Saul

Saul 1/4

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Duration: 29:13
Updated: 29 Jan 2011
views: 6517

Saul di Vittorio Alfieri - 1959-con GianMaria Volonte' ,Salvo Randone, Nando Gazzolo,Valentina Fortunato,Mario Feliciani,Augusto Mastrantoni

wn.com/Saul 1 4

Saul 2/4

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Duration: 29:01
Updated: 30 Jan 2011
views: 2358

Saul di Vittorio Alfieri - 1959 -con GianMaria Volonte' ,Salvo Randone, Nando Gazzolo,Valentina Fortunato

wn.com/Saul 2 4

Saul 3/4

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Duration: 29:24
Updated: 30 Jan 2011
views: 1453

Saul di Vittorio Alfieri- -1959-GianMaria Volonte' ,Salvo Randone, Nando Gazzolo,Valentina Fortunato,Mario Feliciani,Augusto Mastrantoni

wn.com/Saul 3 4

Saul 4/4

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Duration: 26:56
Updated: 31 Jan 2011
views: 1934

Saul di Vittorio Alfieri-1959-GianMaria Volonte' ,Salvo Randone, Nando Gazzolo,Valentina Fortunato,Mario Feliciani,Augusto Mastrantoni 1969

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Saul (1959)

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Duration: 114:31
Updated: 27 Feb 2014
views: 3289

Il Saul è una delle tragedie più riuscite di Vittorio Alfieri, tanto che lo stesso autore recitò spesso la parte del protagonista. L'opera fu scritta nel 1782 in endecasillabi sciolti; è composta da 5 atti e dedicata all'amico Tommaso Valperga di Caluso, docente di greco e di lingue orientali. La vicenda richiama quella tratta nella Bibbia riguardante la battaglia fra Saul, primo re di Israele, e i Filistei, ma se nel Libro Sacro la figura di Saul è rappresentata come l'imprevedibile e immotivato esito di un'inspiegabile follia, nella tragedia alfieriana diventa l'agire di una figura psicologicamente complessa e tormentata, a tre dimensioni. Nella narrazione l'Alfieri si attiene all'unità di tempo, spazio e azione tipicamente aristotelici; secondo questi canoni, dunque, nel Saul gli eventi hanno inizio poco prima del sorgere dell'alba per concludersi al tramonto del giorno seguente (unità di tempo); la vicenda è tutta concentrata nel campo d'Israele a Gelboè (unità di luogo); l'attenzione dell'autore è puntata sulla figura del protagonista, con la conseguente riduzione del numero dei personaggi secondari che agiscono essenzialmente in funzione di Saul (unità di azione). Considerato il capolavoro di Alfieri, "Saul" è una tragedia lineare nell'intreccio ma potente e drammatica. In primo piano la figura del sovrano: nel suo animo nobile e sensibile albergano uno smisurato orgoglio e una cupezza sconsolata; diviso tra cielo e terra, ribelle a Dio, non riesce a dominare l'anelito che lo avvelena: oltrepassare "il limite". Vittima della sua brama di potere si macchia di crudeltà e delitti, pur consapevole che porteranno solo rovina. Il contrasto insanabile stringe a poco a poco Saul nel cerchio della follia, da cui evade con un ultimo gesto: l'eroico suicidio, catarsi della tragedia. Alfieri giunge con il Saul alla consapevolezza della reale miseria della condizione umana, che è ben rappresentata dal titano orgoglioso che scopre la sua intima debolezza, e non ha la forza di opporvisi attivamente perché non ha nessuno contro cui lottare, in quanto il disagio è tutto interiore, tanto che va incontro deliberatamente alla morte, unica forma di liberazione dal suo tormento. L'adattamento televisivo in due tempi venne trasmesso dalla RAI il 6 novembre 1959 sul Programma Nazionale, con la regia di Claudio Fino, la scenografia di Mariano Mercuri e le musiche originali di Fiorenzo Carpi. Magistrale fu l'interpretazione di Salvo Randone. Personaggi e interpreti: Saul: Salvo Randone Gionata: Nando Gazzolo Micol: Valentina Fortunato David: Gianmaria Volonté Abner: Mario Feliciani Achimelech: Augusto Mastrantoni Trama: La vicenda si apre nell'accampamento degli ebrei, nell'imminenza della battaglia contro i Filistei. Il re Saul è inquieto e preoccupato in quanto durante la battaglia non potrà contare sull'appoggio di David, marito di sua figlia Micol, che era stato costretto a fuggire perché sospettato dallo stesso re di aspirare al potere e quindi da lui condannato a morte (si era infatti rifugiato in terre filistee e per questo accusato di tradimento). Tuttavia David decide si raggiungere il campo ebraico per combattere e dimostrare al re la sua fedeltà. Saul, convinto della fiducia del giovane, lo rinomina comandante dell'esercito. Ben presto però ricade preda della follia e vede come nemici anche i sacerdoti; parla infatti con Achimelech (primo sacerdote), il quale gli racconta la sua felicità e quella dei suoi confratelli per il ritorno di David ritenuto,da loro, come futuro erede al trono di Israele (designato da Dio). Il re fa uccidere tutti i sacerdoti e dà l'ordine di uccidere anche David mentre fugge. Saul è ormai in preda al delirio (infatti gli appaiono in sogno i fantasmi dei sacerdoti uccisi che gli annunciano la sciagura) e, mentre assiste impotente alla sconfitta dell'esercito ebraico, si trafigge con la propria spada.

