- published: 11 Jun 2015
- views: 48
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Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from the 1920s. This is a delightful comedy, free-wheeling and fun, packed with clever routines that display both Buster's and Roscoe's talents to good advantage. Their characters are likable, violence is kept to a minimum, and even Al St. John comes off well. (Luckily, and unlike some of the other Comique shorts, The Bell Boy survives in good condition with decent picture quality and no obvious missing pieces.) It's clear that Buster himself held this effort in high regard, for he continued to rework its gags throughout his career. This was Keaton's eighth film appearance and his eighth with Arbuckle - out of 14 collaborations. 'Fatty' and Buster are both in fine form in this short feature. It has a couple slow stretches, and many of the scenes are only loosely connected, but it more than makes up for that with some great sequences. The duo of great comics are working as bellboys in a hotel, and they get involved in quite a few scrapes in just half an hour. There are a couple of great gadgets in the hotel that remind you of some of Keaton's later short features, and they get a lot of mileage from them. Watch also for a funny scene where 'Fatty' fills in as a barber.
Roscoe 'Fatty' Arbuckle ... Bellboy, barber
Buster Keaton ... Bellboy
Al St. John ... Desk Clerk
Director: Roscoe 'Fatty' Arbuckle
Writer: Roscoe 'Fatty' Arbuckle
Production Co: Comique Film Company
Release Date: 18 March 1918 (USA)
Ressources: Wikipedia.org, imdb.com
Soundtrack and dubbing: Cinemateca
The soundtrack is a derivative work of
Mister Exposition,Fensters Explanation,Gonna Start,Look Busy,Waltz of the Carnies,The Builder, Waunobe March, Winner Winner, Lamentation,The Bandit,Evil Plan FX,Iron Horse,Fun in a Bottle,Ashton Mannor
by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
- published: 22 Feb 2015
- views: 2183
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series).
Copyright: Nelson Mandela Centre of Memory
Produced: Umlando Wezithombe
- published: 27 Jun 2013
- views: 58375
Alistair1918 at Comic-Con 2016
A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity, he struggles to find way back to his wife in 1918. Participating panelists include Annie K. McVey (director/actor), Guy Birtwhistle (actor/writer/producer), and Amy Motta (Grey's Anatomy, Mad Men).
#alistair1918
https://vimeo.com/guybirtwhistle
- published: 24 Jul 2016
- views: 38
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing Farmer Alfalfa, Bobby Bumps, Col. Heeza Liar and other ongoing cartoon characters of earlier years. From the moment Felix first appeared, in Feline Follies (November 9, 1919), he was a hit — even tho he hadn't yet been given his name. In that film and his second, Musical Mews, he was called "Master Tom". It was only in the third, Adventures of Felix (1919) that he received his permanent name — and his long, long career was off.
According to the credits, Pat Sullivan, owner of the studio, was the guiding genius behind Felix — but in reality, the cartoons were the work of a young animator named Otto Messmer, who produced the entire four-minute debut all by himself, working at home on a freelance basis. Felix's success was a direct result of Messmer's great ability to create sight gags, and to express a character's personality through his own unique way of moving. Dozens of silent Felix cartoons were made, with increasing sophistication as the 1920s wore on.
When the talkies came in, Felix was quickly eclipsed by Disney's Mickey Mouse, who had made an early and successful transition to sound. The last silent Felix cartoon was the appropriately-titled The Last Life (1928). The Sullivan Studio, which never did embrace the new technology, went into decline. When Sullivan died, in 1933, it closed its doors. Messmer left animation to concentrate on comic strips about Felix, which he had started in 1923 (and which lasted until 1966).
Felix made a brief return to animation in 1936, when the Van Beuren Studio (Tom & Jerry (no, not that Tom & Jerry)) bought rights to the character. But the charm of the Messmer years was not recaptured, and the series ended after only three cartoons.
In 1960, Felix was revived once more, this time on TV, by producer Joe Oriolo. Oriolo, whose credits include Casper the Friendly Ghost and The Mighty Hercules, had worked as Messmer's assistant during the 1950s, and had taken over the Felix newspaper strip from him in 1954. It was this series that introduced Felix's now-famous "bag of tricks" — as well as the dastardly Professor, who coveted it. Voice actor Jack Mercer, whose best-known role was Popeye the Sailor, provided most of the voices in this series.
Meanwhile, Messmer's comics — first in the form of a newspaper strip distributed by King Features Syndicate and later, in 1943, as a regularly-published comic book — displayed his visual imagination and solid design sense to great effect, which is why the Messmer-drawn issues are highly prized by modern collectors. The comic book, which was published first by Dell Comics, then Toby Press, and finally Harvey Comics, ended in 1961. Dell started a new series a year later, but it lasted only 12 issues. Gladstone Comics published a thick album in 1991, reprinting Messmer's comic book art; and Fantagraphics did another album in '96, this one reprinting his newspaper comics from the 1920s. From 1991-93, Harvey Comics reprinted some of Messmer's stories in comic book form, but with very poor printing. Later in the '90s, the Oriolo family put out new, non-reprinted ones, with better production values.
In recent years, Felix has turned up occasionally in a new cartoon or comic strip — sometimes, unexpectedly enough, as a co-star with Betty Boop. The most recent was a Saturday morning animated series, which ran from 1995-97.
Unlike his contemporaries, animation's first break-out star has a lot of life still in him.
- published: 24 May 2016
- views: 100
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, and it was after the war that he began his career as illustrator and cartoonist. His death on the 15 March 1994 happened while he was at his drawing board creating an episode of Tex Willer.
Immediately after the War, Quinto began contributing picture strips to most of the top Italian comic journals such as Dinamite, Albi di Salgari, Festival and L'Intrepido. In 1946 he began drawing and lettering strips for Corrieri dei Piccoli.
Between 1954 and 1964 he worked on many English publications such as Treasure, World of Wonder, Princess Tina , Look and Learn, Tell me Why, Once Upon a Time, Playhour, Bobo and others for which he contributed colour illustrations for various historical pieces and childrens fables: Peter Pan and Wendy and Heidi (for Playhour:1958), Baron Munchausen, William Tell and others. He also drew some of the Robin Hood stories for Thriller Picture Library (TPL 130, 251, 275 , 287 and 303).
He left comics in 1965 to concentrate on illustration, only to return to drawing strips for the Italian comic journals in the late seventies. He resumed working for comics in collaboration with the Italian publisher Editrici creating the series of Tom Boy published in the Corrierre dei Piccolo . In 1976 he began a comic strip series of classic literature for Il Giornalino including such titles as The Wizard of Oz, Little Women, Tom Sawyer, The Thousand and One Nights, and many more.
Quinto's The Sword for Treasure, issued December 1967.
Courtesy: bookpalace.com
His last work was for Il Giornalino where his love of detail and historical accuracy can be seen in the series Issing of the River and Tex Willer.
In 2004 the Province of Milan honoured Quinto and his life-long friend Mario Uggeri simultaneously with the award of Spazi e colori della fantasia"
- published: 05 Sep 2012
- views: 348
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean what it means now; the dictionary definition of a "boob" was a stupid person, referred to in the comic sens.
Lawrence "Larry" Semon (February 9, 1889 – October 8, 1928) was an American actor, director, producer, and screenwriter during the silent film era. In his day, Semon was considered a major movie comedian, but he is now remembered mainly for working with both Stan Laurel and Oliver Hardy before they started working together.
After signing with Vitagraph, Semon worked behind the scenes as a scenario writer, director, and film producer for actor Hughie Mack's films. He occasionally cast himself in bit parts in the films he worked on. When Mack left Vitagraph, Semon began playing the lead roles. He usually played a white-faced goof in derby hat and overalls who would enter any given setting (a bakery, a restaurant, a construction site, a prison camp, etc.) and cause chaos, with people being covered with debris and property being destroyed. His short slapstick comedies were made and released quickly and prolifically, making Semon very familiar to moviegoers.
As his fame grew, his films expanded from one reel (about 12 minutes) to two reels, and Semon was given a free hand in making them. This became a dangerous policy because Semon became notorious for being expensive and extravagant: his two-reel comedies could easily cost more than an average five-reel feature film. As a former cartoonist, Semon staged similarly cartoony sight gags, using elaborate special effects. No gag was too big for Semon. He loved chase sequences involving airplanes (sometimes using three in a film), exploding barns, falling water towers, auto wrecks and/or explosions, and liberal use of substances in which to douse people. A typical Semon comedy might involve barrels of flour, sacks of soot, gallons of ink, gobs of jam, or pits filled with mud. For example, in Semon's The Bell Hop, a man sleeping under the spray of a malfunctioning fountain imagines he is swimming in the ocean, and in his sleep he dives off the bed, through the floor, and into a vat of paint in the lobby below. Oliver Hardy recalled in an interview that Semon, when staging his comedy short The Sawmill in a lumber camp, would not use traditional, painted stage sets. Instead, Semon insisted on building permanent log cabins complete with modern conveniences. The production budget soared, and his bosses at Vitagraph finally demanded that Semon become his own producer and underwrite his productions personally.
Semon tried to reverse his financial problems by entering the more lucrative field of feature films. He produced and starred in a few features in the mid '20s, but by 1927 he was back in short subjects released through Educational Pictures. After filing for bankruptcy in 1928, Semon returned to vaudeville. While traveling on the vaudeville circuit, he suffered a nervous breakdown and went back to Los Angeles.
After returning to Los Angeles, Semon was sent to a sanatorium in Victorville, California, where, on October 8, 1928, at the age of 39, he died of pneumonia and tuberculosis.
