Píča (Czech pronunciation: [piːtʃa]), sometimes short piča or pyča [pɪtʃa], is a Czech and Slovak profanity that refers to the vagina similar to the English word cunt. It is often represented as a symbol of a spearhead, a rhombus standing on one of its sharper points with a vertical line in the middle, representing a vulva.
The meaning is clear for most Czechs, Slovaks and Hungarians. In some other languages it has other spellings (e.g. in the non-Slavic Hungarian language it is written as "picsa"), but has similar pronunciation and carries the same meaning and profanity. Drawing this symbol is considered a taboo, or at least unaccepted by mainstream society.
This symbol has occurred in a few Czech movies, including Bylo nás pět. In the 1969 drama The Blunder (Ptákovina), Milan Kundera describes the havoc, both public and private, that ensues after the Headmaster of a school draws the symbol on a blackboard.
Jaromír Nohavica confessed, in the 1983-song Halelujá, to "drawing short lines and rhombuses on a plaster" (in Czech: tužkou kreslil na omítku čárečky a kosočtverce).
PA, Pa, pA, or pa may refer to:
P&A or P and A may stand for:
The $5.98 E.P.: Garage Days Re-Revisited is an extended play by American heavy metal band Metallica. It was released on August 21, 1987 by Elektra Records.
The $5.98 E.P. Garage Days Re-Revisited was the group's first recording to feature its new bassist Jason Newsted (credited as "Master J. Newkid" in the liner notes). It is also the band's first release following the death of second bassist Cliff Burton. The extended play consisted entirely of covers of late-'70s and early-'80s New Wave of British Heavy Metal bands and hardcore punk music rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. The group included the dollar price in the title (which was printed on the cover) in an effort to ensure that fans were not overcharged for it, some retailers did ultimately charge more than the $5.98 price referenced in the title. The original cassette release included a sticker which read "If they try to charge more, STEAL IT!" The official United States CD release of the EP amended the title (and the price) to The $9.98 CD because the retail price of CDs was much higher than cassettes; other countries (such as Australia) still displayed The $5.98 E.P. with a sticker stating that this was the "title" and not the price. "The Wait" was omitted from the UK pressings in order to conform to local music-industry rules regarding the length of EPs.
The Olympus PEN E-P5 is a micro four thirds camera and – despite its number – the fourth model in the PEN E-P range. It includes the same 16 MP sensor as the Olympus OM-D E-M5, an improved 5-axis in-body image stabilization, 9 frames per second continuous shooting, and a tilting rear touch screen. Compared to its predecessor E-P3 it has enhanced in-camera raw conversion, a HDR bracketing mode, and the ability to specify whether to use in-lens or in-body image stabilization with Panasonic lenses. Fastest shutter speed is 1/8000 sec, it has focus peaking to assist manual focus, and built in Wi-Fi for connection to smartphone or tablet. The controls have been changed compared to E-P3: instead of a thumb roller and rear dials it has two horizontal top-plate dials for exposure adjustments. The function of these can be changed by a lever on the back of the camera and are customizable. The E-P5 comes in three colour schemes; black, silver and white.
Specifications:
The Olympus Pen E-P2 announced on 5 November 2009 is Olympus Corporation's second camera that adheres to the Micro Four Thirds (MFT) system design standard. The E-P2 succeeds the Olympus Pen E-P1 a little over five months after the introduction of the EP-1.
The EP-2 addresses some of the concerns that critics had about the EP-1, notably, slow autofocus speed and difficulty seeing the LCD panel under certain (e.g., bright, sunny) conditions.
The autofocus speed was addressed with a firmware update, and the introduction of new lenses, although critically, the autofocus speed does not improve much with the originally issued 14–42 mm ƒ/3.5–5.6 kit zoom lens (28–90 mm equivalent), or the 17 mm ƒ/2.8 (34 mm equivalent) pancake lens.
The EP-2 added an Accessory Port, a power and communication port, which allowed the use of various accessories, such as an external stereo microphone for HD video recording. However, the principal use of the accessory port was a new, high resolution, optional hotshoe mounted VF-2 electronic viewfinder (EVF). The VF-2 had a flip angle eyepiece, allowing viewing from 0–90 degrees. The high resolution VF-2 had specifications that matched the highly acclaimed built-in EVF on the Panasonic Lumix DMC-G1, the first MFT camera ever introduced.