wn.com/Saul (1959)

Saul Bass title sequence - Anatomy of a murder (1959)

Order: Reorder
Duration: 2:37
Updated: 23 Feb 2011
views: 134998

http://annyas.com/screenshots/saul-bass-title-sequences/ Title sequence designed by Saul Bass, from the film "Anatomy of a murder" (1959), directed by Otto Preminger, starring James Stewart, Lee Remick, Ben Gazzara Available here: http://amzn.to/dZRqAX Buy the book "Saul Bass: A Life in Film & Design" by Jennifer Bass and Pat Kirkham: http://amzn.to/sXpXLV the Movie title stills collection Website: http://bit.ly/MovieTitles Twitter: https://twitter.com/#!/MovieTitles Facebook: http://www.facebook.com/MovieTitles Other title sequences designed by Saul Bass: CARMEN JONES (1954) - "Titles designed by Saul Bass" http://youtu.be/IaZEfNJAgM4 THE BIG KNIFE (1955) - "Titles designed by Saul Bass" http://youtu.be/dPxYi_HWvo4 THE MAN WITH THE GOLDEN ARM (1955) - "Titles designed by Saul Bass" http://youtu.be/sS76whmt5Yc ATTACK! (1956) http://youtu.be/uZ_s4JFOwmU STORM CENTER (1956) - "Titles designed by Saul Bass" http://youtu.be/IzLJowl7-t4 TRAPEZE (1956) - Uncredited http://youtu.be/YhV_sY8XXUI SAINT JOAN (1957) - "Titles Saul Bass" http://youtu.be/SXqeCnTr9MY THE FACTS OF LIFE (1960) - "Titles designed by Saul Bass and Associates" http://youtu.be/tzdU_4b1hRE OCEAN'S ELEVEN (1960) - "Title design by Saul Bass" http://youtu.be/xnG3OjIcN8M?hd=1 WALK ON THE WILD SIDE (1962) - "titles designed by Saul Bass" http://youtu.be/1jVRePj1Iq0 GRAND PRIX (1966) - "Visual consultant; montages and titles by Saul Bass" http://youtu.be/cADL_gjDim4 NOT WITH MY WIFE YOU DON'T (1966) - "Visual consultation and titles by Saul Bass and Associates" http://youtu.be/bH-UFUcd0fc SECONDS (1966) - "Titles by Saul Bass" http://youtu.be/vDgIGRuLdPk THAT'S ENTERTAINMENT, PART II (1976) http://youtu.be/X___GvMYqOQ GOODFELLAS (1990) - "Titles by Elaine & Saul Bass" http://youtu.be/s8pQJOeTkFs?hd=1 CAPE FEAR (1991) - "Titles designed by Elaine & Saul Bass" http://youtu.be/xoO0ZsQ7tBg THE AGE OF INNOCENCE - "Title sequence by Elaine & Saul Bass" http://youtu.be/0MZDtoIZZWE A PERSONAL JOURNEY WITH MARTIN SCORSESE THROUGH AMERICAN MOVIES (1995) - "Titles by Saul Bass" http://youtu.be/AYLpEUETIT8

