- published: 07 Sep 2014
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A major (or the key of A) is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps.
Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where a Neapolitan sixth chord on Failed to parse (Missing texvc executable; please see math/README to configure.): \hat2
In the treble, alto, and bass clefs, the G♯ in the key signature is placed higher than C♯. However, in the tenor clef, it would require a ledger line and so G♯ is placed lower than C♯.
Although not as rare in the symphonic literature as sharper keys, examples of symphonies in A major are not as numerous as for D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major.
Radu Lupu (born November 30, 1945) is a Romanian concert pianist. He has won a number of the most prestigious awards in classical piano, including first prizes in the Van Cliburn International Piano Competition and the Leeds International Pianoforte Competition.
Lupu was born in Galaţi, the son of Meyer Lupu and Ana Gabor. He began piano as a six-year old (with Lia Busuioceanu), making his public debut at age 12, in a concert featuring his own compositions. After completing high school in Galaţi, and graduating from the Popular School for the Arts in Braşov, Lupu continued his studies at the Bucharest Conservatory with Florica Musicescu (who also taught Dinu Lipatti), and Cella Delavrancea. In 1961, he was awarded a scholarship to the Moscow P.I. Tchaikovsky State Conservatory, where he studied with Galina Eghyazarova, Heinrich Neuhaus (who also taught Sviatoslav Richter and Emil Gilels), and Stanislav Neuhaus.
Lupu's concert appearances and recordings for Decca, though not frequent, consisting of a limited repertoire, have been consistently acclaimed. Although trained in the Russian pianistic tradition, he is particularly noted for his interpretations of the great 19th century German and Austrian composers, especially Franz Schubert, Johannes Brahms, Ludwig van Beethoven, and Wolfgang Amadeus Mozart from the 18th century. He is also noted for performances of works by the Czech Leoš Janáček, and the Hungarian Béla Bartók.