Ressources: Wikipedia.org, imdb.com
Soundtrack, special effects and dubbing: Cinemateca
The soundtrack is a derivative work of Fig Leaf Times Two, Comic Hero, Comic Plodding, Breaktime, Gold Rush, Work is Work FX by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
- published: 29 Feb 2016
- views: 1103
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to chase after the girl and the girl's efforts to rid herself of him. On this occasion they wind up in a cafeteria, which provides Stan with opportunities for comic business using food, table implements, etc. The gags seem random, as if improvised while the cameras were grinding. Stan borrows Chaplin's bit from the restaurant scene in The Immigrant, using salt & pepper shakers as binoculars, but when Charlie performed the gag it felt appropriate (he was making fun of Henry Bergman's florid gestures) whereas here it just feels forced; Stan's doing it because he needs to do something funny. Somewhat better is the routine where Stan samples almost all the food on offer, but then orders only a cup of coffee. Just Rambling Along is of moderate interest for silent comedy buffs, but serves primarily as evidence that Stan needed the partnership with Oliver Hardy to fully come into his own.
Casting notes: according to one reference source the cook behind the counter is Charley Chase, another reference (IMDB) points to Charley's look-alike brother James Parrott, sometimes known as Paul Parrott, who later starred in his own solo series of short comedies and eventually directed some of Laurel & Hardy's best films. The big cop who chases after Stan is Noah Young, who was featured in a number of Harold Lloyd shorts and features, while the chef is played by Bud Jamison, a rotund character actor who played in support of every major comedian of the era: everyone from Chaplin, Langdon and Keaton to the Three Stooges. Stan and Bud have a nice scene together in this film, and at one point Stan appears to break character and laugh at something Bud has said. The girl is Clarine Seymour.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
"Hustling for Health", 1919, directed by Franck Terry, cinematography Robert Doran, was the last comedy Stan Laurel made for Hal Roach's Rolin studios (he would return to Roach five years later and eventually team up with Oliver Hardy there). Stan misses the train that's supposed to take him on a vacation, so his friend (Frank Terry) offers to put him up for some rest and relaxation. Unfortunately, the friend's wife (Marie Mosquini) is a hardcore suffragette and she gives her husband an angry dressing down for bringing Stan home. A health inspector (Noah Young) orders the friend to clean up his backyard, and Stan is put to work at the chore. He empties the yard by tossing all the junk into the neighbor's yard, and when the wife refuses to make him lunch, he also steals the neighbor's food. The neighbor (Bud Jamison) comes over for lunch, and is none too pleased to discover that he is eating his own food. Stan beats a hasty retreat, but not before flirting with the neighbor's daughter.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
Stanley "Stan" Laurel (born Arthur Stanley Jefferson, 16 June 1890 -- 23 February 1965), was an English comic actor, writer and film director, famous as one half of the comedy team Laurel and Hardy. Laurel began his career in the British music hall where he took a number of his standard comic devices: the bowler hat, the deep comic gravity, and the nonsensical understatement. He was a member of "Fred Karno's Army" where he was Charlie Chaplin's understudy. The two arrived in the US on the same boat from Britain with the Karno troupe. His film acting career stretched between 1917 and 1951 and included a starring role in the Academy Award winning film The Music Box (1932).
In 1961, Laurel was given a Lifetime Achievement Academy Award for his pioneering work in comedy. He has a star on the Hollywood Walk of Fame at 7021 Hollywood Blvd. In a 2005 UK poll to find The Comedians' Comedian, Laurel and Hardy ranked top among best double acts and seventh overall. In 2009, a bronze statue of the duo was unveiled in Laurel's hometown of Ulverston, Cumbria.
Ressources: Wikipedia.org, imdb.com
New soundtrack and dubbing: CinemaHistoryChannel
Music: Kevin Mac Leod (incompetch.com) licensed under Creative Commons licence: Attribution 3.0 Unported (CC BY 3.0). http://creativecommons.org/licenses/by/3.0/
- published: 28 Apr 2014
- views: 3056
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente de un ex supervillano sea suficiente para asumir la responsablidad de la vida de Peter Parker?
Facebook: https://www.facebook.com/El-Batsi-1473988829576635/?ref=aymt_homepage_panel
El siguiente video mostrado es con fines de entretenimiento y no soy dueño o creador del arte que se muestra en el cual va directamente a sus respectivos autores o editoriales
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- published: 26 Oct 2015
- views: 7370
1918
1918 (MCMXVIII) was a common year starting on Tuesday (dominical letter F) of the Gregorian calendar and a common year starting on Monday (dominical letter G) of the Julian calendar, the 1918th year of the Common Era (CE) and Anno Domini (AD) designations, the 918th year of the 2nd millennium, the 18th year of the 20th century, and the 9th year of the 1910s decade. Note that the Julian day for 1918 is 13 calendar days difference, which continued to be used from 1582 until the complete conversion of the Gregorian calendar was entirely done in 1929.
Events
Below, events of World War I have the "WWI" prefix.
January
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/1918
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Nelson Mandela
Nelson Rolihlahla Mandela (/mænˈdɛlə/; born Rolihlahla Mandela (Xhosa pronunciation: [xoˈliːɬaɬa manˈdeːla]); 18 July 1918 – 5 December 2013) was a South African anti-apartheid revolutionary, politician, and philanthropist, who served as President of South Africa from 1994 to 1999. He was the country's first black chief executive, and the first elected in a fully representative democratic election. His government focused on dismantling the legacy of apartheid through tackling institutionalised racism and fostering racial reconciliation. Politically an African nationalist and democratic socialist, he served as President of the African National Congress (ANC) party from 1991 to 1997. Internationally, Mandela was Secretary General of the Non-Aligned Movement from 1998 to 1999.
A Xhosa born to the Thembu royal family, Mandela attended Fort Hare University and the University of Witwatersrand, where he studied law. Living in Johannesburg, he became involved in anti-colonial politics, joining the ANC and becoming a founding member of its Youth League. After the Afrikaner minority government of the National Party established apartheid – a system of racial segregation that privileged whites – in 1948, he rose to prominence in the ANC's 1952 anti-apartheid Defiance Campaign, was appointed superintendent of the organisation's Transvaal chapter and presided over the 1955 Congress of the People. Working as a lawyer, he was repeatedly arrested for seditious activities and, with the ANC leadership, was unsuccessfully prosecuted in the Treason Trial from 1956 to 1961. Influenced by Marxism, he secretly joined the South African Communist Party (SACP). Although initially committed to non-violent protest, in association with the SACP he co-founded the militant Umkhonto we Sizwe in 1961, leading a sabotage campaign against the government. In 1962, he was arrested, convicted of conspiracy to overthrow the state, and sentenced to life imprisonment in the Rivonia Trial.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Nelson_Mandela
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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56:06Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann -
22:00The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movieThe Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from the 1920s. This is a delightful comedy, free-wheeling and fun, packed with clever routines that display both Buster's and Roscoe's talents to good advantage. Their characters are likable, violence is kept to a minimum, and even Al St. John comes off well. (Luckily, and unlike some of the other Comique shorts, The Bell Boy survives in good condition with decent picture quality and no obvious missing pieces.) It's clear that Buster himself held this effort in high regard, for he continued to rework its gags throughout his career. This was Keaton's eighth film appearance and his eighth with Arbuckle - out of 14 collaborations. 'Fatty' and Buster are both in fine form in this short feature. It has a couple slow stretches, and many of the scenes are only loosely connected, but it more than makes up for that with some great sequences. The duo of great comics are working as bellboys in a hotel, and they get involved in quite a few scrapes in just half an hour. There are a couple of great gadgets in the hotel that remind you of some of Keaton's later short features, and they get a lot of mileage from them. Watch also for a funny scene where 'Fatty' fills in as a barber. Roscoe 'Fatty' Arbuckle ... Bellboy, barber Buster Keaton ... Bellboy Al St. John ... Desk Clerk Director: Roscoe 'Fatty' Arbuckle Writer: Roscoe 'Fatty' Arbuckle Production Co: Comique Film Company Release Date: 18 March 1918 (USA) Ressources: Wikipedia.org, imdb.com Soundtrack and dubbing: Cinemateca The soundtrack is a derivative work of Mister Exposition,Fensters Explanation,Gonna Start,Look Busy,Waltz of the Carnies,The Builder, Waunobe March, Winner Winner, Lamentation,The Bandit,Evil Plan FX,Iron Horse,Fun in a Bottle,Ashton Mannor by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music. -
2:20The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series). Copyright: Nelson Mandela Centre of Memory Produced: Umlando Wezithombe -
14:11Alistair1918 at Comic-Con 2016
Alistair1918 at Comic-Con 2016Alistair1918 at Comic-Con 2016
Alistair1918 at Comic-Con 2016 A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity, he struggles to find way back to his wife in 1918. Participating panelists include Annie K. McVey (director/actor), Guy Birtwhistle (actor/writer/producer), and Amy Motta (Grey's Anatomy, Mad Men). #alistair1918 https://vimeo.com/guybirtwhistle -
3:031918 Cartoon - Happy Hooligan - The Spider and the Fly
1918 Cartoon - Happy Hooligan - The Spider and the Fly -
4:19Feline Follies (1919) "1st Felix the Cat cartoon"
Feline Follies (1919) "1st Felix the Cat cartoon"Feline Follies (1919) "1st Felix the Cat cartoon"