wn.com/Saul Bass Title Sequence Anatomy Of A Murder (1959)

start titles Anatomy Of A Murder 1959 Saul Bass

Order: Reorder
Duration: 1:31
Updated: 10 Oct 2014
views: 57

wn.com/Start Titles Anatomy Of A Murder 1959 Saul Bass

Santa Claus Pelicula Completa 1959 México

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Duration: 96:48
Updated: 30 Dec 2013
views: 16902

Rarezas del cine mexicano

wn.com/Santa Claus Pelicula Completa 1959 MéXico

"Not guilty 59" 1959 impala (being built)

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Duration: 13:04
Updated: 03 May 2011
views: 171736

lowrider impala (start to finish)

wn.com/Not Guilty 59 1959 Impala (Being Built)

North by Northwest (1959)

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Duration: 1:51
Updated: 16 Jul 2009
views: 30862

Opening credits for the 1959 movie North by Northwest, directed by Alfred Hitchcock

wn.com/North By Northwest (1959)

SAUL di di Vittorio Alfieri regia Claudio Fino

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Duration: 1:04
Updated: 09 Jan 2014
views: 164

G.M. Volonté, Salvo Randone 1959

wn.com/Saul Di Di Vittorio Alfieri Regia Claudio Fino

'Not Guilty" 1959 impala

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Duration: 2:13
Updated: 02 Apr 2011
views: 30762

wn.com/'Not Guilty 1959 Impala

The Title Design of Saul Bass

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Duration: 1:46
Updated: 04 Apr 2015
views: 563

To celebrate the release of the long-awaited book "Saul Bass: A Life in Film & Design", we put together a brief visual history of some of Saul Bass's most celebrated work. It should be noted that much of Saul's title design work after 1960 was made in collaboration with his wife Elaine Bass. Editor: Ian Albinson Music: Greg Fonkmaster B "Fonkmaster's Interlude" "Saul Bass: A Life In Film & Design" by Jennifer Bass and Pat Kirkham (Available on Amazon - http://www.amazon.com/Saul-Bass-Life-Film-Design/dp/1856697525) Related: A Brief History of Title Design (https://youtu.be/S046hN_rTmA) Website: http://artofthetitle.com Twitter: http://twitter.com/ArtoftheTitle Facebook: http://facebook.com/ArtoftheTitle Tumblr: http://artofthetitle.tumblr.com/ Vimeo: https://vimeo.com/artofthetitle ++++++++++ Full film listing: Carmen Jones (1954) The Big Knife (1955) The Seven Year Itch (1955) The Man with the Golden Arm (1955) Around the World in Eighty Days (1956) Vertigo (1958) Anatomy of a Murder (1959) North by Northwest (1959) Spartacus (1960) (with Elaine Bass) Psycho (1960) Ocean’s Eleven (1960) West Side Story (1961) (with Elaine Bass) Walk on the Wild Side (1962) (with Elaine Bass) Nine Hours to Rama (1963) It’s a Mad Mad Mad Mad World (1963) Bunny Lake is Missing (1965) Seconds (1966) (with Elaine Bass) Not with My Wife, You Don't! (1966) Grand Prix (1966) That’s Entertainment, Part II (1976) The War of the Roses (1989) (with Elaine Bass) Goodfellas (1990) (with Elaine Bass) Cape Fear (1991) (with Elaine Bass) The Age of Innocence (1993) (with Elaine Bass) Casino (1995) (with Elaine Bass)

wn.com/The Title Design Of Saul Bass

1959 impala cars

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Duration: 1:07
Updated: 15 Oct 2012
views: 5291

