in Full Screen Vier letzte Lieder, op. posth.: Im Abendrot
Salomé
Released 1991- add to main playlist Play in Full Screen Salomé: "Comme la princesse Salomé est belle ce soir !" (Narraboth)
- add to main playlist Play in Full Screen Salomé: "Après moi viendra un autre" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: "Je ne resterai pas" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Il est venu, le Seigneur !" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: "Ne te réjouis point, terre de Palestine" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: "Vous ferez cela pour moi" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Ah ! (Le prophète sort de la citerne)" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Où est celui" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: "Mais il est terrible" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Iokanaan ! Je suis amoureuse de ton corps" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Ton corps est hideux" (Salomé)
- add to main playlist Play in Full Screen Salomé: "Tes cheveux sont horribles" (Salomé)
- add to main playlist Play in Full Screen Salomé: "N'avez-vous pas peur, fille d'Hérodias ?" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: (Iokanaan redescend dans la citerne)
- add to main playlist Play in Full Screen Salomé: "(Entrée d'Hérode, d'Hérodias et de toute la cour) Où est Salomé ?" (Hérode)
- add to main playlist Play in Full Screen Salomé: "Salomé, venez boire un peu de vin avec moi" (Hérode)
- add to main playlist Play in Full Screen Salomé: "Ce que j'ai prédit est arrivé" (Iokanaan)
- add to main playlist Play in Full Screen Salomé: "En effet, Seigneur, il serait mieux" (Premier Juif)
- add to main playlist Play in Full Screen Salomé: "Le jour est venu, le jour du Seigneur" (Iokanaan)
Also Sprach Zarathustra (Vienna Philharmonic Orchestra feat. conductor: Herbert von Karajan)
Released 1991Also sprach Zarathustra / Don Juan
Released 1990- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: [Einleitung]... Von den Hinterweltlern - Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von den Freuden - und Leidenschaften - Das Grablied
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Von der Wissenschaft
- add to main playlist Play in Full Screen Also sprach Zarathustra, Op. 30: Der Genesende - Das Tanzlied - Das Nachtwandlerlied
- add to main playlist Play in Full Screen Don Juan, Op. 20: Tondichtung nach Nikolaus Lenau
Aus Italien
Released 1990- add to main playlist Play in Full Screen Aus Italien, op. 16: Auf der Campagna
- add to main playlist Play in Full Screen Aus Italien, op. 16: In Roms Ruinen
- add to main playlist Play in Full Screen Aus Italien, op. 16: Am Strande von Sorrent
- add to main playlist Play in Full Screen Aus Italien, op. 16: Neapolitanisches Volksleben
- add to main playlist Play in Full Screen Die Liebe der Danae: Symphonic fragment
- add to main playlist Play in Full Screen Der Rosenkavalier: Waltz Sequence no. 2
Der Rosenkavalier Suite / Salome's Dance / Suite from Capriccio
Released 1989- add to main playlist Play in Full Screen Suite from the Opera "Der Rosenkavalier", op. 59
- add to main playlist Play in Full Screen Salome's Dance, op. 54
- add to main playlist Play in Full Screen Suite from Capriccio, op. 85: I. Sextet Overture
- add to main playlist Play in Full Screen Suite from Capriccio, op. 85: II. Intermezzo (Moonlight Music)
- add to main playlist Play in Full Screen Suite from Capriccio, op. 85: III. Closing Scene
Don Quixote / Tot und Verklärung
Released 1989- add to main playlist Play in Full Screen Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Don Quixote, op. 35: Thema. Mäßig
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation I. Gemächlich
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation II. Kriegerisch
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IV. Etwas breiter
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation V. Sehr langsam
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VI. Schnell
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VIII. Gemächlich
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IX. Schnell und stürmisch
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation X. Viel breiter
- add to main playlist Play in Full Screen Don Quixote, op. 35: Finale. Sehr ruhig
- add to main playlist Play in Full Screen Tot und Verklärung, op 24
Don Quixote / Romanze in F / Ruhe, meine Seele! / Gesang der Apollopriesterin
Released 1988- add to main playlist Play in Full Screen Don Quixote, op. 35: Introduction
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation I. The Adventure with the Windmills
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation II. The Battle with the Sheep
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation III. Dialogue between Knight and Servant: Sancho's demands, questions and proverbs, Don Quixote's instructions, appeasings and promises
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IV. The Adventure with the procession of Penitents
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation V. Don Quixote's Vigil during the summer night
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VI. Meeting with a country lass: Sancho tells his master she is Dulcinea bewitched
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VII. The Flight through the air
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation VIII. The Adventure of the Enchanted Boat (Barcarolle)
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation IX. The Contest with the supposed Magician: The Attack on the Monks
- add to main playlist Play in Full Screen Don Quixote, op. 35: Variation X. Duel with the Knight of the White Moon; The defeated Don Quixote decides to give up fighting, contemplates being a shepherd, and goes home
- add to main playlist Play in Full Screen Don Quixote, op. 35: Finale. Death of Don Quixote
- add to main playlist Play in Full Screen Romanze for Cello & Orchestra in F major
- add to main playlist Play in Full Screen Ruhe, meine Seele!, op. 27 no. 1
- add to main playlist Play in Full Screen Gesang der Apollopriesterin, op. 33 no. 2
Daphne (Chor und Orchester des Bayerischen Rundfunks, feat. conductor: Bernard Haitink, singers: Popp, Goldberg, Schreier, Wenkel, Moll)
Released 1988- add to main playlist Play in Full Screen Daphne: Einleitung "Kleontes! Adrast! Wo bleibst du?"
- add to main playlist Play in Full Screen Daphne: "Leb wohl, du Tag" / "O bleib, geliebter Tag"
- add to main playlist Play in Full Screen Daphne: "Leukippos, du! Ja, ich selbst, ich war dem Baum!
- add to main playlist Play in Full Screen Daphne: "Daphne! Mutter! Wir warten dein!"
- add to main playlist Play in Full Screen Daphne: "Ei, so fliegt sie vorbei" / "Höre uns, Schäfer"
- add to main playlist Play in Full Screen Daphne: "Seid ihr um mich, ihr Hirten alle?" / "Wisset, ich sah ihn, Phoibos Apollon!"
- add to main playlist Play in Full Screen Daphne: "Ich grüsse dich, weiser, erfahrener Fischer"
- add to main playlist Play in Full Screen Daphne: "Was führt dich her im niedern Gewande" / "Was seh ich? Was schreitet dort?"
- add to main playlist Play in Full Screen Daphne: "Wie bist du gewaltig, fremder Hirte" / "Was können an Weite menschliche Augen forschend ermessen"
Richard Strauss: Also Sprach Zarathustra, Don Juan (Staatskapelle Dresden, feat. conductor Herbert Blomstedt)
Released 1988- add to main playlist Play in Full Screen Also Sprach Zarathustra: I. Sehr breit
- add to main playlist Play in Full Screen Also Sprach Zarathustra: II. Von den Hinterweltern
- add to main playlist Play in Full Screen Also Sprach Zarathustra: III. Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also Sprach Zarathustra: IV. Von den Freuden und Leidenschaften
- add to main playlist Play in Full Screen Also Sprach Zarathustra: V. Das Grablied
- add to main playlist Play in Full Screen Also Sprach Zarathustra: VI. Von der Wissenschaft
- add to main playlist Play in Full Screen Also Sprach Zarathustra: VII. Der Genesende
- add to main playlist Play in Full Screen Also Sprach Zarathustra: VIII. Das Tanzlied
- add to main playlist Play in Full Screen Also Sprach Zarathustra: IX. Nachtwandlerlied
- add to main playlist Play in Full Screen Don Juan, Op 20
Eine Alpensinfonie / Till Eulenspiegel (The Cleveland Orchestra feat. conductor Vladimir Ashkenazy)
Released 1988- add to main playlist Play in Full Screen Till Eulenspiegels lustige Streiche, Op. 28
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nacht
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Sonnenaufgang
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Der Anstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Eintritt in den Wald / Wanderung neben dem Bache
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Am Wasserfall
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Erscheinung
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf blumige Wiesen
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf der Alm
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Auf dem Gletscher
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Gefahrvolle Augenblicke / Auf dem Gipfel
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Vision
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nebel steigen auf
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Die Sonne verdüstert sich allmählich
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Elegie
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Stille vor dem Sturm
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Gewitter und Sturm, Abstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Sonnenuntergang
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Ausklang
- add to main playlist Play in Full Screen Eine Alpensinfonie, Op. 64: Nacht
Metamorphosen / Sonatina für 16 Blasinstrumente
Released 1987- add to main playlist Play in Full Screen Metamorphosen (A Study For 23 Solo Strings): Adagio ma non troppo - Agitato - Adagio, tempo I
- add to main playlist Play in Full Screen Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: I. Allegro moderato
- add to main playlist Play in Full Screen Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: II. Romanze und Menuett. Andante - Tempo di menuetto
- add to main playlist Play in Full Screen Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: III. Finale. Molto allegro - Meno mosso - Tempo I - Presto
An Alpine Symphony / 4 Songs
Released 1987- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Nacht
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Sonnenaufgang
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Der Anstieg
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Eintritt in den Wald
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Am Wasserfall
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Erscheinung
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Auf blumige Wiesen
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Auf der Alm
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Auf dem Gletscher
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Gefahrvolle Augenblicke
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Auf dem Gipfel
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Vision
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Nebel steigen auf
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Die Sonne verdüstert sich allmählichm
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Elegie
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Stille vor der Sturm
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Gewitter und Sturm, Abstieg
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Sonnenuntergang
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Ausklang
- add to main playlist Play in Full Screen An Alpine Symphony, op. 64: Nacht
- add to main playlist Play in Full Screen Freundliche Vision, op. 48 no. 1
- add to main playlist Play in Full Screen Meinem Kinde, op. 37 no. 3
- add to main playlist Play in Full Screen Das Bächlein, op. 88 no. 1
- add to main playlist Play in Full Screen Morgen!, op. 27 no. 4
Also sprach Zarathustra / Don Juan / Muttertändelei / Cäcilie
Released 1987- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Einleitung
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von den Hinterweltlern
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von der großen Sehnsucht
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von den Freuden- und Leidenschaften
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Das Grablied
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Von der Wissenschaft
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Der Genesende
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Das Tanzlied
- add to main playlist Play in Full Screen Also sprach Zarathustra, op. 30: Nachtwanderlied
- add to main playlist Play in Full Screen Don Juan, op. 20
- add to main playlist Play in Full Screen Muttertändelei, op. 43 no. 2
- add to main playlist Play in Full Screen Cäcilie, op. 27 no. 2
Ein Heldenleben / Four Last Songs
Released 1987- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero's Adversaries
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero's Companion
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero's Deeds in Battle
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero's Works of Peace
- add to main playlist Play in Full Screen Ein Heldenleben, op. 40: The Hero's Retirement from the World and the Fulfilment of his Life
- add to main playlist Play in Full Screen Four Last Songs, op. posth.: 1. Beim Schlafengehen
- add to main playlist Play in Full Screen Four Last Songs, op. posth.: 2. September
- add to main playlist Play in Full Screen Four Last Songs, op. posth.: 3. Frühling
- add to main playlist Play in Full Screen Four Last Songs, op. posth.: 4. Im Abendrot
Symphonia Domestica / Till Eulenspiegel / 2 Songs
Released 1987- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: I. Introduction
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: II. Scherzo
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: III. Adagio
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: IV. Finale
- add to main playlist Play in Full Screen Symphonia Domestica, op. 53: V. Epilogue
- add to main playlist Play in Full Screen Till Eulenspiegel, op. 28
- add to main playlist Play in Full Screen Zueignung, op. 10 no. 1
- add to main playlist Play in Full Screen Die heiligen drei Könige aus Morgenland, op. 56 no. 6
Ein Heldenleben (feat: Berlin Philharmonic, conductor: Herbert von Karajan, violin: Michel Schwalbé)
Released 1987- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Der Held
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Widersacher
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Gefahrtin
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Thema der Siegesgewissheit
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Walstatt
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Walstatt (Kriegsfanfaren)
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Friedenswerke
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40: Entsagung
Oboe Concertos (Chamber Orchestra of Europe feat. oboe: Douglas Boyd, conductor: Paavo Berglund)
Released 1986- add to main playlist Play in Full Screen Oboe Concerto in C major, K. 314: I. Allegro aperto
- add to main playlist Play in Full Screen Oboe Concerto in C major, K. 314: II. Adagio non troppo
- add to main playlist Play in Full Screen Oboe Concerto in C major, K. 314: III. Rondo (Allegretto)
- add to main playlist Play in Full Screen Oboe Concerto in D major
Richard Strauss: Ein Heldenleben Op. 40 (Berlin Philharmonic Orchestra, feat. conductor: Herbert von Karajan)
Released 1986- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - I. Der Held
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - II. Des Helden Wiedersacher
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - III. Des Helden Gefärtin
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - IV. Des Helden Walstatt
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - V. Des Helden Friedenswerke
- add to main playlist Play in Full Screen Ein Heldenleben, Op. 40 - VI. Des Helden Weltflucht und Vollendung
Guntram (Hungarian State Orchestra and Hungarian State Opera Chorus, feat. conductor: Eve Queler, singers Goldberg, Tokody, Solyom-Nagy, Gati, Bandi)
Released 1985- add to main playlist Play in Full Screen Guntram: I. Akt Ouvertüre
- add to main playlist Play in Full Screen Guntram: I. Akt, I. Bild "Hier, ihr Guten, rastet, erholt euch"
- add to main playlist Play in Full Screen Guntram: I. Akt, II. Bild "Ein glückliches Loos?"
- add to main playlist Play in Full Screen Guntram: I. Akt, II. Bild "Endlich, endlich entflohn dem Schwarm"
- add to main playlist Play in Full Screen Guntram: I. Akt, II. Bild "Freihild! Was hör ich?"
- add to main playlist Play in Full Screen Guntram: I. Akt, III. Bild "Freihild, mein Kind, mein süsses Kind!"
- add to main playlist Play in Full Screen Guntram: I. Akt, III. Bild "Verdammtes Volk, hab ich euch gefasst?!"
- add to main playlist Play in Full Screen Guntram: II. Akt Ouvertüre
- add to main playlist Play in Full Screen Guntram: II. Akt, I. Bild "Heil dem Herrscher, dessen Seele"
- add to main playlist Play in Full Screen Guntram: II. Akt, I. Bild "Freihild! Noch scheinst du traurig"
Piano Sonata in B minor, op. 5 / 5 Klavierstücke, op. 3
Released 1984- add to main playlist Play in Full Screen Piano Sonata in B minor, op. 5: I. Allegro molto appassionato
- add to main playlist Play in Full Screen Piano Sonata in B minor, op. 5: II. Adagio cantabile
- add to main playlist Play in Full Screen Piano Sonata in B minor, op. 5: III. Scherzo
- add to main playlist Play in Full Screen Piano Sonata in B minor, op. 5: IV. Finale: Allegretto vivo
- add to main playlist Play in Full Screen 5 Klavierstücke, op. 3: I. Largo
- add to main playlist Play in Full Screen 5 Klavierstücke, op. 3: II. Allegro vivace scherzando
- add to main playlist Play in Full Screen 5 Klavierstücke, op. 3: III. Largo
- add to main playlist Play in Full Screen 5 Klavierstücke, op. 3: IV. Allegro molto
- add to main playlist Play in Full Screen 5 Klavierstücke, op. 3: V. Allegro marcatissimo
Death and Transfiguration / Don Juan / Salome: Dance of the Seven Veils (Dallas Symphony Orchestra feat. conductor Eduardo Mata)
Released 1982Eine Alpensinfonie, op.64
Released 1976- add to main playlist Play in Full Screen Nacht
- add to main playlist Play in Full Screen Sonnenaufgang
- add to main playlist Play in Full Screen Der Anstieg
- add to main playlist Play in Full Screen Eintritt in den Wald (Wanderung neben dem Bache)
- add to main playlist Play in Full Screen Am Wasserfall
- add to main playlist Play in Full Screen Erscheinung
- add to main playlist Play in Full Screen Auf blumigen Wiesen
- add to main playlist Play in Full Screen Auf der Alm
- add to main playlist Play in Full Screen Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen Auf dem Gletscher
- add to main playlist Play in Full Screen Gefahrvolle Augenblicke (Auf dem Gipfel)
- add to main playlist Play in Full Screen Vision
- add to main playlist Play in Full Screen Nebel steigen auf
- add to main playlist Play in Full Screen Die Sonne verdüstert sich allmählich
- add to main playlist Play in Full Screen Elegie
- add to main playlist Play in Full Screen Stille vor dem Sturm
- add to main playlist Play in Full Screen Gewitter und Sturm
- add to main playlist Play in Full Screen Sonnenuntergang
- add to main playlist Play in Full Screen Ausklang
- add to main playlist Play in Full Screen Nacht
Die Schweigsame Frau
Released 1959- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Potpourri
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Ei, die Ehre, die Ehre!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Da eine in deine Takelage"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Still? Um Mitternacht still?"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Es wird Abend, der Ofen friert kalt"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Ja, das wär schön!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Ah! Mein Stock!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Das deine Truppen? Deine Soldaten?"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Oh Gott, war das ein saurer Empfang!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Nicht an mich, Geliebter"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Sehr rechtschaffen gedacht"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Ich würde lachen"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Silentium! Herrn Schneidebart"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act I: "Seid ihr bereit?"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "Den Paraderock mit den vergoldeten"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "Euer Gnaden gehorsamster Diener!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "Werte Damen, seid willkommen!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "Tretet näher, edles Fräulein!"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "So stumm, mein Kind"
- add to main playlist Play in Full Screen Die schweigsame Frau, Op.80: Act II: "Ei, ei, wie rasch das Arkanum wirkt!"
The Great Composers: 63 - Der Rosenkavalier
- add to main playlist Play in Full Screen Introduction
- add to main playlist Play in Full Screen Di rigori armato il seno
- add to main playlist Play in Full Screen Mein lieber Hippolyte; Da geht er hin, der aufgeblasene Kerl; Die Zelt, sie ist ein sonderbar Ding
- add to main playlist Play in Full Screen Er kommt' Er kommt'; Mir ist die Ebre widerfahren
- add to main playlist Play in Full Screen Da lieg ich
- add to main playlist Play in Full Screen Hab'n Euer Gnaden; Ich hab'halt scon ein lerchenauisch Glück;
- add to main playlist Play in Full Screen Hab'mir's gelobt ... Ist ein Traum
Violin Concerto - Oboe Concerto (Vladimir Ashkenazy, RSO Berlin)
- add to main playlist Play in Full Screen Violin Concerto in D minor: I. Allegro (feat. violin: Boris Belkin)
- add to main playlist Play in Full Screen Violin Concerto in D minor: II. Lento ma non troppo (feat. violin: Boris Belkin)
- add to main playlist Play in Full Screen Violin Concerto in D minor: III Rondo: Presto (feat. violin: Boris Belkin)
- add to main playlist Play in Full Screen Oboe Concerto: I. Allegro moderato (feat. oboe: Gordon Hunt)
- add to main playlist Play in Full Screen Oboe Concerto: II. Andante (feat. oboe: Gordon Hunt)
- add to main playlist Play in Full Screen Oboe Concerto: III. Vivace - Allegro (feat. oboe: Gordon Hunt)
- add to main playlist Play in Full Screen Duett-Concertino for clarinet and bassoon: I. Allegro moderato (feat. Dmitri Ashkenazy, Kim Walker)
- add to main playlist Play in Full Screen Duett-Concertino for clarinet and bassoon: II. Andante (feat. Dmitri Ashkenazy, Kim Walker)
- add to main playlist Play in Full Screen Duett-Concertino for clarinet and bassoon: III. Rondo: Presto (feat. Dmitri Ashkenazy, Kim Walker)
Horn Concertos 1 & 2, Duet Concertino, Oboe Concerto
- add to main playlist Play in Full Screen Concerto for Oboe in D major - Allegro Moderato
- add to main playlist Play in Full Screen Concerto for Oboe in D major - Andante
- add to main playlist Play in Full Screen Concerto for Oboe in D major - Vivace - attacca
- add to main playlist Play in Full Screen Concerto for Oboe in D major - Allegro
- add to main playlist Play in Full Screen Concerto for Natural Horn No.1 in E flat major - Allegro
- add to main playlist Play in Full Screen Concerto for Natural Horn No.1 in E flat major - Andante
- add to main playlist Play in Full Screen Concerto for Natural Horn No.1 in E flat major - Rondo. Allegro
- add to main playlist Play in Full Screen Second Horn Concerto - Allegro
- add to main playlist Play in Full Screen Second Horn Concerto - Andante con moto
- add to main playlist Play in Full Screen Second Horn Concerto - Rondo. Allegro molto
- add to main playlist Play in Full Screen Duet - Concertino for Clarinet and Bassoon - Allegro moderato
- add to main playlist Play in Full Screen Duet - Concertino for Clarinet and Bassoon - Andante
- add to main playlist Play in Full Screen Duet - Concertino for Clarinet and Bassoon - Rondo. Allegro ma non troppo
Don Juan / Till Eulenspiegel / Tod und Verklärung (Cleveland Orchestra feat. conductor: Lorin Maazel)
Richard Strauss: Eine Alpensinfonie, Rosenkavaliersuite
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: I: Nacht
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: II: Sonnenaufgang
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: III: Der Anstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: IV: Eintritt in den Wald - Wanderung neben dem Bache
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: V: Am Wasserfall - Erscheinung
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: VI: Auf blumigen Wiesen
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: VII: Auf der Alm
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: VIII: Durch Dickicht und Gestrüpp auf Irrwegen
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: IX: Auf dem Gletscher
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: X: Gefahrvolle Augenblicke
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XI: Auf dem Gipfel
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XII: Vision
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XIII: Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie - Stille vor dem Sturm
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XIV: Gewitter und Sturm, Abstieg
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XV: Sonnenuntergang
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XVI: Ausklang
- add to main playlist Play in Full Screen Eine Alpensinfonie, op. 64: XVII: Nacht
- add to main playlist Play in Full Screen Rosenkavalier-Suite: I. Con moto agitato
- add to main playlist Play in Full Screen Rosenkavalier-Suite: II. Allegro molto
- add to main playlist Play in Full Screen Rosenkavalier-Suite: III. Tempo di Valse, assai comodo da primo
- add to main playlist Play in Full Screen Rosenkavalier-Suite: IV. Moderato molto sostenuto
- add to main playlist Play in Full Screen Rosenkavalier-Suite: V. Schneller Walzer. Molto con moto
Musik für Horn und Klavier
- add to main playlist Play in Full Screen Fantasie über den Sehnsuchtswalzer von Schubert, Op. 2
- add to main playlist Play in Full Screen Les Adieux (Romanze), o. op.
