- published: 22 Oct 2016
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Branford Marsalis (born August 26, 1960) is an American saxophonist, composer and bandleader. While primarily known for his work in jazz as the leader of the Branford Marsalis Quartet, he also performs frequently as a soloist with classical ensembles and has led the group Buckshot LeFonque.
Marsalis was born in Breaux Bridge, Louisiana, the son of Dolores (née Ferdinand), a jazz singer and substitute teacher, and Ellis Louis Marsalis, Jr., a pianist and music professor. His brothers Jason Marsalis, Wynton Marsalis, Ellis Marsalis III, and Delfeayo Marsalis, and father Ellis are also jazz musicians.
In the summer of 1980, while still a Berklee College of Music student, Marsalis toured Europe playing alto and baritone saxophone in a large ensemble led by drummer Art Blakey. Other big band experiences with Lionel Hampton and Clark Terry followed over the next year, and by the end of 1981 Marsalis, on alto saxophone, had joined his brother Wynton in Blakey’s Jazz Messengers. Other performances with his brother, including a 1981 Japanese tour with Herbie Hancock, led to the formation of his brother Wynton’s first quintet, where Marsalis shifted his emphasis to soprano and tenor saxophones. He continued to work with Wynton until 1985, a period that also saw the release of his own first recording, Scenes in the City, as well as guest appearances with other artists including Miles Davis and Dizzy Gillespie.
"Cheek to Cheek" is a song written by Irving Berlin in 1935, for the Fred Astaire/Ginger Rogers movie Top Hat (1935). In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song Academy Award for 1936, which it lost to "Lullaby of Broadway". Astaire's recording of the song in 1935 spent five weeks at #1 on Your Hit Parade and was named the #1 song of 1935. Astaire's 1935 recording with the Leo Reisman Orchestra was inducted into the Grammy Hall of Fame in 2000. In 2004, Astaire's version finished at #15 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
The song, as sung by Astaire, and separately by Ella Fitzgerald (see her 1956 album Ella and Louis), is featured in the movie The English Patient.
Cheek to Cheek is a collaborative album by American singers Tony Bennett and Lady Gaga. It was released on September 19, 2014, through Interscope Records and Columbia Records. Bennett and Gaga first met in 2011 at the Robin Hood Foundation gala in New York City. After the two later recorded a rendition of "The Lady Is a Tramp", they began discussing plans for working on a jazz project. Cheek to Cheek consists of jazz standards by popular jazz composers, such as George Gershwin, Cole Porter, Jerome Kern, and Irving Berlin. The album was inspired by Bennett and Gaga's desire to introduce the songs to a younger generation, since they believed that the tracks had universal appeal.
By January 2013, the album was confirmed by both artists and recording started after Gaga recovered from hip surgery. The album was recorded in New York City, where Bennett and Gaga were accompanied by a live band and jazz musicians associated with both artists. Gaga deviated from her previous pop albums, wanting instead to create a jazz record. The release date of the album was delayed multiple times, and the final date was announced by Bennett and Gaga on The Today Show. Full track list and cover art for the album were released shortly thereafter, including the track lists for many alternate editions. The artists promoted Cheek to Cheek through multiple performances in and around New York, a "behind the scenes" program detailing the recording of the album on Home Shopping Network (HSN), and a televised concert titled Tony Bennett and Lady Gaga: Cheek to Cheek Live!, which aired on PBS in October 2014. The album was preceded by the release of two singles; "Anything Goes" and "I Can't Give You Anything but Love". They both reached number one on Billboard's Jazz Digital Songs Chart.
"Cheek to Cheek" is a song written by Irving Berlin in 1935.
