Wavelength

Wavelength (Michael Snow, 1967)

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Duration: 42:57
Updated: 21 Jan 2012
views: 105629

http://www.imdb.com/title/tt0127354/

wn.com/Wavelength (Michael Snow, 1967)

wavelength (1967)

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Duration: 9:56
Updated: 09 Sep 2006
views: 90706

michael snow - wavelength(1967)

wn.com/Wavelength (1967)

Wavelength (1967) Review

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Duration: 0:52
Updated: 16 Apr 2015
views: 44

wn.com/Wavelength (1967) Review

Wavelength (1967) by Michael Snow, "Take a Bow" by Muse

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Duration: 4:44
Updated: 15 Dec 2009
views: 4406

Mashup

wn.com/Wavelength (1967) By Michael Snow, Take A Bow By Muse

Wavelength (Death Scene clip), Michael Snow, 1967

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Duration: 3:48
Updated: 28 Nov 2013
views: 169

Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE

wn.com/Wavelength (Death Scene Clip), Michael Snow, 1967

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)

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Duration: 15:14
Updated: 16 Aug 2011
views: 14662

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time) Short version of Michael Snow's film Wavelenght (1967) I do not own the copyright, I only upload it to share his work.

wn.com/Michael Snow (2003) Wvlnt (Wavelength For Those Who Don't Have The Time)

λ

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Duration: 1:45
Updated: 19 Feb 2013
views: 37

"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14 λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967). People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others. I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15 The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz and increasing to 12,000Hz, the same frequencies as Wavelength, but over a much shorter duration. This is intended to be useful for avant-garde film/artists' moving image courses saving time in seminars. "The zoom is a kind of scale marking our experience of time as one of both loss and accumulation." p21 "Like Zeno's arrow, Wavelength's zoom can work as a metaphor for any number of things: perceptual processes, chronological measurement, directional movement, light of sight, teleological history, or narrative of any kind. At the time of its making and ever since, Wavelength has functioned as a kind of allegorical structure par excellence, situated within any number of scientific, philosophical, sociological and popular culture narratives. in 1967 Snow wrote that Wavelength had originated as a summation of 'everything that I've thought about, everything', but wryly concluded that in fact 'it doesn't really mean anything' p22 All quotes from Elizabeth Legge 'Wavelength - Michael Snow' Afterall Books, London 2009

wn.com/Λ

(Automatic) Variable

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Duration: 1:45
Updated: 29 Jun 2009
views: 54

You could call this a handheld sequel to Michael Snow's 'Wavelength' (1967).

wn.com/(Automatic) Variable

Michael's Snow — a film by Susan Shaw

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Duration: 3:04
Updated: 03 Apr 2009
views: 2821

Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience. The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart. For more information about Susan Shaw go to: www.slshaw.info www.susanandkurt.blogspot.com For more information about Conrad Cummings go to: www.conradcummings.com ©2009 Susan Shaw

wn.com/Michael's Snow — A Film By Susan Shaw

Digital Video Camera: Basic Functions

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Duration: 12:52
Updated: 12 Jan 2016
views: 19

This is an introduction to basic functions and settings of a digital video camera created for the courses AD30400 Video Art and AD61600 Graduate Video Art and Critique in the Department of Art& Design at Purdue University. It covers the following functions: Focus, Zoom, Aperture (Iris), Shutter Speed, Rack Focus/Depth of Field, White Balance and Gain. Examples of artist work that uses some of these functions (or other aspects of the video camera) include: Gary Hill: Site Recite (a prologue), 1989, vimeo.com/5513020 (depth of field) Michael Snow: Wavelength, 1967, medienkunstnetz.de/works/wavelength/ (continuous zoom) Mark Lewis: On Mile (2013) and other works, crane.tv/mark-lewis (panning, tracking shots, composition) and of course Dziga Vertov's Chelovek’s kinoapparatom (Man With A Movie Camera), 1929 archive.org/details/ChelovekskinoapparatomManWithAMovieCamera

wn.com/Digital Video Camera Basic Functions

Screening Room with Michael Snow - PREVIEW

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Duration: 9:36
Updated: 07 May 2014
views: 624

