- published: 31 Jan 2017
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The Mapping Festival is an international festival dedicated to live visuals, installation art and VJing. Held annually in Geneva, Switzerland, it features audiovisual and VJ performances in nightclubs and installations in gallery spaces.
Mapping Festival took place in the following years
The 2012 Mapping Festival will take place from May 10–20 in Geneva (Switzerland).
The following venues will host events for the 2012 Mapping Festival:
The 2010 Mapping Festival took place between May 6 and May 16, 2010 in Geneva (Switzerland).
The following venues hosted events for the 2010 Mapping Festival:
The following artists performed at the 2010 Mapping Festival:
Keiko is a given name; see Keiko (given name). The name may refer to:
Fictional characters
Film
Others
Yum may refer to:
Nuit Blanche (French pronunciation: [nɥi ˈblɑ̃ʃ]; All-Nighter, is an annual all-night or night-time arts festival. A Nuit Blanche will typically have museums, private and public art galleries, and other cultural institutions open and free of charge, with the centre of the city itself being turned into a de facto art gallery, providing space for art installations, performances (music, film, dance, performance art), themed social gatherings, and other activities.
The Nuit Blanche concept came from Jean Blaise, who founded the Centre de recherche pour le développement culturel (Research Center for Cultural Development) in Nantes, France, in 1984. In 1989, the Helsinki Festival established its Night of the Arts, "when every gallery, museum and bookshop is open until midnight or later and the whole city becomes one giant performance and carnival venue". That same year, Jean-Marc Ayrault became mayor of Nantes, and his program included renovating the central city and establishing a "contemporary patrimony", which led Blaise to create a late-night cultural festival, "Les Allumées" ("The Lighted Up"). His concept was to have an arts festival in Nantes, 6 p.m. till 6 am, over six years with artists from six cities.
遊玩(*゚∀゚)廢到爆(幹#
Sequal to WALTER 1982 Walter and June, again written by Cook and directed by Frears, picks up Walter's story nineteen years on. It charts the friendships he has formed, and the tender, life-changing but precarious relationship that develops between Walter and mercurial fellow patient June, as the two leave the confines of the hospital to face an uncertain future in London.
Documentario breve dell'esperienza cammini LTER-Italia
Soybean harvest on the KBS LTER Main Cropping System Experiment, October 2012. More info about our research at http://lter.kbs.msu.edu/ and https://www.facebook.com/KBS.LTER
A look at the research being done at Michigan State University's LTER site regarding nitrogen levels under various agricultural conditions.
Das Matschertal im Vinschgau (Südtirol) ist seit dem Jahr 2014 Teil des internationalen Netzwerks für ökologische Langzeitforschung (LTER). Unter der Federführung der EURAC ist das Tal Untersuchungsgebiet für zahlreiche Studien und Messkampagnen. Ziel ist es, die Auswirkungen von Klima - und Landnutzungsveränderungen über längere Zeiträume hinweg zu verfolgen. Mehr dazu im Interview mit Ulrike Tappeiner, der Leiterin des EURAC-Instituts für Alpine Umwelt.
This is an example of the new larger moorings which include a CTD, fluorometer, SeaFET (pH), and MiniDoT (02)
"Loss Layers" by A.lter S.essio @ Théâtre de la Parfumerie, Mapping Festival 2010, Geneva. Conception / Sound / Video : Fabrice Planquette Choregraphy / Costume : Yum Keiko Takayama / Yoko Higashino Interprétation : Yum Keiko Takayama Drawing : Matthieu Levet / Cécile Attagnant Camera / Edit : Jérôme Monnot Extra / Cameras: Vania Jaikin Miyazaki, Camille Dedieu, Ilan Katin www.mappingfestival.com
https://www.facebook.com/pages/Alter-Sessio/468149493267636 LOSS-LAYERS a fight that question situations of loss (balance, bearings, control, identity) in a hostile world. The image seeps into the body. The spectator is lost between illusion and reality. Doubt and fright gradually set in, inducing the spectator to notice tiny significant details and enter into a feeling of resistance or acceptance in front of overflow. Conception, images, sound design, programming: Fabrice Planquette Choreography, performance: Yum Keiko Takayama Costumes: Yum Keiko Takayama, Yoko Higashino Drawing: Matthieu Levet, Cécile Attagnant Guitar: Pierre Fruchard Stage manager: Thierry Wilmort Administration: Charlotte Auché Production: Panem Et Circenses 2009 Partnership: Maison de la culture d'Amiens, Conseil ...