Low riders

wn.com/1959 Impala Cars

Saul Bass Doodle - 8 May 2013

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Duration: 1:34
Updated: 07 May 2013
views: 2416

Please help me to share this Doodle on 8 May 2013 Today is a special day for Saul Bass, a graphic designer and typographer from the USA. He worked with some of the most famous Hollywood filmmakers during his 40-year-long career. Even if you are unacquainted with Saul Bass's name, you have most likely seen his works: For example the opening credits to the films "The Man with the Golden Arm" (1955) and "Psycho" (1960). Bass also created the highly-regarded opening credits to the film "Casino" (1995) together with his wife shortly before his death. Google used a design for the Doodle, which was created by Saul Bass for the film "Anatomy of a murder" (1959). Saul Bass ranks amongst the most innovative designers and filmmakers of his time and was always style-defining. You should have seen all of these films, otherwise watch them as soon as possible! :-)

wn.com/Saul Bass Doodle 8 May 2013

"Not Guilty 59" (1959 impala) KLIQUE OC

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Duration: 3:37
Updated: 01 Oct 2011
views: 4701

not guilty

wn.com/Not Guilty 59 (1959 Impala) Klique Oc

Alicia Mayer and Jan-Christopher Horak about Saul Bass

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Duration: 44:22
Updated: 15 Dec 2014
views: 283

About Saul Bass: Saul Bass CoverIconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger’s The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock’s Vertigo (1958) and North by Northwest (1959), and Billy Wilder’s The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass’s stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg’s Catch Me If You Can (2002) and television’s Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer’s revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers. Jan-Christopher Horak is director of the UCLA Film and Television Archive, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919–1945, and author of Dream Merchants: Making and Selling Films in Hollywood’s Golden Age.

wn.com/Alicia Mayer And Jan Christopher Horak About Saul Bass

Saul Bass

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Duration: 3:19
Updated: 06 Aug 2010
views: 667

Tribute to graphic designer, animator and filmmaker Saul Bass. Images from 'The Man with the Golden Arm' (1955), 'Vertigo' (1958), 'Anatomy of a Murder' (1959), 'Psycho' (1960), 'Spartacus' (1960), 'Nine Hours to Rama' (1963) & 'Seconds' (1966). Music by Jerry Goldsmith

wn.com/Saul Bass

NORTH BY NORTHWEST - TITLE SEQUENCE

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Duration: 2:09
Updated: 18 Jan 2013
views: 21088

CON LA MUERTE EN LOS TALONES - SECUENCIA DE INICIO North by Northwest, conocida en castellano como Con la muerte en los talones (España) e Intriga internacional (Hispanoamérica), es una película de suspense de 1959 dirigida por Alfred Hitchcock y considerada generalmente como una de sus mejores películas. Su estreno mundial tuvo lugar durante la 7ª edición del Festival de Cine de San Sebastián. Obtuvo tres nominaciones a los Oscar: mejor guion original, mejor dirección artística y mejor montaje. TÍTULO ORIGINAL: North by Northwest AÑO : 1959 DURACIÓN: 136 min. PAÍS: Estados Unidos DIRECTOR: Alfred Hitchcock GUIÓN: Ernest Lehman MÚSICA: Bernard Herrmann FOTOGRAFÍA: Robert Burks REPARTO: Cary Grant, Eva Marie Saint, James Mason, Martin Landau, Leo G. Carroll, Josephine Hutchinson, Philip Ober, Edward Platt, Adam Williams, Jessie Royce Landis, Alfred Hitchcock PRODUCTORA: Metro-Goldwyn-Mayer PREMIOS: 1959: 3 nominaciones al Oscar: Mejor guión, montaje, dirección artística 1959: Festival de San Sebastian: Mejor director (ex-aequo) 1959: Premios David di Donatello: Mejor actor extranjero (Cary Grant) GÉNERO: Intriga, Espionaje, Película de culto. Ficha en FilmAffinity: http://www.filmaffinity.com/es/film351704.html

wn.com/North By Northwest Title Sequence

Gavotte - Choro. Suite Popular Brasilienne by Villa-Lobos (1887-1959)

