- published: 04 Mar 2016
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Dunja Vejzović (pronounced [dûɲa v̞ɛ̂jzɔv̞it͡ɕ]; born October 20, 1943) is an acclaimed operatic soprano from Croatia.
Dunja Crnković was born in Zagreb and was married in 1963, changing her surname to Vejzović. She studied at the Zagreb Academy of Music, where she sang The Witch in Hänsel und Gretel in 1968. She began her career as a mezzo-soprano with the Croatian National Theatre in Zagreb, debuting in 1970 as Ariel in Stjepan Šulek's Oluja (The Tempest).
From 1971 to 1978, Vejzovic was a member of the Nuremberg Opera, where she appeared in many operas, including principal roles in Orfeo ed Euridice, Carmen, Tannhäuser (as Venus), Intolleranza, Die Soldaten (as Charlotte), Dido and Æneas, Elektra (as Klytemnästra), Il trovatore (as Azucena, directed by Hans Neuenfels in his operatic debut), Boris Godunov (as Marina Mnichek), Wozzeck (as Marie), Aïda (as Amneris), Lulu (as the Countess Geschwitz), and Samson et Dalila.
Her international career began in 1978, at the Bayreuth Festival, where she enacted Kundry in Parsifal, for three summers. On October 9, 1978, Vejzovic made her Metropolitan Opera debut, as Venus, opposite Jess Thomas in the name part, with James Levine conducting.
Dunja Vejzović - operna diva s velikom međunarodnom karijerom, pedagoginja koja stvara nove zvijezde operne umjetnosti, pjevačica koja je kroz godine mijenjala raspon i boju svoga glasa, slikarica bez slika, studentica dirigiranja u zrelim godinama, žena koja nikad ne prestaje učiti i uvijek radi na sebi. O svemu tome i još puno više u ArtCaffeu. Pratite nas na: Portal: https://artcaffe.eu/ Instagram: https://www.instagram.com/artcaffetv/ Facebook: https://www.facebook.com/ArtCaffeproject #artcaffe #unimedia #misomihocevic #opisfilm #hnkzagreb #hnkuzagrebu #opera #salzburg #wagner #nabucco #pariskaopera #hamburg #milkatrnina #grandprix #muzickaakademijazagreb #mladentarbuk
Večer lieda Robert Schumann (1810. - 1856.) DICHTERLIEBE Pjesme Roberta Schumanna na stihove Heinricha Heinea Dunja Vejzović, mezzosopran Klavir: Đorđe Stanetti Hrvatski Glazbeni Zavod, 1998.g.
Dunja Vejzović - Come scoglio... - Cosi Fan Tutte - Mozart
SALOME Natinal Theater Zagreb 1986 Dirigent - Niksa Bareza Dunja Vejzovic
Dunja Vejzović - Schubert - Winterreise D 911 Piano: Giorgio Stanetti Zagreb 1997
The Croatian mezzo-soprano Dunja Vejzović begins her career at he Zagreb National Theatre. From 1971 to 1976 she is a member of the Nürnberg Opera and until 1980 of the Opernhaus Frankfurt, where she appeares in several principal roles such as Venus in Wagners Tannhäuser. At the Bayreuth Festival she portrayes Kundry in Parsifal during three seasons und makes her Metropolitan debut as Venus with James Levine conducting. Herbert von Karajan engages her to appear in the Salzburg Festival, where she sings Kundry in the 1980/81 season and Ortrud in Lohengrin in 1984. In 1982 she has her debut a the Teatro alla Scala. In the following years she sings these roles in the leading opera houses in Europa and America and appears also as Senta in Der Fliegende Holländer as well as Brünnhilde in Die Wa...
Dunja Vejzović (pronounced [dûɲa v̞ɛ̂jzɔv̞it͡ɕ]; born October 20, 1943) is an acclaimed operatic soprano from Croatia.
Dunja Crnković was born in Zagreb and was married in 1963, changing her surname to Vejzović. She studied at the Zagreb Academy of Music, where she sang The Witch in Hänsel und Gretel in 1968. She began her career as a mezzo-soprano with the Croatian National Theatre in Zagreb, debuting in 1970 as Ariel in Stjepan Šulek's Oluja (The Tempest).
From 1971 to 1978, Vejzovic was a member of the Nuremberg Opera, where she appeared in many operas, including principal roles in Orfeo ed Euridice, Carmen, Tannhäuser (as Venus), Intolleranza, Die Soldaten (as Charlotte), Dido and Æneas, Elektra (as Klytemnästra), Il trovatore (as Azucena, directed by Hans Neuenfels in his operatic debut), Boris Godunov (as Marina Mnichek), Wozzeck (as Marie), Aïda (as Amneris), Lulu (as the Countess Geschwitz), and Samson et Dalila.
Her international career began in 1978, at the Bayreuth Festival, where she enacted Kundry in Parsifal, for three summers. On October 9, 1978, Vejzovic made her Metropolitan Opera debut, as Venus, opposite Jess Thomas in the name part, with James Levine conducting.
Life takes its toll, time carries on
But with you none of that matters
With you, none of that matters
Having felt your warm embrace
I would travel 'cross this world for you
Nothing else matters for you
Nothing else matters now
(Chorus)
To lay you down, there is only us
The distance, I'll ride, and travel this great divide
I will be with you
One day I know that our dreams will not be shattered
That's why, nothing else matters
Keeping close to you when times of trouble come
Bear in mind, nothing will shatter this trust
Nothing else matters now
(Chorus)
Cant keep to myself
You're a phone call away
I guess that's the price we pay for this life
I would give everything to keep you close