- add to main playlist Play in Full Screen Originalfantasie, Op. 6
- add to main playlist Play in Full Screen Nocturno, Op. 7
- add to main playlist Play in Full Screen Empfindungen am Meere (Romanze), Op. 12
- add to main playlist Play in Full Screen Thema und Variationen, Op. 13
- add to main playlist Play in Full Screen Lied ohne Worte, o. op.
- add to main playlist Play in Full Screen Introduktion, Thema und Variationen
- add to main playlist Play in Full Screen Andante
Born: 1864-06-11
Died: 1949-09-08
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Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name. The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book: 1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto. 2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis. 3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat". 4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae". 5. "Das Grablied" (The Grave-Song): part where the strings prevail. 6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony. 7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement. 8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz. 9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic. Paintings by J.M.W. Turner and Caspar Friedrich. Conductor: Georg Solti & Chicago Symphony Orchestra. -
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915 "......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC) Richard Strauss An Alpine Symphony Vienna Philharmonic Orchestra Bernard Haitink conductor BBC PROMS 2012 London - Royal Albert Hall -
The Best of Strauss
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: Royal Philharmonic Orchestra 1. Also Sprach Zarathustra Einleitung 2. Also Sprach Zarathustra Von Den Hinterweltern 3. Also Sprach Zarathustra Von Der Grossen Sehnsuch 4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften 5. Also Sprach Zarathustra Das Grabilied 6. Also Sprach Zarathustra Von Der Wissenchaft 7. Also Sprach Zarathustra Der Genesende 8. Also Sprach Zarathustra Das Tanzlied 9. Also Sprach Zarathustra Nachtwanderland 10. Don Juan, op 20 11. Till Eulenspiegels Lustige Streiche Op 28 Slovak Philharmonic Orchestra 12. Daqueles mundos interiores 13. Da aspiracao suprema 14. Das alegrias e paixoes 15. O canto do funeral 16. Cancao da ciencia 17. O convalescente 18. O canto da danca For more: http://www.melhoresmusicasclassicas.blogspot.com -
Richard Strauss - Tod und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch. Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". There are four parts (with Ritter's poetic thoughts condensed): 1. Largo (The sick man, near death) 2. Allegro molto agitato (The battle between life and death offers no respite to the man) 3. Meno mosso (The dying man's life passes before him) 4. Moderato (The sought-after transfiguration) Conductor: David Zinman & Zurich Tonhalle Orchestra Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich -
Richard Strauss - Metamorphosen
Richard Strauss, Metamorphosen. Antoni Wit, Conductor. Staatskapelle Weimar. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night -
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
From the Lucerne Festival, 2004 Lucerne Festival Orchestra Claudio Abbado - conductor Renée Fleming - soprano Richard Strauss - Vier letzte Lieder, für Sopran und Orchester 1:55 I. Frühling (Text: Herrmann Hesse) 5:40 II. September (Text: Herrmann Hesse) 10:33 III. Beim Schlafengehen (Text: Herrmann Hesse) 15:55 IV. Im Abendrot (Text: Joseph von Eichendorff) Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines. This live-recording from the Concert de Gala 2004 includes the 4 Last Songs by Richard Strauss, with world star Renée Fleming and a concerto performance of the second act of Richard Wagner's opera Tristan and Isolde featuring Violeta Urmana, Mihoko Fujimura and René Pape. “I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt -
Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin. Recorded 14th February 1985. Buy from Amazon: http://smarturl.it/DerRosenkavalier http://www.warnerclassics.com/ -
RICHARD STRAUSS -REMEMBERED-
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Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
Anton Barachovsky, Solo-Violin Richard Strauss "Ein Heldenleben" through-composed tone poem First performed: March 3, 1898 Symphonie-Orchestrer des Bayerischen Rundfunks Conductor: Mariss Jansons -
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss Don Juan, Symphonic Poem Op. 20 Herbert von Karajan Osaka, Japan 1984 -
Strauss - Also sprach Zarathustra - Dudamel
Richard Strauss Also sprach Zarathustra Vienna Philharmonic Orchestra Gustavo Dudamel Salzburg, 2014 -
Richard Strauss - Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey. The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program. The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première. The works comprises four sections: 1. Auf dem Land 2. Ruinen von Rom 3. Am Strande von Sorrent 4. Neapolitanisches Volksleben -
Richard Strauss - Don Quixote, Op. 35
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor. The score is of 758 measures duration and is written in Sinfonia concertante form, with the solo cello representing Don Quixote, and the solo viola and tenor tuba depicting the comic Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant fluttertonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le Bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style". 1. Introduction: Mäßiges Zeitmaß. Thema mäßig. "Don Quichotte verliert über der Lektüre der Ritterromane seinen Verstand und beschließt, selbst fahrender Ritter zu werden" ("Don Quixote loses his sanity after reading novels about knights, and decides to become a knight-errant"). 2. Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" ("Don Quixote, knight of the sorrowful countenance"). 3. Maggiore: "Sancho Panza". 4. Variation I: Gemächlich. "Abenteuer an den Windmühlen" ("Adventure at the Windmills"). 5. Variation II: Kriegerisch. "Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron" ("The victorious struggle against the army of the great emperor Alifanfaron"). 6. Variation III: Mäßiges Zeitmaß. "Gespräch zwischen Ritter und Knappen" ("Dialogue between Knight and Squire"). 7. Variation IV: Etwas breiter. "Unglückliches Abenteuer mit einer Prozession von Büßern" ("Unhappy adventure with a procession of pilgrims"). 8. Variation V: Sehr langsam. "Die Waffenwache" ("The knight's vigil"). 9. Variation VI: Schnell. "Begegnung mit Dulzinea" ("The Meeting with Dulcinea"). 10. Variation VII: Ein wenig ruhiger als vorher. "Der Ritt durch die Luft" ("The Ride through the Air"). 11. Variation VIII: Gemächlich. "Die unglückliche Fahrt auf dem venezianischen Nachen" ("The unhappy voyage in the enchanted boat"). 12. Variation IX: Schnell und stürmisch. "Kampf gegen vermeintliche Zauberer" ("Battle with the magicians"). 13. Variation X: Viel breiter. "Zweikampf mit dem Ritter vom blanken Mond" ("Duel with the knight of the bright moon"). 14. Finale: Sehr ruhig. "Wieder zur Besinnung gekommen" ("Coming to his senses again" - Death of Don Quixote). Conductor: David Zinman & Zurich Tonhalle Orchestra. -
Richard Strauss: Four Last Songs, Alpine Symphony - Anja Harteros, Christian Thielemann (HD 720p)
Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ • More information: http://facesofclassicalmusic.blogspot.gr/2015/02/richard-strauss-four-last-songs-alpine.html Wolfgang Rihm: Ernster Gesang Richard Strauss: 4 Letzte Lieder (4 Last Songs), TrV 296 Malven (Mallows), TrV 297 (arr. W. Rihm for voice and orchestra) Eine Alpensinfonie (An Alpine Symphony), Op. 64, TrV 233 Anja Harteros, soprano Dresden Staatskapelle Christian Thielemann, conductor Recorded in 2014 (HD 720p) • Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ -
Elisabeth Schwarzkopf - FOUR LAST SONGS
Richard Strauss. FOUR LAST SONGS. Spring. September. Going to Sleep (Poems by Hermann Hesse). In the Glow of Evening (Poem by Joseph von Eichendorff). Elisabeth Schwarzkopf soprano. Berlin Radio Symphony Orchestra. George Szell. From Angel LP first published 1966. -
Richard Strauss - Burleske for Piano and Orchestra in D minor
I. Allegro vivace II. Tranquillo III. A tempo, sostenuto IV. Un poco animato - Quasi cadenza Conductor, Christoph von Dohnányi Piano Soloist: Rudof Buchbinder Recorder at Großer Musikvereinssaal, Vienna, 28 November-2 December 1977 -
Richard Strauss: Salome (magyar felirattal)
A címszerepben Teresa Stratas; rendező: Götz Friedrich; közreműködnek a Bécsi Filharmonikusok, vezényel Karl Böhm. (1974) -
Richard Strauss: Ein Heldenleben (A Hero's Life) - Pittsburgh S. O., Manfred Honeck (HD 1080p)
Faces of Classical Music http://facesofclassicalmusic.blogspot.gr/ • Richard Strauss (1864-1949) Ein Heldenleben - A Hero's Life, Op.40 (1898) Pittsburgh Symphony Orchestra Manfred Honeck Opening concert of Musikfest Berlin, August 31, 2013 (HD 1080p) • Faces of Classical Music http://facesofclassicalmusic.blogspot.gr/ -
Richard Strauss Conducting
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a performance of Till Eulenspiegel. It's amusing that he could be conducting such great music while looking so extremely bored. -
RICHARD STRAUSS.- Muerte y Transfiguración Op. 24
RICHARD STRAUSS.- Muerte y Transfiguración Op. 24 Orquesta de Cleveland Director: Vladimir Ashkenazy Muerte y Transfiguración fue iniciada hacia finales del verano de 1888 y terminada el 18 de noviembre de 1889. Strauss dirigió su estreno en Eisenach, el 21 de junio de 1890. Durante mucho tiempo se creyó (y hasta se informó en las biografías de Strauss) que Muerte y Transfiguración se había inspirado en una grave enfermedad que había sufrido el compositor. Pero, de hecho, esa enfermedad tuvo lugar varios meses después de terminada la música. El programa literario en realidad nació no solamente después de la enfermedad sino varios meses después de la composición del poema tonal, cuando Strauss le pidió a su amigo Alexander Ritter que escribiera un poema para trasmitir el significado de la música. La obra comienza con... el pulso esporádico y los latidos del corazón del enfermo sugeridos por una figura irregular tocada alternativamente por las cuerdas y los timbales. Los suspiros del hombre también están retratados gráficamente por las cuerdas, junto con un pequeño giro patético hacia arriba en las flautas. Luego cambia el color, y la figura que yace en el lecho asume una personalidad humana. Se presentan nuevos temas en la flauta y el oboe, después de lo cual la música del sufrimiento vuelve. Una modulación nos trae de vuelta colores más cálidos; el enfermo sigue sonriendo suavemente mientras recuerda escenas de su niñez... De pronto el sufrimiento reaparece con violencia y se puede oír al enfermo retorcerse en su agonía. La música pinta vividamente sus luchas con el asalto feroz de su aflicción... Se produce un climax, en cuyo pico el tema principal del allegro es anunciado por tonos de grave resolución. Este desafiante gesto representa la decisión del inválido de resistir la amenazadora cercanía de la muerte... Con un esfuerzo sobrehumano el inválido reúne las fuerzas que le quedan y por primera vez se oye el tema más importante de la obra, el tema de la Ideología del artista... una serie de cuadros representa las diferentes fases de su vida a partir de la infancia, retratados por temas desde la sección introductoria de la obra. Se muestra la personalidad del hombre ya presente sin artificios en el niño mismo. Un breve acceso de dolor y... [entonces] un cuadro del audaz joven en el que ahora se ha convertido, lleno de esperanzas y vigorosas aspiraciones. Este cuadro termina con un tremendo arrastre de los violines que sumerge la música en una escena amorosa furiosamente apasionada. Crece más y más hasta que el puro recuerdo le provoca al inválido las más terribles palpitaciones... Se produce una breve pausa; luego suavemente y con vacilación el moribundo trata de evocar una vez más los recuerdos fervorosos, pero cada vez reaparecen los temidos golpes de martillo en su pecho... [Recuerda] el momento magnífico en que por primera vez se le aparecieron sus ideales en toda su gloria. Hay tres expresiones bastante espaciadas del tema de la Ideología a medida que se fortalece la visión del artista, hasta que en la tercera expresión se desborda hasta llegar a una frase posterior extática. Pero el esfuerzo ha sido excesivo y todas estas visiones le agotan, dejando atrás nada más que la escena del inválido en su lecho... Las palpitaciones vuelven con renovada ferocidad, y deslizándose hacia arriba la música se desvanece cuando la muerte trae alivio al enfermo; el momento del deceso está marcado por la entrada del tamtam... Poco a poco, de la oscuridad surge la figura inicial del tema de la Ideología en cada uno de los cuatro cornos, por turno... Se le une la melodía del oboe desde la introducción, ahora en las cuerdas en un peso cada vez mayor de sonido radiante, que indica que las cualidades que están en nosotros desde la infancia perduran hasta el Más Allá... Las cuerdas se elevan aun más, hay una breve pausa, y por fin el tema de la Ideología queda proclamado en su totalidad, cuando el alma transfigurada realiza, en la vida más allá de la vida, los objetivos que nunca pueden lograrse durante la existencia terrenal. Muerte y Transfiguración (1889), compuesta casi al mismo tiempo que Don Juan, se basa en una idea del propio Strauss: un enfermo recuerda su vida en su lecho de muerte, y cuando la muerte le sobreviene, sus deseos antes no cumplidos son finalmente alcanzados. -
Richard Strauss - Symphonia Domestica, Op. 53
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life. In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next instalment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous - a triple fugue will bring together Papa, Mama and Baby." The program of the work reflects the simplicity of the subject-matter. After the whole extended family (including the aunts and uncles) has been introduced, the parents are heard alone with their child. The next section is a three-part adagio. which begins with the husband's activities. The clock striking 7am launches the finale. Paintings by Monet, Renoir, Manet and Berthè Morisot. -
Richard Strauss: Feierlicher Einzug
New England Conservatory brass ensemble Massed Brass, led by Norman Bolter, performs Richard Strauss' Feierlicher Einzug during the annual Brass Bash concert. NEC brass students perform with their BSO teachers in this annual concert in NEC's Jordan Hall. Founded by NEC brass and percussion chair Frank Epstein, Brass Bash puts the spotlight on current and former Boston Symphony Orchestra members who teach at NEC, along with their students. This edition of Brass Bash took place on February 24, 2013, and was dedicated to the memory of John Swallow. For more information: http://necmusic.edu/brass
Richard Strauss - Also sprach Zarathustra, Op. 30
- Order: Reorder
- Duration: 30:36
- Updated: 13 Jun 2011
- views: 1571926
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Fried...
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
wn.com/Richard Strauss Also Sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name.
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book:
1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto.
2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis.
3. "Von der großen Sehnsucht" (Of the Great Longing): maybe it represents the age of "Sturm und Drang"; here there's a liturgical quotation from "Magnificat".
4. "Von den Freuden und Leidenschaften" (Of the Joys and Passions): the word to the strings, at the top tension; the trombones expose the theme of "Taedium Vitae".
5. "Das Grablied" (The Grave-Song): part where the strings prevail.
6. "Von der Wissenschaft" (Of Science): it is a fugue whose subject all only the twelve notes to represent scientism, positivism and maybe, to ridicule the rising dodecaphony.
7. "Der Genesende" (The Convalescent): it completes the tension of the previous movement, then, after a rough pause determined by a rip of the strings in the bass register, it starts again from the mystery to go to the atmosphere of the following movement.
8. "Das Tanzlied" (The Dance Song): the theme of "Taedium Vitae" is taken again trasfigured in a waltz.
9. "Nachtwandlerlied" (Song of the Night Wanderer): coda where the finale is suspended avoiding the cadence on the tonic.
Paintings by J.M.W. Turner and Caspar Friedrich.
Conductor: Georg Solti & Chicago Symphony Orchestra.
- published: 13 Jun 2011
- views: 1571926
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
- Order: Reorder
- Duration: 56:38
- Updated: 09 Sep 2012
- views: 567862
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss ...
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915
"......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC)
Richard Strauss
An Alpine Symphony
Vienna Philharmonic Orchestra
Bernard Haitink conductor
BBC PROMS 2012
London - Royal Albert Hall
wn.com/Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony Proms 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915
"......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC)
Richard Strauss
An Alpine Symphony
Vienna Philharmonic Orchestra
Bernard Haitink conductor
BBC PROMS 2012
London - Royal Albert Hall
- published: 09 Sep 2012
- views: 567862
The Best of Strauss
- Order: Reorder
- Duration: 88:44
- Updated: 13 Sep 2013
- views: 147848
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Royal Philharmonic Orchestra
1. Also Sprach Zarathustra Einleitung
2. Also Sprac...
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Royal Philharmonic Orchestra
1. Also Sprach Zarathustra Einleitung
2. Also Sprach Zarathustra Von Den Hinterweltern
3. Also Sprach Zarathustra Von Der Grossen Sehnsuch
4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften
5. Also Sprach Zarathustra Das Grabilied
6. Also Sprach Zarathustra Von Der Wissenchaft
7. Also Sprach Zarathustra Der Genesende
8. Also Sprach Zarathustra Das Tanzlied
9. Also Sprach Zarathustra Nachtwanderland
10. Don Juan, op 20
11. Till Eulenspiegels Lustige Streiche Op 28
Slovak Philharmonic Orchestra
12. Daqueles mundos interiores
13. Da aspiracao suprema
14. Das alegrias e paixoes
15. O canto do funeral
16. Cancao da ciencia
17. O convalescente
18. O canto da danca
For more:
http://www.melhoresmusicasclassicas.blogspot.com
wn.com/The Best Of Strauss
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Royal Philharmonic Orchestra
1. Also Sprach Zarathustra Einleitung
2. Also Sprach Zarathustra Von Den Hinterweltern
3. Also Sprach Zarathustra Von Der Grossen Sehnsuch
4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften
5. Also Sprach Zarathustra Das Grabilied
6. Also Sprach Zarathustra Von Der Wissenchaft
7. Also Sprach Zarathustra Der Genesende
8. Also Sprach Zarathustra Das Tanzlied
9. Also Sprach Zarathustra Nachtwanderland
10. Don Juan, op 20
11. Till Eulenspiegels Lustige Streiche Op 28
Slovak Philharmonic Orchestra
12. Daqueles mundos interiores
13. Da aspiracao suprema
14. Das alegrias e paixoes
15. O canto do funeral
16. Cancao da ciencia
17. O convalescente
18. O canto da danca
For more:
http://www.melhoresmusicasclassicas.blogspot.com
- published: 13 Sep 2013
- views: 147848
Richard Strauss - Tod und Verklärung, Op.24
- Order: Reorder
- Duration: 25:02
- Updated: 06 Jul 2011
- views: 112034
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of...
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
There are four parts (with Ritter's poetic thoughts condensed):
1. Largo (The sick man, near death)
2. Allegro molto agitato (The battle between life and death offers no respite to the man)
3. Meno mosso (The dying man's life passes before him)
4. Moderato (The sought-after transfiguration)
Conductor: David Zinman & Zurich Tonhalle Orchestra
Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich
wn.com/Richard Strauss Tod Und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
There are four parts (with Ritter's poetic thoughts condensed):
1. Largo (The sick man, near death)
2. Allegro molto agitato (The battle between life and death offers no respite to the man)
3. Meno mosso (The dying man's life passes before him)
4. Moderato (The sought-after transfiguration)
Conductor: David Zinman & Zurich Tonhalle Orchestra
Painting: "Der Wanderer über dem Nebelmeer" by Caspar Friedrich
- published: 06 Jul 2011
- views: 112034
Richard Strauss - Metamorphosen
- Order: Reorder
- Duration: 28:13
- Updated: 25 May 2012
- views: 156620
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my...
