- published: 22 Jul 2016
- views: 185463
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
"The Kids" is the lead single taken from British funk/acid jazz band Jamiroquai's second studio album, The Return of the Space Cowboy, though it was recorded shortly after the Emergency on Planet Earth sessions. The single was only released in Japan, on 30 June 1994. "The Kids" is a song that deals with the rights of children and their social status in the world. The song is written to be absurdly loud and high in tempo, to possibly represent the immaturity of children, and more generally the whole early childhood of a person, which is usually a carefree time of life.
It is commonly known amongst fan circles that "The Kids" was written and performed during the 1993 Emergency on Planet Earth tour. It may either have been an outtake from the album, or simply a song written after the album was fully produced and released. The live version of the track played during the tour had a different chorus when compared to the official album version. After "The Kids" was recorded with previous drummer, Nick Van Gelder, Derrick McKenzie replaced Nick, and all tracks from the Space Cowboy recording sessions were re-recorded with McKenzie on drums, aside from "The Kids", on which van Gelder's drumming remains. The song was probably left to be because of time constraints related to the mastering process, production and release.
K.I.D.S. is the fourth mixtape by the American rapper Mac Miller. It was released by Rostrum Records on August 13, 2010. Since its release, it has been viewed over 2,200,000 times, downloaded over 800,000 times, and streamed over 550,000 times from the official host of the mixtape, DatPiff.com. The title of K.I.D.S. is a play on words, as it as an acronym that stands for "Kickin' Incredibly Dope Shit", while at the same time a reference to the 1995 film Kids, which is quoted throughout the mixtape.
Seven of the songs in K.I.D.S. had music videos created for them with "Knock Knock" being the lead single for the mixtape. "Nikes On My Feet", "Kool Aid & Frozen Pizza", "Knock Knock", "Senior Skip Day", "La La La", "Traffic In The Sky", and "Don't Mind If I Do". The videos for "Nikes on My Feet" and "Kool Aid & Frozen Pizza" were both heavily played on YouTube, reaching over 23.5 million views each. Both songs featured prominent classic hip-hop samples, sampling Nas' "The World Is Yours" and Lord Finesse's "Hip 2 Da Game", respectively.
A bar (also known as a saloon or a tavern or sometimes a pub or club, referring to the actual establishment, as in pub bar or club bar etc.) is a retail business establishment that serves alcoholic beverages, such as beer, wine, liquor, cocktails, and other beverages like mineral water and soft drinks and often sell snack foods, like crisps or peanuts, for consumption on premises. Some types of bars, such as pubs, may also serve food from a restaurant menu.
Bars provide stools or chairs that are placed at tables or counters for their patrons. Some bars have entertainment such as a live band, Bars that offer entertainment or live music are often referred to as music bars, live venues, or nightclubs. Types of bars range from inexpensive dive bars to elegant places of entertainment often accompanying restaurants for dining.
Many bars have a discount period, designated a "happy hour" to encourage off-peak-time patronage. Bars that fill to capacity sometimes implement a cover charge or a minimum drink purchase requirement during their peak hours. Bars may have bouncers to ensure patrons are of legal age, to eject drunk or fighting patrons, and to collect cover charges. Such bars often feature entertainment, which may be a live band, vocalist, comedian, or disc jockey playing recorded music.
The form factor of a mobile phone is its size, shape, and style, as well as the layout and position of its major components. There are three major form factors – bar phones, flip phones, and sliders – as well as sub-categories of these forms and some atypical forms.
A bar (also known as a slab, block, candybar) phone takes the shape of a cuboid, usually with rounded corners and/or edges. The name is derived from the rough resemblance to a chocolate bar in size and shape. This form factor is widely used by a variety of manufacturers, such as Nokia and Sony Ericsson. Bar type mobile phones commonly have the screen and keypad on a single face. The Samsung SPH-M620 has a unique bar style, offering different devices on either side of the bar: a phone on one side, and a digital audio player on the other. Sony Ericsson also had a well-known 'MarsBar' phone model CM-H333.