https://www.facebook.com/pages/Alter-Sessio/468149493267636 This piece refers to a general confusion where everyone does not know exactly what he is looking for. It addresses the question of link to our point of origin, link to another, its possible loss. It is a quest without goal, an vain pursuit, a search for something forgotten or lost, or fixed somewhere, in memory, in a hazy zone. It is the impossibility of meeting and frustration waiting for what does not happen. Two beings deprived of contacts, wandering in an empty cage where are mixed together many scenarios of past, present and fantasy. They both move in an alternation of individual ways, breaks and short collective developments. She : ghostly whiteness, obstinately grabbed to a line without horizon. He : masked, can’t volunt...
https://www.facebook.com/pages/Alter-Sessio/468149493267636 EXTension(-) whose subtitle could be "the last path" is a body's extraction, the reverse narrative of its alienation, its burial. This is a reverse countdown of death. A retrospective on life without birth. A forward step backwards. A process towards liberation within a redefinition of a sacred time and space through which ambivalent female figures move. It may be an attempt to organize the chaos to a continuum of appeasement and detachment. A recovery of reality just before a possible murder. EXTension(-) dont le sous titre pourrait être « le dernier chemin », est une extraction du corps, le récit inversée de son aliénation, de son ensevelissement, d'une disparition. C’est une mort à rebours. Un retour sur la vie sans pour auta...
Three elements are simultaneously developed : sound, image and body. A fight that question situations of loss (balance, bearings, control, identity) in a hostile world. The image seeps into the body. The spectator is lost between illusion and reality. Doubt and fright gradually set in, inducing the spectator to notice tiny significant details and enter into a feeling of resistance or acceptance in front of overflow. LOSS (solo) Conception, images, sound design, programming: Fabrice Planquette Choreography, performance: Yum Keiko Takayama Costumes: Yum Keiko Takayama, Yoko Higashino Drawing: Matthieu Levet Guitar: Pierre Fruchard Production: Panem Et Circenses 2009 / Charlotte Auché Partnership: Maison de la culture d’Amiens, Conseil Régional de Picardie, Nuit Blanche Amiens, La Lune des ...
"Loss Layers" by A.lter S.essio @ Théâtre de la Parfumerie, Mapping Festival 2010, Geneva. Conception / Sound / Video : Fabrice Planquette Choregraphy / Costume : Yum Keiko Takayama / Yoko Higashino Interprétation : Yum Keiko Takayama Drawing : Matthieu Levet / Cécile Attagnant Camera / Edit : Jérôme Monnot Extra Cameras: Vania Jaikin Miyazaki, Camille Dedieu, Ilan Katin www.mappingfestival.com
ENDURANCE se déroule en quatre parties : attente, être-là, chute, ouverture. Cette pièce fait état d’une confusion générale où chacun ne sait plus exactement ce qu’il cherche. Elle aborde la question du lien à notre point d’origine, lien à l’autre, de sa possible perte, de la déréliction. Deux êtres en lutte, dans un espace vide, confrontent leur technique et leurs objectifs. Les corps en errance, privés de tout contact, évoluent dans une alternance de parcours individuels, de ruptures et de tentatives de construction collective pour converger vers une perte commune. C’est la quête d’une chose oubliée, ou perdue, figée dans le souvenir, dans une zone floue, qui peut redevenir une intuition. C’est la frustration dans l’attente de ce qui n’advient pas. Un moment de vie qui oscille entre comb...