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Richard Strauss Metamorphosen
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 25 May 2012
- views: 156620
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
- Order: Reorder
- Duration: 51:05
- Updated: 03 Jun 2015
- views: 10057
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Floweri...
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night
wn.com/Richard Strauss An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night
- published: 03 Jun 2015
- views: 10057
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
- Order: Reorder
- Duration: 26:39
- Updated: 10 Oct 2015
- views: 6079
From the Lucerne Festival, 2004
Lucerne Festival Orchestra
Claudio Abbado - conductor
Renée Fleming - soprano
Richard Strauss - Vier letzte Lieder, für Sopran...
From the Lucerne Festival, 2004
Lucerne Festival Orchestra
Claudio Abbado - conductor
Renée Fleming - soprano
Richard Strauss - Vier letzte Lieder, für Sopran und Orchester
1:55 I. Frühling (Text: Herrmann Hesse)
5:40 II. September (Text: Herrmann Hesse)
10:33 III. Beim Schlafengehen (Text: Herrmann Hesse)
15:55 IV. Im Abendrot (Text: Joseph von Eichendorff)
Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH
With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines. This live-recording from the Concert de Gala 2004 includes the 4 Last Songs by Richard Strauss, with world star Renée Fleming and a concerto performance of the second act of Richard Wagner's opera Tristan and Isolde featuring Violeta Urmana, Mihoko Fujimura and René
Pape.
“I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt
wn.com/Renée Fleming Richard Strauss Four Last Songs For Soprano And Orchestra (Lucerne 2004)
From the Lucerne Festival, 2004
Lucerne Festival Orchestra
Claudio Abbado - conductor
Renée Fleming - soprano
Richard Strauss - Vier letzte Lieder, für Sopran und Orchester
1:55 I. Frühling (Text: Herrmann Hesse)
5:40 II. September (Text: Herrmann Hesse)
10:33 III. Beim Schlafengehen (Text: Herrmann Hesse)
15:55 IV. Im Abendrot (Text: Joseph von Eichendorff)
Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH
With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines. This live-recording from the Concert de Gala 2004 includes the 4 Last Songs by Richard Strauss, with world star Renée Fleming and a concerto performance of the second act of Richard Wagner's opera Tristan and Isolde featuring Violeta Urmana, Mihoko Fujimura and René
Pape.
“I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt
- published: 10 Oct 2015
- views: 6079
Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
- Order: Reorder
- Duration: 197:25
- Updated: 01 Mar 2012
- views: 334093
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's specta...
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin.
Recorded 14th February 1985.
Buy from Amazon:
http://smarturl.it/DerRosenkavalier
http://www.warnerclassics.com/
wn.com/Strauss Der Rosenkavalier The Royal Opera, Covent Garden
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin.
Recorded 14th February 1985.
Buy from Amazon:
http://smarturl.it/DerRosenkavalier
http://www.warnerclassics.com/
- published: 01 Mar 2012
- views: 334093
RICHARD STRAUSS -REMEMBERED-
- Order: Reorder
- Duration: 117:41
- Updated: 11 Aug 2013
- views: 26927
- published: 11 Aug 2013
- views: 26927
Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
- Order: Reorder
- Duration: 49:57
- Updated: 15 Dec 2013
- views: 138822
Anton Barachovsky, Solo-Violin
Richard Strauss "Ein Heldenleben"
through-composed tone poem
First performed: March 3, 1898
Symphonie-Orchestrer des Bayerischen...
Anton Barachovsky, Solo-Violin
Richard Strauss "Ein Heldenleben"
through-composed tone poem
First performed: March 3, 1898
Symphonie-Orchestrer des Bayerischen Rundfunks
Conductor: Mariss Jansons
wn.com/Strauss Ein Heldenleben , Op. 40 Mariss Jansons
Anton Barachovsky, Solo-Violin
Richard Strauss "Ein Heldenleben"
through-composed tone poem
First performed: March 3, 1898
Symphonie-Orchestrer des Bayerischen Rundfunks
Conductor: Mariss Jansons
- published: 15 Dec 2013
- views: 138822
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
- Order: Reorder
- Duration: 19:10
- Updated: 03 Jul 2011
- views: 418260
Richard Strauss
Don Juan, Symphonic Poem Op. 20
Herbert von Karajan
Osaka, Japan 1984
- published: 03 Jul 2011
- views: 418260
Strauss - Also sprach Zarathustra - Dudamel
- Order: Reorder
- Duration: 60:10
- Updated: 28 Nov 2014
- views: 259134
Richard Strauss
Also sprach Zarathustra
Vienna Philharmonic Orchestra
Gustavo Dudamel
Salzburg, 2014
Richard Strauss
Also sprach Zarathustra
Vienna Philharmonic Orchestra
Gustavo Dudamel
Salzburg, 2014
wn.com/Strauss Also Sprach Zarathustra Dudamel
Richard Strauss
Also sprach Zarathustra
Vienna Philharmonic Orchestra
Gustavo Dudamel
Salzburg, 2014
- published: 28 Nov 2014
- views: 259134
Richard Strauss - Aus Italien, Op. 16
- Order: Reorder
- Duration: 42:03
- Updated: 05 Nov 2011
- views: 53165
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the ...
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey.
The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program.
The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première.
The works comprises four sections:
1. Auf dem Land
2. Ruinen von Rom
3. Am Strande von Sorrent
4. Neapolitanisches Volksleben
wn.com/Richard Strauss Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey.
The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program.
The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalled, the first three movements were received with applause, but the last movement was not well-approved and derisory whistles came from various quarters. Norman Del Mar's biography of the composer tells a different story: the first three movements were not well received, and the final was accorded booing and applause. Strauss himself found the work itself as new and revolutionary, and he was satisfied despite the critical responses for the première.
The works comprises four sections:
1. Auf dem Land
2. Ruinen von Rom
3. Am Strande von Sorrent
4. Neapolitanisches Volksleben
- published: 05 Nov 2011
- views: 53165
Richard Strauss - Don Quixote, Op. 35
- Order: Reorder
- Duration: 41:15
- Updated: 11 Jul 2011
- views: 70013
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orchestra. Subtitled "Phantastische Variationen über ein Thema ritterliche...
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor.
The score is of 758 measures duration and is written in Sinfonia concertante form, with the solo cello representing Don Quixote, and the solo viola and tenor tuba depicting the comic Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant fluttertonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le Bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style".
1. Introduction: Mäßiges Zeitmaß. Thema mäßig. "Don Quichotte verliert über der Lektüre der Ritterromane seinen Verstand und beschließt, selbst fahrender Ritter zu werden" ("Don Quixote loses his sanity after reading novels about knights, and decides to become a knight-errant").
2. Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" ("Don Quixote, knight of the sorrowful countenance").
3. Maggiore: "Sancho Panza".
4. Variation I: Gemächlich. "Abenteuer an den Windmühlen" ("Adventure at the Windmills").
5. Variation II: Kriegerisch. "Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron" ("The victorious struggle against the army of the great emperor Alifanfaron").
6. Variation III: Mäßiges Zeitmaß. "Gespräch zwischen Ritter und Knappen" ("Dialogue between Knight and Squire").
7. Variation IV: Etwas breiter. "Unglückliches Abenteuer mit einer Prozession von Büßern" ("Unhappy adventure with a procession of pilgrims").
8. Variation V: Sehr langsam. "Die Waffenwache" ("The knight's vigil").
9. Variation VI: Schnell. "Begegnung mit Dulzinea" ("The Meeting with Dulcinea").
10. Variation VII: Ein wenig ruhiger als vorher. "Der Ritt durch die Luft" ("The Ride through the Air").
11. Variation VIII: Gemächlich. "Die unglückliche Fahrt auf dem venezianischen Nachen" ("The unhappy voyage in the enchanted boat").
12. Variation IX: Schnell und stürmisch. "Kampf gegen vermeintliche Zauberer" ("Battle with the magicians").
13. Variation X: Viel breiter. "Zweikampf mit dem Ritter vom blanken Mond" ("Duel with the knight of the bright moon").
14. Finale: Sehr ruhig. "Wieder zur Besinnung gekommen" ("Coming to his senses again" - Death of Don Quixote).
Conductor: David Zinman & Zurich Tonhalle Orchestra.
wn.com/Richard Strauss Don Quixote, Op. 35
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor.
The score is of 758 measures duration and is written in Sinfonia concertante form, with the solo cello representing Don Quixote, and the solo viola and tenor tuba depicting the comic Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant fluttertonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le Bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style".
1. Introduction: Mäßiges Zeitmaß. Thema mäßig. "Don Quichotte verliert über der Lektüre der Ritterromane seinen Verstand und beschließt, selbst fahrender Ritter zu werden" ("Don Quixote loses his sanity after reading novels about knights, and decides to become a knight-errant").
2. Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" ("Don Quixote, knight of the sorrowful countenance").
3. Maggiore: "Sancho Panza".
4. Variation I: Gemächlich. "Abenteuer an den Windmühlen" ("Adventure at the Windmills").
5. Variation II: Kriegerisch. "Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron" ("The victorious struggle against the army of the great emperor Alifanfaron").
6. Variation III: Mäßiges Zeitmaß. "Gespräch zwischen Ritter und Knappen" ("Dialogue between Knight and Squire").
7. Variation IV: Etwas breiter. "Unglückliches Abenteuer mit einer Prozession von Büßern" ("Unhappy adventure with a procession of pilgrims").
8. Variation V: Sehr langsam. "Die Waffenwache" ("The knight's vigil").
9. Variation VI: Schnell. "Begegnung mit Dulzinea" ("The Meeting with Dulcinea").
10. Variation VII: Ein wenig ruhiger als vorher. "Der Ritt durch die Luft" ("The Ride through the Air").
11. Variation VIII: Gemächlich. "Die unglückliche Fahrt auf dem venezianischen Nachen" ("The unhappy voyage in the enchanted boat").
12. Variation IX: Schnell und stürmisch. "Kampf gegen vermeintliche Zauberer" ("Battle with the magicians").
13. Variation X: Viel breiter. "Zweikampf mit dem Ritter vom blanken Mond" ("Duel with the knight of the bright moon").
14. Finale: Sehr ruhig. "Wieder zur Besinnung gekommen" ("Coming to his senses again" - Death of Don Quixote).
Conductor: David Zinman & Zurich Tonhalle Orchestra.
- published: 11 Jul 2011
- views: 70013
Richard Strauss: Four Last Songs, Alpine Symphony - Anja Harteros, Christian Thielemann (HD 720p)
- Order: Reorder
- Duration: 102:34
- Updated: 03 Feb 2015
- views: 92797
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information: http://facesofclassicalmusic.blogspot.gr/2015/02/richard-strauss-four-l...
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information: http://facesofclassicalmusic.blogspot.gr/2015/02/richard-strauss-four-last-songs-alpine.html
Wolfgang Rihm: Ernster Gesang
Richard Strauss:
4 Letzte Lieder (4 Last Songs), TrV 296
Malven (Mallows), TrV 297 (arr. W. Rihm for voice and orchestra)
Eine Alpensinfonie (An Alpine Symphony), Op. 64, TrV 233
Anja Harteros, soprano
Dresden Staatskapelle
Christian Thielemann, conductor
Recorded in 2014
(HD 720p)
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
wn.com/Richard Strauss Four Last Songs, Alpine Symphony Anja Harteros, Christian Thielemann (Hd 720P)
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information: http://facesofclassicalmusic.blogspot.gr/2015/02/richard-strauss-four-last-songs-alpine.html
Wolfgang Rihm: Ernster Gesang
Richard Strauss:
4 Letzte Lieder (4 Last Songs), TrV 296
Malven (Mallows), TrV 297 (arr. W. Rihm for voice and orchestra)
Eine Alpensinfonie (An Alpine Symphony), Op. 64, TrV 233
Anja Harteros, soprano
Dresden Staatskapelle
Christian Thielemann, conductor
Recorded in 2014
(HD 720p)
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
- published: 03 Feb 2015
- views: 92797
Elisabeth Schwarzkopf - FOUR LAST SONGS
- Order: Reorder
- Duration: 22:56
- Updated: 22 May 2012
- views: 183180
Richard Strauss.
FOUR LAST SONGS.
Spring.
September.
Going to Sleep (Poems by Hermann Hesse).
In the Glow of Evening (Poem by Joseph von Eichendorff).
Elisabeth...
Richard Strauss.
FOUR LAST SONGS.
Spring.
September.
Going to Sleep (Poems by Hermann Hesse).
In the Glow of Evening (Poem by Joseph von Eichendorff).
Elisabeth Schwarzkopf soprano.
Berlin Radio Symphony Orchestra.
George Szell.
From Angel LP first published 1966.
wn.com/Elisabeth Schwarzkopf Four Last Songs
Richard Strauss.
FOUR LAST SONGS.
Spring.
September.
Going to Sleep (Poems by Hermann Hesse).
In the Glow of Evening (Poem by Joseph von Eichendorff).
Elisabeth Schwarzkopf soprano.
Berlin Radio Symphony Orchestra.
George Szell.
From Angel LP first published 1966.
- published: 22 May 2012
- views: 183180
Richard Strauss - Burleske for Piano and Orchestra in D minor
- Order: Reorder
- Duration: 21:12
- Updated: 17 Nov 2012
- views: 25331
I. Allegro vivace
II. Tranquillo
III. A tempo, sostenuto
IV. Un poco animato - Quasi cadenza
Conductor, Christoph von Dohnányi
Piano Soloist: Rudof Buchbinder...
I. Allegro vivace
II. Tranquillo
III. A tempo, sostenuto
IV. Un poco animato - Quasi cadenza
Conductor, Christoph von Dohnányi
Piano Soloist: Rudof Buchbinder
Recorder at Großer Musikvereinssaal, Vienna, 28 November-2 December 1977
wn.com/Richard Strauss Burleske For Piano And Orchestra In D Minor
I. Allegro vivace
II. Tranquillo
III. A tempo, sostenuto
IV. Un poco animato - Quasi cadenza
Conductor, Christoph von Dohnányi
Piano Soloist: Rudof Buchbinder
Recorder at Großer Musikvereinssaal, Vienna, 28 November-2 December 1977
- published: 17 Nov 2012
- views: 25331
Richard Strauss: Salome (magyar felirattal)
- Order: Reorder
- Duration: 100:47
- Updated: 03 Feb 2014
- views: 117564
A címszerepben Teresa Stratas; rendező: Götz Friedrich; közreműködnek a Bécsi Filharmonikusok, vezényel Karl Böhm. (1974)
A címszerepben Teresa Stratas; rendező: Götz Friedrich; közreműködnek a Bécsi Filharmonikusok, vezényel Karl Böhm. (1974)
wn.com/Richard Strauss Salome (Magyar Felirattal)
A címszerepben Teresa Stratas; rendező: Götz Friedrich; közreműködnek a Bécsi Filharmonikusok, vezényel Karl Böhm. (1974)
- published: 03 Feb 2014
- views: 117564
Richard Strauss: Ein Heldenleben (A Hero's Life) - Pittsburgh S. O., Manfred Honeck (HD 1080p)
- Order: Reorder
- Duration: 61:27
- Updated: 23 Feb 2014
- views: 49486
Faces of Classical Music
http://facesofclassicalmusic.blogspot.gr/
•
Richard Strauss (1864-1949)
Ein Heldenleben - A Hero's Life, Op.40 (1898)
Pittsburgh Sym...
Faces of Classical Music
http://facesofclassicalmusic.blogspot.gr/
•
Richard Strauss (1864-1949)
Ein Heldenleben - A Hero's Life, Op.40 (1898)
Pittsburgh Symphony Orchestra
Manfred Honeck
Opening concert of Musikfest Berlin, August 31, 2013
(HD 1080p)
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.gr/
wn.com/Richard Strauss Ein Heldenleben (A Hero's Life) Pittsburgh S. O., Manfred Honeck (Hd 1080P)
Faces of Classical Music
http://facesofclassicalmusic.blogspot.gr/
•
Richard Strauss (1864-1949)
Ein Heldenleben - A Hero's Life, Op.40 (1898)
Pittsburgh Symphony Orchestra
Manfred Honeck
Opening concert of Musikfest Berlin, August 31, 2013
(HD 1080p)
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.gr/
- published: 23 Feb 2014
- views: 49486
Richard Strauss Conducting
- Order: Reorder
- Duration: 2:44
- Updated: 06 Apr 2010
- views: 109004
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a perf...
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a performance of Till Eulenspiegel. It's amusing that he could be conducting such great music while looking so extremely bored.
wn.com/Richard Strauss Conducting
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a performance of Till Eulenspiegel. It's amusing that he could be conducting such great music while looking so extremely bored.
- published: 06 Apr 2010
- views: 109004
RICHARD STRAUSS.- Muerte y Transfiguración Op. 24
- Order: Reorder
- Duration: 24:51
- Updated: 02 Jun 2014
- views: 9204
RICHARD STRAUSS.-
Muerte y Transfiguración Op. 24
Orquesta de Cleveland
Director: Vladimir Ashkenazy
Muerte y Transfiguración fue iniciada hacia finales ...
RICHARD STRAUSS.-
Muerte y Transfiguración Op. 24
Orquesta de Cleveland
Director: Vladimir Ashkenazy
Muerte y Transfiguración fue iniciada hacia finales del verano de 1888 y terminada el 18 de noviembre de 1889. Strauss dirigió su estreno en Eisenach, el 21 de junio de 1890. Durante mucho tiempo se creyó (y hasta se informó en las biografías de Strauss) que Muerte y Transfiguración se había inspirado en una grave enfermedad que había sufrido el compositor. Pero, de hecho, esa enfermedad tuvo lugar varios meses después de terminada la música. El programa literario en realidad nació no solamente después de la enfermedad sino varios meses después de la composición del poema tonal, cuando Strauss le pidió a su amigo Alexander Ritter que escribiera un poema para trasmitir el significado de la música.
La obra comienza con... el pulso esporádico y los latidos del corazón del enfermo sugeridos por una figura irregular tocada alternativamente por las cuerdas y los timbales. Los suspiros del hombre también están retratados gráficamente por las cuerdas, junto con un pequeño giro patético hacia arriba en las flautas. Luego cambia el color, y la figura que yace en el lecho asume una personalidad humana. Se presentan nuevos temas en la flauta y el oboe, después de lo cual la música del sufrimiento vuelve. Una modulación nos trae de vuelta colores más cálidos; el enfermo sigue sonriendo suavemente mientras recuerda escenas de su niñez...
De pronto el sufrimiento reaparece con violencia y se puede oír al enfermo retorcerse en su agonía. La música pinta vividamente sus luchas con el asalto feroz de su aflicción... Se produce un climax, en cuyo pico el tema principal del allegro es anunciado por tonos de grave resolución. Este desafiante gesto representa la decisión del inválido de resistir la amenazadora cercanía de la muerte... Con un esfuerzo sobrehumano el inválido reúne las fuerzas que le quedan y por primera vez se oye el tema más importante de la obra, el tema de la Ideología del artista...
una serie de cuadros representa las diferentes fases de su vida a partir de la infancia, retratados por temas desde la sección introductoria de la obra. Se muestra la personalidad del hombre ya presente sin artificios en el niño mismo.
Un breve acceso de dolor y... [entonces] un cuadro del audaz joven en el que ahora se ha convertido, lleno de esperanzas y vigorosas aspiraciones. Este cuadro termina con un tremendo arrastre de los violines que sumerge la música en una escena amorosa furiosamente apasionada. Crece más y más hasta que el puro recuerdo le provoca al inválido las más terribles palpitaciones...
Se produce una breve pausa; luego suavemente y con vacilación el moribundo trata de evocar una vez más los recuerdos fervorosos, pero cada vez reaparecen los temidos golpes de martillo en su pecho... [Recuerda] el momento magnífico en que por primera vez se le aparecieron sus ideales en toda su gloria. Hay tres expresiones bastante espaciadas del tema de la Ideología a medida que se fortalece la visión del artista, hasta que en la tercera expresión se desborda hasta llegar a una frase posterior extática.
Pero el esfuerzo ha sido excesivo y todas estas visiones le agotan, dejando atrás nada más que la escena del inválido en su lecho... Las palpitaciones vuelven con renovada ferocidad, y deslizándose hacia arriba la música se desvanece cuando la muerte trae alivio al enfermo; el momento del deceso está marcado por la entrada del tamtam...