Since mid 2010s, almost all the mobile phones come in bar form factor.
"Brick" is a slang term almost always used to refer to large, outdated bar-type phones, typically early mobile phones with large batteries and electronics. However, "brick" has more recently been applied to older phone models in general, including non-bar form factors (flip, slider, swivel, etc.), and even early touchscreen phones as well, due to their size and relative lack of functionality to newer models. Such early mobile phones, such as the Motorola DynaTAC, have been displaced by newer smaller models which offer greater portability thanks to smaller antennas and slimmer battery packs.
A bar association is a professional body of lawyers. Some bar associations are responsible for the regulation of the legal profession in their jurisdiction; others are professional organizations dedicated to serving their members; in many cases, they are both. In many Commonwealth jurisdictions, the bar association comprises lawyers who are qualified as barristers or advocates in particular, versus solicitors (see bar council). Membership in bar associations may be mandatory or optional for practicing attorneys, depending on jurisdiction.
The use of the term bar to mean "the whole body of lawyers, the legal profession" comes ultimately from English custom. In the early 16th century, a railing divided the hall in the Inns of Court, with students occupying the body of the hall and readers or benchers on the other side. Students who officially became lawyers crossed the symbolic physical barrier and were "admitted to the bar". Later, this was popularly assumed to mean the wooden railing marking off the area around the judge's seat in a courtroom, where prisoners stood for arraignment and where a barrister stood to plead. In modern courtrooms, a railing may still be in place to enclose the space which is occupied by legal counsel as well as the criminal defendants and civil litigants who have business pending before the court.
Jamiroquai - The Kids (Official Audio) Listen on Spotify: http://smarturl.it/JamiroReturn_Spotify Buy on iTunes: http://smarturl.it/JamiroReturn_iTunes Amazon: http://smarturl.it/JamiroReturn_Amazon Follow Jamiroquai Website: http://www.jamiroquai.co.uk/ Facebook: https://www.facebook.com/JamiroquaiOfficial/ Lyrics Now we're getting nasty. Everybody's talking about the kids The kids got funky soul and groove emotion But if you don't give the kids the chance to use it They're always more than likely to abuse it Everybody's talking about the kids It's taking time for you to realize Now hunger turns to anger in our eyes I say the revolution will be televised Yes it will, Gil Everybody's talking about the kids The kids needs space to get their heads in place And every day this world we hav...
This video was recorded 2 years ago. This song is VERY hard to play goodly. I hope you enjoy!
After allowing public circulation it's time to put Montreux 1995 DVD, the most famous Jamiroquai bootleg up on youtube, take it as an early Christmas present. Merry Xmas!
From The Return of the Space Cowboy album (1994), i dont own the song.
Montreux Jazz Fest recently released 3 vids of Jamiroquai's famous 1995 gig, this is the HD version of Kids already uploaded to my channel
Estupenda canción tocada por Jamiroquai en Astoria (Londres) en 1994. A great song played by Jamiroquai in Astoria (London) in 1994.
I do not own the rights to this track. Just sharing the good vibes.
25 years of Life Thru A Lens. Pre-order the brand new 25th anniversary editions of the debut album now: http://robbiewilliams.link/XXVLTAL Follow Robbie online: Sign up: http://RobbieWilliams.lnk.to/signup YouTube: http://RobbieWilliams.lnk.to/Watch Instagram: http://RobbieWilliams.lnk.to/Instagram Twitter: http://RobbieWilliams.lnk.to/Twitter Facebook: https://RobbieWilliams.lnk.to/Facebook Listen to more from Robbie: http://RobbieWilliams.lnk.to/ListenNow
Jamiroquai performing The Kids at Paléo Festival, Nyon, Switzerland - 20/07/2017
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Hey Bob I'm looking at what Jack was talking about and
it's definitely not a particle that's nearby.
It is a bright object and it's obviously rotating because it's flashing,
it's way out in the distance,
certainly rotating in a very rhythmic fashion because the flashes come around almost on time.
As we look back at the earth it's up at about 11 o'clock,
about maybe ten or twelve diameters.