Revelation Space is a 2000 science fiction space opera novel by Welsh author Alastair Reynolds. It was the first novel set in the Revelation Space universe, although the then-unnamed universe had already been established by several published short stories.
The novel reflects Reynolds's professional background: he has a PhD in Astronomy and worked for many years for the European Space Agency.
Revelation Space was short listed for the 2000 BSFA and Arthur C. Clarke Awards.
Revelation Space starts off with three seemingly unrelated narrative strands that eventually meet—and merge—as the novel progresses. This plot device is characteristic of many of Reynolds's works.
The book opens in the year 2551 on Resurgam, a planet considered a backwater on the edge of colonized human space. Dan Sylveste, an archaeologist, leader of the colony, and wealthy scion of a prominent scientific family, leads a team excavating the remains of the Amarantin, a long-dead, 900,000-year-old civilization that once existed on Resurgam. As a violent dust storm threatens to temporarily shut down the excavation, Sylveste discovers new evidence that the entire Amarantin race achieved a much higher level of technological sophistication than was previously known, before they were wiped out in a single mysterious cataclysm.
Kawabata Makoto (河端 一) is a Japanese musician and founding member of the band and "soul collective" Acid Mothers Temple.
Kawabata is chiefly famous for his leadership of Acid Mothers Temple and its variants; however, he has also played in many other bands since the start of his career in the late 1970s. Some of these bands are:
In addition to the many records recorded with bands, Kawabata Makoto has an extensive solo discography. Major releases are:
In 2000, Kawabata wrote "Music, for me, is neither something that I create, nor a form of self-expression. All kinds of sounds exist everywhere around us, and my performances solely consist of picking up these sounds, like a radio tuner, and playing them so that people can hear them."
"When I was a kid, I really loved Ritchie Blackmore - not so much the guitar style, just I liked his look, atmosphere, on the stage. Always, he stood on this side [right], also the stratocaster, and black clothes, and very aggressive [playing]. I really loved this image, so I wear just black. Also - easy to co-ordinate!"