Poco a poco, de la oscuridad surge la figura inicial del tema de la Ideología en cada uno de los cuatro cornos, por turno... Se le une la melodía del oboe desde la introducción, ahora en las cuerdas en un peso cada vez mayor de sonido radiante, que indica que las cualidades que están en nosotros desde la infancia perduran hasta el Más Allá...
Las cuerdas se elevan aun más, hay una breve pausa, y por fin el tema de la Ideología queda proclamado en su totalidad, cuando el alma transfigurada realiza, en la vida más allá de la vida, los objetivos que nunca pueden lograrse durante la existencia terrenal.
Muerte y Transfiguración (1889), compuesta casi al mismo tiempo que Don Juan, se basa en una idea del propio Strauss: un enfermo recuerda su vida en su lecho de muerte, y cuando la muerte le sobreviene, sus deseos antes no cumplidos son finalmente alcanzados.
wn.com/Richard Strauss. Muerte Y Transfiguración Op. 24
RICHARD STRAUSS.-
Muerte y Transfiguración Op. 24
Orquesta de Cleveland
Director: Vladimir Ashkenazy
Muerte y Transfiguración fue iniciada hacia finales del verano de 1888 y terminada el 18 de noviembre de 1889. Strauss dirigió su estreno en Eisenach, el 21 de junio de 1890. Durante mucho tiempo se creyó (y hasta se informó en las biografías de Strauss) que Muerte y Transfiguración se había inspirado en una grave enfermedad que había sufrido el compositor. Pero, de hecho, esa enfermedad tuvo lugar varios meses después de terminada la música. El programa literario en realidad nació no solamente después de la enfermedad sino varios meses después de la composición del poema tonal, cuando Strauss le pidió a su amigo Alexander Ritter que escribiera un poema para trasmitir el significado de la música.
La obra comienza con... el pulso esporádico y los latidos del corazón del enfermo sugeridos por una figura irregular tocada alternativamente por las cuerdas y los timbales. Los suspiros del hombre también están retratados gráficamente por las cuerdas, junto con un pequeño giro patético hacia arriba en las flautas. Luego cambia el color, y la figura que yace en el lecho asume una personalidad humana. Se presentan nuevos temas en la flauta y el oboe, después de lo cual la música del sufrimiento vuelve. Una modulación nos trae de vuelta colores más cálidos; el enfermo sigue sonriendo suavemente mientras recuerda escenas de su niñez...
De pronto el sufrimiento reaparece con violencia y se puede oír al enfermo retorcerse en su agonía. La música pinta vividamente sus luchas con el asalto feroz de su aflicción... Se produce un climax, en cuyo pico el tema principal del allegro es anunciado por tonos de grave resolución. Este desafiante gesto representa la decisión del inválido de resistir la amenazadora cercanía de la muerte... Con un esfuerzo sobrehumano el inválido reúne las fuerzas que le quedan y por primera vez se oye el tema más importante de la obra, el tema de la Ideología del artista...
una serie de cuadros representa las diferentes fases de su vida a partir de la infancia, retratados por temas desde la sección introductoria de la obra. Se muestra la personalidad del hombre ya presente sin artificios en el niño mismo.
Un breve acceso de dolor y... [entonces] un cuadro del audaz joven en el que ahora se ha convertido, lleno de esperanzas y vigorosas aspiraciones. Este cuadro termina con un tremendo arrastre de los violines que sumerge la música en una escena amorosa furiosamente apasionada. Crece más y más hasta que el puro recuerdo le provoca al inválido las más terribles palpitaciones...
Se produce una breve pausa; luego suavemente y con vacilación el moribundo trata de evocar una vez más los recuerdos fervorosos, pero cada vez reaparecen los temidos golpes de martillo en su pecho... [Recuerda] el momento magnífico en que por primera vez se le aparecieron sus ideales en toda su gloria. Hay tres expresiones bastante espaciadas del tema de la Ideología a medida que se fortalece la visión del artista, hasta que en la tercera expresión se desborda hasta llegar a una frase posterior extática.
Pero el esfuerzo ha sido excesivo y todas estas visiones le agotan, dejando atrás nada más que la escena del inválido en su lecho... Las palpitaciones vuelven con renovada ferocidad, y deslizándose hacia arriba la música se desvanece cuando la muerte trae alivio al enfermo; el momento del deceso está marcado por la entrada del tamtam...
Poco a poco, de la oscuridad surge la figura inicial del tema de la Ideología en cada uno de los cuatro cornos, por turno... Se le une la melodía del oboe desde la introducción, ahora en las cuerdas en un peso cada vez mayor de sonido radiante, que indica que las cualidades que están en nosotros desde la infancia perduran hasta el Más Allá...
Las cuerdas se elevan aun más, hay una breve pausa, y por fin el tema de la Ideología queda proclamado en su totalidad, cuando el alma transfigurada realiza, en la vida más allá de la vida, los objetivos que nunca pueden lograrse durante la existencia terrenal.
Muerte y Transfiguración (1889), compuesta casi al mismo tiempo que Don Juan, se basa en una idea del propio Strauss: un enfermo recuerda su vida en su lecho de muerte, y cuando la muerte le sobreviene, sus deseos antes no cumplidos son finalmente alcanzados.
- published: 02 Jun 2014
- views: 9204
Richard Strauss - Symphonia Domestica, Op. 53
- Order: Reorder
- Duration: 42:05
- Updated: 04 Jul 2011
- views: 48634
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic...
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life.
In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next instalment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous - a triple fugue will bring together Papa, Mama and Baby."
The program of the work reflects the simplicity of the subject-matter. After the whole extended family (including the aunts and uncles) has been introduced, the parents are heard alone with their child. The next section is a three-part adagio. which begins with the husband's activities. The clock striking 7am launches the finale.
Paintings by Monet, Renoir, Manet and Berthè Morisot.
wn.com/Richard Strauss Symphonia Domestica, Op. 53
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life.
In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next instalment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous - a triple fugue will bring together Papa, Mama and Baby."
The program of the work reflects the simplicity of the subject-matter. After the whole extended family (including the aunts and uncles) has been introduced, the parents are heard alone with their child. The next section is a three-part adagio. which begins with the husband's activities. The clock striking 7am launches the finale.
Paintings by Monet, Renoir, Manet and Berthè Morisot.
- published: 04 Jul 2011
- views: 48634
Richard Strauss: Feierlicher Einzug
- Order: Reorder
- Duration: 7:31
- Updated: 17 May 2013
- views: 21947
New England Conservatory brass ensemble Massed Brass, led by Norman Bolter, performs Richard Strauss' Feierlicher Einzug during the annual Brass Bash concert.
N...
New England Conservatory brass ensemble Massed Brass, led by Norman Bolter, performs Richard Strauss' Feierlicher Einzug during the annual Brass Bash concert.
NEC brass students perform with their BSO teachers in this annual concert in NEC's Jordan Hall. Founded by NEC brass and percussion chair Frank Epstein, Brass Bash puts the spotlight on current and former Boston Symphony Orchestra members who teach at NEC, along with their students.
This edition of Brass Bash took place on February 24, 2013, and was dedicated to the memory of John Swallow.
For more information: http://necmusic.edu/brass
wn.com/Richard Strauss Feierlicher Einzug
New England Conservatory brass ensemble Massed Brass, led by Norman Bolter, performs Richard Strauss' Feierlicher Einzug during the annual Brass Bash concert.
NEC brass students perform with their BSO teachers in this annual concert in NEC's Jordan Hall. Founded by NEC brass and percussion chair Frank Epstein, Brass Bash puts the spotlight on current and former Boston Symphony Orchestra members who teach at NEC, along with their students.
This edition of Brass Bash took place on February 24, 2013, and was dedicated to the memory of John Swallow.
For more information: http://necmusic.edu/brass
- published: 17 May 2013
- views: 21947
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Anna Netrebko Richard Strauss Morgen Live @ The Last Night Of The Proms 2007
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Ensemble Musique Oblique " Capriccio de Richard Strauss " Live festival les Musicaves 2014
Extrait de concert de l’ensemble Musique Oblique Voyage romantique “nocturne” avec La Nuit Transfigurée d’Arnold Schoenberg, un autre chef d’œuvre qui témoigne du goût immodéré des roman- tiques pour l’atmosphère de la nuit, quand tout devient possible, quand l’obscurité efface les contours de la réalité. Sublime œuvre de jeunesse composée en 1899, avant la période dodécaphonique de Schoen- berg en un seul mouvement aux parfums “Brahmso- Wagnérien”. Quelle densité ! Frédéric Laroque, 1er violon Martial Gauthier, 2d violon Daniel Vagner, alto Christophe Gaugué, alto Diana Ligeti, violoncelle Yovan Markovitch, violoncelle ncelle Programme Schoenberg, La Nuit Transfigurée Richard Strauss, Capriccio, op 85 -
Jussi Björling, Zueignung, Richard Strauss (Live in 1959)
Jussi Björling (1911-1960) Zueignung, op.10 nº1, Richard Strauss piano: Frederick Schauwecker 13, April, 1959, Atlanta -
Jessye Norman sings "September" from Richard Strauss' Vier Letzte Lieder
Jessye Norman sings "September" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green. -
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Richard Strauss - Don Juan - Herbert von Karajan - BPO Live in Tokyo 1957
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Richard Strauss - Horn Concerto No. 2 (LIVE 2009)
Ondřej Vrabec - conductor, solohornplayer of the Czech Philharmonic Orchestra (www.vrabcovi.cz). LIVE, 2009 -
George Szell conducts Richard Strauss' Metamorphosen for 23 Solo Strings ('live')
George Szell conducts the strings of the Cleveland Orchestra -
Kirsten Flagstad; "Allerseelen" Richard Strauss; LIVE
Kirsten Flagstad--Soprano Gaetano Merola--Conductor San Francisco Opera Orchestra 8/10/1950 -
Kirsten Flagstad; "Cäcilie" Richard Strauss; LIVE
Kirsten Flagstad--Soprano Gaetano Merola--Conductor San Francisco Opera Orchestra 8/10/1950 -
R.Strauss：Cello Sonata／Yo-Yo Ma & Emanuel Ax (1989 LIVE)
Richard Strauss：Cello Sonata in F major Op.6 Cello ： Yo-Yo Ma Piano ： Emanuel Ax 1989.11.6 Live at Suntory Hall (Tokyo) リヒャルト・シュトラウス ： チェロ・ソナタ ヘ長調 作品6 チェロ ： ヨーヨー・マ ピアノ ： エマニュエル・アックス 1989年11月6日 サントリーホール -
Jessye Norman sings "Morgen" by Richard Strauss
Jessye Norman sings "Morgen" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green. -
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c;=true Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012. The Berliner Philharmoniker's Digital Concert Hall: http://www.digitalconcerthall.com Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de -
Strauss: Also Sprach Zarathustra / Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
Gran presentación de Jonathan Nott conduciendo a la Orquesta Juvenil Gustav Mahler en los Proms de la BBC 2009, interpretando la gran y mítica "Así Habló Zarathustra" del compositor alemán Richard Strauss. Great presentation of Jonathan Nott conducting the Gustav Mahler Jugendorchester at BBC Proms 2009, playing the great and mythical "Also Sprach Zarathustra" of Richard Strauss. (C) BBC, Music Publishing Rights Collecting Society and their respective owners. There's no own work here. -
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Mateusz Chmiel - Hommage à Richard Strauss (clarinet solo) [ Live @ Florianka Concert Hall 2015 ]
Mateusz Chmiel - performing Hommage à Richard Strauss for clarinet solo. The recording took place on 06.02.2015 in Florianka Concert Hall ( Academy of Music in Cracow ). _____________________________ Camera: GoPro Hero 3+ recorded on ZOOM H6 - MSH-6 capsule Music and video edited by Mateusz Chmiel Production https://www.facebook.com/mateuszchmielproduction -
Gundula Janowitz; "Vier Letzte Lieder" Four Last Songs; LIVE; Richard Strauss
Gundula Janowitz--Soprano Bernard Haitink--Conductor Amsterdam Concertgebouw Orchestra 6/1968 -
OMAR NIETO SINGS LIVE Zueignung Richard Strauss
Zueignung by Richard Strauss. Live recital; Omar Nieto, bass. -
Richard Strauss ZUEIGNUNG Romano Emili, tenore LIVE
"Zueignung" "Dedizione" Lied von Richard Strauss - Romano Emili tenor - LIVE Sì, tu lo sai, anima cara, che lontano da te io mi tormento; l'amore strugge i cuori, ti rendo grazie. Un tempo, ebbro di libertà tenevo alta la coppa di ametista e tu benedicevi la bevanda; ti rendo grazie. E ne scongiuravi i geni maligni finché io, come mai prima, santamente mi sono votato al tuo cuore. Ti rendo grazie. -
Dame Kiri Te Kanawa sings "Beim Schlafengehen" - Vier Letzte Lieder - Richard Strauss
Dame Kiri Te Kanawa sings Richard Strauss (1864-1949): "Beim Schlafengehen" from "Vier Letzte Lieder" "The Maestro And The Diva" Featuring a performance of Richard Strauss' Lieder and Four Last Songs Dame Kiri Te Kanawa/ Soprano BBC Philharmonic Orchestra Sir Georg Solti/ Conductor Recorded live at the Free Trade Hall in Manchester June 17th 1990 -
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE Richard Strauss Lucia Popp's entrance 0:10:10 -
Strauss - Tod und Verklärung - LSO / Böhm live
Richard Strauss Tod und Verklärung op.24 London Symphony Orchestra Karl Böhm Live recording, Salzburg, 10.VIII.1977
Anna Netrebko Richard Strauss Morgen Live @ The Last Night Of The Proms 2007
- Order: Reorder
- Duration: 3:52
- Updated: 05 Oct 2012
- views: 110876
- published: 05 Oct 2012
- views: 110876
Ensemble Musique Oblique " Capriccio de Richard Strauss " Live festival les Musicaves 2014
- Order: Reorder
- Duration: 10:37
- Updated: 27 Dec 2014
- views: 336
Extrait de concert de l’ensemble Musique Oblique
Voyage romantique “nocturne” avec La Nuit Transfigurée d’Arnold Schoenberg, un autre chef d’œuvre qui témoig...
Extrait de concert de l’ensemble Musique Oblique
Voyage romantique “nocturne” avec La Nuit Transfigurée d’Arnold Schoenberg, un autre chef d’œuvre qui témoigne du goût immodéré des roman- tiques pour l’atmosphère de la nuit, quand tout devient possible, quand l’obscurité efface les contours de
la réalité. Sublime œuvre de jeunesse composée en 1899, avant la période dodécaphonique de Schoen- berg en un seul mouvement aux parfums “Brahmso- Wagnérien”. Quelle densité !
Frédéric Laroque, 1er violon Martial Gauthier, 2d violon Daniel Vagner, alto Christophe Gaugué, alto Diana Ligeti, violoncelle Yovan Markovitch, violoncelle ncelle
Programme
Schoenberg,
La Nuit Transfigurée
Richard Strauss,
Capriccio, op 85
wn.com/Ensemble Musique Oblique Capriccio De Richard Strauss Live Festival Les Musicaves 2014
Extrait de concert de l’ensemble Musique Oblique
Voyage romantique “nocturne” avec La Nuit Transfigurée d’Arnold Schoenberg, un autre chef d’œuvre qui témoigne du goût immodéré des roman- tiques pour l’atmosphère de la nuit, quand tout devient possible, quand l’obscurité efface les contours de
la réalité. Sublime œuvre de jeunesse composée en 1899, avant la période dodécaphonique de Schoen- berg en un seul mouvement aux parfums “Brahmso- Wagnérien”. Quelle densité !
Frédéric Laroque, 1er violon Martial Gauthier, 2d violon Daniel Vagner, alto Christophe Gaugué, alto Diana Ligeti, violoncelle Yovan Markovitch, violoncelle ncelle
Programme
Schoenberg,
La Nuit Transfigurée
Richard Strauss,
Capriccio, op 85
- published: 27 Dec 2014
- views: 336
Jussi Björling, Zueignung, Richard Strauss (Live in 1959)
- Order: Reorder
- Duration: 2:05
- Updated: 12 Nov 2009
- views: 35587
Jussi Björling (1911-1960)
Zueignung, op.10 nº1, Richard Strauss
piano: Frederick Schauwecker
13, April, 1959, Atlanta
Jussi Björling (1911-1960)
Zueignung, op.10 nº1, Richard Strauss
piano: Frederick Schauwecker
13, April, 1959, Atlanta
wn.com/Jussi Björling, Zueignung, Richard Strauss (Live In 1959)
Jussi Björling (1911-1960)
Zueignung, op.10 nº1, Richard Strauss
piano: Frederick Schauwecker
13, April, 1959, Atlanta
- published: 12 Nov 2009
- views: 35587
Jessye Norman sings "September" from Richard Strauss' Vier Letzte Lieder
- Order: Reorder
- Duration: 5:41
- Updated: 21 Jan 2010
- views: 88637
Jessye Norman sings "September" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West G...
Jessye Norman sings "September" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green.
wn.com/Jessye Norman Sings September From Richard Strauss' Vier Letzte Lieder
Jessye Norman sings "September" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green.
- published: 21 Jan 2010
- views: 88637
Daniel Behle - 6 Richard Strauss Lieder 2013 LIVE
- Order: Reorder
- Duration: 13:51
- Updated: 01 Dec 2013
- views: 3883
Laeiszhalle Hamburg 13.10.2013 - www.danielbehle.com
Tenor: Daniel Behle
Pianist: Alexander Schmalcz
Laeiszhalle Hamburg 13.10.2013 - www.danielbehle.com
Tenor: Daniel Behle
Pianist: Alexander Schmalcz
wn.com/Daniel Behle 6 Richard Strauss Lieder 2013 Live
Richard Strauss - Don Juan - Herbert von Karajan - BPO Live in Tokyo 1957
- Order: Reorder
- Duration: 17:12
- Updated: 30 Mar 2013
- views: 4826
- published: 30 Mar 2013
- views: 4826
Richard Strauss - Horn Concerto No. 2 (LIVE 2009)
- Order: Reorder
- Duration: 19:01
- Updated: 01 Sep 2012
- views: 2638
Ondřej Vrabec - conductor, solohornplayer of the Czech Philharmonic Orchestra (www.vrabcovi.cz). LIVE, 2009
Ondřej Vrabec - conductor, solohornplayer of the Czech Philharmonic Orchestra (www.vrabcovi.cz). LIVE, 2009
wn.com/Richard Strauss Horn Concerto No. 2 (Live 2009)
Ondřej Vrabec - conductor, solohornplayer of the Czech Philharmonic Orchestra (www.vrabcovi.cz). LIVE, 2009
- published: 01 Sep 2012
- views: 2638
George Szell conducts Richard Strauss' Metamorphosen for 23 Solo Strings ('live')
- Order: Reorder
- Duration: 28:06
- Updated: 09 Mar 2012
- views: 7001
George Szell conducts the strings of the Cleveland Orchestra
George Szell conducts the strings of the Cleveland Orchestra
wn.com/George Szell Conducts Richard Strauss' Metamorphosen For 23 Solo Strings ('live')
Kirsten Flagstad; "Allerseelen" Richard Strauss; LIVE
- Order: Reorder
- Duration: 4:01
- Updated: 11 Oct 2014
- views: 245
Kirsten Flagstad--Soprano
Gaetano Merola--Conductor
San Francisco Opera Orchestra
8/10/1950
- published: 11 Oct 2014
- views: 245
Kirsten Flagstad; "Cäcilie" Richard Strauss; LIVE
- Order: Reorder
- Duration: 2:55
- Updated: 11 Oct 2014
- views: 149
Kirsten Flagstad--Soprano
Gaetano Merola--Conductor
San Francisco Opera Orchestra
8/10/1950
- published: 11 Oct 2014
- views: 149
R.Strauss：Cello Sonata／Yo-Yo Ma & Emanuel Ax (1989 LIVE)
- Order: Reorder
- Duration: 25:45
- Updated: 10 Feb 2015
- views: 6915
Richard Strauss：Cello Sonata in F major Op.6
Cello ： Yo-Yo Ma
Piano ： Emanuel Ax
1989.11.6
Live at Suntory Hall (Tokyo)
リヒャルト・シュトラウス ： チェロ・ソナタ ヘ長調 作品6
チェロ ...