Available at http://www.der.org/films/screening-room-michael-snow.html From the Screening Room series by Robert Gardner color, 74 min, 1975/2005 In March 1977 Michael Snow appeared on Screening Room. He discussed and screened excerpts from his film Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen (10:48/18:57/7:29/0:55). Canadian Michael Snow has worked in painting, sculpture, and music as well as film, where he has proved one of the most renowned and influential of all experimental filmmakers. He played a major role in the "structural" film movement with such works as Wavelength (1967), Back and Forth (1969), and La Région Centrale (1971), exploring the world through deliberate and explicit decisions about formal approaches. Snow has been honored with solo exhibitions or film retrospectives at the Venice Biennale, New York's Museum of Modern Art, the Paris Centre Pompidou and Cinémathèque Française, and elsewhere. About the Screening Room series: In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980.

wn.com/Screening Room With Michael Snow Preview

Top 20 Canadian Movies

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Duration: 4:47
Updated: 29 Sep 2014
views: 2090

20. The Red Violin (1998) - Francois Girard 19. The Grey Fox (1982) - Phillip Borsos 18. Kissed (1996) - Lynne Stopkewich 17. The Five Senses (1999) - Jeremy Podeswa 16. Away From Her (2006) - Sarah Polley 15. My Winnipeg (2007) - Guy Maddin 14. Tales From The Gimli Hospital (1988) - Guy Maddin 13. I've Heard The Mermaids Singing (1987) - Patricia Rozema 12. Last Night (1998) - Don McKellar 11. The Barbarian Invasions (2003) - Denys Arcand 10. Atanarjuat (2001) - Zacharias Kunuk 09. The Decline Of The American Empire (1986) - Denys Arcand 08. Videodrome (1983) - David Cronenberg 07. Leolo (1992) - Jean-Claude Lauzon 06. Exotica (1994) - Atom Egoyan 05. Dead Ringers (1988) - David Cronenberg 04. Wavelength (1967) - Michael Snow 03. Jesus Of Montreal (1989) - Denys Arcand 02. Mon Oncle Antoine (1971) - Claude Jutra 01. The Sweet Hereafter (1997) - Atom Egoyan

wn.com/Top 20 Canadian Movies

Shortwave (After Snow)

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Duration: 0:06
Updated: 21 Nov 2009
views: 1237

A contemporary version of Micheal Snow's 1967 film Wavelength (WVLNT was not enough). http://bradtinmouth.com

wn.com/Shortwave (After Snow)

In het duister

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Duration: 2:30
Updated: 27 Jun 2012
views: 58

Videofilm van Elke Coppens, 5AO, geïnspireerd op de klassieke experimentele film "Wavelength" van Michael Snow uit 1967.

wn.com/In Het Duister

Sun Glitters feat. Steffaloo - Turning (VIDEO)

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Duration: 3:33
Updated: 27 Oct 2014
views: 410

More by Sun Glitters: https://soundcloud.com/sunglitters Montage/video edit: Mlikes (Visuals footage mix: "Wavelength" by Michael Snow, 1967 + OffOn by Scott Bartlett, 1967)

wn.com/Sun Glitters Feat. Steffaloo Turning (Video)

The Bare Necessities - 1967 (2:20 edit: no intro, no solos, no breakdown sections)

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Duration: 2:23
Updated: 19 Dec 2010
views: 1083

Tracks prepared for a music education project, which required the removal of as much non-vocal content as possible. This example, The Bare Necessities, from the 1967 film The Jungle Book, was created by editing out the intro, solo and breakdown sections, bringing down the tracks length from an original length of 4 minutes and 51 seconds to only 2:20. It contains elements from both the mono soundtrack album, and the mono movie soundtrack itself. Edited, mixed and mastered at Wavelength Audio, December, 2010.

wn.com/The Bare Necessities 1967 (2 20 Edit No Intro, No Solos, No Breakdown Sections)

Sci-Fi FREAKOUT Trailer Trash - April 2014

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Duration: 20:28
Updated: 06 May 2014
views: 309

Here's the complete Sci-Fi FREAKOUT Trailer Trash compilation from the April 2014 Duke Mitchell Film Club night. EZTV - Intro Glen And Randa (1971) Mission Stardust (...4...3...2...1...morte) (1967) Wavelength (1983) Legend Of The White Horse (1987) Death Run (1987) Children Of The Stars - A Story Of Unarius (2012) Time Of The Roses (1969) The Last Border (1993) Primal Scream (1987) Jodorowsky's Dune (2013) AMC-Jeep Alien Advert

wn.com/Sci Fi Freakout Trailer Trash April 2014

ORCHIDÉE NOIRE - Ab imo pectore

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Duration: 7:02
Updated: 12 Nov 2014
views: 1268

https://www.facebook.com/weareorchideenoire http://soundcloud.com/orchid-e-noire http://orchideenoire.bandcamp.com/ https://twitter.com/ONorchideenoire http://www.discogs.com/artist/ORCHIDÉE+NOIRE http://www.lastfm.fr/music/Orchidée+Noire - Lyrics: Si je t’annonce que je pars c’est pour mieux te rejoindre, Feindre une absence de ma part, il est encore temps, Mon existence muette voltige autour de mon être, Tu es le sublime et l’émoi, fais-moi disparaître, Quand je t’ai rejoint nous n’étions rien, mais j’ai touché la délivrance. - Footages from 'Wavelength' by Michael Snow (1967).