Cheek to Cheek may also refer to:
BRANFORD MARSALIS QUARTET Branford Marsalis – saxophone Joey Calderazzo – piano Eric Revis – bass Justin Faulkner – drums ---------------- Original version appears on the album 'The Secret Between the Shadow and the Soul' Released 1 March, 2019 https://okeh.lnk.to/BranfordMarsalisSecretAW ---------------- CONNECT WITH BRANFORD MARSALIS Artist Website: www.branfordmarsalis.com Marsalis Music Website: www.marsalismusic.com Facebook: www.facebook.com/branfordmarsalis Twitter: https://twitter.com/marsalismusic YouTube: www.youtube.com/user/MarsalisMusic
This was a group project for my film class. It's a little rough, but it's because it was our first project, and completing this project was how we all learned to use the equipment, and it was my first experience doing any kind of directing, or any sort of interview. Special thanks to Branford Marsalis for agreeing to work with us, and putting up with our incompetence as we figured out how to go about doing things.
Brandon Marsalis - Tenor Saxophone Joey Calderazzo - Piano Jeff Tain Watts - Drums Eric Revis - Doublebass
BRANFORD MARSALIS QUARTET Branford Marsalis – saxophone Joey Calderazzo – piano Eric Revis – bass Justin Faulkner – drums ---------------- 'The Secret Between the Shadow and the Soul' Released 1 March, 2019 https://okeh.lnk.to/BranfordMarsalisSecretAW ---------------- CONNECT WITH BRANFORD MARSALIS Artist Website: www.branfordmarsalis.com Marsalis Music Website: www.marsalismusic.com Facebook: www.facebook.com/branfordmarsalis Twitter: https://twitter.com/marsalismusic YouTube: www.youtube.com/user/MarsalisMusic
Branford Marsalis - Giant Steps Recorded Live: 8/26/1987 - Newport Jazz Festival - Newport, RI More Branford Marsalis at Music Vault: http://www.musicvault.com Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF Personnel: Branford Marsalis - tenor sax, soprano sax Kenny Kirkland - piano Delbert Felix - bass Lewis Nash - drums
Provided to YouTube by Sony Music Entertainment Just One Of Those Things · Branford Marsalis Renaissance ℗ 1987 SONY BMG MUSIC ENTERTAINMENT Drums: Tony Williams Piano: Kenny Kirkland Composer: C. Porter Bass: Bob Hurst Producer: Delfeayo Marsalis Executive Producer: George Butler Engineer: Dennis Ferrante Engineer: Bob Margooleft Engineer: Howard Siegel Engineer: Patrick Smith Assistant Engineer: Ethan Chase Assistant Engineer: Judd Levison Assistant Engineer: Steve Seddon Assistant Engineer: John Morse Assistant Engineer: John Hurst Mixing Engineer: Mission Control Mixing Engineer: Art "Skain" Barnes Auto-generated by YouTube.
Provided to YouTube by Sony Music Entertainment Lament · Branford Marsalis Renaissance ℗ 1987 SONY BMG MUSIC ENTERTAINMENT Drums: Tony Williams Piano: Kenny Kirkland Composer: J.J. Johnson Bass: Bob Hurst Producer: Delfeayo Marsalis Executive Producer: George Butler Engineer: Dennis Ferrante Engineer: Bob Margooleft Engineer: Howard Siegel Engineer: Patrick Smith Assistant Engineer: Ethan Chase Assistant Engineer: Judd Levison Assistant Engineer: Steve Seddon Assistant Engineer: John Morse Assistant Engineer: John Hurst Mixing Engineer: Mission Control Mixing Engineer: Art "Skain" Barnes Auto-generated by YouTube.
Provided to YouTube by Sony Music Entertainment Arabesque No. 1 · Branford Marsalis · Andrew Litton · English Chamber Orchestra · Claude Debussy Romances For Saxophone ℗ 1986 SONY BMG MUSIC ENTERTAINMENT Released on: 1986-05-12 Producer: Thomas Mowrey Executive Producer: Christine Reed Arranger: Michel Colombier Auto-generated by YouTube.