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing Farmer Alfalfa, Bobby Bumps, Col. Heeza Liar and other ongoing cartoon characters of earlier years. From the moment Felix first appeared, in Feline Follies (November 9, 1919), he was a hit — even tho he hadn't yet been given his name. In that film and his second, Musical Mews, he was called "Master Tom". It was only in the third, Adventures of Felix (1919) that he received his permanent name — and his long, long career was off. According to the credits, Pat Sullivan, owner of the studio, was the guiding genius behind Felix — but in reality, the cartoons were the work of a young animator named Otto Messmer, who produced the entire four-minute debut all by himself, working at home on a freelance basis. Felix's success was a direct result of Messmer's great ability to create sight gags, and to express a character's personality through his own unique way of moving. Dozens of silent Felix cartoons were made, with increasing sophistication as the 1920s wore on. When the talkies came in, Felix was quickly eclipsed by Disney's Mickey Mouse, who had made an early and successful transition to sound. The last silent Felix cartoon was the appropriately-titled The Last Life (1928). The Sullivan Studio, which never did embrace the new technology, went into decline. When Sullivan died, in 1933, it closed its doors. Messmer left animation to concentrate on comic strips about Felix, which he had started in 1923 (and which lasted until 1966). Felix made a brief return to animation in 1936, when the Van Beuren Studio (Tom & Jerry (no, not that Tom & Jerry)) bought rights to the character. But the charm of the Messmer years was not recaptured, and the series ended after only three cartoons. In 1960, Felix was revived once more, this time on TV, by producer Joe Oriolo. Oriolo, whose credits include Casper the Friendly Ghost and The Mighty Hercules, had worked as Messmer's assistant during the 1950s, and had taken over the Felix newspaper strip from him in 1954. It was this series that introduced Felix's now-famous "bag of tricks" — as well as the dastardly Professor, who coveted it. Voice actor Jack Mercer, whose best-known role was Popeye the Sailor, provided most of the voices in this series. Meanwhile, Messmer's comics — first in the form of a newspaper strip distributed by King Features Syndicate and later, in 1943, as a regularly-published comic book — displayed his visual imagination and solid design sense to great effect, which is why the Messmer-drawn issues are highly prized by modern collectors. The comic book, which was published first by Dell Comics, then Toby Press, and finally Harvey Comics, ended in 1961. Dell started a new series a year later, but it lasted only 12 issues. Gladstone Comics published a thick album in 1991, reprinting Messmer's comic book art; and Fantagraphics did another album in '96, this one reprinting his newspaper comics from the 1920s. From 1991-93, Harvey Comics reprinted some of Messmer's stories in comic book form, but with very poor printing. Later in the '90s, the Oriolo family put out new, non-reprinted ones, with better production values. In recent years, Felix has turned up occasionally in a new cartoon or comic strip — sometimes, unexpectedly enough, as a co-star with Betty Boop. The most recent was a Saturday morning animated series, which ran from 1995-97. Unlike his contemporaries, animation's first break-out star has a lot of life still in him. -
7:04Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics)Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics) Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, and it was after the war that he began his career as illustrator and cartoonist. His death on the 15 March 1994 happened while he was at his drawing board creating an episode of Tex Willer. Immediately after the War, Quinto began contributing picture strips to most of the top Italian comic journals such as Dinamite, Albi di Salgari, Festival and L'Intrepido. In 1946 he began drawing and lettering strips for Corrieri dei Piccoli. Between 1954 and 1964 he worked on many English publications such as Treasure, World of Wonder, Princess Tina , Look and Learn, Tell me Why, Once Upon a Time, Playhour, Bobo and others for which he contributed colour illustrations for various historical pieces and childrens fables: Peter Pan and Wendy and Heidi (for Playhour:1958), Baron Munchausen, William Tell and others. He also drew some of the Robin Hood stories for Thriller Picture Library (TPL 130, 251, 275 , 287 and 303). He left comics in 1965 to concentrate on illustration, only to return to drawing strips for the Italian comic journals in the late seventies. He resumed working for comics in collaboration with the Italian publisher Editrici creating the series of Tom Boy published in the Corrierre dei Piccolo . In 1976 he began a comic strip series of classic literature for Il Giornalino including such titles as The Wizard of Oz, Little Women, Tom Sawyer, The Thousand and One Nights, and many more. Quinto's The Sword for Treasure, issued December 1967. Courtesy: bookpalace.com His last work was for Il Giornalino where his love of detail and historical accuracy can be seen in the series Issing of the River and Tex Willer. In 2004 the Province of Milan honoured Quinto and his life-long friend Mario Uggeri simultaneously with the award of Spazi e colori della fantasia" -
11:03Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movieBathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean what it means now; the dictionary definition of a "boob" was a stupid person, referred to in the comic sens. Lawrence "Larry" Semon (February 9, 1889 – October 8, 1928) was an American actor, director, producer, and screenwriter during the silent film era. In his day, Semon was considered a major movie comedian, but he is now remembered mainly for working with both Stan Laurel and Oliver Hardy before they started working together. After signing with Vitagraph, Semon worked behind the scenes as a scenario writer, director, and film producer for actor Hughie Mack's films. He occasionally cast himself in bit parts in the films he worked on. When Mack left Vitagraph, Semon began playing the lead roles. He usually played a white-faced goof in derby hat and overalls who would enter any given setting (a bakery, a restaurant, a construction site, a prison camp, etc.) and cause chaos, with people being covered with debris and property being destroyed. His short slapstick comedies were made and released quickly and prolifically, making Semon very familiar to moviegoers. As his fame grew, his films expanded from one reel (about 12 minutes) to two reels, and Semon was given a free hand in making them. This became a dangerous policy because Semon became notorious for being expensive and extravagant: his two-reel comedies could easily cost more than an average five-reel feature film. As a former cartoonist, Semon staged similarly cartoony sight gags, using elaborate special effects. No gag was too big for Semon. He loved chase sequences involving airplanes (sometimes using three in a film), exploding barns, falling water towers, auto wrecks and/or explosions, and liberal use of substances in which to douse people. A typical Semon comedy might involve barrels of flour, sacks of soot, gallons of ink, gobs of jam, or pits filled with mud. For example, in Semon's The Bell Hop, a man sleeping under the spray of a malfunctioning fountain imagines he is swimming in the ocean, and in his sleep he dives off the bed, through the floor, and into a vat of paint in the lobby below. Oliver Hardy recalled in an interview that Semon, when staging his comedy short The Sawmill in a lumber camp, would not use traditional, painted stage sets. Instead, Semon insisted on building permanent log cabins complete with modern conveniences. The production budget soared, and his bosses at Vitagraph finally demanded that Semon become his own producer and underwrite his productions personally. Semon tried to reverse his financial problems by entering the more lucrative field of feature films. He produced and starred in a few features in the mid '20s, but by 1927 he was back in short subjects released through Educational Pictures. After filing for bankruptcy in 1928, Semon returned to vaudeville. While traveling on the vaudeville circuit, he suffered a nervous breakdown and went back to Los Angeles. After returning to Los Angeles, Semon was sent to a sanatorium in Victorville, California, where, on October 8, 1928, at the age of 39, he died of pneumonia and tuberculosis. Ressources: Wikipedia.org, imdb.com Soundtrack, special effects and dubbing: Cinemateca The soundtrack is a derivative work of Fig Leaf Times Two, Comic Hero, Comic Plodding, Breaktime, Gold Rush, Work is Work FX by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music. -
18:48Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full moviesStan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to chase after the girl and the girl's efforts to rid herself of him. On this occasion they wind up in a cafeteria, which provides Stan with opportunities for comic business using food, table implements, etc. The gags seem random, as if improvised while the cameras were grinding. Stan borrows Chaplin's bit from the restaurant scene in The Immigrant, using salt & pepper shakers as binoculars, but when Charlie performed the gag it felt appropriate (he was making fun of Henry Bergman's florid gestures) whereas here it just feels forced; Stan's doing it because he needs to do something funny. Somewhat better is the routine where Stan samples almost all the food on offer, but then orders only a cup of coffee. Just Rambling Along is of moderate interest for silent comedy buffs, but serves primarily as evidence that Stan needed the partnership with Oliver Hardy to fully come into his own. Casting notes: according to one reference source the cook behind the counter is Charley Chase, another reference (IMDB) points to Charley's look-alike brother James Parrott, sometimes known as Paul Parrott, who later starred in his own solo series of short comedies and eventually directed some of Laurel & Hardy's best films. The big cop who chases after Stan is Noah Young, who was featured in a number of Harold Lloyd shorts and features, while the chef is played by Bud Jamison, a rotund character actor who played in support of every major comedian of the era: everyone from Chaplin, Langdon and Keaton to the Three Stooges. Stan and Bud have a nice scene together in this film, and at one point Stan appears to break character and laugh at something Bud has said. The girl is Clarine Seymour. Production Co: Rolin Films, 300 m, 1 reel ---------------------------------------------------------------------------------------- "Hustling for Health", 1919, directed by Franck Terry, cinematography Robert Doran, was the last comedy Stan Laurel made for Hal Roach's Rolin studios (he would return to Roach five years later and eventually team up with Oliver Hardy there). Stan misses the train that's supposed to take him on a vacation, so his friend (Frank Terry) offers to put him up for some rest and relaxation. Unfortunately, the friend's wife (Marie Mosquini) is a hardcore suffragette and she gives her husband an angry dressing down for bringing Stan home. A health inspector (Noah Young) orders the friend to clean up his backyard, and Stan is put to work at the chore. He empties the yard by tossing all the junk into the neighbor's yard, and when the wife refuses to make him lunch, he also steals the neighbor's food. The neighbor (Bud Jamison) comes over for lunch, and is none too pleased to discover that he is eating his own food. Stan beats a hasty retreat, but not before flirting with the neighbor's daughter. Production Co: Rolin Films, 300 m, 1 reel ---------------------------------------------------------------------------------------- Stanley "Stan" Laurel (born Arthur Stanley Jefferson, 16 June 1890 -- 23 February 1965), was an English comic actor, writer and film director, famous as one half of the comedy team Laurel and Hardy. Laurel began his career in the British music hall where he took a number of his standard comic devices: the bowler hat, the deep comic gravity, and the nonsensical understatement. He was a member of "Fred Karno's Army" where he was Charlie Chaplin's understudy. The two arrived in the US on the same boat from Britain with the Karno troupe. His film acting career stretched between 1917 and 1951 and included a starring role in the Academy Award winning film The Music Box (1932). In 1961, Laurel was given a Lifetime Achievement Academy Award for his pioneering work in comedy. He has a star on the Hollywood Walk of Fame at 7021 Hollywood Blvd. In a 2005 UK poll to find The Comedians' Comedian, Laurel and Hardy ranked top among best double acts and seventh overall. In 2009, a bronze statue of the duo was unveiled in Laurel's hometown of Ulverston, Cumbria. Ressources: Wikipedia.org, imdb.com New soundtrack and dubbing: CinemaHistoryChannel Music: Kevin Mac Leod (incompetch.com) licensed under Creative Commons licence: Attribution 3.0 Unported (CC BY 3.0). http://creativecommons.org/licenses/by/3.0/ -
