A radio interview with
Pipe Major Willie Ross from
1950.
While many who heard them live contend that
G. S. McLennan was the finest strathspey and reel player during the early years of the
20th century,
John MacColl the best march player, and
John MacDonald of
Inverness the best piobaireachd player, many see Willie Ross as the best all-round player of the period. He was known for stirring music and a beautifully toned instrument in everything he played, and his prize-winning in the major events set records for both piobaireachd and light music.
With this competitive record, more than 50 years of continuous teaching throughout
Scotland, five seminal books of bagpipe music and many popular compositions to his credit, Willie Ross can certainly lay claim to having been the most influential piper of the century, including during the decades after his death.
He was born to piping parents in Glenstrathfarrar near
Beauly in Inverness-shire on June 14, 1878, and was taught primarily by his mother,
Mary Collie. He turned his sights on the army quickly, joining the
Scots Guards at age 18 in 1896, thus beginning an military association that would last for 60 years.
He was decorated with the
1st Battalion in the
Boer War in
South Africa from 1899-1902. By then he was already composing tunes, among them The Scots Guards'
Farewell to South Africa. In
1905 he became Pipe-Major of the
2nd Battalion, while his younger brother
Alexander would become Pipe-Major of the 1st Battalion in
1911. He served in
France during the
Great War until he was invalided from the service in
1918 due to rheumatism.
In
1919 he secured his famous post as
Instructor at the
Army School of Piping at
Edinburgh Castle, a position at the time under the auspices of the Piobaireachd
Society.*
This being only a half-time position, he was also able to accept a position as Piobaireachd Society instructor in the
Highlands of Scotland, and also supplement his income with private pupils. In
1921 he was appointed Pipe-Major of the
Lovat Scouts, a post he held until 1933.
By this time his competing prowess was the stuff of legend. He won the
Gold Medal at Inverness in 1904 and at
Oban in 1907. He won Clasps to the Inverness
Medal in 1905, '06 and '07, 1910, '12, '13, '19 and '28 -- a record of eight that would stand for decades, untouched even by piobaireachd great John MacDonald of Inverness. He won a total of 11 Former
Winners'
M/S/R events at Oban and Inverness. This competitive record easily distinguishes him as the best overall competitor of his day.
Ross would hold his position at the
Castle for nearly 40 years until his retirement in
1958, when he was succeeded by Pipe-Major
John A. MacLellan. During this time he transformed the position into a high-profile one, training hundreds of pipers and being responsible for virtually all the premier players the army produced at this time, including
Donald MacLeod and John A. MacLellan. His most famous private pupil was
John D. Burgess, who won both
Gold Medals at age 16 in 1950, and with whom Ross toured
North America in
1952. He produced a long series of gramophone recordings and played frequently on the radio. His fame spread.
Angus MacPherson of
Invershin honoured him with a piobaireachd,
Salute to Pipe-Major
William Ross, and he was often referred to as "
The World's Pipe-Major," a reputation he lived up to as more than just a piper.
But still his influence was broader than this. His many compositions include some top-drawer tunes: the lilting 6/8 marches
Leaving Port Askaig and
Queen Elizabeth's March, the haunting slow air MacRoberts'
Lament, the evergreen quick marches Corriechoillie's 43rd
Welcome to the
Northern Meeting and
Captain Norman Orr
Ewing, the daunting and powerful competition march
Brigadier General Ronald Cheape of Tiroran and the classic jig
Center's Bonnet.
He compiled five books of music between 1923 and 1950. They remain in print today and any pipers worth their salt turn first to these for competition pieces. More than any other publications, these set in firm print the gracing style evolved by the likes of John MacColl,
G.S. McLennan, his cousin
William McLennan and Ross himself. It is a style that is still in vogue -- often gracenote-for-gracenote -- on the competition platform today.
His final years were dogged by ill health. He died on March 23, 1966 in
Edinburgh and was buried beside his wife in
Morningside Cemetery.
At the time of this writing, efforts were being made to erect a memorial in his honour in Glenstrathfarrar.
- published: 11 Jun 2014
- views: 1572