Richard Strauss：Cello Sonata in F major Op.6
Cello ： Yo-Yo Ma
Piano ： Emanuel Ax
1989.11.6
Live at Suntory Hall (Tokyo)
リヒャルト・シュトラウス ： チェロ・ソナタ ヘ長調 作品6
チェロ ： ヨーヨー・マ
ピアノ ： エマニュエル・アックス
1989年11月6日 サントリーホール
wn.com/R.Strauss：Cello Sonata／Yo Yo Ma Emanuel Ax (1989 Live)
Richard Strauss：Cello Sonata in F major Op.6
Cello ： Yo-Yo Ma
Piano ： Emanuel Ax
1989.11.6
Live at Suntory Hall (Tokyo)
リヒャルト・シュトラウス ： チェロ・ソナタ ヘ長調 作品6
チェロ ： ヨーヨー・マ
ピアノ ： エマニュエル・アックス
1989年11月6日 サントリーホール
- published: 10 Feb 2015
- views: 6915
Jessye Norman sings "Morgen" by Richard Strauss
- Order: Reorder
- Duration: 4:44
- Updated: 21 Jan 2010
- views: 91807
Jessye Norman sings "Morgen" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Gree...
Jessye Norman sings "Morgen" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green.
wn.com/Jessye Norman Sings Morgen By Richard Strauss
Jessye Norman sings "Morgen" by Richard Strauss live at the spectacular inaugural concert of the 1991 Salisbury Festival held at Salisbury Cathedral's West Green.
- published: 21 Jan 2010
- views: 91807
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
- Order: Reorder
- Duration: 1:55
- Updated: 26 Oct 2012
- views: 590776
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c;=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Be...
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c;=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012.
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
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Website of the Berliner Philharmoniker:
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wn.com/Strauss Also Sprach Zarathustra Dudamel · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c;=true
Richard Strauss: Also sprach Zarathustra / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 April 2012.
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
- published: 26 Oct 2012
- views: 590776
Strauss: Also Sprach Zarathustra / Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
- Order: Reorder
- Duration: 35:11
- Updated: 22 Aug 2011
- views: 289999
Gran presentación de Jonathan Nott conduciendo a la Orquesta Juvenil Gustav Mahler en los Proms de la BBC 2009, interpretando la gran y mítica "Así Habló Zarath...
Gran presentación de Jonathan Nott conduciendo a la Orquesta Juvenil Gustav Mahler en los Proms de la BBC 2009, interpretando la gran y mítica "Así Habló Zarathustra" del compositor alemán Richard Strauss.
Great presentation of Jonathan Nott conducting the Gustav Mahler Jugendorchester at BBC Proms 2009, playing the great and mythical "Also Sprach Zarathustra" of Richard Strauss.
(C) BBC, Music Publishing Rights Collecting Society and their respective owners. There's no own work here.
wn.com/Strauss Also Sprach Zarathustra Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
Gran presentación de Jonathan Nott conduciendo a la Orquesta Juvenil Gustav Mahler en los Proms de la BBC 2009, interpretando la gran y mítica "Así Habló Zarathustra" del compositor alemán Richard Strauss.
Great presentation of Jonathan Nott conducting the Gustav Mahler Jugendorchester at BBC Proms 2009, playing the great and mythical "Also Sprach Zarathustra" of Richard Strauss.
(C) BBC, Music Publishing Rights Collecting Society and their respective owners. There's no own work here.
- published: 22 Aug 2011
- views: 289999
Richard Strauss: Also Sprach Zarathustra - Einleitung - Karajan
- Order: Reorder
- Duration: 2:08
- Updated: 15 Oct 2011
- views: 139356
Mateusz Chmiel - Hommage à Richard Strauss (clarinet solo) [ Live @ Florianka Concert Hall 2015 ]
- Order: Reorder
- Duration: 3:23
- Updated: 07 Feb 2015
- views: 545
Mateusz Chmiel - performing Hommage à Richard Strauss for clarinet solo. The recording took place on 06.02.2015 in Florianka Concert Hall ( Academy of Music in ...
Mateusz Chmiel - performing Hommage à Richard Strauss for clarinet solo. The recording took place on 06.02.2015 in Florianka Concert Hall ( Academy of Music in Cracow ).
_____________________________
Camera: GoPro Hero 3+
recorded on ZOOM H6 - MSH-6 capsule
Music and video edited by Mateusz Chmiel Production
https://www.facebook.com/mateuszchmielproduction
wn.com/Mateusz Chmiel Hommage À Richard Strauss (Clarinet Solo) Live Florianka Concert Hall 2015
Mateusz Chmiel - performing Hommage à Richard Strauss for clarinet solo. The recording took place on 06.02.2015 in Florianka Concert Hall ( Academy of Music in Cracow ).
_____________________________
Camera: GoPro Hero 3+
recorded on ZOOM H6 - MSH-6 capsule
Music and video edited by Mateusz Chmiel Production
https://www.facebook.com/mateuszchmielproduction
- published: 07 Feb 2015
- views: 545
Gundula Janowitz; "Vier Letzte Lieder" Four Last Songs; LIVE; Richard Strauss
- Order: Reorder
- Duration: 19:06
- Updated: 22 Apr 2015
- views: 2511
Gundula Janowitz--Soprano
Bernard Haitink--Conductor
Amsterdam Concertgebouw Orchestra
6/1968
- published: 22 Apr 2015
- views: 2511
OMAR NIETO SINGS LIVE Zueignung Richard Strauss
- Order: Reorder
- Duration: 1:37
- Updated: 23 Aug 2014
- views: 246
Richard Strauss ZUEIGNUNG Romano Emili, tenore LIVE
- Order: Reorder
- Duration: 1:56
- Updated: 12 Feb 2015
- views: 229
"Zueignung" "Dedizione" Lied von Richard Strauss - Romano Emili tenor - LIVE
Sì, tu lo sai, anima cara,
che lontano da te io mi tormento;
l'amore strugge i...
"Zueignung" "Dedizione" Lied von Richard Strauss - Romano Emili tenor - LIVE
Sì, tu lo sai, anima cara,
che lontano da te io mi tormento;
l'amore strugge i cuori,
ti rendo grazie.
Un tempo, ebbro di libertà
tenevo alta la coppa di ametista
e tu benedicevi la bevanda;
ti rendo grazie.
E ne scongiuravi i geni maligni
finché io, come mai prima,
santamente mi sono votato al tuo cuore.
Ti rendo grazie.
wn.com/Richard Strauss Zueignung Romano Emili, Tenore Live
"Zueignung" "Dedizione" Lied von Richard Strauss - Romano Emili tenor - LIVE
Sì, tu lo sai, anima cara,
che lontano da te io mi tormento;
l'amore strugge i cuori,
ti rendo grazie.
Un tempo, ebbro di libertà
tenevo alta la coppa di ametista
e tu benedicevi la bevanda;
ti rendo grazie.
E ne scongiuravi i geni maligni
finché io, come mai prima,
santamente mi sono votato al tuo cuore.
Ti rendo grazie.
- published: 12 Feb 2015
- views: 229
Dame Kiri Te Kanawa sings "Beim Schlafengehen" - Vier Letzte Lieder - Richard Strauss
- Order: Reorder
- Duration: 5:27
- Updated: 18 Mar 2009
- views: 49881
Dame Kiri Te Kanawa sings
Richard Strauss (1864-1949):
"Beim Schlafengehen"
from "Vier Letzte Lieder"
"The Maestro And The Diva"
Featuring a performa...
Dame Kiri Te Kanawa sings
Richard Strauss (1864-1949):
"Beim Schlafengehen"
from "Vier Letzte Lieder"
"The Maestro And The Diva"
Featuring a performance of Richard Strauss' Lieder and Four Last Songs
Dame Kiri Te Kanawa/ Soprano
BBC Philharmonic Orchestra
Sir Georg Solti/ Conductor
Recorded live at the Free Trade Hall in Manchester
June 17th 1990
wn.com/Dame Kiri Te Kanawa Sings Beim Schlafengehen Vier Letzte Lieder Richard Strauss
Dame Kiri Te Kanawa sings
Richard Strauss (1864-1949):
"Beim Schlafengehen"
from "Vier Letzte Lieder"
"The Maestro And The Diva"
Featuring a performance of Richard Strauss' Lieder and Four Last Songs
Dame Kiri Te Kanawa/ Soprano
BBC Philharmonic Orchestra
Sir Georg Solti/ Conductor
Recorded live at the Free Trade Hall in Manchester
June 17th 1990
- published: 18 Mar 2009
- views: 49881
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE
- Order: Reorder
- Duration: 166:48
- Updated: 18 Nov 2014
- views: 5075
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE
Richard Strauss
Lucia Popp's entrance 0:10:10
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE
Richard Strauss
Lucia Popp's entrance 0:10:10
wn.com/Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch Live
Arabella Lucia Popp Berndt Weikl Julie Kaufmann Peter Seiffert Wolfgang Sawallisch LIVE
Richard Strauss
Lucia Popp's entrance 0:10:10
- published: 18 Nov 2014
- views: 5075
Strauss - Tod und Verklärung - LSO / Böhm live
- Order: Reorder
- Duration: 25:07
- Updated: 24 Jan 2013
- views: 13946
Richard Strauss
Tod und Verklärung op.24
London Symphony Orchestra
Karl Böhm
Live recording, Salzburg, 10.VIII.1977
Richard Strauss
Tod und Verklärung op.24
London Symphony Orchestra
Karl Böhm
Live recording, Salzburg, 10.VIII.1977
wn.com/Strauss Tod Und Verklärung Lso Böhm Live
Richard Strauss
Tod und Verklärung op.24
London Symphony Orchestra
Karl Böhm
Live recording, Salzburg, 10.VIII.1977
- published: 24 Jan 2013
- views: 13946
-
Richard Strauss: "Also sprach Zarathustra" op.30
L'Orchestra Nazionale di Santa Cecilia, Roma Direttore d'orchestra: Antonio Pappano -
Richard Strauss(1864-1949):Symphony Nº2 in F minor ,Op.12,TrV126(1883/84)
I.Allegro ma non troppo:14:39 II.Scherzo:7:02 III.Andante cantabile:10:37 IV.Finale:Allegro.13.26/Slovak Philharmonic Orchestra/Michael Halasz Picture:Caspar David Friedrich:Klosterruine Eldena und Riesengebirge(1830/35) -
Richard Strauss: Tod und Verklärung - Celibidache Munich Philharmonic Tokyo 1986
Richard Strauss Tod und Verklärung - Death and Transfiguration - Muerte y Transfiguración Münchner Philharmoniker Sergiu Celibidache Live recording: 15th. October 1986 Tokyo Bunkakaikan
Richard Strauss: "Also sprach Zarathustra" op.30
- Order: Reorder
- Duration: 34:34
- Updated: 07 Jan 2012
- views: 370488
L'Orchestra Nazionale di Santa Cecilia, Roma
Direttore d'orchestra: Antonio Pappano
- published: 07 Jan 2012
- views: 370488
Richard Strauss(1864-1949):Symphony Nº2 in F minor ,Op.12,TrV126(1883/84)
- Order: Reorder
- Duration: 45:56
- Updated: 30 Jan 2015
- views: 3564
I.Allegro ma non troppo:14:39
II.Scherzo:7:02
III.Andante cantabile:10:37
IV.Finale:Allegro.13.26/Slovak Philharmonic Orchestra/Michael Halasz
Picture:Caspar Da...
I.Allegro ma non troppo:14:39
II.Scherzo:7:02
III.Andante cantabile:10:37
IV.Finale:Allegro.13.26/Slovak Philharmonic Orchestra/Michael Halasz
Picture:Caspar David Friedrich:Klosterruine Eldena und Riesengebirge(1830/35)
wn.com/Richard Strauss(1864 1949) Symphony Nº2 In F Minor ,Op.12,Trv126(1883 84)
I.Allegro ma non troppo:14:39
II.Scherzo:7:02
III.Andante cantabile:10:37
IV.Finale:Allegro.13.26/Slovak Philharmonic Orchestra/Michael Halasz
Picture:Caspar David Friedrich:Klosterruine Eldena und Riesengebirge(1830/35)
- published: 30 Jan 2015
- views: 3564
Richard Strauss: Tod und Verklärung - Celibidache Munich Philharmonic Tokyo 1986
- Order: Reorder
- Duration: 30:14
- Updated: 05 Mar 2015
- views: 6799
Richard Strauss
Tod und Verklärung - Death and Transfiguration - Muerte y Transfiguración
Münchner Philharmoniker
Sergiu Celibidache
Live recording: 15th. Oc...
Richard Strauss
Tod und Verklärung - Death and Transfiguration - Muerte y Transfiguración
Münchner Philharmoniker
Sergiu Celibidache
Live recording: 15th. October 1986 Tokyo Bunkakaikan
wn.com/Richard Strauss Tod Und Verklärung Celibidache Munich Philharmonic Tokyo 1986
Richard Strauss
Tod und Verklärung - Death and Transfiguration - Muerte y Transfiguración
Münchner Philharmoniker
Sergiu Celibidache
Live recording: 15th. October 1986 Tokyo Bunkakaikan
- published: 05 Mar 2015
- views: 6799
-
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
Gould talks about Strauss and then about the Burleske -
Richard Strauss Documentary - At the End of the Rainbow
This documentary shows a new perspective on the personality and oeuvre of Richard Strauss, who saw himself as the last great composer at the end of an era, “at the end of the rainbow”. This carefully researched production presents spectacular hitherto unreleased pictures of Richard Strauss. Among others: a live recording of the premiere of the “Olympic Anthem” at the Berlin Olympic stadium in 1936. The very first performance of this piece ever to be heard, performed by the Berlin Philharmonic and a choir of 1000 singers conducted by Richard Strauss himself. These spectacular rare pictures are embedded in interviews with relatives, famous musicians and Strauss experts, such as Christian Strauss, Stefan Mickisch and Brigitte Fassbaender. Available on Bluray and DVD from Cmajor Entertainment. http://www.shop.cmajor-entertainment.com/items/gala-konzert-dokumentation-305018 -
Richard Strauss 1936 Olympic Hymn
Here is Strauss conducting the Hymn he composed for the 1936 Olympic Games as well as other archival video of the composer. -
Richard-Strauss-Festival 2012 - Interview Brigitte Fassbaender GAPA-TV Garmisch-Partenkirchen
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit Frau Fassbaender nach dem Festival 2012... GAPA-TV war dabei, hier der Imagefilm zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8 -
Interview: Cheryl Barker discusses Capriccio by Richard Strauss
2 July - 27 July at Sydney Opera House: Book tickets at http://bit.ly/mf7W43 Cheryl Barker discusses her role as the Countess Madeleine in Opera Australia's 2011 production of Capriccio. We took questions from Opera Australia followers on Twitter and Facebook and used them as the basis of the interview. -
Marek Janowski talks about Richard Strauss and Richard Wagner
Marek Janowski talks about Richard Strauss, Richard Wagner and his experience in conducting the Symphony Orchestra of the University of Music FRANZ LISZT Weimar. In January 2013, he performed "Don Quixote" (Strauss) and parts of "Twilight of the Gods" (Wagner) with students of the University of Music FRANZ LISZT Weimar. For further information visit www.hfm-weimar.de -
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch [HD]
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948. Orchestre de La Suisse Romande conducted by Wolfgang Sawallisch. Jessye Norman. Geneve, Victoria Hall, 19.IX.1979. Vier Letzte Lieder | Four Last Songs: 00:00 I. Frühling | Spring | Printemps 03:58 II. September | September | Septembre 09:25 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil 15:00 IV. Im Abendrot | At Sunset | Au Soleil Couchant Jessye Norman talks about Richard Strauss Vier Letzte Lieder | Four Last Songs | http://youtu.be/o9tx41cP4P8?t=8m05s Studio Recording | https://www.youtube.com/watch?v=SDoqnjB7Um4 "Do you still sing 'Four Last Songs'? Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto" How long will you continue to sing? J.N. - As long as it make sense. Jessye Norman Interview to "Gramophone" IX.2010, p.39 "Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve. Philip Roth Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music. Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle. The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work. Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death. Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler. -
BBC SSO - Donald Runnicles on Richard Strauss's Alpine Symphony
BBC SSO Chief Conductor Donald Runnicles introduces Richard Strauss's Alpine Symphony ahead of its performance at the 2012 Edinburgh International Festival on Saturday 11 August. Find out more about the concert: http://bbc.in/JPW6zc: -
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Förderkreis Richard-Strauss-Festspiele GAP - Interview mit Fr. Regina Geißer GAPA-TV
Richard-Strauss-Festival in Garmisch-Partenkirchen. Hier sehen Sie ein Interview mit Fr. Regina Geißer (Vorsitzende, Förderkreis Richard-Strauss-Festspiele GAP e.V.) nach dem Festival 2012... GAPA-TV war dabei, hier der der Imagefilm-Link zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8 -
Giuseppe Sinopoli spiega Richard Strauss
-
Richard-Strauss-Festival 2012: Interview Staatsminister Dr. Wolfgang Heubisch GAPA-TV
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit dem Staatsminister Dr. Wolfgang Heubisch nach dem Festival 2012... GAPA-TV war dabei, hier der Imagefilm zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8 -
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948. Leipzig Gewandhaus Orchestra conducted by Kurt Masur. Jessye Norman, soprano. Philips Classics. Gramophone Award, 1983. Vier Letzte Lieder | Four Last Songs: 00:00 I. Frühling | Spring | Printemps 03:47 II. September | September | Septembre 09:14 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil 15:21 IV. Im Abendrot | At Sunset | Au Soleil Couchant Jessye Norman talks about Richard Strauss Vier Letzte Lieder http://youtu.be/o9tx41cP4P8?t=8m05s Studio Recording https://youtu.be/SDoqnjB7Um4 Video Recording https://youtu.be/RdRq7ynfkHs "Do you still sing 'Four Last Songs'? Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto" How long will you continue to sing? J.N. - As long as it make sense. Jessye Norman Interview to "Gramophone" IX.2010, p.39 "Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve. Philip Roth Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music. Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle. The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work. Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death. Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler. -
Interview with Philippe Jordan : Elektra by Strauss
ELEKTRA - Richard Strauss Tragedy in one act It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis. From 27 October to 01 December 2013 at the Opéra Bastille The Opéra de Paris' Youtube channel : http://www.youtube.com/user/operanationaldeparis Subscribe to the channel : http://www.youtube.com/subscription_center?add_user=operanationaldeparis The Opéra de Paris' website : http://www.operadeparis.fr Facebook page : https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis ELEKTRA - Richard Strauss Tragédie en un acte C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes. Du 27 octobre au 1er décembre 2013. Chaîne Youtube de l'Opéra de Paris : http://www.youtube.com/user/operanationaldeparis Abonnez-vous à la chaîne de l'Opéra de paris : http://www.youtube.com/subscription_center?add_user=operanationaldeparis Site internet de l'Opéra de Paris: http://www.operadeparis.fr Page Facebook: https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis -
Interview with Robert Carsen : Elektra by Strauss
ELEKTRA - Richard Strauss Tragedy in one act Interview with Robert Carsen, stage director It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis. From 27 October to 01 December 2013 at the Opéra Bastille The Opéra de Paris' You Tube channel : http://www.youtube.com/user/operanationaldeparis Subscribe to the channel : http://www.youtube.com/subscription_center?add_user=operanationaldeparis The Opéra de Paris' website : http://www.operadeparis.fr Facebook page : https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis ELEKTRA - Richard Strauss Trégédie en un acte Entretien avec Robert Carsen, metteur en scène C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes. Du 27 octobre au 1er décembre 2013. Chaîne You Tube de l'Opéra de Paris : http://www.youtube.com/user/operanationaldeparis Abonnez-vous à la chaîne de l'Opéra de paris : http://www.youtube.com/subscription_center?add_user=operanationaldeparis Site internet de l'Opéra de Paris: http://www.operadeparis.fr Page Facebook: https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis -
Staatskapelle Dresden # RICHARD STRAUSS 2014 Birthday Gala Semperoper Radeberger (Concert Long)
DRESDEN feiert RICHARD STRAUSS 2014 - 150. Geburtstag Richard Strauss Geburtstagskonzert / Birthday Gala 11.06.2014 (Concert Long) mit Olaf Schubert & Carolin Kebekus / heute-show Sächsische Staatskapelle Dresden & Radeberger Brauerei Semperoper & Theaterplatz Dresden / Germany / Saxony Conductor: Christian Thielemann, Sopran: Camilla Nylund, Anja Harteros, Christine Goerke, Moderation: Axel Brüggemann, Olaf Schubert, Carolin Kebekus, Interviews: Jan Nast, Tobias Niederschlag, Dr. Christoph Hollenders, Reinhard Krauss Richard Strauss Opern: Elektra, Salome, Der Rosenkavalier, Daphne, Feuersnot, Die ägyptische Helena EPOS IMAGES 4KHD film production http://www.eposimages.com/ Sächsische Staatskapelle Dresden http://www.staatskapelle-dresden.de/en/welcome/ Radeberger http://www.radeberger.de/de/radeberger-brauerei Semperoper Dresden https://www.semperoper.de/ Dresden Marketing http://www.dresden.de/ http://www.dresden.de/dmg/de/index.php?shortcut=Marketing http://en.wikipedia.org/wiki/Richard_Strauss http://de.wikipedia.org/wiki/Richard_Strauss#Opern http://en.wikipedia.org/wiki/List_of_operas_by_Richard_Strauss http://www.dhm.de/lemo/html/biografien/StraussRichard/ opera symphonic orchester Oper symphony orchestra concert Konzert classic -
Yutaka Sado and the Tonkunstler Orchestra | Richard Strauss: Heldenleben and Rosenkavalier-Suite |
A hero's life and Rosenkavalier suite Making of the first CD. Launch end of march 2016 -
Richard Strauss and his Heroines (Brava premiere)
Saturday, October 31 at 21:00 CET Divorce! After six years of marriage, the choleric and chronically jealous general’s daughter Pauline has had enough of Richard Strauss. Pauline had always known it: her husband, who at 36 is celebrated as the most important living German composer across the globe, is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the illicit love affairs of the artist? The film ‘Richard Strauss and his Heroines’ goes on an exciting journey discovering the women in Strauss’ life. The primary focus is Strauss’ relationship to Pauline, his wife for over 55 years up to his death. She’s always appeared as a harridan who often embarrassed her husband in public, obscuring the fact that Strauss composed his finest songs at the beginning and the end of his relationship for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history – from the Empire to the Nazi dictatorship to the post-war period – to write in 1948, “We have through sorrow and joy gone hand in hand”? This final song, “At Sunset”, is one of the most moving declarations of love in the history of music. ‘Richard Strauss and his Heroines’ is the first filmed search for clues about the unforgettable heroines Strauss created. It is both the story of a turbulent and moving love story of two people who were prepared to walk through fire for each other. Great Strauss singers Brigitte Fassbaender, Renée Fleming, Dame Gwyneth Jones and Christa Ludwig report on their famous Strauss roles, and an interview with Strauss' last surviving grandchild in Garmisch sheds more light on his family life. The conductor Franz Welser-Möst explains the secret of Strauss’ genius at instrumentation, as Strauss expert Christoph Wagner-Trenckwitz leads us through the film. Producer: A production of Studio.TV.Film in co-production with SRF Video director: Thomas von Steinaecker Year: 2014 -
4 Im Abendrot Anja Harteros
Richard Strauss 4 letzte Lieder Anja Harteros, Sopran 4 - Im Abendrot Sinfonieorchester des Bayerischen Rundfunks Mariss Jansons Aus der Philharmonie im Gasteig - München 2009 -
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Sir Georg Solti - Richard Strauss: Don Juan | ICA Classics DVD
More info: http://www.icaclassics.com Sir Georg Solti Wagner: Der fliegende Holländer - Overture Richard Strauss: Don Juan (Includes bonus rehearsal footage) Beethoven: Symphony No.5 Orchestra of the Royal Opera House, Covent Garden / BBC Symphony Solti achieved great success with the first complete recording of Das Rheingold in 1958 after which his reputation for recording Wagner escalated. His was also known for his dramatic and expressive performances of works by Richard Strauss, demonstrated by this exciting performance of Don Juan, with revealing bonus rehearsal material and an interview by John Culshaw. The 1985 performance of Beethoven 5 with the BBC Symphony Orchestra is equally thrilling, filmed during his tenure as Chief Conductor of the Chicago Symphony, with whom he recorded the full set of Beethoven Symphonies. The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored. Catalogue Number: ICAD 5024 http://icartists.co.uk/classics/catalog/dvds/sir-georg-solti-0 FACEBOOK: http://www.facebook.com/ICAClassics TWITTER: http://www.twitter.com/ICAClassics |Uploaded with TubeShack http://www.shacksoftware.com -
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
- Order: Reorder
- Duration: 5:17
- Updated: 17 Oct 2007
- views: 32918
Gould talks about Strauss and then about the Burleske
Gould talks about Strauss and then about the Burleske
wn.com/Glenn Gould Richard Strauss Burleske (Part 1 Interview)
Richard Strauss Documentary - At the End of the Rainbow
- Order: Reorder
- Duration: 1:59
- Updated: 09 Apr 2015
- views: 1983
This documentary shows a new perspective on the personality and oeuvre of Richard Strauss, who saw
himself as the last great composer at the end of an era, “at ...