17:02Superior Spiderman (Spiderman Superior) Comic narrado
Superior Spiderman (Spiderman Superior) Comic narradoSuperior Spiderman (Spiderman Superior) Comic narrado
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente de un ex supervillano sea suficiente para asumir la responsablidad de la vida de Peter Parker? Facebook: https://www.facebook.com/El-Batsi-1473988829576635/?ref=aymt_homepage_panel El siguiente video mostrado es con fines de entretenimiento y no soy dueño o creador del arte que se muestra en el cual va directamente a sus respectivos autores o editoriales ------------------------------------------Tags Ignorar--------------------------------------- paginas para descargar comics comics marvel descarga descargar cómics comics full español como ver online cualquier comic ver comics online leer comcis online descargar comics programas para leer comics full como descargar comics en español como descargar comics gratis batman vs el guason Batman vs superman peliculas de batman lo mejor de batman comic en español comic narrado comis en español la muerte de batman curiosidades de batman la broma asesina red hood en español el orien del guason quien a vencido a batman la broma asesina en español batman inicia curiosidades del guason la corte de los buhos batman vs superman trailer civil war el oscuro origen del guason el origen del joker wonder woman deadpool superior spiderman superior spiderman comic superior spiderman en español la muerte de peter parker la muerte del doctor octopus la muerte del dock oct spiderman mata spiderman mato el duende verde la muerte de qwen stacy la muerte de mary jane capitulo perdido de spiderman spiderman creeypasta
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Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann -
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from the 1920s. This is a delightful comedy, free-wheeling and fun, packed with clever routines that display both Buster's and Roscoe's talents to good advantage. Their characters are likable, violence is kept to a minimum, and even Al St. John comes off well. (Luckily, and unlike some of the other Comique shorts, The Bell Boy survives in good condition with decent picture quality and no obvious missing pieces.) It's clear that Buster himself held this effort in high regard, for he continued to rework its gags throughout his career. This was Keaton's eighth film appearance and his eighth with Arbuckle - out of 14 collaborations. 'Fatty' ... -
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series). Copyright: Nelson Mandela Centre of Memory Produced: Umlando Wezithombe -
Alistair1918 at Comic-Con 2016
Alistair1918 at Comic-Con 2016 A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity, he struggles to find way back to his wife in 1918. Participating panelists include Annie K. McVey (director/actor), Guy Birtwhistle (actor/writer/producer), and Amy Motta (Grey's Anatomy, Mad Men). #alistair1918 https://vimeo.com/guybirtwhistle -
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Feline Follies (1919) "1st Felix the Cat cartoon"
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing Farmer Alfalfa, Bobby Bumps, Col. Heeza Liar and other ongoing cartoon characters of earlier years. From the moment Felix first appeared, in Feline Follies (November 9, 1919), he was a hit — even tho he hadn't yet been given his name. In that film and his second, Musical Mews, he was called "Master Tom". It was only in the third, Adventures of Felix (1919) that he received his permanent name — and his long, long career was off. According to the credits, Pat Sullivan, owner of the studio, was the guiding genius behind Felix — but in reality, the cartoons were the work of a young animator named Otto Messmer, who produced the entire fo... -
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics) Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, and it was after the war that he began his career as illustrator and cartoonist. His death on the 15 March 1994 happened while he was at his drawing board creating an episode of Tex Willer. Immediately after the War, Quinto began contributing picture strips to most of the top Italian comic journals such as Dinamite, Albi di Salgari, Festival and L'Intrepido. In 1946 he began drawing and lettering strips for Corrieri dei Piccoli. Between 1954 and 1964 he worked on many English publications such as Treasure, World of Wonder, Princess Tina , Look and Learn, Tell me Why, Once Upon a Time, Playhour, Bobo and others for which he co... -
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean what it means now; the dictionary definition of a "boob" was a stupid person, referred to in the comic sens. Lawrence "Larry" Semon (February 9, 1889 – October 8, 1928) was an American actor, director, producer, and screenwriter during the silent film era. In his day, Semon was considered a major movie comedian, but he is now remembered mainly for working with both Stan Laurel and Oliver Hardy before they started working together. After signing with Vitagraph, Semon worked behind the scenes as a scenario writer, director, and film producer for actor Hughie Mack's films. He occasionally cast himself in bit parts in the films he work... -
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to chase after the girl and the girl's efforts to rid herself of him. On this occasion they wind up in a cafeteria, which provides Stan with opportunities for comic business using food, table implements, etc. The gags seem random, as if improvised while the cameras were grinding. Stan borrows Chaplin's bit from the restaurant scene in The Immigrant, using salt & pepper shakers as binoculars, but when Charlie performed the gag it felt appropriate (he was making fun of Henry Bergman's florid gestures) whereas here it just feels forced; Stan's doing it because he needs to do something funny. Somewhat better is the routine where Stan sample... -
Superior Spiderman (Spiderman Superior) Comic narrado
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente de un ex supervillano sea suficiente para asumir la responsablidad de la vida de Peter Parker? Facebook: https://www.facebook.com/El-Batsi-1473988829576635/?ref=aymt_homepage_panel El siguiente video mostrado es con fines de entretenimiento y no soy dueño o creador del arte que se muestra en el cual va directamente a sus respectivos autores o editoriales ------------------------------------------Tags Ignorar--------------------------------------- paginas para descargar comics comics marvel descarga descargar cómics comics full español como ver online cualquier comic ver comics online leer comcis online descargar comics p...
Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
- Order: Reorder
- Duration: 56:06
- Updated: 11 Jun 2015
- views: 48
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann
wn.com/Britische Comics Zwischen 1066 Und 1918 Comicfestival München 2015
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 1918. – Vortrag von Eckart Sackmann
- published: 11 Jun 2015
- views: 48
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
- Order: Reorder
- Duration: 22:00
- Updated: 22 Feb 2015
- views: 2183
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from ...
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from the 1920s. This is a delightful comedy, free-wheeling and fun, packed with clever routines that display both Buster's and Roscoe's talents to good advantage. Their characters are likable, violence is kept to a minimum, and even Al St. John comes off well. (Luckily, and unlike some of the other Comique shorts, The Bell Boy survives in good condition with decent picture quality and no obvious missing pieces.) It's clear that Buster himself held this effort in high regard, for he continued to rework its gags throughout his career. This was Keaton's eighth film appearance and his eighth with Arbuckle - out of 14 collaborations. 'Fatty' and Buster are both in fine form in this short feature. It has a couple slow stretches, and many of the scenes are only loosely connected, but it more than makes up for that with some great sequences. The duo of great comics are working as bellboys in a hotel, and they get involved in quite a few scrapes in just half an hour. There are a couple of great gadgets in the hotel that remind you of some of Keaton's later short features, and they get a lot of mileage from them. Watch also for a funny scene where 'Fatty' fills in as a barber.
Roscoe 'Fatty' Arbuckle ... Bellboy, barber
Buster Keaton ... Bellboy
Al St. John ... Desk Clerk
Director: Roscoe 'Fatty' Arbuckle
Writer: Roscoe 'Fatty' Arbuckle
Production Co: Comique Film Company
Release Date: 18 March 1918 (USA)
Ressources: Wikipedia.org, imdb.com
Soundtrack and dubbing: Cinemateca
The soundtrack is a derivative work of
Mister Exposition,Fensters Explanation,Gonna Start,Look Busy,Waltz of the Carnies,The Builder, Waunobe March, Winner Winner, Lamentation,The Bandit,Evil Plan FX,Iron Horse,Fun in a Bottle,Ashton Mannor
by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
wn.com/The Bell Boy 1918 “Fatty” Arbuckle And Buster Keaton A Delightful Short Comedy –Classic Silent Movie
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any period and ranks just a notch or so beneath Keaton's top solo shorts from the 1920s. This is a delightful comedy, free-wheeling and fun, packed with clever routines that display both Buster's and Roscoe's talents to good advantage. Their characters are likable, violence is kept to a minimum, and even Al St. John comes off well. (Luckily, and unlike some of the other Comique shorts, The Bell Boy survives in good condition with decent picture quality and no obvious missing pieces.) It's clear that Buster himself held this effort in high regard, for he continued to rework its gags throughout his career. This was Keaton's eighth film appearance and his eighth with Arbuckle - out of 14 collaborations. 'Fatty' and Buster are both in fine form in this short feature. It has a couple slow stretches, and many of the scenes are only loosely connected, but it more than makes up for that with some great sequences. The duo of great comics are working as bellboys in a hotel, and they get involved in quite a few scrapes in just half an hour. There are a couple of great gadgets in the hotel that remind you of some of Keaton's later short features, and they get a lot of mileage from them. Watch also for a funny scene where 'Fatty' fills in as a barber.
Roscoe 'Fatty' Arbuckle ... Bellboy, barber
Buster Keaton ... Bellboy
Al St. John ... Desk Clerk
Director: Roscoe 'Fatty' Arbuckle
Writer: Roscoe 'Fatty' Arbuckle
Production Co: Comique Film Company
Release Date: 18 March 1918 (USA)
Ressources: Wikipedia.org, imdb.com
Soundtrack and dubbing: Cinemateca
The soundtrack is a derivative work of
Mister Exposition,Fensters Explanation,Gonna Start,Look Busy,Waltz of the Carnies,The Builder, Waunobe March, Winner Winner, Lamentation,The Bandit,Evil Plan FX,Iron Horse,Fun in a Bottle,Ashton Mannor
by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
- published: 22 Feb 2015
- views: 2183
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
- Order: Reorder
- Duration: 2:20
- Updated: 27 Jun 2013
- views: 58375
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series).
