In philosophy, desire has been identified as a philosophical problem since Antiquity. In Plato's The Republic, Socrates argues that individual desires must be postponed in the name of the higher ideal.
Within the teachings of Buddhism, craving is thought to be the cause of all suffering. By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.
In Aristotle's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion. Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal. He brackets the problem by positing that perhaps reason, in conjunction with desire and by way of the imagination, makes it possible for one to apprehend an object of desire, to see it as desirable. In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus, for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason. Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire. Aristotle distinguishes desire into appetition and volition.
Désiré (29 December 1823 – September 1873) was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Désiré was a stage name; the artist's real name was Amable Courtecuisse, but for most of his life he was generally known as Désiré.
He was born in Lille, or a nearby village, and studied bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845.
In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel Don Quixote), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired what was later dubbed the first French operetta, Hervé's Don Quichotte et Sancho Pança, which premiered in 1848 at Adolphe Adam's Théâtre National at the Cirque Olympique, but with Joseph Kelm, instead of Désiré, as Sancho Pança.
Desire is a sense of longing or hoping. It may also refer to:
Source may refer to:
Source is an international information support centre and digital library, providing links to academic resources and articles related to disability, health and international development.
Source provides access to a collection of more than 25,000 published and unpublished resources related to health, disability and international development. This includes books, journals, reports, posters, CD-ROMs, manuals, websites and organisations.
Source was set up as a collaborative venture of Healthlink Worldwide, a non-profit organisation, and the Centre for International Health and Development, an academic institution. Handicap International became a partner shortly after. The information support centre aims to increase access to health and disability related resources, produced for and by people with disabilities in developing countries, in order to promote research and learning among health professionals, students, disabled people’s organisations (DPOs) and NGOs working in international development world-wide.
Source is a quarterly photography magazine published in Belfast. It is distributed throughout the UK, Ireland and internationally. It is the longest running photographic review in the UK since the closing of Creative Camera magazine in 2001 and is comparable to other international photography titles such as Aperture in the US, Camera Austria and Katalog in Denmark.
Source was first published in 1992 as a newsletter of the organisation Photo Works North. This organisation had been set up the previous year to promote photography in Northern Ireland. The first editor was the photographer Paul Seawright.
From 1995 Source expanded its remit to include review coverage of exhibitions across Ireland and the UK. Since 2002 it has also included extensive reviews of photographic publishing. In 2007 Source published its 50th issue and was relaunched in a new format with additional columns and more review coverage.
Source is primarily concerned with social, historical or aesthetic uses of photography rather than technical or amateur photography. The magazine deals largely with art photography, in exhibition or book reviews, essays or in the portfolios of photographs it publishes. These portfolios are selected from submissions, including those from photographers who have attended the regular portfolio days the magazine has run at venues around Ireland and the UK since 1997.