wn.com/Orchidée Noire Ab Imo Pectore

Michael Snow "In the Way" Jack Shainman Gallery.mov

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Duration: 6:58
Updated: 08 Feb 2012
views: 1537

video by Laurie Kwasnik of MICHAEL SNOW In the Way January 7 -- February 11, 2012 Jack Shainman Gallery is pleased to announce a solo exhibition of new work by Michael Snow. The show will examine the act of looking and the process of viewing though projections, holography and photo-based works. Notes by Michael Snow January 2012 La Ferme, 1998 La Ferme (The Farm) was first shown in a solo exhibition at La Ferme du Buisson, a museum in the suburbs of Paris. The following series of events produced this photo-work: a slow, hand-held pan was shot on 16mm film, of a group of cows gazing towards the camera from behind a fence. The successive film frames reading the scanning movement were vertical (one after another, top to bottom). The film strip was then cut up, and the successive frames put side by side horizontally, the way the recorded scene was seen through the camera. The human viewer of the long photograph recapitulates the movement of the camera as it recorded the cows' possible witnessing of this event - which is now an exchange between the foreign opacity of a cow's stare and your appraisal. The Viewing of Six New Works, 2012 The Viewing of Six New Works is a light projection composition derived from the essentialized movements of eyes and head, that a possible person might make in looking at a rectangular object on the wall (i.e., a "painting," a "photograph"). Each hypothetical wall rectangle is perceived differently. This is shown by the different "personal" gestures involved in the revealing of the rectangle. When attention is not being paid to it the object/rectangle is not there. The work is an attempt to present only the movements of perception, not perception itself. The art of looking at art. Exchange, 1985 The title refers to the visual exchange between the real 3-dimensional viewer of the work and the several 'looks" (aimed at "you") by the 3-dimensional illusions of a "viewer" who is depicted in the four collaged holograms. To fully experience the 3-dimensional effect, the viewer of the hologram should bob and weave a bit in order to look around shapes. A single viewpoint will yield only a single aspect. The holograms are illuminated by red laser light. This is a pulsed hologram and was made in 1985 at the Laboratoire de l'holographie de Paris. The depicted actor is Michael Sowdon, who at the time was the director of the Toronto holography lab Fringe Research . In the Way, 2011 "In the Way" can have varied meanings. If something is in the way it is an obstacle. A common use of the word is: "something is in my way," meaning that "something is impeding my progress." A way fundamentally describes a path or road, as in the word highway. In another usage one may say "I do something my way," meaning "my personal method". My projection work In the Way urges the spectator to look at the results of a camera moving this "way" or that "way." It also invites the spectator to stand in the image, in fact to be "in the way" (in the road). The image consists of constantly panning views shot from directly above at varying speeds, over a very rocky and very muddy road. The road sometimes becomes gradually grassy, so that besides the very rough road images there are also passages looking down on and moving over fields of grasses and flowers. Hard and soft. In movie terminology, the moving images are described as "trucking shots," and in fact the images of In the Way were shot from a structure on the back of a truck. I am interested in the physiological and psychological effects of panning (trucking) images. Seeing the movements of In the Way from above (as they were seen by the camera in real life) will cause new physical and mental experiences in the viewer. M.S. Text courtesy of Jack Shainman Gallery "Michael Snow is a visual artist, filmmaker and musician. He first exhibited in New York in the 1960s and became internationally recognized for pioneering avant-garde cinema with the film Wavelength (1967). His work is represented in private and public collections worldwide including the Museum of Modern Art, New York; the Hirshhorn Museum, Washington, DC; the National Gallery of Canada, Ottawa; the Art Gallery of Ontario, Toronto; Museum Ludwig, Cologne; Centre Georges-Pompidou, Paris, and both the Montréal Museum of Fine Arts and the Musée d'Art Contemporain in Montréal. Michael Snow has represented Canada at the Venice Biennale and is a member of the Order of Canada and a Knight of the Order of Arts and Letters in France."

