Mary Carter Reitano (born 29 November 1934) is a female former tennis player from Australia.
Reitano won the singles title at the 1956 and 1959 Australian Championships and reached the semifinals there eight times. She teamed with Margaret Court to win the women's doubles title there in 1961. Reitano teamed with three different partners to be the runner-up in women's doubles at the 1956, 1959, and 1962 Australian Championships. She also was the runner-up in mixed doubles at the 1961 Australian Championships.
She became a coaching professional in 1962.
A = did not participate in the tournament.
SR = the ratio of the number of Grand Slam singles tournaments won to the number of those tournaments played.
Mary Carter Reitano (born 1934) is a former tennis player from Australia.
Mary Carter may also refer to:
The Seven Joys of the Virgin (or of Mary, the Mother of Jesus) is a popular devotion to events of the life of the Virgin Mary, arising from a trope of medieval devotional literature and art.
The Seven Joys were frequently depicted in medieval devotional literature and art. The seven joys are usually listed as:
Alternative choices were made and might include the Visitation and the Finding in the Temple, as in the Franciscan Crown form of Rosary, which uses the Seven Joys, but omits the Ascension and Pentecost. Depiction in art of the Assumption of Mary may replace or be combined with the Coronation, especially from the 15th century onwards; by the 17th century it is the norm. As with other sets of scenes, the different practical implications of depictions in different media such as painting, ivory miniature carving, liturgical drama and music led to different conventions by medium, as well as other factors such as geography and the influence of different religious orders. There is a matching set of seven Sorrows of the Virgin; both sets influenced the selection of scenes in depictions of the Life of the Virgin.
"The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe. Though not traditionally associated with Christmas, it has become so in the modern era.
The song has English and American versions referring to different acts by Jesus that gave joy to Mary:
The first good joy that Mary had,
It was the joy of one,
To see her ownsome Jesus Christ
when he was first a son
when he was first a son, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next good joy that mary had
It was the joy of two,
To see her ownsome jesus Christ
When he was sent to school
when he was sent to school, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next joy that Mary had,
It was the joy of three,
To see her ownsome Jesus Christ
As made the blind to see.
was make the blind to see, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next joy that Mary had,
It was the joy of four,
To see her ownsome Jesus Christ
to read the bible lor
to read the bible lor, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next good joy that Mary had,
It was the joy of five,
To see her ownsome Jesus Christ
to bring the dead to life.
to bring the dead alive, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next good joy that Mary had,
It was the joy of six,
To see her ownsome Jesus Christ
upon the crucifix.
upn the crucifix, good man,
And blessed may he be,
O Father, Son and Holy Ghost,
For all eternity.
The next good joy that Mary had,
It was the joy of seven,
To see her ownsome Jesus Christ
To wear the crown of Heaven.
to wear the crown of heaven, good man,
And blessed may he be,
O Father, Son and Holy Ghost,