This documentary shows a new perspective on the personality and oeuvre of Richard Strauss, who saw
himself as the last great composer at the end of an era, “at the end of the rainbow”. This carefully
researched production presents spectacular hitherto unreleased pictures of Richard Strauss. Among
others: a live recording of the premiere of the “Olympic Anthem” at the Berlin Olympic stadium in 1936.
The very first performance of this piece ever to be heard, performed by the Berlin Philharmonic and a
choir of 1000 singers conducted by Richard Strauss himself. These spectacular rare pictures are embedded
in interviews with relatives, famous musicians and Strauss experts, such as Christian Strauss, Stefan
Mickisch and Brigitte Fassbaender.
Available on Bluray and DVD from Cmajor Entertainment.
http://www.shop.cmajor-entertainment.com/items/gala-konzert-dokumentation-305018
wn.com/Richard Strauss Documentary At The End Of The Rainbow
This documentary shows a new perspective on the personality and oeuvre of Richard Strauss, who saw
himself as the last great composer at the end of an era, “at the end of the rainbow”. This carefully
researched production presents spectacular hitherto unreleased pictures of Richard Strauss. Among
others: a live recording of the premiere of the “Olympic Anthem” at the Berlin Olympic stadium in 1936.
The very first performance of this piece ever to be heard, performed by the Berlin Philharmonic and a
choir of 1000 singers conducted by Richard Strauss himself. These spectacular rare pictures are embedded
in interviews with relatives, famous musicians and Strauss experts, such as Christian Strauss, Stefan
Mickisch and Brigitte Fassbaender.
Available on Bluray and DVD from Cmajor Entertainment.
http://www.shop.cmajor-entertainment.com/items/gala-konzert-dokumentation-305018
- published: 09 Apr 2015
- views: 1983
Richard Strauss 1936 Olympic Hymn
- Order: Reorder
- Duration: 8:08
- Updated: 06 Aug 2008
- views: 69483
Here is Strauss conducting the Hymn he composed for the 1936 Olympic Games as well as other archival video of the composer.
Here is Strauss conducting the Hymn he composed for the 1936 Olympic Games as well as other archival video of the composer.
wn.com/Richard Strauss 1936 Olympic Hymn
Here is Strauss conducting the Hymn he composed for the 1936 Olympic Games as well as other archival video of the composer.
- published: 06 Aug 2008
- views: 69483
Richard-Strauss-Festival 2012 - Interview Brigitte Fassbaender GAPA-TV Garmisch-Partenkirchen
- Order: Reorder
- Duration: 0:55
- Updated: 03 Jun 2013
- views: 699
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit Frau Fassbaender nach dem Festival 2012...
GAPA-TV war dabei, hier der Imagefilm zum Ric...
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit Frau Fassbaender nach dem Festival 2012...
GAPA-TV war dabei, hier der Imagefilm zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8
wn.com/Richard Strauss Festival 2012 Interview Brigitte Fassbaender Gapa Tv Garmisch Partenkirchen
Interview: Cheryl Barker discusses Capriccio by Richard Strauss
- Order: Reorder
- Duration: 6:42
- Updated: 02 Jul 2011
- views: 1380
2 July - 27 July at Sydney Opera House: Book tickets at http://bit.ly/mf7W43
Cheryl Barker discusses her role as the Countess Madeleine in Opera Australia's 20...
2 July - 27 July at Sydney Opera House: Book tickets at http://bit.ly/mf7W43
Cheryl Barker discusses her role as the Countess Madeleine in Opera Australia's 2011 production of Capriccio. We took questions from Opera Australia followers on Twitter and Facebook and used them as the basis of the interview.
wn.com/Interview Cheryl Barker Discusses Capriccio By Richard Strauss
2 July - 27 July at Sydney Opera House: Book tickets at http://bit.ly/mf7W43
Cheryl Barker discusses her role as the Countess Madeleine in Opera Australia's 2011 production of Capriccio. We took questions from Opera Australia followers on Twitter and Facebook and used them as the basis of the interview.
- published: 02 Jul 2011
- views: 1380
Marek Janowski talks about Richard Strauss and Richard Wagner
- Order: Reorder
- Duration: 8:03
- Updated: 27 May 2013
- views: 2582
Marek Janowski talks about Richard Strauss, Richard Wagner and his experience in conducting the Symphony Orchestra of the University of Music FRANZ LISZT Weimar...
Marek Janowski talks about Richard Strauss, Richard Wagner and his experience in conducting the Symphony Orchestra of the University of Music FRANZ LISZT Weimar. In January 2013, he performed "Don Quixote" (Strauss) and parts of "Twilight of the Gods" (Wagner) with students of the University of Music FRANZ LISZT Weimar.
For further information visit www.hfm-weimar.de
wn.com/Marek Janowski Talks About Richard Strauss And Richard Wagner
Marek Janowski talks about Richard Strauss, Richard Wagner and his experience in conducting the Symphony Orchestra of the University of Music FRANZ LISZT Weimar. In January 2013, he performed "Don Quixote" (Strauss) and parts of "Twilight of the Gods" (Wagner) with students of the University of Music FRANZ LISZT Weimar.
For further information visit www.hfm-weimar.de
- published: 27 May 2013
- views: 2582
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch [HD]
- Order: Reorder
- Duration: 24:52
- Updated: 17 Apr 2015
- views: 17303
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.O...
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948.
Orchestre de La Suisse Romande conducted by Wolfgang Sawallisch. Jessye Norman.
Geneve, Victoria Hall, 19.IX.1979.
Vier Letzte Lieder | Four Last Songs:
00:00 I. Frühling | Spring | Printemps
03:58 II. September | September | Septembre
09:25 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil
15:00 IV. Im Abendrot | At Sunset | Au Soleil Couchant
Jessye Norman talks about Richard Strauss Vier Letzte Lieder | Four Last Songs | http://youtu.be/o9tx41cP4P8?t=8m05s
Studio Recording | https://www.youtube.com/watch?v=SDoqnjB7Um4
"Do you still sing 'Four Last Songs'?
Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto"
How long will you continue to sing?
J.N. - As long as it make sense.
Jessye Norman Interview to "Gramophone" IX.2010, p.39
"Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve.
Philip Roth
Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music.
Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle.
The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work.
Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death.
Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler.
wn.com/Richard Strauss Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch Hd
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948.
Orchestre de La Suisse Romande conducted by Wolfgang Sawallisch. Jessye Norman.
Geneve, Victoria Hall, 19.IX.1979.
Vier Letzte Lieder | Four Last Songs:
00:00 I. Frühling | Spring | Printemps
03:58 II. September | September | Septembre
09:25 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil
15:00 IV. Im Abendrot | At Sunset | Au Soleil Couchant
Jessye Norman talks about Richard Strauss Vier Letzte Lieder | Four Last Songs | http://youtu.be/o9tx41cP4P8?t=8m05s
Studio Recording | https://www.youtube.com/watch?v=SDoqnjB7Um4
"Do you still sing 'Four Last Songs'?
Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto"
How long will you continue to sing?
J.N. - As long as it make sense.
Jessye Norman Interview to "Gramophone" IX.2010, p.39
"Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve.
Philip Roth
Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music.
Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle.
The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work.
Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death.
Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler.
- published: 17 Apr 2015
- views: 17303
BBC SSO - Donald Runnicles on Richard Strauss's Alpine Symphony
- Order: Reorder
- Duration: 2:50
- Updated: 07 Jun 2012
- views: 932
BBC SSO Chief Conductor Donald Runnicles introduces Richard Strauss's Alpine Symphony ahead of its performance at the 2012 Edinburgh International Festival on S...
BBC SSO Chief Conductor Donald Runnicles introduces Richard Strauss's Alpine Symphony ahead of its performance at the 2012 Edinburgh International Festival on Saturday 11 August.
Find out more about the concert: http://bbc.in/JPW6zc:
wn.com/BBC Sso Donald Runnicles On Richard Strauss's Alpine Symphony
BBC SSO Chief Conductor Donald Runnicles introduces Richard Strauss's Alpine Symphony ahead of its performance at the 2012 Edinburgh International Festival on Saturday 11 August.
Find out more about the concert: http://bbc.in/JPW6zc:
- published: 07 Jun 2012
- views: 932
Salome (Richard Strauss) - Interview Darren Ross
- Order: Reorder
- Duration: 4:28
- Updated: 24 Jun 2014
- views: 117
Interview of Darren Ross, choreographer of Strauss' Salomé played at Opéra Royal de Wallonie in Liège from June 7th until June 18th 2011.
Interview of Darren Ross, choreographer of Strauss' Salomé played at Opéra Royal de Wallonie in Liège from June 7th until June 18th 2011.
wn.com/Salome (Richard Strauss) Interview Darren Ross
Förderkreis Richard-Strauss-Festspiele GAP - Interview mit Fr. Regina Geißer GAPA-TV
- Order: Reorder
- Duration: 3:06
- Updated: 03 Jun 2013
- views: 272
Richard-Strauss-Festival in Garmisch-Partenkirchen. Hier sehen Sie ein Interview mit Fr. Regina Geißer (Vorsitzende, Förderkreis Richard-Strauss-Festspiele GAP ...
Richard-Strauss-Festival in Garmisch-Partenkirchen. Hier sehen Sie ein Interview mit Fr. Regina Geißer (Vorsitzende, Förderkreis Richard-Strauss-Festspiele GAP e.V.) nach dem Festival 2012...
GAPA-TV war dabei, hier der der Imagefilm-Link zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8
wn.com/Förderkreis Richard Strauss Festspiele Gap Interview Mit Fr. Regina Geißer Gapa Tv
Richard-Strauss-Festival in Garmisch-Partenkirchen. Hier sehen Sie ein Interview mit Fr. Regina Geißer (Vorsitzende, Förderkreis Richard-Strauss-Festspiele GAP e.V.) nach dem Festival 2012...
GAPA-TV war dabei, hier der der Imagefilm-Link zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8
- published: 03 Jun 2013
- views: 272
Giuseppe Sinopoli spiega Richard Strauss
- Order: Reorder
- Duration: 11:59
- Updated: 29 Mar 2013
- views: 3809
- published: 29 Mar 2013
- views: 3809
Richard-Strauss-Festival 2012: Interview Staatsminister Dr. Wolfgang Heubisch GAPA-TV
- Order: Reorder
- Duration: 0:41
- Updated: 03 Jun 2013
- views: 45
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit dem Staatsminister Dr. Wolfgang Heubisch nach dem Festival 2012...
GAPA-TV war dabei, hi...
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit dem Staatsminister Dr. Wolfgang Heubisch nach dem Festival 2012...
GAPA-TV war dabei, hier der Imagefilm zum Richard-Strauss-Festival: http://www.youtube.com/watch?v=Kk6f7oqrkM8
wn.com/Richard Strauss Festival 2012 Interview Staatsminister Dr. Wolfgang Heubisch Gapa Tv
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
- Order: Reorder
- Duration: 25:42
- Updated: 04 Apr 2015
- views: 7431
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.O...
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948. Leipzig Gewandhaus Orchestra conducted by Kurt Masur. Jessye Norman, soprano.
Philips Classics. Gramophone Award, 1983.
Vier Letzte Lieder | Four Last Songs:
00:00 I. Frühling | Spring | Printemps
03:47 II. September | September | Septembre
09:14 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil
15:21 IV. Im Abendrot | At Sunset | Au Soleil Couchant
Jessye Norman talks about Richard Strauss Vier Letzte Lieder http://youtu.be/o9tx41cP4P8?t=8m05s
Studio Recording https://youtu.be/SDoqnjB7Um4
Video Recording https://youtu.be/RdRq7ynfkHs
"Do you still sing 'Four Last Songs'?
Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto"
How long will you continue to sing?
J.N. - As long as it make sense.
Jessye Norman Interview to "Gramophone" IX.2010, p.39
"Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve.
Philip Roth
Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music.
Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle.
The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work.
Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death.
Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler.
wn.com/Richard Strauss Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro Ultimi Lieder | Cuatro Últimas Canciones | Quatro Últimas Canções, o.Op. 150, 1948. Leipzig Gewandhaus Orchestra conducted by Kurt Masur. Jessye Norman, soprano.
Philips Classics. Gramophone Award, 1983.
Vier Letzte Lieder | Four Last Songs:
00:00 I. Frühling | Spring | Printemps
03:47 II. September | September | Septembre
09:14 III. Beim Schlafengehen | When Falling Asleep | L'heure Du Sommeil
15:21 IV. Im Abendrot | At Sunset | Au Soleil Couchant
Jessye Norman talks about Richard Strauss Vier Letzte Lieder http://youtu.be/o9tx41cP4P8?t=8m05s
Studio Recording https://youtu.be/SDoqnjB7Um4
Video Recording https://youtu.be/RdRq7ynfkHs
"Do you still sing 'Four Last Songs'?
Jessye Norman - I only do them with conducters who really understand what's happening with them. I don't want to say this condescendingly, but so many regional orchestras feel that if I show up, we're sound like Sergiu Celibidache in Munich. But that's not quite the way it works. There was one bright, lovely man who was conducting 'Four Last Songs' for the first time, and he had a vision the night before that it would be slower. And I said, "I really appreciate that you're having an artistic moment, but it's marked Allegretto"
How long will you continue to sing?
J.N. - As long as it make sense.
Jessye Norman Interview to "Gramophone" IX.2010, p.39
"Strauss' Four Last Songs. For the profundity that is achieved not by complexity but by clarity and simplicity. For the purity of the sentiment about death and parting and loss. For the long melodic line spinning out and the female voice soaring and soaring. For the repose and composure and gracefulness and the intense beauty of the soaring. For the ways one is drawn into the tremendous arc of heartbreak. The composer drops all masks and, at the age of eighty-two, stands before you naked. And you dissolve.
Philip Roth
Strauss' Vier letzte Lieder is a set of four songs for soprano and orchestra, composed between 1946 and 1948. The texts for the songs are "Im Abendrot" by Joseph von Eichendorff, followed by three texts by Hermann Hesse, "Frühling," "Beim Schlafengehen," and "September." For many, these songs are regarded as the pinnacle of Strauss' output as a composer of lieder. For the most part, Strauss had composed his earlier lieder with piano accompaniment and refrained from writing orchestral songs, like those Gustav Mahler composed earlier in the century. In terms of style, the music itself continues in the idiom that Strauss used for his later operas, especially Capriccio. The melodies are long and sinuous, with subtle, chromatic harmonies which support nuances in the text. For one, "Im Abendrot," Strauss even quotes from Tod und Verklärung when the narrator of the poem expresses intimations of death. In all the settings of the Vier letzte Lieder, Strauss composed subtle music.
Richard Strauss' extraordinarily beautiful Vier letzte Lieder (Four Last Songs) (1948) for voice and orchestra are among the last music the composer ever wrote. Actually, Strauss did not intend to place the songs into this grouping in which they are best known. The title "Four Last Songs" was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit after Strauss's death. Three of the settings are on texts by Hermann Hesse; the last in the group, Im Abendrot (At Dusk), is a "separate" setting of a poem by Joseph Eichendorff. (Strauss also left behind another unfinished Hesse setting, Nacht.) Still, given the themes of the Hesse songs - "Frühling" (Spring)," "September," and "Beim Schlafengehen" (Time to Sleep) - the inclusion of the Eichendorff song seems a natural extension of and appropriate end to the cycle.
The Four Last Songs are virtually indistinguishable in technique and musical language from the fine songs Strauss wrote 50 years earlier. They are, in short, rich and fully Romantic, expressive in feeling and symphonic in sound. As such, they might well be thought of as the final masterpieces of the line of German Romantic Lieder that began with Beethoven's An die ferne Geliebter. The final words of Im Abendrot are "Is this really Death?" Here, Strauss inserts the famous yearning theme from his own Death and Transfiguration, providing what can only be regarded as a most fitting epitaph to his own life and work.
Towards the end of "Im Abendrot", exactly as the soprano's final intonation of "der Tod" (death) ceases, Strauss musically quotes his own tone poem Death and Transfiguration, written 60 years earlier. As in that piece, the quoted six-note phrase (known as the "transfiguration theme") symbolizes the fulfillment of the soul into death.
Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler.
- published: 04 Apr 2015
- views: 7431
Interview with Philippe Jordan : Elektra by Strauss
- Order: Reorder
- Duration: 3:18
- Updated: 26 Feb 2013
- views: 442
ELEKTRA - Richard Strauss
Tragedy in one act
It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra an...
ELEKTRA - Richard Strauss
Tragedy in one act
It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis.
From 27 October to 01 December 2013 at the Opéra Bastille
The Opéra de Paris' Youtube channel :
http://www.youtube.com/user/operanationaldeparis
Subscribe to the channel :
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Twitter :
https://twitter.com/operadeparis
ELEKTRA - Richard Strauss
Tragédie en un acte
C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes.
