The Clouds (Ancient Greek: Νεφέλαι Nephelai) is a Greek comedy play written by the celebrated playwright Aristophanes. A lampooning of intellectual fashions in classical Athens, it was originally produced at the City Dionysia in 423 BC and was not as well-received as the author had hoped, coming last of the three plays competing at the festival that year. It was revised between 420-417 BC and was thereafter circulated in manuscript form.
No copy of the original production survives, and scholarly analysis indicates that the revised version is an incomplete form of Old Comedy. This incompleteness, however, is not obvious in translations and modern performances. Retrospectively, The Clouds can be considered the world's first extant 'comedy of ideas', and is considered by literary critics to be among the finest example of the genre. The play also, however, remains notorious for its caricature of Socrates, and is mentioned in Plato's Apology as a contributor to the philosopher's trial and execution.
"The Clouds" is a 1959 instrumental by The Spacemen, an instrumental studio group. The single released on the Alton label, was the only chart hit by The Spacemen. "The Clouds" hit number one on the R&B chart for three non consecutive weeks, and also peaked at number forty-one on the Hot 100.
A cloud is a visible mass of condensed droplets or frozen crystals suspended in the atmosphere.
Cloud(s) may also refer to:
Lamb or The Lamb may refer to:
Bernard MacLaverty is a writer of fiction. His novels include Lamb, Cal, Grace Notes and The Anatomy School. He has written five books of short stories.
Born in Belfast, Northern Ireland, on 14 September 1942. He was educated at Holy Family Primary School Belfast. He lived there until 1975. Then he moved to Scotland with his wife, Madeline, and four children (Ciara, Claire, John, and Jude). He has been a Medical Laboratory Technician; a mature student at Queen's University Belfast; a teacher of English; and, for short periods, Writer-in-Residence at the Universities of Aberdeen, Liverpool John Moores, Augsburg and Iowa State. He was educated at St Malachy's College and Queen's University Belfast.
MacLaverty's Lamb is a novel about faith, relationships and ultimately, love; Cal is an examination of love in the midst of Irish violence. Grace Notes, which was shortlisted for the 1997 Booker Prize, is about the conflict between a desire to compose and motherhood. The Anatomy School is a comic coming-of-age novel. He has also written five acclaimed collections of short stories, most of which are in his 'Collected Stories' (Cape 2013).
"Clear!" is the first single from Kardinal Offishall's upcoming fifth studio album Mr. International. The song was produced by Supa Dups and Kardinal Offishall himself.Fatman Scoop is featured at the beginning of the song with him yelling "Kardinal!" The song contains a sample of "Think (About It)" by Lyn Collins.
The music video is based on Kardinal Offishall touring the far east. The beginning takes place in Toronto with him at the airport. In the next scene, he performs in Hong Kong. The following location takes place in Beijing and he arrives at Hotel G the night before he does another performance. The last minute of the video shows Kardinal Offishall in Shanghai and Singapore.
The remix features Elephant Man.
The single debuted on the Canadian Hot 100 at #65, making it his third entry on the chart. It peaked at #57.
Clear was the third album released by Bomb The Bass, the dance/electronic collective formed around British producer and musician, Tim Simenon. Released in 1995, the album which consisted of eleven tracks, saw the band progress from sample-heavy dance tracks to more conventional song structures.
Darker in tone than was previously expected from an act that had helped usher in the dance explosion of the late-1980s with the proto-house music track, "Beat Dis", Clear replaces most of the vibrant breakbeats and pop art dialogue samples from their other albums, Into The Dragon and Unknown Territory, with lower toned dub aesthetics, and a full line-up of guest vocalists.
Bringing forward many of the lessons learnt from utilising unconventional sample-based sound sources, and the dance-orientated manipulation of existing sounds to present fresh textures, the tracks included on Clear are often referred to as fitting the term musique concrète.
You came up from anesthesia like a diver out of air surprised to be alive startled I was there It’s been a long time and I’ve got no axe to grind with you but goddamn it, man, this hatchet won’t stay buried without some sign from you sign from you
I don’t quite come in peace but times like these ask us to set aside old grudges Duty calls, I heed but I don’t love it The night nurse leaves just you and me and you give a look to freeze gasoline I don’t believe that you’re reformed or you’re redeemed
CHORUS If they ask me, I’ll deny it but I remember what you did While it’s true you were a young man then I was just a kid One of us was lying both of us half damned one of us the lion and one the lamb
You’ve got a way with words You got away with murder But now our roles reverse and your table’s turning now
Too weak to lift a spoon, I fed you shaved you when your hands were shaking dosed you like they told me never more, lord, the demands you’re making Help the monster on two feet walk him down the hall, repeat and when he’s strong enough to stand alone you’ll notice what big teeth But blood is blood and what’s done is done yeah, blood is blood and its burden is a beast You lie expressionless face set like the Old Testament silence always your best defense I bet you guess I came to settle debts They tell me you’ll get better I don’t know what to say cause they could sew your hands together but they can’t make you pray
CHORUS
But now you’re careful, now you’re good but do I scare you, like I should? Now you’re careful, now you’re good but I still scare you, and I should