wn.com/Michael Snow In The Way Jack Shainman Gallery.Mov

Leonard Cohen - Suzanne, 1967 (Instrumental Cover, Backing Vocals) + Lyrics

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Duration: 3:49
Updated: 25 Apr 2013
views: 5670

Another old instrumental sing along track found on an ancient master-tape (re-)made in the early 80s for vocal training... Have fun! Lyrics below... Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind...

wn.com/Leonard Cohen Suzanne, 1967 (Instrumental Cover, Backing Vocals) Lyrics

Michael Snow - La Région Centrale (1971)

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Duration: 4:26
Updated: 19 Nov 2008
views: 82367

"La Région Centrale" was made during five days of shooting on a deserted mountain top in North Quebec. During the shooting, the vertical and horizontal alignment as well as the tracking speed were all determined by the camera's settings. Anchored to a tripod, the camera turned a complete 360 degrees, craned itself skyward, and circled in all directions. Because of the unconventional camera movement, the result was more than merely a film that documented the film location's landscape. Surpassing that, this became a film expressing as its themes the cosmic relationships of space and time. Cataloged here were the raw images of a mountain existence, plunged (at that time) in its distance from civilization, embedded in cosmic cycles of light and darkness, warmth and cold. La Région Centrale (Quebec, 1971, 180 min., 16mm, color) is arguably the most spectacular experimental film made anywhere in the world, and for John W. Locke, writing in Artforum in 1973, it was "as fine and important a film as I have ever seen." If ever the term "metaphor on vision" needed to be applied to a film it should be to this one. Following Wavelength, Michael Snow continued to explore camera/frame movement and its relationships with space and time in Standard Time (1967) an eight minute series of pans and tilts in an apartment living room and (Back and Forth) (196869), a more extended analysis. But with La Région Centrale, Snow managed to create moving images that heretofore could no possibly be observed by the human eye. For this project he enlisted the help of Pierre Abaloos to design and build a machine which would allow the camera to move smoothly about a number of different axes at various speeds, while supported by a short column, where the lens of the camera could pass within inches of the ground and zoom into the infinity of the sky. Snow placed his device on a peak near Sept Îsles in Quebec's Région centrale and programmed it to provide a series of continuously changing views of the landscape. Initially, the camera pans through 360° passes which map out the terrain, and then it begins to provide progressively stranger views (on its side, upside down) through circular and back-and-forth motions. The weird soundtrack was constructed from the electronic sounds of the programmed controls which are sometimes in synch with the changing framing on screen and sometimes not. Here, allusions to other films occur, especially science fiction works like Stanley Kubrick's 2001: A Space Odyssey (1968) which similarly reveals a barren, human-less primal landscape (with odd sounds) and spatially disorients the spectator. In La Région Centrale's second hour, the world is inverted for so long, that when the camera swings vertically through a full circle to restore the horizon line to its rightful position, above the earth, it looks wrong. In the complete absence of human or animal forms, one can imagine the outlines of animals in the silhouetted shapes of rocks at twilight. It is impossible not to notice "camera movement" in this film, and, as Locke notes, one is inclined to observe the frame edge leading the movement (rather than the center) much of the time. I can only imagine what it would have been like to see La Région Centrale, captivated in the extreme dark and quiet of New York's Anthology Film Archive theater built specifically for the screening of experimental films in the 1970s. But, in any event, seen under any condition, the last hour offers up an incredible experience, with unbelievably high speed twisting and swirling motions rendering dynamic color and line abstractions. Finally, by rephotography ‹of the film jumping out of the gate‹ and flaring out of the image to red and yellow colors, and, closing with the camera apparently motionless on the sun, Snow presents a reflexive impression of the camera as the ultimate transformative, creative apparatus, capable of any magic. La Région Centrale presents a definitive "metaphor on vision."

wn.com/Michael Snow La Région Centrale (1971)

Leonard Cohen - Suzanne (from "Live At The Isle of Wight 1970")

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Duration: 4:16
Updated: 24 Nov 2009
views: 2084585