Du 27 octobre au 1er décembre 2013.
Chaîne Youtube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
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Twitter :
https://twitter.com/operadeparis
wn.com/Interview With Philippe Jordan Elektra By Strauss
ELEKTRA - Richard Strauss
Tragedy in one act
It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis.
From 27 October to 01 December 2013 at the Opéra Bastille
The Opéra de Paris' Youtube channel :
http://www.youtube.com/user/operanationaldeparis
Subscribe to the channel :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
The Opéra de Paris' website :
http://www.operadeparis.fr
Facebook page :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
ELEKTRA - Richard Strauss
Tragédie en un acte
C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes.
Du 27 octobre au 1er décembre 2013.
Chaîne Youtube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
Site internet de l'Opéra de Paris:
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Page Facebook:
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Twitter :
https://twitter.com/operadeparis
- published: 26 Feb 2013
- views: 442
Interview with Robert Carsen : Elektra by Strauss
- Order: Reorder
- Duration: 9:37
- Updated: 26 Feb 2013
- views: 541
ELEKTRA - Richard Strauss
Tragedy in one act
Interview with Robert Carsen, stage director
It was Elektra that in 1906 brought together Richard Strauss and Hug...
ELEKTRA - Richard Strauss
Tragedy in one act
Interview with Robert Carsen, stage director
It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis.
From 27 October to 01 December 2013 at the Opéra Bastille
The Opéra de Paris' You Tube channel :
http://www.youtube.com/user/operanationaldeparis
Subscribe to the channel :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
The Opéra de Paris' website :
http://www.operadeparis.fr
Facebook page :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
ELEKTRA - Richard Strauss
Trégédie en un acte
Entretien avec Robert Carsen, metteur en scène
C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes.
Du 27 octobre au 1er décembre 2013.
Chaîne You Tube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
Site internet de l'Opéra de Paris:
http://www.operadeparis.fr
Page Facebook:
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
wn.com/Interview With Robert Carsen Elektra By Strauss
ELEKTRA - Richard Strauss
Tragedy in one act
Interview with Robert Carsen, stage director
It was Elektra that in 1906 brought together Richard Strauss and Hugo von Hofmannsthal. With its huge orchestra and vocal writing that pushed singing technique to its limits, Elektra, a one-act tragedy of unprecedented darkness and violence, brought Post-Wagnerianism to a blazing apotheosis.
From 27 October to 01 December 2013 at the Opéra Bastille
The Opéra de Paris' You Tube channel :
http://www.youtube.com/user/operanationaldeparis
Subscribe to the channel :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
The Opéra de Paris' website :
http://www.operadeparis.fr
Facebook page :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
ELEKTRA - Richard Strauss
Trégédie en un acte
Entretien avec Robert Carsen, metteur en scène
C'est autour d'Elektra que se rencontrèrent en 1906 Richard Strauss et Hugo von Hofmannsthal. Orchestre gigantesque, voix poussées dans leurs derniers retranchements, le post-wagnérisme flambe une dernière fois dans cette tragédie en un acte d'une violence et d'une noirceur inouïes.
Du 27 octobre au 1er décembre 2013.
Chaîne You Tube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
Site internet de l'Opéra de Paris:
http://www.operadeparis.fr
Page Facebook:
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
- published: 26 Feb 2013
- views: 541
Staatskapelle Dresden # RICHARD STRAUSS 2014 Birthday Gala Semperoper Radeberger (Concert Long)
- Order: Reorder
- Duration: 19:17
- Updated: 28 Jul 2014
- views: 2622
DRESDEN feiert RICHARD STRAUSS 2014 - 150. Geburtstag Richard Strauss Geburtstagskonzert / Birthday Gala 11.06.2014 (Concert Long) mit Olaf Schubert & Carolin K...
DRESDEN feiert RICHARD STRAUSS 2014 - 150. Geburtstag Richard Strauss Geburtstagskonzert / Birthday Gala 11.06.2014 (Concert Long) mit Olaf Schubert & Carolin Kebekus / heute-show
Sächsische Staatskapelle Dresden & Radeberger Brauerei
Semperoper & Theaterplatz Dresden / Germany / Saxony
Conductor: Christian Thielemann, Sopran: Camilla Nylund, Anja Harteros, Christine Goerke, Moderation: Axel Brüggemann, Olaf Schubert, Carolin Kebekus, Interviews: Jan Nast, Tobias Niederschlag, Dr. Christoph Hollenders, Reinhard Krauss
Richard Strauss Opern: Elektra, Salome, Der Rosenkavalier, Daphne, Feuersnot, Die ägyptische Helena
EPOS IMAGES 4KHD film production http://www.eposimages.com/
Sächsische Staatskapelle Dresden http://www.staatskapelle-dresden.de/en/welcome/
Radeberger http://www.radeberger.de/de/radeberger-brauerei
Semperoper Dresden https://www.semperoper.de/
Dresden Marketing http://www.dresden.de/
http://www.dresden.de/dmg/de/index.php?shortcut=Marketing
http://en.wikipedia.org/wiki/Richard_Strauss
http://de.wikipedia.org/wiki/Richard_Strauss#Opern
http://en.wikipedia.org/wiki/List_of_operas_by_Richard_Strauss
http://www.dhm.de/lemo/html/biografien/StraussRichard/
opera symphonic orchester Oper symphony orchestra concert Konzert classic
wn.com/Staatskapelle Dresden Richard Strauss 2014 Birthday Gala Semperoper Radeberger (Concert Long)
DRESDEN feiert RICHARD STRAUSS 2014 - 150. Geburtstag Richard Strauss Geburtstagskonzert / Birthday Gala 11.06.2014 (Concert Long) mit Olaf Schubert & Carolin Kebekus / heute-show
Sächsische Staatskapelle Dresden & Radeberger Brauerei
Semperoper & Theaterplatz Dresden / Germany / Saxony
Conductor: Christian Thielemann, Sopran: Camilla Nylund, Anja Harteros, Christine Goerke, Moderation: Axel Brüggemann, Olaf Schubert, Carolin Kebekus, Interviews: Jan Nast, Tobias Niederschlag, Dr. Christoph Hollenders, Reinhard Krauss
Richard Strauss Opern: Elektra, Salome, Der Rosenkavalier, Daphne, Feuersnot, Die ägyptische Helena
EPOS IMAGES 4KHD film production http://www.eposimages.com/
Sächsische Staatskapelle Dresden http://www.staatskapelle-dresden.de/en/welcome/
Radeberger http://www.radeberger.de/de/radeberger-brauerei
Semperoper Dresden https://www.semperoper.de/
Dresden Marketing http://www.dresden.de/
http://www.dresden.de/dmg/de/index.php?shortcut=Marketing
http://en.wikipedia.org/wiki/Richard_Strauss
http://de.wikipedia.org/wiki/Richard_Strauss#Opern
http://en.wikipedia.org/wiki/List_of_operas_by_Richard_Strauss
http://www.dhm.de/lemo/html/biografien/StraussRichard/
opera symphonic orchester Oper symphony orchestra concert Konzert classic
- published: 28 Jul 2014
- views: 2622
Yutaka Sado and the Tonkunstler Orchestra | Richard Strauss: Heldenleben and Rosenkavalier-Suite |
- Order: Reorder
- Duration: 2:24
- Updated: 15 Feb 2016
- views: 31
A hero's life and Rosenkavalier suite
Making of the first CD.
Launch end of march 2016
- published: 15 Feb 2016
- views: 31
Richard Strauss and his Heroines (Brava premiere)
- Order: Reorder
- Duration: 0:31
- Updated: 29 Sep 2015
- views: 164
Saturday, October 31 at 21:00 CET
Divorce! After six years of marriage, the choleric and chronically jealous general’s daughter Pauline has had enough of Richa...
Saturday, October 31 at 21:00 CET
Divorce! After six years of marriage, the choleric and chronically jealous general’s daughter Pauline has had enough of Richard Strauss. Pauline had always known it: her husband, who at 36 is celebrated as the most important living German composer across the globe, is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the illicit love affairs of the artist? The film ‘Richard Strauss and his Heroines’ goes on an exciting journey discovering the women in Strauss’ life. The primary focus is Strauss’ relationship to Pauline, his wife for over 55 years up to his death. She’s always appeared as a harridan who often embarrassed her husband in public, obscuring the fact that Strauss composed his finest songs at the beginning and the end of his relationship for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history – from the Empire to the Nazi dictatorship to the post-war period – to write in 1948, “We have through sorrow and joy gone hand in hand”? This final song, “At Sunset”, is one of the most moving declarations of love in the history of music. ‘Richard Strauss and his Heroines’ is the first filmed search for clues about the unforgettable heroines Strauss created. It is both the story of a turbulent and moving love story of two people who were prepared to walk through fire for each other. Great Strauss singers Brigitte Fassbaender, Renée Fleming, Dame Gwyneth Jones and Christa Ludwig report on their famous Strauss roles, and an interview with Strauss' last surviving grandchild in Garmisch sheds more light on his family life. The conductor Franz Welser-Möst explains the secret of Strauss’ genius at instrumentation, as Strauss expert Christoph Wagner-Trenckwitz leads us through the film.
Producer: A production of Studio.TV.Film in co-production with SRF
Video director: Thomas von Steinaecker
Year: 2014
wn.com/Richard Strauss And His Heroines (Brava Premiere)
Saturday, October 31 at 21:00 CET
Divorce! After six years of marriage, the choleric and chronically jealous general’s daughter Pauline has had enough of Richard Strauss. Pauline had always known it: her husband, who at 36 is celebrated as the most important living German composer across the globe, is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the illicit love affairs of the artist? The film ‘Richard Strauss and his Heroines’ goes on an exciting journey discovering the women in Strauss’ life. The primary focus is Strauss’ relationship to Pauline, his wife for over 55 years up to his death. She’s always appeared as a harridan who often embarrassed her husband in public, obscuring the fact that Strauss composed his finest songs at the beginning and the end of his relationship for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history – from the Empire to the Nazi dictatorship to the post-war period – to write in 1948, “We have through sorrow and joy gone hand in hand”? This final song, “At Sunset”, is one of the most moving declarations of love in the history of music. ‘Richard Strauss and his Heroines’ is the first filmed search for clues about the unforgettable heroines Strauss created. It is both the story of a turbulent and moving love story of two people who were prepared to walk through fire for each other. Great Strauss singers Brigitte Fassbaender, Renée Fleming, Dame Gwyneth Jones and Christa Ludwig report on their famous Strauss roles, and an interview with Strauss' last surviving grandchild in Garmisch sheds more light on his family life. The conductor Franz Welser-Möst explains the secret of Strauss’ genius at instrumentation, as Strauss expert Christoph Wagner-Trenckwitz leads us through the film.
Producer: A production of Studio.TV.Film in co-production with SRF
Video director: Thomas von Steinaecker
Year: 2014
- published: 29 Sep 2015
- views: 164
4 Im Abendrot Anja Harteros
- Order: Reorder
- Duration: 8:01
- Updated: 26 Dec 2009
- views: 55198
Richard Strauss
4 letzte Lieder
Anja Harteros, Sopran
4 - Im Abendrot
Sinfonieorchester des Bayerischen Rundfunks
Mariss Jansons
Aus der Philharmonie im Gasteig...
Richard Strauss
4 letzte Lieder
Anja Harteros, Sopran
4 - Im Abendrot
Sinfonieorchester des Bayerischen Rundfunks
Mariss Jansons
Aus der Philharmonie im Gasteig - München 2009
wn.com/4 Im Abendrot Anja Harteros
Richard Strauss
4 letzte Lieder
Anja Harteros, Sopran
4 - Im Abendrot
Sinfonieorchester des Bayerischen Rundfunks
Mariss Jansons
Aus der Philharmonie im Gasteig - München 2009
- published: 26 Dec 2009
- views: 55198
Stefan Dohr plays Strauss' Horn Concerto No.1 at the Masters of Brass concert!
- Order: Reorder
- Duration: 15:06
- Updated: 12 Jun 2012
- views: 130800
Sir Georg Solti - Richard Strauss: Don Juan | ICA Classics DVD
- Order: Reorder
- Duration: 1:55
- Updated: 18 May 2011
- views: 7022
More info: http://www.icaclassics.com
Sir Georg Solti
Wagner: Der fliegende Holländer - Overture
Richard Strauss: Don Juan
(Includes bonus rehearsal footage)
...
More info: http://www.icaclassics.com
Sir Georg Solti
Wagner: Der fliegende Holländer - Overture
Richard Strauss: Don Juan
(Includes bonus rehearsal footage)
Beethoven: Symphony No.5
Orchestra of the Royal Opera House, Covent Garden / BBC Symphony
Solti achieved great success with the first complete recording of Das Rheingold in 1958 after which his reputation for recording Wagner escalated. His was also known for his dramatic and expressive performances of works by Richard Strauss, demonstrated by this exciting performance of Don Juan, with revealing bonus rehearsal material and an interview by John Culshaw. The 1985 performance of Beethoven 5 with the BBC Symphony Orchestra is equally thrilling, filmed during his tenure as Chief Conductor of the Chicago Symphony, with whom he recorded the full set of Beethoven Symphonies.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5024
http://icartists.co.uk/classics/catalog/dvds/sir-georg-solti-0
FACEBOOK: http://www.facebook.com/ICAClassics
TWITTER: http://www.twitter.com/ICAClassics
|Uploaded with TubeShack http://www.shacksoftware.com
wn.com/Sir Georg Solti Richard Strauss Don Juan | Ica Classics Dvd
More info: http://www.icaclassics.com
Sir Georg Solti
Wagner: Der fliegende Holländer - Overture
Richard Strauss: Don Juan
(Includes bonus rehearsal footage)
Beethoven: Symphony No.5
Orchestra of the Royal Opera House, Covent Garden / BBC Symphony
Solti achieved great success with the first complete recording of Das Rheingold in 1958 after which his reputation for recording Wagner escalated. His was also known for his dramatic and expressive performances of works by Richard Strauss, demonstrated by this exciting performance of Don Juan, with revealing bonus rehearsal material and an interview by John Culshaw. The 1985 performance of Beethoven 5 with the BBC Symphony Orchestra is equally thrilling, filmed during his tenure as Chief Conductor of the Chicago Symphony, with whom he recorded the full set of Beethoven Symphonies.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5024
http://icartists.co.uk/classics/catalog/dvds/sir-georg-solti-0
FACEBOOK: http://www.facebook.com/ICAClassics
TWITTER: http://www.twitter.com/ICAClassics
|Uploaded with TubeShack http://www.shacksoftware.com
- published: 18 May 2011
- views: 7022
Stefan Mickisch über Richard Wagner
- Order: Reorder
- Duration: 44:17
- Updated: 11 Jan 2015
- views: 16645
Der Pianist und Musikwissenschaftler Stefan Mickisch zu Gast im
Alpha-Forum.
Sendung vom 24. Juni 2013
Der Pianist und Musikwissenschaftler Stefan Mickisch zu Gast im
Alpha-Forum.
Sendung vom 24. Juni 2013
wn.com/Stefan Mickisch Über Richard Wagner
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30:36
Richard Strauss - Also sprach Zarathustra, Op. 30
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a to...
published: 13 Jun 2011
Richard Strauss - Also sprach Zarathustra, Op. 30
Richard Strauss - Also sprach Zarathustra, Op. 30
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- published: 13 Jun 2011
- views: 1571926
56:38
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony
Eine Alpe...
published: 09 Sep 2012
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
Vienna Philharmonic Orchestra (Bernard Haitink) Richard Strauss's Alpine Symphony PROMS 2012
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- published: 09 Sep 2012
- views: 567862
88:44
The Best of Strauss
Richard Strauss -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Royal Phil...
published: 13 Sep 2013
The Best of Strauss
The Best of Strauss
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- published: 13 Sep 2013
- views: 147848
25:02
Richard Strauss - Tod und Verklärung, Op.24
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchest...
published: 06 Jul 2011
Richard Strauss - Tod und Verklärung, Op.24
Richard Strauss - Tod und Verklärung, Op.24
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- published: 06 Jul 2011
- views: 112034
28:13
Richard Strauss - Metamorphosen
Richard Strauss, Metamorphosen.
Antoni Wit, Conductor.
Staatskapelle Weimar.
__________...
published: 25 May 2012
Richard Strauss - Metamorphosen
Richard Strauss - Metamorphosen
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- published: 25 May 2012
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51:05
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by th...
published: 03 Jun 2015
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
Richard Strauss: An Alpine Symphony, Op. 64 (Karajan, Berliner Philarmoniker)
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26:39
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
From the Lucerne Festival, 2004
Lucerne Festival Orchestra
Claudio Abbado - conductor
Ren...
published: 10 Oct 2015
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
Renée Fleming: Richard Strauss - Four Last Songs for Soprano and Orchestra (Lucerne 2004)
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- published: 10 Oct 2015
- views: 6079
197:25
Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director Joh...
published: 01 Mar 2012
Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
Strauss: Der Rosenkavalier - The Royal Opera, Covent Garden
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- published: 01 Mar 2012
- views: 334093
117:41
RICHARD STRAUSS -REMEMBERED-
published: 11 Aug 2013
RICHARD STRAUSS -REMEMBERED-
RICHARD STRAUSS -REMEMBERED-
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- published: 11 Aug 2013
- views: 26927
49:57
Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
Anton Barachovsky, Solo-Violin
Richard Strauss "Ein Heldenleben"
through-composed tone po...
published: 15 Dec 2013
Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
Strauss "Ein Heldenleben", op. 40 -- Mariss Jansons
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- published: 15 Dec 2013
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19:10
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss
Don Juan, Symphonic Poem Op. 20
Herbert von Karajan
Osaka, Japan 1984
published: 03 Jul 2011
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
Richard Strauss - Don Juan op. 20 (Karajan - Osaka 1984)
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60:10
Strauss - Also sprach Zarathustra - Dudamel
Richard Strauss
Also sprach Zarathustra
Vienna Philharmonic Orchestra
Gustavo Dudamel
Sa...
published: 28 Nov 2014
Strauss - Also sprach Zarathustra - Dudamel
Strauss - Also sprach Zarathustra - Dudamel
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- published: 28 Nov 2014
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42:03
Richard Strauss - Aus Italien, Op. 16
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Str...
published: 05 Nov 2011
Richard Strauss - Aus Italien, Op. 16
Richard Strauss - Aus Italien, Op. 16
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- published: 05 Nov 2011
- views: 53165
41:15
Richard Strauss - Don Quixote, Op. 35
"Don Quixote", Op. 35, is a composition by Richard Strauss for cello, viola and large orch...
published: 11 Jul 2011
Richard Strauss - Don Quixote, Op. 35
Richard Strauss - Don Quixote, Op. 35
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3:52
Anna Netrebko Richard Strauss Morgen Live @ The Last Night Of The Proms 2007
published: 05 Oct 2012
Anna Netrebko Richard Strauss Morgen Live @ The Last Night Of The Proms 2007
Anna Netrebko Richard Strauss Morgen Live @ The Last Night Of The Proms 2007
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- published: 05 Oct 2012
- views: 110876
10:37
Ensemble Musique Oblique " Capriccio de Richard Strauss " Live festival les Musicaves 2014
Extrait de concert de l’ensemble Musique Oblique
Voyage romantique “nocturne” avec La Nui...
published: 27 Dec 2014
Ensemble Musique Oblique " Capriccio de Richard Strauss " Live festival les Musicaves 2014
Ensemble Musique Oblique " Capriccio de Richard Strauss " Live festival les Musicaves 2014
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- published: 27 Dec 2014
- views: 336
2:05
Jussi Björling, Zueignung, Richard Strauss (Live in 1959)
Jussi Björling (1911-1960)
Zueignung, op.10 nº1, Richard Strauss
piano: Frederick Schauw...
published: 12 Nov 2009
Jussi Björling, Zueignung, Richard Strauss (Live in 1959)
Jussi Björling, Zueignung, Richard Strauss (Live in 1959)
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- published: 12 Nov 2009
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5:41
Jessye Norman sings "September" from Richard Strauss' Vier Letzte Lieder
Jessye Norman sings "September" by Richard Strauss live at the spectacular inaugural conce...
published: 21 Jan 2010
Jessye Norman sings "September" from Richard Strauss' Vier Letzte Lieder
Jessye Norman sings "September" from Richard Strauss' Vier Letzte Lieder
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- published: 21 Jan 2010
- views: 88637
13:51
Daniel Behle - 6 Richard Strauss Lieder 2013 LIVE
Laeiszhalle Hamburg 13.10.2013 - www.danielbehle.com
Tenor: Daniel Behle
Pianist: Alexande...
