Jason Lau is a martial arts practitioner of Wing Chun Kung Fu as the Grandmaster of the Jiu Wan branch. He worked as the "resident martial-arts master" in the Cobray International counter-terrorist training camp of Mitchell Livingston WerBell III, an "old boys club" member of the clandestine United States Intelligence Community.
Jason Lau learned Wing Chun under Jiu Wan (Chiu Wan) and introduced his friend Francis Fong to the style. Jason Lau worked under the late Mitchell Werbell III in his counter-terrorist training camp Cobray International in Powder Springs, GA; WerBell had an established history with the CIA and other clandestine governmental agencies. At Cobray International, security forces for Lyndon LaRouche were trained. Jason Lau's experience reportedly allowed him "to walk...across ceilings like a human fly, remain crouched in a motionless position for hours while waiting for his prey, jump higher than people's heads; and pause, bird-like, suspended in the air," according to Eagle magazine. In 1987 Jason Lau helped stage a mock terrorist raid on a synagogue in Atlanta.
Ewart Everton Brown (born 31 March 1968), better known by his stage name of Mad Cobra or simply Cobra is a Jamaican reggae musician.
He was born in Kingston, Jamaica, raised in the parish of St. Mary and relocated back to the place of his birth during his teenage years. He began performing under his stage name, taken from a character in the G.I. Joe comic books, while still in his teens. He honed his talents on several local sound systems before entring the studio. His first single, 1989's "Respect Woman", was produced by his uncle, Tuff Gong engineer Delroy "Spiderman" Thompson. His next single, "Na Go Work", featured Tricia McKay, giving him his first hit, and bringing him to the attention of producers Captain Sinbad and Carl Nelson. Together they released a string of hit dancehall singles, including "Shoot to Kill", "Merciless Bad Boy", and "Ze Taurus", which featured tough, gangsta rap-style lyrics in keeping with the current trends of that time.
In 1990, Cobra began working with producer Donovan Germain and songwriter Dave Kelly on the Penthouse Records label. This partnership spawned a series of major hits in Jamaica, including "Yush", "Gundelero", "Bad Boy Talk", and "Feeling Lonely" (with Beres Hammond). He released his first full-length album in 1991, entitled Bad Boy Talk, and over the next year worked with several different producers on yet more hit tracks ("O.P.P" with King Jammy, "Tek Him" with Bobby Digital, "Be Patient" with Sly & Robbie). In 1991 and 1992, Mad Cobra broke into the UK Reggae charts with five number one hits, bringing with it a backlash over concerns about the anti-gay sentiments of tracks such as "Crucifixion".
I guess i never wanted this
Another 'ever after' kiss... Oh
Operator, the line is dead
Oh no, it's only me and all the walls inside my head
And for the record I was lost
With only one road I could never cross
And that's the road that takes me here
Oh no, not again
This is where it started
I need you, I'm for you
You threw me, I caught you
Don't leave me and say that you want to find a way back
Believe me, I followed all you said... Oh
Operator, the line is dead
How come you never look away
Everybody bought but I paid
You're not the one who left me here
Oh no, that was me and all the things I wanted
But now I find you different
You broke up all the walls in my head
Please don't go, let me
Need you, I want you
You know that I found you
Don't leave me and say that you want to find a way back
Believe me, I followed all you said... Oh
Operator, the line is dead
I guess i never wanted this
Another 'ever after' kiss... Oh
Operator, the line is dead
Oh no, it's only me and all the walls inside my head
I need you, I'm for you
You threw me, I caught you
Don't leave me and say that you want to find a way back
Believe me, I followed all you said... Oh
Operator, the line is dead
I need you, I'm for you (All you've said)
You threw me, I caught you (All you've said)
Don't leave me and say that you want
To find a way back (All you said)
Believe me, I followed all you said... Oh