Copyright: Nelson Mandela Centre of Memory
Produced: Umlando Wezithombe
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series).
Copyright: Nelson Mandela Centre of Memory
Produced: Umlando Wezithombe
wn.com/The Life And Times Of Nelson Mandela Part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series).
Copyright: Nelson Mandela Centre of Memory
Produced: Umlando Wezithombe
- published: 27 Jun 2013
- views: 58375
Alistair1918 at Comic-Con 2016
- Order: Reorder
- Duration: 14:11
- Updated: 24 Jul 2016
- views: 38
Alistair1918 at Comic-Con 2016
A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity...
Alistair1918 at Comic-Con 2016
A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity, he struggles to find way back to his wife in 1918. Participating panelists include Annie K. McVey (director/actor), Guy Birtwhistle (actor/writer/producer), and Amy Motta (Grey's Anatomy, Mad Men).
#alistair1918
https://vimeo.com/guybirtwhistle
wn.com/Alistair1918 At Comic Con 2016
Alistair1918 at Comic-Con 2016
A World War I soldier accidentally time travels to present-day Los Angeles. Filthy, penniless, with no way to prove his identity, he struggles to find way back to his wife in 1918. Participating panelists include Annie K. McVey (director/actor), Guy Birtwhistle (actor/writer/producer), and Amy Motta (Grey's Anatomy, Mad Men).
#alistair1918
https://vimeo.com/guybirtwhistle
- published: 24 Jul 2016
- views: 38
1918 Cartoon - Happy Hooligan - The Spider and the Fly
- Order: Reorder
- Duration: 3:03
- Updated: 29 Sep 2011
- views: 4696
Feline Follies (1919) "1st Felix the Cat cartoon"
- Order: Reorder
- Duration: 4:19
- Updated: 24 May 2016
- views: 100
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing F...
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing Farmer Alfalfa, Bobby Bumps, Col. Heeza Liar and other ongoing cartoon characters of earlier years. From the moment Felix first appeared, in Feline Follies (November 9, 1919), he was a hit — even tho he hadn't yet been given his name. In that film and his second, Musical Mews, he was called "Master Tom". It was only in the third, Adventures of Felix (1919) that he received his permanent name — and his long, long career was off.
According to the credits, Pat Sullivan, owner of the studio, was the guiding genius behind Felix — but in reality, the cartoons were the work of a young animator named Otto Messmer, who produced the entire four-minute debut all by himself, working at home on a freelance basis. Felix's success was a direct result of Messmer's great ability to create sight gags, and to express a character's personality through his own unique way of moving. Dozens of silent Felix cartoons were made, with increasing sophistication as the 1920s wore on.
When the talkies came in, Felix was quickly eclipsed by Disney's Mickey Mouse, who had made an early and successful transition to sound. The last silent Felix cartoon was the appropriately-titled The Last Life (1928). The Sullivan Studio, which never did embrace the new technology, went into decline. When Sullivan died, in 1933, it closed its doors. Messmer left animation to concentrate on comic strips about Felix, which he had started in 1923 (and which lasted until 1966).
Felix made a brief return to animation in 1936, when the Van Beuren Studio (Tom & Jerry (no, not that Tom & Jerry)) bought rights to the character. But the charm of the Messmer years was not recaptured, and the series ended after only three cartoons.
In 1960, Felix was revived once more, this time on TV, by producer Joe Oriolo. Oriolo, whose credits include Casper the Friendly Ghost and The Mighty Hercules, had worked as Messmer's assistant during the 1950s, and had taken over the Felix newspaper strip from him in 1954. It was this series that introduced Felix's now-famous "bag of tricks" — as well as the dastardly Professor, who coveted it. Voice actor Jack Mercer, whose best-known role was Popeye the Sailor, provided most of the voices in this series.
Meanwhile, Messmer's comics — first in the form of a newspaper strip distributed by King Features Syndicate and later, in 1943, as a regularly-published comic book — displayed his visual imagination and solid design sense to great effect, which is why the Messmer-drawn issues are highly prized by modern collectors. The comic book, which was published first by Dell Comics, then Toby Press, and finally Harvey Comics, ended in 1961. Dell started a new series a year later, but it lasted only 12 issues. Gladstone Comics published a thick album in 1991, reprinting Messmer's comic book art; and Fantagraphics did another album in '96, this one reprinting his newspaper comics from the 1920s. From 1991-93, Harvey Comics reprinted some of Messmer's stories in comic book form, but with very poor printing. Later in the '90s, the Oriolo family put out new, non-reprinted ones, with better production values.
In recent years, Felix has turned up occasionally in a new cartoon or comic strip — sometimes, unexpectedly enough, as a co-star with Betty Boop. The most recent was a Saturday morning animated series, which ran from 1995-97.
Unlike his contemporaries, animation's first break-out star has a lot of life still in him.
wn.com/Feline Follies (1919) 1St Felix The Cat Cartoon
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" (1918.) Felix the Cat was animation's first superstar, far eclipsing Farmer Alfalfa, Bobby Bumps, Col. Heeza Liar and other ongoing cartoon characters of earlier years. From the moment Felix first appeared, in Feline Follies (November 9, 1919), he was a hit — even tho he hadn't yet been given his name. In that film and his second, Musical Mews, he was called "Master Tom". It was only in the third, Adventures of Felix (1919) that he received his permanent name — and his long, long career was off.
According to the credits, Pat Sullivan, owner of the studio, was the guiding genius behind Felix — but in reality, the cartoons were the work of a young animator named Otto Messmer, who produced the entire four-minute debut all by himself, working at home on a freelance basis. Felix's success was a direct result of Messmer's great ability to create sight gags, and to express a character's personality through his own unique way of moving. Dozens of silent Felix cartoons were made, with increasing sophistication as the 1920s wore on.
When the talkies came in, Felix was quickly eclipsed by Disney's Mickey Mouse, who had made an early and successful transition to sound. The last silent Felix cartoon was the appropriately-titled The Last Life (1928). The Sullivan Studio, which never did embrace the new technology, went into decline. When Sullivan died, in 1933, it closed its doors. Messmer left animation to concentrate on comic strips about Felix, which he had started in 1923 (and which lasted until 1966).
Felix made a brief return to animation in 1936, when the Van Beuren Studio (Tom & Jerry (no, not that Tom & Jerry)) bought rights to the character. But the charm of the Messmer years was not recaptured, and the series ended after only three cartoons.
In 1960, Felix was revived once more, this time on TV, by producer Joe Oriolo. Oriolo, whose credits include Casper the Friendly Ghost and The Mighty Hercules, had worked as Messmer's assistant during the 1950s, and had taken over the Felix newspaper strip from him in 1954. It was this series that introduced Felix's now-famous "bag of tricks" — as well as the dastardly Professor, who coveted it. Voice actor Jack Mercer, whose best-known role was Popeye the Sailor, provided most of the voices in this series.
Meanwhile, Messmer's comics — first in the form of a newspaper strip distributed by King Features Syndicate and later, in 1943, as a regularly-published comic book — displayed his visual imagination and solid design sense to great effect, which is why the Messmer-drawn issues are highly prized by modern collectors. The comic book, which was published first by Dell Comics, then Toby Press, and finally Harvey Comics, ended in 1961. Dell started a new series a year later, but it lasted only 12 issues. Gladstone Comics published a thick album in 1991, reprinting Messmer's comic book art; and Fantagraphics did another album in '96, this one reprinting his newspaper comics from the 1920s. From 1991-93, Harvey Comics reprinted some of Messmer's stories in comic book form, but with very poor printing. Later in the '90s, the Oriolo family put out new, non-reprinted ones, with better production values.
In recent years, Felix has turned up occasionally in a new cartoon or comic strip — sometimes, unexpectedly enough, as a co-star with Betty Boop. The most recent was a Saturday morning animated series, which ran from 1995-97.
Unlike his contemporaries, animation's first break-out star has a lot of life still in him.
- published: 24 May 2016
- views: 100
Nadir Quinto - Italian Comic Artist (Classics)
- Order: Reorder
- Duration: 7:04
- Updated: 05 Sep 2012
- views: 348
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, ...
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, and it was after the war that he began his career as illustrator and cartoonist. His death on the 15 March 1994 happened while he was at his drawing board creating an episode of Tex Willer.
Immediately after the War, Quinto began contributing picture strips to most of the top Italian comic journals such as Dinamite, Albi di Salgari, Festival and L'Intrepido. In 1946 he began drawing and lettering strips for Corrieri dei Piccoli.
Between 1954 and 1964 he worked on many English publications such as Treasure, World of Wonder, Princess Tina , Look and Learn, Tell me Why, Once Upon a Time, Playhour, Bobo and others for which he contributed colour illustrations for various historical pieces and childrens fables: Peter Pan and Wendy and Heidi (for Playhour:1958), Baron Munchausen, William Tell and others. He also drew some of the Robin Hood stories for Thriller Picture Library (TPL 130, 251, 275 , 287 and 303).
He left comics in 1965 to concentrate on illustration, only to return to drawing strips for the Italian comic journals in the late seventies. He resumed working for comics in collaboration with the Italian publisher Editrici creating the series of Tom Boy published in the Corrierre dei Piccolo . In 1976 he began a comic strip series of classic literature for Il Giornalino including such titles as The Wizard of Oz, Little Women, Tom Sawyer, The Thousand and One Nights, and many more.
Quinto's The Sword for Treasure, issued December 1967.
Courtesy: bookpalace.com
His last work was for Il Giornalino where his love of detail and historical accuracy can be seen in the series Issing of the River and Tex Willer.