Sting's 60th Birthday Show October 1, 2011 Beacon Theater, New York Dominic Miller: Guitar Vinnie Colaiuta: Drums David Sancious: Keyboards Herbie Hancock: Piano Christian McBride: Double Bass Rhani Krija: Percussion Jo Lawry: Backing Vocals (stage center) Lisa Fischer: Backing Vocals (stage right) Tabitha Fair: Backing Vocals (stage left) (available in the free iPad app "Sting 25 Years")
Ella Fitzgerald and Louis Armstrong performing Cheek to Cheek © Copyright UMG Le baiser de l'hôtel de ville (The Kiss) by Robert Doisneau A kiss is a lovely trick designed by nature to stop speech when words become superfluous - Ingrid Bergman
Provided to YouTube by Universal Music Group Cheek To Cheek · Ella Fitzgerald · Louis Armstrong Ella and Louis ℗ A Verve Records Release; ℗ 1956 UMG Recordings, Inc. Released on: 2000-03-07 Producer: Norman Granz Associated Performer, Double Bass: Ray Brown Associated Performer, Guitar: Herb Ellis Associated Performer, Piano: Oscar Peterson Associated Performer, Drums: Buddy Rich Associated Performer, Recording Arranger, Conductor: Buddy Bregman Associated Performer, Vocals, Trumpet: Louis Armstrong Associated Performer, Vocals: Ella Fitzgerald Composer Lyricist: Irving Berlin Adapter: Hugo Cipolatti Auto-generated by YouTube.
Lyrics: http://easylyrics.org/?artist=Frank+Sinatra&title;=Cheek+To+Cheek Thanks for checking out our videos and site!
TOP HAT, now streaming on FilmStruck: http://flms.tk/yt While staying in a London hotel with his English theatrical backer, Horace Hardwick (Edward Everett Horton), American musical revue star Jerry Travers (Fred Astaire) wakes up Dale Tremont (Ginger Rogers), with his compulsive tap dancing. Upon seeing the furious Dale, Jerry falls instantly in love and, in spite of her snubbing, daily sends flowers to her room. During the remainder of the film, Jerry tries to dance his way into Dale's heart, but a case of mistaken identity leads her to think that Jerry is married. Collection: Rogers & Astaire - The Complete Collection Cast: Ginger Rogers, Fred Astaire, Edward Everett Horton FilmStruck brings you the best indie, foreign, cult, classic, silent and hard-to-find films and is the exclusi...
"Their debut album So Good, So Nice was released in 1984 on CCP's Bullet label. It was produced by Mally Watson and all the tracks were written by Madoda. They played almost the same music as that of Brenda and The Big Dudes, but with a dominating and stinging keyboard. Their albums were One More Try (1985) and Can't Buy Love (1986) "Credit Afrosynth'' -Video Upload powered by https://www.TunesToTube.com
In case you forgot, Israel is still illegally occupying East Jerusalem, West Bank, and Gaza. Millions of Palestinians don't get to enjoy Fred Astaire's "Heaven". Instead, they're forced to live in refugee camps or under the constant threat of eviction as Israel builds more and more illegal settlements in West Bank. They're not allowed to return to their own land and are treated as second-class citizens in their own country. This has nothing to do with antisemitism or any kind of hatred towards Jews. It's simply about giving Palestinians the right to live happy, decent lives along with their Jewish neighbors. Support BDS movement: https://bdsmovement.net/ In the video, Fred Astaire is performing "Cheek to Cheek" in the movie "Top Hat" (1935). Heaven, I'm in Heaven, And my heart beats s...
Branford Marsalis (born August 26, 1960) is an American saxophonist, composer and bandleader. While primarily known for his work in jazz as the leader of the Branford Marsalis Quartet, he also performs frequently as a soloist with classical ensembles and has led the group Buckshot LeFonque.
Marsalis was born in Breaux Bridge, Louisiana, the son of Dolores (née Ferdinand), a jazz singer and substitute teacher, and Ellis Louis Marsalis, Jr., a pianist and music professor. His brothers Jason Marsalis, Wynton Marsalis, Ellis Marsalis III, and Delfeayo Marsalis, and father Ellis are also jazz musicians.