How to escape from paralysing states (fright, refusal, contempt, regret, vacuity, sadness) ? A spotlight on a situation that could easily remain hidden. The difficulty resides not so much in the transition but in the reaction of the person faced with change. How to carry on ? Perhaps it is simply a question of the angle of vision or a particular positioning. Each emotion becomes movement, built on its own ruins. Upwelling, erasure, lassitude, advancement, resistance and tenacity all figure at some point. LAYERS Conception, images, sound design, programming: Fabrice Planquette Choreography, performance: Yum Keiko Takayama Costumes: Yum Keiko Takayama Drawing: Cécile Attagnant Production: Panem Et Circenses 2009 Partnership: Maison de la culture d’Amiens, Conseil Régional de Picardie, Nuit...
The duet version of LOSS, a performance by A.lter S.essio with Yum Keiko Takayama and Yoko Higashino. A fight that questions a situation of losses of reference, identity, balance, bearings or control. Conception, images, sound design, programming : Fabrice Planquette Choreography : Yum Keiko Takayama, Yoko Higashino Performers : Yum Keiko Takayama, Yoko Higashino Drawing : Matthieu Levet Guitar : Pierre Fruchard Costumes : Yum Keiko Takayama, Yoko Higashino Stage manager : Thierry Wilmort Administration : Charlotte Auché Production : Panem Et Circenses Partnerships : Maison de la culture d’Amiens, Conseil Régional de Picardie, Nuit Blanche Amiens, La Lune des Pirates, les Fées d’Hiver, La Tannerie, 2angles
EXTension(+) is based on destruction. Speech and body are the starting point and matter. The proposal is then developed on a reconstruction, by repetition, accumulation and transformation of fragments (sounds, words, gestures, movements, memories). Audiovisual partition is controlled by the performer. An interactive interface (two gloves equipped with gyrometers, accelerometers and pressure sensors) can provide him the control of the environment in a permanent body-machine dialogue. By successive pulses, a form emerges from its own ruins and consuming itself. This is a warning. An urgent call to action. Do with what is falling on hand to exhaustion of possibilities. An explosive downturn. Here. Now. EXTension(+) se fonde sur une destruction. La parole et le corps en constituent le point d...
"Johnny, uh, some kids on the show yesterday mentioned a new kind of music - Ska. You know anything about it?" "Nothing but a modern off-shoot of Reggae, updated by rock influences. Deafeningly upbeat. Can never become really popular because even though they've made the back-beat more conventional, it's still too exotic for man's acceptance."
Hello, hey now
The Fonz is cool, Fonzy don't cry
Hello, hey now
Well ask Mr. T, he's a really nice guy
There we go with a sign of a smile
Slap in the goonies, we're lost for a while
Where'd you go my breakfast club girl?
Will you stand by me in a stand by World?
(Will you stand by me in a stand by World?
Will you stand by me? Oh yeah)
Hello, hey now
The Fonz is cool, Fonzy don't cry
Hello, hey now
Well ask Mr. T, he's a really nice guy
There we go with a sign of a smile
Slap in the Ferris, we're cool for a while
They sit like a diamond inside of me
In one
A portable vacuum
In two
A mini-bar
In three
A holiday weekend
In four a Jaguar
In five
A soda stream machine
In six
A Betamax
In seven
A Remington shaver
Once you try it you'll never go back
Well look at me
Look at me
Look at me
Look at me
About to fall apart
Yes I'm even empty-handed with my bulls-eye dart
Taking it back to summer of '85
Piggyback fights I was so
Alive
Will I find
Boba Fett?
And maybe my old Lego playset
Ip dip dog shit
You're on my friend
Cos you trod in it
Turkey Lurkey one, two, three
Tic off ground and it's home for tea
In one
A portable vacuum
In two
A mini-bar
In three
A holiday weekend
In four a Jaguar
In five
A soda stream machine
In six
A Betamax
In seven
A Remington shaver
Once you try it you'll never go back
Well look at me
Look at me
Look at me
Look at me
About to fall apart
Yes I'm even empty-handed with my bulls-eye dart
Well look at me
Look at me
Look at me
Look at me
About to fall apart
Yes I'm even empty-handed with my bulls-eye dart
(Dum da-dum, Dum da-dum, Da-dum da-dum)
(Doo de-doo doo doo doo-doo)
(Michael J Fox, Michael J Fox, Michael J Fox)
(Paul Daniels)
(MC Hammer, MC Hammer, MC Hammer)