In 2004 the Province of Milan honoured Quinto and his life-long friend Mario Uggeri simultaneously with the award of Spazi e colori della fantasia"
wn.com/Nadir Quinto Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto was born in Milan, Italy on 26 November 1918. He attended the "Accademia di Belle Arti of Brera, and it was after the war that he began his career as illustrator and cartoonist. His death on the 15 March 1994 happened while he was at his drawing board creating an episode of Tex Willer.
Immediately after the War, Quinto began contributing picture strips to most of the top Italian comic journals such as Dinamite, Albi di Salgari, Festival and L'Intrepido. In 1946 he began drawing and lettering strips for Corrieri dei Piccoli.
Between 1954 and 1964 he worked on many English publications such as Treasure, World of Wonder, Princess Tina , Look and Learn, Tell me Why, Once Upon a Time, Playhour, Bobo and others for which he contributed colour illustrations for various historical pieces and childrens fables: Peter Pan and Wendy and Heidi (for Playhour:1958), Baron Munchausen, William Tell and others. He also drew some of the Robin Hood stories for Thriller Picture Library (TPL 130, 251, 275 , 287 and 303).
He left comics in 1965 to concentrate on illustration, only to return to drawing strips for the Italian comic journals in the late seventies. He resumed working for comics in collaboration with the Italian publisher Editrici creating the series of Tom Boy published in the Corrierre dei Piccolo . In 1976 he began a comic strip series of classic literature for Il Giornalino including such titles as The Wizard of Oz, Little Women, Tom Sawyer, The Thousand and One Nights, and many more.
Quinto's The Sword for Treasure, issued December 1967.
Courtesy: bookpalace.com
His last work was for Il Giornalino where his love of detail and historical accuracy can be seen in the series Issing of the River and Tex Willer.
In 2004 the Province of Milan honoured Quinto and his life-long friend Mario Uggeri simultaneously with the award of Spazi e colori della fantasia"
- published: 05 Sep 2012
- views: 348
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
- Order: Reorder
- Duration: 11:03
- Updated: 29 Feb 2016
- views: 1103
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean w...
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean what it means now; the dictionary definition of a "boob" was a stupid person, referred to in the comic sens.
Lawrence "Larry" Semon (February 9, 1889 – October 8, 1928) was an American actor, director, producer, and screenwriter during the silent film era. In his day, Semon was considered a major movie comedian, but he is now remembered mainly for working with both Stan Laurel and Oliver Hardy before they started working together.
After signing with Vitagraph, Semon worked behind the scenes as a scenario writer, director, and film producer for actor Hughie Mack's films. He occasionally cast himself in bit parts in the films he worked on. When Mack left Vitagraph, Semon began playing the lead roles. He usually played a white-faced goof in derby hat and overalls who would enter any given setting (a bakery, a restaurant, a construction site, a prison camp, etc.) and cause chaos, with people being covered with debris and property being destroyed. His short slapstick comedies were made and released quickly and prolifically, making Semon very familiar to moviegoers.
As his fame grew, his films expanded from one reel (about 12 minutes) to two reels, and Semon was given a free hand in making them. This became a dangerous policy because Semon became notorious for being expensive and extravagant: his two-reel comedies could easily cost more than an average five-reel feature film. As a former cartoonist, Semon staged similarly cartoony sight gags, using elaborate special effects. No gag was too big for Semon. He loved chase sequences involving airplanes (sometimes using three in a film), exploding barns, falling water towers, auto wrecks and/or explosions, and liberal use of substances in which to douse people. A typical Semon comedy might involve barrels of flour, sacks of soot, gallons of ink, gobs of jam, or pits filled with mud. For example, in Semon's The Bell Hop, a man sleeping under the spray of a malfunctioning fountain imagines he is swimming in the ocean, and in his sleep he dives off the bed, through the floor, and into a vat of paint in the lobby below. Oliver Hardy recalled in an interview that Semon, when staging his comedy short The Sawmill in a lumber camp, would not use traditional, painted stage sets. Instead, Semon insisted on building permanent log cabins complete with modern conveniences. The production budget soared, and his bosses at Vitagraph finally demanded that Semon become his own producer and underwrite his productions personally.
Semon tried to reverse his financial problems by entering the more lucrative field of feature films. He produced and starred in a few features in the mid '20s, but by 1927 he was back in short subjects released through Educational Pictures. After filing for bankruptcy in 1928, Semon returned to vaudeville. While traveling on the vaudeville circuit, he suffered a nervous breakdown and went back to Los Angeles.
After returning to Los Angeles, Semon was sent to a sanatorium in Victorville, California, where, on October 8, 1928, at the age of 39, he died of pneumonia and tuberculosis.
Ressources: Wikipedia.org, imdb.com
Soundtrack, special effects and dubbing: Cinemateca
The soundtrack is a derivative work of Fig Leaf Times Two, Comic Hero, Comic Plodding, Breaktime, Gold Rush, Work is Work FX by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
wn.com/Bathing Beauties And Big Boobs – 1918 Larry Semon – A Crazy Comedy Short – Full Movie
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of America, is a crazy comedy silent film. In 1918, "boobs" did not mean what it means now; the dictionary definition of a "boob" was a stupid person, referred to in the comic sens.
Lawrence "Larry" Semon (February 9, 1889 – October 8, 1928) was an American actor, director, producer, and screenwriter during the silent film era. In his day, Semon was considered a major movie comedian, but he is now remembered mainly for working with both Stan Laurel and Oliver Hardy before they started working together.
After signing with Vitagraph, Semon worked behind the scenes as a scenario writer, director, and film producer for actor Hughie Mack's films. He occasionally cast himself in bit parts in the films he worked on. When Mack left Vitagraph, Semon began playing the lead roles. He usually played a white-faced goof in derby hat and overalls who would enter any given setting (a bakery, a restaurant, a construction site, a prison camp, etc.) and cause chaos, with people being covered with debris and property being destroyed. His short slapstick comedies were made and released quickly and prolifically, making Semon very familiar to moviegoers.
As his fame grew, his films expanded from one reel (about 12 minutes) to two reels, and Semon was given a free hand in making them. This became a dangerous policy because Semon became notorious for being expensive and extravagant: his two-reel comedies could easily cost more than an average five-reel feature film. As a former cartoonist, Semon staged similarly cartoony sight gags, using elaborate special effects. No gag was too big for Semon. He loved chase sequences involving airplanes (sometimes using three in a film), exploding barns, falling water towers, auto wrecks and/or explosions, and liberal use of substances in which to douse people. A typical Semon comedy might involve barrels of flour, sacks of soot, gallons of ink, gobs of jam, or pits filled with mud. For example, in Semon's The Bell Hop, a man sleeping under the spray of a malfunctioning fountain imagines he is swimming in the ocean, and in his sleep he dives off the bed, through the floor, and into a vat of paint in the lobby below. Oliver Hardy recalled in an interview that Semon, when staging his comedy short The Sawmill in a lumber camp, would not use traditional, painted stage sets. Instead, Semon insisted on building permanent log cabins complete with modern conveniences. The production budget soared, and his bosses at Vitagraph finally demanded that Semon become his own producer and underwrite his productions personally.
Semon tried to reverse his financial problems by entering the more lucrative field of feature films. He produced and starred in a few features in the mid '20s, but by 1927 he was back in short subjects released through Educational Pictures. After filing for bankruptcy in 1928, Semon returned to vaudeville. While traveling on the vaudeville circuit, he suffered a nervous breakdown and went back to Los Angeles.
After returning to Los Angeles, Semon was sent to a sanatorium in Victorville, California, where, on October 8, 1928, at the age of 39, he died of pneumonia and tuberculosis.
Ressources: Wikipedia.org, imdb.com
Soundtrack, special effects and dubbing: Cinemateca
The soundtrack is a derivative work of Fig Leaf Times Two, Comic Hero, Comic Plodding, Breaktime, Gold Rush, Work is Work FX by Kevin MacLeod (http://www.incompetech.com/music/royalty-free/ ), licensed under CC BY 3.0 licence, http://creativecommons.org/licenses/by/3.0/. No changes were made to the original music.
- published: 29 Feb 2016
- views: 1103
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
- Order: Reorder
- Duration: 18:48
- Updated: 28 Apr 2014
- views: 3056
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to c...
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to chase after the girl and the girl's efforts to rid herself of him. On this occasion they wind up in a cafeteria, which provides Stan with opportunities for comic business using food, table implements, etc. The gags seem random, as if improvised while the cameras were grinding. Stan borrows Chaplin's bit from the restaurant scene in The Immigrant, using salt & pepper shakers as binoculars, but when Charlie performed the gag it felt appropriate (he was making fun of Henry Bergman's florid gestures) whereas here it just feels forced; Stan's doing it because he needs to do something funny. Somewhat better is the routine where Stan samples almost all the food on offer, but then orders only a cup of coffee. Just Rambling Along is of moderate interest for silent comedy buffs, but serves primarily as evidence that Stan needed the partnership with Oliver Hardy to fully come into his own.