In the summer of 1980, while still a Berklee College of Music student, Marsalis toured Europe playing alto and baritone saxophone in a large ensemble led by drummer Art Blakey. Other big band experiences with Lionel Hampton and Clark Terry followed over the next year, and by the end of 1981 Marsalis, on alto saxophone, had joined his brother Wynton in Blakey’s Jazz Messengers. Other performances with his brother, including a 1981 Japanese tour with Herbie Hancock, led to the formation of his brother Wynton’s first quintet, where Marsalis shifted his emphasis to soprano and tenor saxophones. He continued to work with Wynton until 1985, a period that also saw the release of his own first recording, Scenes in the City, as well as guest appearances with other artists including Miles Davis and Dizzy Gillespie.
Jea, anna mun olla se mies mikskä mä halusin tulla,
Anna mun antaa se mitä sä halusit multa.
Mä tarviin tahtoa vaikeisiin hetkiin,
Mun täytyy lääkettä näihin paineisiin etsii.
Anna mun säilyttää se voima mun sisällä,
Se sama voima, kun isällä.
Erikoiset elämät luo erikoisii ihmisiä,
Oon yksi heistä, anna jalat maassa silti pitää.
Nuori, tyylikäs ja varakas,
Ne sanoo et mä räppään vaan naisist, autoist ja rahasta.
Mutsi kysy, luuletsä olevas James Bond,
Sanoin, emmä tiedä, mut jotain samaa meis on.
Tää, ei tuu poistuu täältä koskaan.
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
Ja mä lupaan pysyy aitona ja aina rokkaa koska,
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
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Täällä jälleen viides platta kultaa peräjälkeen,
Kutsu kultasormeks, kuka muukaan vetää tälleen.
Juristit, lääkärit, tohtorit no,
Tää on Casino Royale, eikä mikään konttorishow.
Viikatemies panoksiaan tuonelassa korottaa,
Vaik operoin Vaaran vyöhykkeel, Kuolema saa odottaa.
Rusetti suoraan, rakastan elää reunalla,
Panna ja juhlia, samalla mennä keulalla.
Kaataa vodka martinei, kaahaa aston martineil, (Liiga)
Momentumi vaan on valmiiks meil.
Voin lähtee tänään ritz-carltonista ottaa huoneen,
Mul on kiire elää vaikka Huominen ei koskaan kuole.
Saatan herää Miamissa, rullaa illal Damissa,
Deittaamas daamei, joita sä kuolaat instagramissa.
Suotta mulkata, tää on vaan mun tapa,
Vaikka Sky falls, onneks on ystävät turvana.
Tää, ei tuu poistuu täältä koskaan.
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
Ja mä lupaan pysyy aitona ja aina rokkaa koska,
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
Woo-oo-oo-oo
Woo-oo-oo-oooo-o-oo-o-oo
Timantit on ikuisiaaaa-a-aaa.
Painoin ohituskaistaa niin et taas kortti meni,
Silti poliisi komeest autosta vaan onnitteli.
Jouduin kirjottaa nimmarin ja viiden tonnin shekin,
Jatkoin festareille, korkkasin bollingerin.
Perin pelimiehen perinnön, kiitos faijalle siitä,
Anna mulle Kuuraketti, tää maailma ei riitä.
Jo junnuna kun oltiin Lahdessa kännää,
Joka ilta riivas Octopussy, kaheksan ämmää.
Herrasmies henkeen otan tästä kaiken irti,
Teen syntii mut toivon että löydän joskus naisen silti.
Särkeny sydämeni, puran sen kynälleni,
Manageri sano että pilalle mies hyvä meni.
Tarvin toimintaa, herkästi valmiin poikimaan,
Kun kaunokaiset vilkuttaa, niin kuinka muuten voisinkaan.
Elän makeeta elämää, päällä parempaa seppälää,
Mut on vaikee muistaa, kun musast rakentaa kestävää.
Tää, ei tuu poistuu täältä koskaan.
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
Ja mä lupaan pysyy aitona ja aina rokkaa koska,
Woo-oo-oo-oo
Timantit on ikuisiaaaa-a-aaa.
Woo-oo-oo-oo
Woo-oo-oo-oooo-o-oo-o-oo
Timantit on ikuisiaaaa-a-aaa.
Woo-oo-oo-oo
Woo-oo-oo-oooo-o-oo-o-oo
Timantit on ikuisiaaaa-a-aaa.