Audrey

Audrey /ˈɔːdri/ is an English feminine given name. It is the Anglo-Norman form of the Anglo-Saxon name Æðelþryð, composed of the elements æðel "noble" and þryð "strength". The Anglo-Norman form of the name was applied to Saint Audrey (d. 679), also known by the historical form of her name as Saint Æthelthryth. The same name also survived into the modern period in its Anglo-Saxon form, as Etheldred, e.g. Etheldred Benett (1776–1845).

In the 17th century, the name of Saint Audrey gave rise to the adjective tawdry "cheap and pretentious; cheaply adorned" (after a fair of St. Audrey where cheap lace was sold). As a consequence, use of the name declined, but it was revived in the 19th century. Popularity of the name in the United States peaked in the interbellum period, but it fell below rank 100 in popularity by 1940 and was not frequently given in the later half of the 20th century; Audrey was the 173rd most common name for females in the United States in the 1990 census. its popularity has again been on the rise since the 2000s, reaching rank 100 in 2002 and rank 41 in 2012. It was also ranked in the top 100 most common names for girls in France, Belgium, and Canada in the 2000s.

Bleak

Bleak may refer to:

Fish

Music

People

See also

Jill Tracy

Jill Tracy is a singer, pianist, writer, composer, performance artist and "musical evocateur" based in San Francisco.

Known for her dark, evocative, cinematic style, Jill Tracy states that some of her biggest childhood influences were film score composers such as Bernard Herrmann, and classic suspense tales, including Alfred Hitchcock and Fritz Lang films, Ray Bradbury stories, and Rod Serling's The Twilight Zone. In an interview, she stated, "I learned from watching 'The Twilight Zone' that often it was what you didn’t see that really put the fear in you... How a story could evoke such emotion and response essentially revealing so little. I abide by that in my approach to music. It’s the breath, the spaces between the notes and the arrangements that make the work come alive. The Soul lives in the silence."

She thinks of her music as a portal, a "way-in" and calls this seductive and magical place she inhabits the "elegant side of the netherworld."

Jill Tracy is listed in San Francisco Magazine's Top 100 Creative Forces in the Bay Area, has been awarded "Best of the Bay" by the San Francisco Bay Guardian, and has been nominated for two California Music Awards and SF Weekly Music Awards. She was called "a femme fatale for the thinking man” by the San Francisco Chronicle, which is a moniker that is now frequently used to describe her.

Foyle's War (series 4)

Series 4 of the ITV programme Foyle's War was first aired in 2006; comprising two blocks of two episodes each, it is set in 1942 - 1943.

Episodes

Part 1

"Invasion"

"Bad Blood"

Part 2

"Bleak Midwinter"

"Casualties of War"

Historical context

Much of the episode's historical content was inspired by the invention of the bouncing bomb and the Dambusters raid of 1943, as portrayed in the film The Dam Busters. Writer Anthony Horowitz planned his story to "shadow" one aspect of the bomb's development; the episode depicts a group of scientists experimenting with a mechanism to put backspin on the bomb. The test sequence was designed to replicate the actual tests, including a depiction of the official cameraman, which allowed them to add in archive footage.

Another historical reference in this episode is the bombing of the Sandhurst Road School, in Catford, South East London, on 20 January 1943, in which 38 children and six teachers were killed, and some 60 other children and adults were injured.

In the Bleak Midwinter

"In the Bleak Midwinter" is a Christmas carol based on a poem by the English poet Christina Rossetti written before 1872 in response to a request from the magazine Scribner's Monthly for a Christmas poem. It was published posthumously in Rossetti's Poetic Works in 1904.

The poem became a Christmas carol after it appeared in The English Hymnal in 1906 with a setting by Gustav Holst.

Harold Darke's anthem setting of 1911 is more complex and was named the best Christmas carol in a poll of some of the world's leading choirmasters and choral experts in 2008.

Analysis

In verse one, Rossetti describes the physical circumstances of the Incarnation in Bethlehem. In verse two, Rossetti contrasts Christ's first and second coming. The third verse dwells on Christ's birth and describes the simple surroundings, in a humble stable and watched by beasts of burden. Rossetti achieves another contrast in the fourth verse, this time between the incorporeal angels attendant at Christ's birth with Mary's ability to render Jesus physical affection. This verse is omitted in the Harold Darke setting. The final verse shifts the description to a more introspective thought process. Darke repeats the last line in his setting.