Casting notes: according to one reference source the cook behind the counter is Charley Chase, another reference (IMDB) points to Charley's look-alike brother James Parrott, sometimes known as Paul Parrott, who later starred in his own solo series of short comedies and eventually directed some of Laurel & Hardy's best films. The big cop who chases after Stan is Noah Young, who was featured in a number of Harold Lloyd shorts and features, while the chef is played by Bud Jamison, a rotund character actor who played in support of every major comedian of the era: everyone from Chaplin, Langdon and Keaton to the Three Stooges. Stan and Bud have a nice scene together in this film, and at one point Stan appears to break character and laugh at something Bud has said. The girl is Clarine Seymour.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
"Hustling for Health", 1919, directed by Franck Terry, cinematography Robert Doran, was the last comedy Stan Laurel made for Hal Roach's Rolin studios (he would return to Roach five years later and eventually team up with Oliver Hardy there). Stan misses the train that's supposed to take him on a vacation, so his friend (Frank Terry) offers to put him up for some rest and relaxation. Unfortunately, the friend's wife (Marie Mosquini) is a hardcore suffragette and she gives her husband an angry dressing down for bringing Stan home. A health inspector (Noah Young) orders the friend to clean up his backyard, and Stan is put to work at the chore. He empties the yard by tossing all the junk into the neighbor's yard, and when the wife refuses to make him lunch, he also steals the neighbor's food. The neighbor (Bud Jamison) comes over for lunch, and is none too pleased to discover that he is eating his own food. Stan beats a hasty retreat, but not before flirting with the neighbor's daughter.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
Stanley "Stan" Laurel (born Arthur Stanley Jefferson, 16 June 1890 -- 23 February 1965), was an English comic actor, writer and film director, famous as one half of the comedy team Laurel and Hardy. Laurel began his career in the British music hall where he took a number of his standard comic devices: the bowler hat, the deep comic gravity, and the nonsensical understatement. He was a member of "Fred Karno's Army" where he was Charlie Chaplin's understudy. The two arrived in the US on the same boat from Britain with the Karno troupe. His film acting career stretched between 1917 and 1951 and included a starring role in the Academy Award winning film The Music Box (1932).
In 1961, Laurel was given a Lifetime Achievement Academy Award for his pioneering work in comedy. He has a star on the Hollywood Walk of Fame at 7021 Hollywood Blvd. In a 2005 UK poll to find The Comedians' Comedian, Laurel and Hardy ranked top among best double acts and seventh overall. In 2009, a bronze statue of the duo was unveiled in Laurel's hometown of Ulverston, Cumbria.
Ressources: Wikipedia.org, imdb.com
New soundtrack and dubbing: CinemaHistoryChannel
Music: Kevin Mac Leod (incompetch.com) licensed under Creative Commons licence: Attribution 3.0 Unported (CC BY 3.0). http://creativecommons.org/licenses/by/3.0/
wn.com/Stan Laurel 1918 The Very First Great Solo Comedy Films Made For Hal Roach Full Movies
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinematography Robert Doran, some of the humor comes from Stan's efforts to chase after the girl and the girl's efforts to rid herself of him. On this occasion they wind up in a cafeteria, which provides Stan with opportunities for comic business using food, table implements, etc. The gags seem random, as if improvised while the cameras were grinding. Stan borrows Chaplin's bit from the restaurant scene in The Immigrant, using salt & pepper shakers as binoculars, but when Charlie performed the gag it felt appropriate (he was making fun of Henry Bergman's florid gestures) whereas here it just feels forced; Stan's doing it because he needs to do something funny. Somewhat better is the routine where Stan samples almost all the food on offer, but then orders only a cup of coffee. Just Rambling Along is of moderate interest for silent comedy buffs, but serves primarily as evidence that Stan needed the partnership with Oliver Hardy to fully come into his own.
Casting notes: according to one reference source the cook behind the counter is Charley Chase, another reference (IMDB) points to Charley's look-alike brother James Parrott, sometimes known as Paul Parrott, who later starred in his own solo series of short comedies and eventually directed some of Laurel & Hardy's best films. The big cop who chases after Stan is Noah Young, who was featured in a number of Harold Lloyd shorts and features, while the chef is played by Bud Jamison, a rotund character actor who played in support of every major comedian of the era: everyone from Chaplin, Langdon and Keaton to the Three Stooges. Stan and Bud have a nice scene together in this film, and at one point Stan appears to break character and laugh at something Bud has said. The girl is Clarine Seymour.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
"Hustling for Health", 1919, directed by Franck Terry, cinematography Robert Doran, was the last comedy Stan Laurel made for Hal Roach's Rolin studios (he would return to Roach five years later and eventually team up with Oliver Hardy there). Stan misses the train that's supposed to take him on a vacation, so his friend (Frank Terry) offers to put him up for some rest and relaxation. Unfortunately, the friend's wife (Marie Mosquini) is a hardcore suffragette and she gives her husband an angry dressing down for bringing Stan home. A health inspector (Noah Young) orders the friend to clean up his backyard, and Stan is put to work at the chore. He empties the yard by tossing all the junk into the neighbor's yard, and when the wife refuses to make him lunch, he also steals the neighbor's food. The neighbor (Bud Jamison) comes over for lunch, and is none too pleased to discover that he is eating his own food. Stan beats a hasty retreat, but not before flirting with the neighbor's daughter.
Production Co: Rolin Films, 300 m, 1 reel
----------------------------------------------------------------------------------------
Stanley "Stan" Laurel (born Arthur Stanley Jefferson, 16 June 1890 -- 23 February 1965), was an English comic actor, writer and film director, famous as one half of the comedy team Laurel and Hardy. Laurel began his career in the British music hall where he took a number of his standard comic devices: the bowler hat, the deep comic gravity, and the nonsensical understatement. He was a member of "Fred Karno's Army" where he was Charlie Chaplin's understudy. The two arrived in the US on the same boat from Britain with the Karno troupe. His film acting career stretched between 1917 and 1951 and included a starring role in the Academy Award winning film The Music Box (1932).
In 1961, Laurel was given a Lifetime Achievement Academy Award for his pioneering work in comedy. He has a star on the Hollywood Walk of Fame at 7021 Hollywood Blvd. In a 2005 UK poll to find The Comedians' Comedian, Laurel and Hardy ranked top among best double acts and seventh overall. In 2009, a bronze statue of the duo was unveiled in Laurel's hometown of Ulverston, Cumbria.
Ressources: Wikipedia.org, imdb.com
New soundtrack and dubbing: CinemaHistoryChannel
Music: Kevin Mac Leod (incompetch.com) licensed under Creative Commons licence: Attribution 3.0 Unported (CC BY 3.0). http://creativecommons.org/licenses/by/3.0/
- published: 28 Apr 2014
- views: 3056
Superior Spiderman (Spiderman Superior) Comic narrado
- Order: Reorder
- Duration: 17:02
- Updated: 26 Oct 2015
- views: 7370
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente d...
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente de un ex supervillano sea suficiente para asumir la responsablidad de la vida de Peter Parker?
Facebook: https://www.facebook.com/El-Batsi-1473988829576635/?ref=aymt_homepage_panel
El siguiente video mostrado es con fines de entretenimiento y no soy dueño o creador del arte que se muestra en el cual va directamente a sus respectivos autores o editoriales
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batman vs el guason
Batman vs superman
peliculas de batman
lo mejor de batman
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comis en español
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red hood en español
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quien a vencido a batman
la broma asesina en español
batman inicia curiosidades del guason
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batman vs superman trailer
civil war
el oscuro origen del guason
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wonder woman
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superior spiderman
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el duende verde
la muerte de qwen stacy
la muerte de mary jane
capitulo perdido de spiderman
spiderman creeypasta
wn.com/Superior Spiderman (Spiderman Superior) Comic Narrado
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo que spiderman pudo llegar a ser..... sera posible que la gran mente de un ex supervillano sea suficiente para asumir la responsablidad de la vida de Peter Parker?
Facebook: https://www.facebook.com/El-Batsi-1473988829576635/?ref=aymt_homepage_panel
El siguiente video mostrado es con fines de entretenimiento y no soy dueño o creador del arte que se muestra en el cual va directamente a sus respectivos autores o editoriales
------------------------------------------Tags Ignorar---------------------------------------
paginas para descargar comics
comics marvel descarga
descargar cómics
comics full español
como ver online cualquier comic
ver comics online
leer comcis online
descargar comics
programas para leer comics full
como descargar comics en español
como descargar comics gratis
batman vs el guason
Batman vs superman
peliculas de batman
lo mejor de batman
comic en español
comic narrado
comis en español
la muerte de batman
curiosidades de batman
la broma asesina
red hood en español
el orien del guason
quien a vencido a batman
la broma asesina en español
batman inicia curiosidades del guason
la corte de los buhos
batman vs superman trailer
civil war
el oscuro origen del guason
el origen del joker
wonder woman
deadpool
superior spiderman
superior spiderman comic
superior spiderman en español
la muerte de peter parker
la muerte del doctor octopus
la muerte del dock oct
spiderman mata
spiderman mato
el duende verde
la muerte de qwen stacy
la muerte de mary jane
capitulo perdido de spiderman
spiderman creeypasta
- published: 26 Oct 2015
- views: 7370
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56:06
Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
Von William the Conqueror bis Big And Little Willie. Britische Comics zwischen 1066 und 19...
published: 11 Jun 2015
Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
Britische Comics zwischen 1066 und 1918 - Comicfestival München 2015
- Report rights infringement
- published: 11 Jun 2015
- views: 48
22:00
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
“The Bell Boy”,1918, a silent comedy film, is one of the best Arbuckle films from any peri...
published: 22 Feb 2015
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keaton-A delightful short comedy –Classic silent movie
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- published: 22 Feb 2015
- views: 2183
2:20
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series).