published: 01 Dec 2013
Daniel Behle - 6 Richard Strauss Lieder 2013 LIVE
17:12
Richard Strauss - Don Juan - Herbert von Karajan - BPO Live in Tokyo 1957
published: 30 Mar 2013
Richard Strauss - Don Juan - Herbert von Karajan - BPO Live in Tokyo 1957
Richard Strauss - Don Juan - Herbert von Karajan - BPO Live in Tokyo 1957
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- published: 30 Mar 2013
- views: 4826
19:01
Richard Strauss - Horn Concerto No. 2 (LIVE 2009)
Ondřej Vrabec - conductor, solohornplayer of the Czech Philharmonic Orchestra (www.vrabcov...
published: 01 Sep 2012
Richard Strauss - Horn Concerto No. 2 (LIVE 2009)
Richard Strauss - Horn Concerto No. 2 (LIVE 2009)
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- published: 01 Sep 2012
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28:06
George Szell conducts Richard Strauss' Metamorphosen for 23 Solo Strings ('live')
George Szell conducts the strings of the Cleveland Orchestra
published: 09 Mar 2012
George Szell conducts Richard Strauss' Metamorphosen for 23 Solo Strings ('live')
George Szell conducts Richard Strauss' Metamorphosen for 23 Solo Strings ('live')
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- published: 09 Mar 2012
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4:01
Kirsten Flagstad; "Allerseelen" Richard Strauss; LIVE
Kirsten Flagstad--Soprano
Gaetano Merola--Conductor
San Francisco Opera Orchestra
8/10/195...
published: 11 Oct 2014
Kirsten Flagstad; "Allerseelen" Richard Strauss; LIVE
Kirsten Flagstad; "Allerseelen" Richard Strauss; LIVE
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- published: 11 Oct 2014
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2:55
Kirsten Flagstad; "Cäcilie" Richard Strauss; LIVE
Kirsten Flagstad--Soprano
Gaetano Merola--Conductor
San Francisco Opera Orchestra
8/10/195...
published: 11 Oct 2014
Kirsten Flagstad; "Cäcilie" Richard Strauss; LIVE
Kirsten Flagstad; "Cäcilie" Richard Strauss; LIVE
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- published: 11 Oct 2014
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25:45
R.Strauss：Cello Sonata／Yo-Yo Ma & Emanuel Ax (1989 LIVE)
Richard Strauss：Cello Sonata in F major Op.6
Cello ： Yo-Yo Ma
Piano ： Emanuel Ax
1989.1...
published: 10 Feb 2015
R.Strauss：Cello Sonata／Yo-Yo Ma & Emanuel Ax (1989 LIVE)
R.Strauss：Cello Sonata／Yo-Yo Ma & Emanuel Ax (1989 LIVE)
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- published: 10 Feb 2015
- views: 6915
4:44
Jessye Norman sings "Morgen" by Richard Strauss
Jessye Norman sings "Morgen" by Richard Strauss live at the spectacular inaugural concert ...
published: 21 Jan 2010
Jessye Norman sings "Morgen" by Richard Strauss
Jessye Norman sings "Morgen" by Richard Strauss
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- published: 21 Jan 2010
- views: 91807
1:55
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/2885/?a=youtube&c;=true
Rich...
published: 26 Oct 2012
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
Strauss: Also sprach Zarathustra / Dudamel · Berliner Philharmoniker
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- published: 26 Oct 2012
- views: 590776
35:11
Strauss: Also Sprach Zarathustra / Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
Gran presentación de Jonathan Nott conduciendo a la Orquesta Juvenil Gustav Mahler en los ...
published: 22 Aug 2011
Strauss: Also Sprach Zarathustra / Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
Strauss: Also Sprach Zarathustra / Nott · Gustav Mahler Youth Orchestra · BBC Proms 2009
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- published: 22 Aug 2011
- views: 289999
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34:34
Richard Strauss: "Also sprach Zarathustra" op.30
L'Orchestra Nazionale di Santa Cecilia, Roma
Direttore d'orchestra: Antonio Pappano
published: 07 Jan 2012
Richard Strauss: "Also sprach Zarathustra" op.30
Richard Strauss: "Also sprach Zarathustra" op.30
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- views: 370488
45:56
Richard Strauss(1864-1949):Symphony Nº2 in F minor ,Op.12,TrV126(1883/84)
I.Allegro ma non troppo:14:39
II.Scherzo:7:02
III.Andante cantabile:10:37
IV.Finale:Allegr...
published: 30 Jan 2015
Richard Strauss(1864-1949):Symphony Nº2 in F minor ,Op.12,TrV126(1883/84)
Richard Strauss(1864-1949):Symphony Nº2 in F minor ,Op.12,TrV126(1883/84)
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- published: 30 Jan 2015
- views: 3564
30:14
Richard Strauss: Tod und Verklärung - Celibidache Munich Philharmonic Tokyo 1986
Richard Strauss
Tod und Verklärung - Death and Transfiguration - Muerte y Transfiguración...
published: 05 Mar 2015
Richard Strauss: Tod und Verklärung - Celibidache Munich Philharmonic Tokyo 1986
Richard Strauss: Tod und Verklärung - Celibidache Munich Philharmonic Tokyo 1986
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- published: 05 Mar 2015
- views: 6799
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5:17
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
Gould talks about Strauss and then about the Burleske
published: 17 Oct 2007
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
Glenn Gould: Richard Strauss Burleske (Part 1 - Interview)
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- published: 17 Oct 2007
- views: 32918
1:59
Richard Strauss Documentary - At the End of the Rainbow
This documentary shows a new perspective on the personality and oeuvre of Richard Strauss,...
published: 09 Apr 2015
Richard Strauss Documentary - At the End of the Rainbow
Richard Strauss Documentary - At the End of the Rainbow
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- published: 09 Apr 2015
- views: 1983
8:08
Richard Strauss 1936 Olympic Hymn
Here is Strauss conducting the Hymn he composed for the 1936 Olympic Games as well as othe...
published: 06 Aug 2008
Richard Strauss 1936 Olympic Hymn
Richard Strauss 1936 Olympic Hymn
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- published: 06 Aug 2008
- views: 69483
0:55
Richard-Strauss-Festival 2012 - Interview Brigitte Fassbaender GAPA-TV Garmisch-Partenkirchen
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit Frau Fassbaender n...
published: 03 Jun 2013
Richard-Strauss-Festival 2012 - Interview Brigitte Fassbaender GAPA-TV Garmisch-Partenkirchen
Richard-Strauss-Festival 2012 - Interview Brigitte Fassbaender GAPA-TV Garmisch-Partenkirchen
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- published: 03 Jun 2013
- views: 699
6:42
Interview: Cheryl Barker discusses Capriccio by Richard Strauss
2 July - 27 July at Sydney Opera House: Book tickets at http://bit.ly/mf7W43
Cheryl Barke...
published: 02 Jul 2011
Interview: Cheryl Barker discusses Capriccio by Richard Strauss
Interview: Cheryl Barker discusses Capriccio by Richard Strauss
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- published: 02 Jul 2011
- views: 1380
8:03
Marek Janowski talks about Richard Strauss and Richard Wagner
Marek Janowski talks about Richard Strauss, Richard Wagner and his experience in conductin...
published: 27 May 2013
Marek Janowski talks about Richard Strauss and Richard Wagner
Marek Janowski talks about Richard Strauss and Richard Wagner
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- published: 27 May 2013
- views: 2582
24:52
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch [HD]
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro ...
published: 17 Apr 2015
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch [HD]
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Wolfgang Sawallisch [HD]
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- published: 17 Apr 2015
- views: 17303
2:50
BBC SSO - Donald Runnicles on Richard Strauss's Alpine Symphony
BBC SSO Chief Conductor Donald Runnicles introduces Richard Strauss's Alpine Symphony ahea...
published: 07 Jun 2012
BBC SSO - Donald Runnicles on Richard Strauss's Alpine Symphony
BBC SSO - Donald Runnicles on Richard Strauss's Alpine Symphony
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- published: 07 Jun 2012
- views: 932
4:28
Salome (Richard Strauss) - Interview Darren Ross
Interview of Darren Ross, choreographer of Strauss' Salomé played at Opéra Royal de Wallon...
published: 24 Jun 2014
Salome (Richard Strauss) - Interview Darren Ross
Salome (Richard Strauss) - Interview Darren Ross
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- published: 24 Jun 2014
- views: 117
3:06
Förderkreis Richard-Strauss-Festspiele GAP - Interview mit Fr. Regina Geißer GAPA-TV
Richard-Strauss-Festival in Garmisch-Partenkirchen. Hier sehen Sie ein Interview mit Fr. R...
published: 03 Jun 2013
Förderkreis Richard-Strauss-Festspiele GAP - Interview mit Fr. Regina Geißer GAPA-TV
Förderkreis Richard-Strauss-Festspiele GAP - Interview mit Fr. Regina Geißer GAPA-TV
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- published: 03 Jun 2013
- views: 272
11:59
Giuseppe Sinopoli spiega Richard Strauss
published: 29 Mar 2013
Giuseppe Sinopoli spiega Richard Strauss
Giuseppe Sinopoli spiega Richard Strauss
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- published: 29 Mar 2013
- views: 3809
0:41
Richard-Strauss-Festival 2012: Interview Staatsminister Dr. Wolfgang Heubisch GAPA-TV
Vorfreude auf das Richard-Strauss-Festival 2013: Hier ein Interview mit dem Staatsminister...
published: 03 Jun 2013
Richard-Strauss-Festival 2012: Interview Staatsminister Dr. Wolfgang Heubisch GAPA-TV
Richard-Strauss-Festival 2012: Interview Staatsminister Dr. Wolfgang Heubisch GAPA-TV
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- published: 03 Jun 2013
- views: 45
25:42
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Quatre Derniers Lieder | Quattro ...
published: 04 Apr 2015
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
Richard Strauss - Vier Letzte Lieder | Four Last Songs | Jessye Norman, Kurt Masur
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- published: 04 Apr 2015
- views: 7431
3:18
Interview with Philippe Jordan : Elektra by Strauss
ELEKTRA - Richard Strauss
Tragedy in one act
It was Elektra that in 1906 brought together...
published: 26 Feb 2013
Interview with Philippe Jordan : Elektra by Strauss
Interview with Philippe Jordan : Elektra by Strauss
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- published: 26 Feb 2013
- views: 442
Glenn Gould: Richard Strauss Burleske (Part 1 - In...
Richard Strauss Documentary - At the End of the Ra...
Richard Strauss 1936 Olympic Hymn...
Richard-Strauss-Festival 2012 - Interview Brigitte...
Interview: Cheryl Barker discusses Capriccio by Ri...
Marek Janowski talks about Richard Strauss and Ric...
Richard Strauss - Vier Letzte Lieder | Four Last S...
BBC SSO - Donald Runnicles on Richard Strauss's Al...
Salome (Richard Strauss) - Interview Darren Ross...
Förderkreis Richard-Strauss-Festspiele GAP - Inter...
Giuseppe Sinopoli spiega Richard Strauss...
Richard-Strauss-Festival 2012: Interview Staatsmin...
Richard Strauss - Vier Letzte Lieder | Four Last S...
Interview with Philippe Jordan : Elektra by Straus...
Interview with Robert Carsen : Elektra by Strauss...
Staatskapelle Dresden # RICHARD STRAUSS 2014 Birth...
Yutaka Sado and the Tonkunstler Orchestra | Richar...
Richard Strauss and his Heroines (Brava premiere)...
4 Im Abendrot Anja Harteros...
Stefan Dohr plays Strauss' Horn Concerto No.1 at t...
Sir Georg Solti - Richard Strauss: Don Juan | ICA ...
Stefan Mickisch über Richard Wagner...
photo: Marcello Casal Jr./ABr
Former Mexican President Fox Offers Expletive-Filled Response To Trump's Border Wall Plan
Edit WorldNews.com 25 Feb 2016
One of GOP frontrunner Donald Trump’s key promises he’s made since he launched his presidential bid last year has struck a raw nerve with former Mexican President Vicente Fox, CNN reported Thursday ... "I'm not going to pay for that f***ing wall ... It's not to defend our race....
photo: AP / Paul J. Richards, Pool
China Admits Proposed North Korean UN Resolution Will Impact Exchanges
Edit WorldNews.com 25 Feb 2016
North Korea’s top ally China is speaking out about how the proposed U.N. resolution reached between China and the United States will affect the rogue Communist nation following a recent nuclear test and rocket launch, The Associated Press reported Thursday. In Washington for talks with top U.S ... 6 underground nuclear explosion and Feb. 7 rocket launch....
photo: AP / Ted S. Warren, Pool
War Against ISIS Moves From Battlefield Into The World Of Social Media
Edit WorldNews.com 25 Feb 2016
The fight against the Islamic State isn’t only happening on the battlefields of Libya, Iraq and Syria as an Inquisitr report notes a new front has opened against the militants – a fight against Facebook and Twitter ... The old ISIS threat to Facebook and Twitter began as an attempt to use the social media platforms to recruit, communicate with each other, and promote and glorify terrorist acts....
photo: AP / Cliff Owen
Sandoval Takes Himself Out Of Running For Supreme Court Seat
Edit WorldNews.com 25 Feb 2016
Nevada Gov. Brian Sandoval said Thursday he is not interested in being considered for the U.S. Supreme Court at this time and has told the White House so, the Las Vegas Sun reports. The Republican governor issued a statement following news that the White House was considering him as a potential replacement for the late Justice Antonin Scalia ... – Brian Sandoval....
photo: Creative Commons / mrkathika
[VIDEO] Tongue-In-Cheek Jet Blue Video Shows Compromise Makes Everyone Happy
Edit WorldNews.com 25 Feb 2016
In this U.S. election year, Jet Blue’s new tongue-in-cheek video pokes fun at getting 150 passengers to do what the U.S. Congress can’t. Work together and compromise ... The catch, however, is everyone aboard the plane had to unanimously agree on the destination by the end of the flight ... – WN.com, Jack Durschlag....
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London Philharmonic Orchestra | Shakespeare400: Macbeth
Edit Skiddle 26 Feb 2016
Royal Festival Hall in London. Friday 26th February 2016. 7.30pm til 9.30pm. Minimum Age. 18. Principal Guest Conductor Andrés Orozco-Estrada conducts music by Khachaturian and Stravinsky, as well as Richard Strauss' Macbeth. Event Info. Venue. . London Philharmonic Orchestra . Shakespeare400. Macbeth on Fri 26th February 2016 ... Khachaturian Violin Concerto. R Strauss Macbeth ... ....
England coach Jones casts doubt on Sexton selection
Edit Tampa Bay Online 25 Feb 2016
LONDON (AP) England coach Eddie Jones cast doubt on the wisdom of Ireland selecting Johnny Sexton for the teams' Six Nations match on Saturday, saying the flyhalf's parents would be concerned about his health problems ... 13. Sexton has also been prone to concussions ... "I'm sure his mother and father would be worried about that ... Richard Strauss, Cian Healy, Nathan White, Ultane Dillane, Rhys Ruddock, Eoin Reddan, Ian Madigan, Simon Zebo ... ....
Yomiuri Nippon Symphony Orchestra 2016-17 Season / New season filled with richly diverse programs
Edit The Japan News 25 Feb 2016
By Taku Iwaki / Yomiuri Shimbun Staff WriterThe Yomiuri Nippon Symphony Orchestra will be joined by a great lineup of illustrious conductors and soloists in the 2016-17 season, performing programs full of variety, from well-known classics to ambitious works ... Slide 1 of 4. PrevNext ... 2 ... 5. In August, Sebastian Weigle, a conductor trained at opera houses, will show his mastery in Richard Strauss’ Sinfonia domestica and Brahms’ Symphony No ... ....
International horn player Radovan Vlatković to have debut performance in Macao (Macau Special Administrative Region ...
Edit Public Technologies 23 Feb 2016
(Source. Macau Special Administrative Region Government) ... Tickets are on sale at the Macao Ticketing Network. The concert Horn Concerto by Radovan will be conducted by the Music Director of the Macao Orchestra, Lü Jia, and features Richard Strauss's Horn Concerto No. 2 in E-flat Major, the extremely challenging work for the complex musical instrument, performed by Radovan Vlatković ... 5 'Fate' ... Ticketing hotline. 2855 5555 ... Original Document....
Soprano Sarah Bailey sings in semi-staged ‘L’isola disabitata,’ Alice Tully Hall
Edit The Examiner 22 Feb 2016
She recently sang Richard Strauss’ so-called orchestral song cycle, “Vier letzte Lieder” (Four Last Songs), at Brooklyn Museum, not far from her present home, in Prospect Heights ... What differences does she find between Bach’s 17th-century sacred cantatas and Richard Strauss’ valedictory work from 1948? “For one thing, the Strauss songs require a huge orchestra....
BBCSO/Stenz review – Glanert's subversive Strauss celebration
Edit The Guardian 22 Feb 2016
Splenetic woodwind solos and pulsing accompaniments were the order of the day in Detlev Glanert’s hugely energetic Frenesia, composed as a riposte to Strauss ... Unlike the Brahms piece, though, Frenesia – composed to commemorate last year’s 150th anniversary of the birth of Richard Strauss – does not quote its dedicatee’s music explicitly....
MUSIC REVIEW Music review: Richmond Symphony 'Beethoven: Symphony No. 1'
Edit Richmond Times Dispatch 22 Feb 2016
Highstein stepped in front of the band in Sunday’s Metro Collection concert at Randolph-Macon College in Ashland, as the soloist in Richard Strauss’ Concerto in D major, music ......
Lucy Kellaway: Why does every company claim a ‘higher purpose’?
Edit The Irish Times 22 Feb 2016
In writing these words, I am not trying to improve your life. I’m not trying to change the lot of humanity. All I am trying to do is to hold your attention for the three minutes it will take you to read this. I take my goal seriously ... To me, this aim is ambitious, yet I realise that in clinging on to it I’m an oddity ... a higher purpose ... This shows the expressions of 10 babies as they defecate in slow motion to the sound of Richard Strauss ... ....
10 Classical Lullabies You Will Love to Sing
Edit About.com 21 Feb 2016
Lullabies are a beautiful tradition that we love in our home. Obviously we are not alone, because many famous classical composers have spent time creating their own lullabies. Some of them may be familiar to you and others might be brand new. Image courtesy of PriceGrabber 1. “Beautiful Dreamer” by Stephen Foster. ... More » ... Hugo Wolf also wrote a more difficult and yet lilting Wiegenlied, as did Richard Strauss ... ....
LUDOVIC MORLOT LEADS THE SEATTLE SYMPHONY IN PERFORMANCES OF RARELY HEARD BERIO SINFONIA AND IVES ...
Edit Public Technologies 19 Feb 2016
(Source. Seattle Symphony Orchestra). Grammy Award-Winning Roomful of Teeth Will Make Seattle Symphony Debut in Performances of Berio's Sinfonia. The Symphony Continues its Survey of Orchestral Works by Charles Ives in Concert and on Its Record Label Seattle Symphony Media ... 2 on February 4 & 6 and Symphony No ... R. Strauss' Don Juan, one of his four tone poems on the current season, will open the concert ... 3 ... 2 ... RICHARD STRAUSS Don Juan, Op. 20....
Alumna selected as artist to world famous Merola Opera Program (Stetson University)
Edit Public Technologies 17 Feb 2016
(Source. Stetson University). February 17, 2016. Chelsey Geeting '13 ... for her master's degree ... Some of the more notable performances include Dido in Henry Purcell's Dido and Aeneas; Dorabella in Wolfgang Amadeus Mozart's Cosi fan tutte; Jezibaba in Antonín Dvořák's Rusalka; Octavian in the final trio of Richard Strauss' Der Rosenkavalier; and Carmen in the quintet 'Nous avons en tête une affaire' from Georges Bizet's Carmen ... Comments....
Barnett family legacy continues with Alletha Barnett’s senior recital (Evangel University)
Edit Public Technologies 17 Feb 2016
(Source. Evangel University). News Release. February 17, 2016 . Charity Chiltz. SPRINGFIELD, Mo. - The Barnett family legacy continues this month at Evangel University, as senior Alletha Barnett will perform her final voice recital in The Lawrence & Alletha Barnett Fine Arts Center, a facility named for her grandparents ... The public is invited to attend, and admission is free ... (CLICK TO ENLARGE) ... Die Nacht by Richard Strauss (1864-1949) ... ###....
CSO Shell Prom Picnic Concert has a Dutch flavour
Edit Canberra Times 17 Feb 2016
The Canberra Symphony Orchestra's Shell Prom Picnic Concert. Lawns of Government House, Yarralumla, Saturday, February 20, 5pm. More information and bookings. cso.org,au ... We're playing his First Symphony in D major ... He describes the Wagenaar work as sounding "a little bit like Wagner, a little bit like Richard Strauss" and speaking of Wagner, his overture to The Flying Dutchman is also on the program for its thematic relevance ... ....
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