Leonard Cohen's official live video for 'Suzanne (from "Live At The Isle of Wight 1970")'. Click to listen to Leonard Cohen on Spotify: http://smarturl.it/LCohenSpotify?IQid=LCohenSuz As featured on The Essential Leonard Cohen. Click to buy the track or album via iTunes: http://smarturl.it/LCohenEsntliTunes?IQid=LCohenSuz Google Play: http://smarturl.it/LCohenSuzplay?IQid=LCohenSuz Amazon: http://smarturl.it/LCohenEsntlAmz?IQid=LCohenSuz More from Leonard Cohen Hallelujah: https://youtu.be/YrLk4vdY28Q Closing Time: https://youtu.be/7-0lV5qs1Qw Dance Me To The End Of Love: https://youtu.be/NGorjBVag0I More great Ultimate 70s videos here: http://smarturl.it/Ultimate70?IQid=LCohenSuz Follow Leonard Cohen Website: http://www.leonardcohen.com/home Facebook: https://www.facebook.com/leonardcohen Subscribe to Leonard Cohen on YouTube: http://smarturl.it/LCohenSub?IQid=LCohenSuz --------- Lyrics: Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind.

wn.com/Leonard Cohen Suzanne (From Live At The Isle Of Wight 1970 )

The Popopopops ● Wavelength

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Duration: 3:48
Updated: 02 Dec 2013
views: 2381

The Popopopops ● Wavelength

wn.com/The Popopopops ● Wavelength

Wavelength (Michael Snow, 1967)

wavelength (1967)

Wavelength (1967) Review

Wavelength (1967) by Michael Snow, "Take a Bow" by Muse

Wavelength (Death Scene clip), Michael Snow, 1967

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)

λ

(Automatic) Variable

Michael's Snow — a film by Susan Shaw

Digital Video Camera: Basic Functions

Screening Room with Michael Snow - PREVIEW

Top 20 Canadian Movies

Shortwave (After Snow)

In het duister

Wavelength

ALBUMS

Wavelength

ALBUMS

Wavelength (Michael Snow, 1967)

wavelength (1967)

Wavelength (1967) Review

Wavelength (1967) by Michael Snow, "Take a Bow" by Muse

Wavelength (Death Scene clip), Michael Snow, 1967

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)

λ

(Automatic) Variable

Michael's Snow — a film by Susan Shaw

Digital Video Camera: Basic Functions

Screening Room with Michael Snow - PREVIEW

Top 20 Canadian Movies

Shortwave (After Snow)

In het duister

Sun Glitters feat. Steffaloo - Turning (VIDEO)

The Bare Necessities - 1967 (2:20 edit: no intro, no solos, no breakdown sections)

Sci-Fi FREAKOUT Trailer Trash - April 2014

ORCHIDÉE NOIRE - Ab imo pectore

Michael Snow "In the Way" Jack Shainman Gallery.mov

Leonard Cohen - Suzanne, 1967 (Instrumental Cover, Backing Vocals) + Lyrics

Michael Snow - La Région Centrale (1971)

Leonard Cohen - Suzanne (from "Live At The Isle of Wight 1970")

The Popopopops ● Wavelength

Wavelength (Michael Snow, 1967)

wavelength (1967)

Wavelength (1967) Review

Wavelength (1967) by Michael Snow, "Take a Bow" by Muse

Wavelength (Death Scene clip), Michael Snow, 1967

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)

λ

(Automatic) Variable

Michael's Snow — a film by Susan Shaw

Digital Video Camera: Basic Functions

Screening Room with Michael Snow - PREVIEW

Top 20 Canadian Movies

Shortwave (After Snow)

In het duister

Sun Glitters feat. Steffaloo - Turning (VIDEO)

The Bare Necessities - 1967 (2:20 edit: no intro, no solos, no breakdown sections)

Sci-Fi FREAKOUT Trailer Trash - April 2014

ORCHIDÉE NOIRE - Ab imo pectore

Michael Snow "In the Way" Jack Shainman Gallery.mov

Leonard Cohen - Suzanne, 1967 (Instrumental Cover, Backing Vocals) + Lyrics

Michael Snow - La Région Centrale (1971)

Leonard Cohen - Suzanne (from "Live At The Isle of Wight 1970")

The Popopopops ● Wavelength

Wavelength (Michael Snow, 1967)

wavelength (1967)

Wavelength (1967) Review

Wavelength (1967) by Michael Snow, "Take a Bow" by Muse

Wavelength (Death Scene clip), Michael Snow, 1967

Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)

λ

(Automatic) Variable

Michael's Snow — a film by Susan Shaw

Digital Video Camera: Basic Functions

Screening Room with Michael Snow - PREVIEW

Top 20 Canadian Movies

Shortwave (After Snow)

In het duister

Wavelength (Michael Snow, 1967)...

wavelength (1967)...