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Duration: 2:21
Updated: 16 Oct 2012
views: 266

My interpretation of the 4th movement from the Suite Popular by Villa-Lobos (Part 1). Feel free to comment.

wn.com/Gavotte Choro. Suite Popular Brasilienne By Villa Lobos (1887 1959)

SHE LOVES HER PETER SUNG BY SAUL T PETER

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Duration: 2:36
Updated: 02 Jan 2015
views: 66

RELEASED BY JOE DAVIS RECORDS IN 1959

wn.com/She Loves Her Peter Sung By Saul T Peter

1959 Ford Skyliner Up Close

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Duration: 5:37
Updated: 28 Nov 2013
views: 112

A close up of the Skyliner's body, engine bay, interior, and retractable hard top in motion.

wn.com/1959 Ford Skyliner Up Close

92Y Podcast: From the Poetry Center Archive: Saul Bellow

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Duration: 11:08
Updated: 06 Dec 2010
views: 4079

92Y Virtual Poetry Center: http://www.92y.org/VPC?utm_source=92Y_YouTube&utm;_medium=92Y_YouTube_VPC_Jul1012&utm;_campaign=poetry_center I can write a small book more easily than a letter—why is that? "As though I'd stumbled upon a lost Bellow masterpiece." So said Philip Roth after "hungrily" reading through the recently published Letters of Saul Bellow. Saul Bellow first appeared at the Poetry Center in November of 1956, reading from a novel-in-progress that would become Henderson the Rain King. Upon the book's publication, in 1959, Bellow wrote to his friend Ralph Ellison about its critical reception: The fighting about poor Henderson has been fierce and wild, and to make matters worse I'm not quite sure where I myself stand. For I'm not in possession of my head and don't know what parts of the book originate in gaiety and which in desperation. It's easy enough to see through the prejudices of the critics and to assess their vindictiveness against the new and the unexpected, but it's not as though the book occurred as a pure act of the imagination. . . . I'm inclined to set the whole of Henderson down to dizziness and begin to think of a new start. Bellow's second appearance at the Poetry Center didn't come until 1988. By then, he'd written Herzog and Mr. Sammler's Planet, won three National Book Awards and the Nobel Prize. Today's featured recording is an excerpt from that 1988 appearance, when he read from Humboldt's Gift. "The book of ballads published by Von Humboldt Fleisher in the Thirties was an immediate hit," writes Bellow in the novel's opening sentence. "Humboldt was just what everyone had been waiting for." The character of Humboldt was loosely based on the poet Delmore Schwartz. Though there are no letters to Schwartz in this new collection, some of Bellow's thoughts about his friend are included in a letter to Eileen Simpson, author of Poets in Their Youth: What were John [Berryman] and Delmore and Cal [Lowell] about, really? I admired their poems, I relished their company; but I was so deeply immersed in my own puzzles, programs, problems that I drove past in my dream-car. . . . Something like that. Not without feeling, no; I certainly felt for them, but I was a thousand times less attentive than I was capable of being. It came home sharply to me as I read your memoir. I suppose that if John and Delmore hadn't been such entertainers, comic charmers, stylists, if they hadn't had hundreds of intriguing tricks in presenting themselves. . . . But really it does no good, this remorse for being so like them. In an ongoing effort to share with our readers some of the great literary moments which the Poetry Center has presented across the decades, this blog has begun to feature regular postings of archival recordings. For access to other recordings, please click here: http://www.92y.org/VPC?utm_source=92Y_YouTube&utm;_medium=92Y_YouTube_VPC_Jul1012&utm;_campaign=poetry_center Unterberg Poetry Center webcasts and access to our archive are made possible in part by the generous support of the Sidney E. Frank Foundation.

wn.com/92Y Podcast From The Poetry Center Archive Saul Bellow