Copyright: N...
published: 27 Jun 2013
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
The Life and Times of Nelson Mandela part 1 (Animated Legacy Comic Series)
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- published: 27 Jun 2013
- views: 58375
14:11
Alistair1918 at Comic-Con 2016
Alistair1918 at Comic-Con 2016
A World War I soldier accidentally time travels to present...
published: 24 Jul 2016
Alistair1918 at Comic-Con 2016
Alistair1918 at Comic-Con 2016
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- published: 24 Jul 2016
- views: 38
3:03
1918 Cartoon - Happy Hooligan - The Spider and the Fly
Early animation - cartoon inspired by the comic strip by Frederic Opper.
published: 29 Sep 2011
1918 Cartoon - Happy Hooligan - The Spider and the Fly
1918 Cartoon - Happy Hooligan - The Spider and the Fly
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- published: 29 Sep 2011
- views: 4696
4:19
Feline Follies (1919) "1st Felix the Cat cartoon"
[Published on November 9, 1919.] Music by The Louisiana Five "A Good Man is Hard to Find" ...
published: 24 May 2016
Feline Follies (1919) "1st Felix the Cat cartoon"
Feline Follies (1919) "1st Felix the Cat cartoon"
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- published: 24 May 2016
- views: 100
7:04
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto was born in Milan, Italy on...
published: 05 Sep 2012
Nadir Quinto - Italian Comic Artist (Classics)
Nadir Quinto - Italian Comic Artist (Classics)
- Report rights infringement
- published: 05 Sep 2012
- views: 348
11:03
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
Bathing Beauties and Big Boobs, 1918, starring Larry Semon, produced by Vitagraph Co. of A...
published: 29 Feb 2016
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
Bathing Beauties and Big Boobs – 1918 - Larry Semon – A crazy comedy short – Full movie
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- published: 29 Feb 2016
- views: 1103
18:48
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
In "Just Rambling Along", 1918, a great silent comedy film, directed by Hal Roach, cinemat...
published: 28 Apr 2014
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
Stan Laurel-1918-The very first great solo comedy films made for Hal Roach-Full movies
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- published: 28 Apr 2014
- views: 3056
17:02
Superior Spiderman (Spiderman Superior) Comic narrado
El Dock Oct a cambiado de cuerpos con spiderman, jurando que el sera un mejor heroes de lo...
published: 26 Oct 2015
Superior Spiderman (Spiderman Superior) Comic narrado
Superior Spiderman (Spiderman Superior) Comic narrado
- Report rights infringement
- published: 26 Oct 2015
- views: 7370
Britische Comics zwischen 1066 und 1918 - Comicfes...
The Bell Boy-1918-“Fatty” Arbuckle and Buster Keat...
The Life and Times of Nelson Mandela part 1 (Anima...
Alistair1918 at Comic-Con 2016...
1918 Cartoon - Happy Hooligan - The Spider and ...
Feline Follies (1919) "1st Felix the Cat cartoon"...
Nadir Quinto - Italian Comic Artist (Classics)...
Bathing Beauties and Big Boobs – 1918 - Larry Semo...
Stan Laurel-1918-The very first great solo comedy ...
Superior Spiderman (Spiderman Superior) Comic narr...
photo: WN / Periasamy
Hot air balloon carrying at least 16 people crashes in Texas
Edit San Francisco Chronicle 30 Jul 2016
LOCKHART, Texas (AP) — Federal officials say a hot air balloon carrying at least 16 people caught on fire and crashed in Central Texas, and it is unclear whether there are injuries or deaths. Lynn Lunsford with the Federal Aviation Administration said in a statement that the accident happened about 8.40 a.m. Saturday near Lockhart, Texas, when the hot air balloon crashed into a pasture ... Lockhart is about 30 miles south of Austin ... ....
photo: Creative Commons / Gage Skidmore
Convention over, Clinton faces hacking, Trump criticism
Edit The Virginian-Pilot 30 Jul 2016
HARRISBURG, Pa. (AP) — A giddy if exhausted Hillary Clinton embarked on a post-convention Rust Belt bus tour just hours after becoming the first female presidential nominee of a major political party ... ....
photo: Public Domain / Avibliz
Stephen Hawking Issues Warning For What Brexit Could Mean For The Human Species
Edit WorldNews.com 29 Jul 2016
Stephen Hawking has penned a thoughtful appeal for post-Brexit Britain to reconsider the role that wealth plays in society, warning that isolationism and envy could even lead to the end of the human species, Mashable reports. In a Guardian essay, the world-renowned physicist made the case for a more comprehensive and generous definition of wealth "to include knowledge, natural resources and human capacity." ... ....
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Harry D. Myers (1918-2016)
Edit Toledo Blade 29 Jul 2016
Harry D. Myers, a retired district marketing manager with Columbia Gas of Ohio whose bonhomie fueled a career in sales and marketing and leadership roles in civic and service organizations, died Tuesday in Lakes of Monclova Health Campus in Monclova Township, where he lived for about four years. He was 98 ... ....
Humans give bacterial infection to monkeys while feeding them peanuts
Edit The Independent 29 Jul 2016
In 1918, an outbreak of ‘Spanish Flu’ killed up to an estimated five per cent of the world’s population after spreading from birds to pigs and then humans. Read more....
Longtime Summit County developer donates water rights to Silverthorne
Edit Denver Post 29 Jul 2016
The headgate of Sawmill Gulch stems from Willow Creek.Elise Reuter, Summit Daily. Thanks to a donation by a longtime Summit County developer, Silverthorne will receive a significant increase in water rights because of an old diversion in the wilderness behind Ruby Ranch ... The diversion, appropriated in 1918, was originally intended for irrigation ... Read the full story on SummitDaily.com. Related Articles ... ....
The Ministry of Foreign Affairs welcomes the National Anthem Day (Ministry of Foreign Affairs of Romania)
Edit Public Technologies 29 Jul 2016
The National Anthem of Romania, Deşteaptă-te, române! ('Awaken thee, Romanian!'), has symbolically accompanied the greatest moments in the modern and contemporary history of the Romanian people, starting with the Revolution of 1848 until the Romanian War of Independence, World War I, the Great Union of 1918, World War II, the events in December ......
Cowen Group, Inc. Declares Quarterly Dividend on Its Series A Cumulative Perpetual Convertible Preferred Stock
Edit Stockhouse 29 Jul 2016
Cowen Group, Inc. Declares Quarterly Dividend on Its Series A Cumulative Perpetual Convertible Preferred Stock. Cowen Group, Inc ... The quarterly dividend on the Convertible Preferred Stock is payable on August 15, 2016, to holders of record at the close of business on August 1, 2016. About Cowen Group, Inc. Cowen Group, Inc ... Founded in 1918, the firm is headquartered in New York and has offices worldwide ... Cowen Group, Inc....
5 facts that you didn't know about Montford Point Marines
Edit Stars and Stripes 29 Jul 2016
JACKSONVILLE, N.C. (Tribune News Service) — Montford Point Marines forged a pathway for themselves, the Marine Corps and the black community through their dedication to serving the United States and each other. Here’s a list of five interesting facts that you may not have know about these Marines ... Woods, Jr ... The first black male Marine to step foot on Montford Point was Pvt ... 13, 1918, where she served in the Marine Corps Women’s Reserve ... ....
Cowen Group, Inc. Declares Quarterly Dividend on Its Series A Cumulative Perpetual Convertible Preferred Stock (Cowen Group Inc)
Edit Public Technologies 29 Jul 2016
(Source. Cowen Group Inc). NEW YORK--(BUSINESS WIRE)--Jul. 29, 2016-- Cowen Group, Inc. (NASDAQ.COWN) ('Cowen' or the 'Company') today announced that its board of directors has declared a quarterly cash dividend of $14.06 per share on the Company's 5.625% Series A Cumulative Perpetual Convertible Preferred Stock (the 'Convertible Preferred Stock') ... Founded in 1918, the firm is headquartered in New York and has offices worldwide ... Source....
See inside the 1921 Archibald Johnston Mansion eyed for restoration
Edit Lehigh Valley 29 Jul 2016
Normally prohibited, entering the Archibald Johnston Mansion comes with some warnings. The asbestos is said to have been removed, but dust masks are advised due to airborne debris, says Bethlehem Township Manager Melissa A. Shafer ... He was also Bethlehem's first mayor, elected in 1918 after the 1917 consolidation of what had been the boroughs of Bethlehem and South Bethlehem, according to the Bethlehem Area Public Library....
Delaware Investments launches fixed income thought leadership series (Delaware Management Holdings Inc)
Edit Public Technologies 29 Jul 2016
(Source. Delaware Management Holdings Inc) Delaware Investments launches thought leadership series. The Great Risk Rebalance. Assessing the fixed income landscape ... The series includes white papers, portfolio manager interviews, insights, and videos ... MQG; ADR ... This and other information can be found in the Fund's prospectus and summary prospectus, which may be obtained by visiting delawareinvestments.com/literature or calling 800 523-1918....
20160729 Quarterly Activities Report (Aspire Mining Limited)
Edit Public Technologies 29 Jul 2016
(Source. Aspire Mining Limited). Aspire Mining Limited. ABN. 46 122 417 243. 69 Kewdale Road, Welshpool WA 6106. PO Box 1918. Subiaco WA 6904. Tel. (08) 9287 4555 ASX RELEASE. Fax. (08) 9388 1980. Web. www.aspiremininglimited.com Email. info@aspiremininglimited.com For Immediate Release - 29 July 2016. QUARTERLY REPORT. Quarter Ended 30 June 2016. Northern Railways Investment Update ... Tavan Tolgoi and Aspire to Cooperate on Blending Initiatives ... No ... 45%....
Public gets chance to tour lesser-known State Museum site
Edit The Miami Herald 29 Jul 2016
"The real purpose is to give people a taste of the place," said Michael Wiant, interim museum director ... Illinois Department of Natural Resources spokesman Chris Young says the museum's ornithology collection "is irreplaceable," mostly because the Migratory Bird Act of 1918 made it illegal to possess many birds — either dead or alive — and granted full protection to any bird parts including feathers, eggs and nests....
FY2017 1st Quarter Financial Results Presentation (NSG - Nippon Sheet Glass Co Ltd)
Edit Public Technologies 29 Jul 2016
(Source. NSG - Nippon Sheet Glass Co Ltd). GROUP NSG Group. FY2017 Quarter 1 Results. (from 1 April 2016 to 30 June 2016). Nippon Sheet Glass Co., Ltd. 29 July 2016 Kenichi Morooka. Chief Financial Officer Clemens Miller. Chief Operating Officer Iain Smith. Finance Director - Global Finance. 29 July 2016 FY2017 Quarter 1 Results 3 FY2017 Quarter 1 Results. (from 1 April 2016 to 30 June 2016) ... Agenda ... in the Group's profitability ... Agenda ... ... Nov 1918....
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