Robert Miles

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Roberto Concina (born 3 November 1969), better known by his stage name Robert Miles, is a Swiss-Italian record producer, composer, musician and DJ.

Early life

Robert Miles was born to Italian immigrants Antonietta Lauro and Albino Concina in Fleurier, Switzerland.

Miles became proficient at playing the piano during his youth in Friuli, Italy, in the small town of Fagagna, where his family moved when he was still a young boy, and has been in the music scene since 1984. He worked as a DJ in some Italian clubs and private radio networks and in 1990, he used his savings to establish his own recording studio and a pirate radio station.

Music career

1994–97: Breakthrough and Dreamland

Robert

The name Robert is a Germanic given name, from Proto-Germanic *χrōþi- "fame" and *berχta- "bright". Compare Old Dutch Robrecht and Old High German Hrodebert (a compound of hruod "fame, glory" and berht "bright"). It is also in use as a surname.

After becoming widely used in Continental Europe it entered England in its Old French form Robert, where an Old English cognate form (Hrēodbēorht, Hrodberht, Hrēodbēorð, Hrœdbœrð, Hrœdberð) had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto.

Similar to the name, Richard, "Robert" is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Danish, and Icelandic. It can be used as a French, Hungarian, Finnish, and Estonian name as well.

Variations

Trivia

Robert, and also the name Joseph, were in the top 10 most given boys' names in the US for 47 years, from 1925 to 1972.

In Italy during the Second World War, the form of the name, Roberto, briefly acquired a new meaning derived from, and referring to the Rome-Berlin-Tokyo Axis.

Mile

The mile is an English unit of length equal to 1,760 yards and standardised as exactly 1,609.344 metres by international agreement in 1959.

With qualifiers, "mile" is also used to describe or translate a wide range of units derived from or roughly equivalent to the Roman mile, such as the nautical mile (now 1.852 km exactly), the Italian mile (roughly 1.852 km), and the Chinese mile (now 500 m exactly). The Romans divided their mile into 5,000 feet but the greater importance of furlongs in pre-modern England meant that the statute mile was made equivalent to 5,280 feet or 1,760 yards in 1593. This form of the mile then spread to the British-colonized nations who continue to employ the mile. The US Geological Survey now employs the metre for official purposes but legacy data from its 1927 geodetic datum has meant that a separate US survey mile (⁶³³⁶⁄₃₉₃₇ km) continues to see some use. While most countries replaced the mile with the kilometre when switching to the International System of Units, the international mile continues to be used in some countries, such as Liberia, Myanmar, the United Kingdom, the United States, and a number of countries with less than a million inhabitants, most of which are UK or US territories, or have close historical ties with the UK or US.

Children of the World

Children of the World is the 14th album released by the Bee Gees in September 1976. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album has sold over 2.5 million copies. It was the group's fourteenth album (twelfth internationally). The album was re-issued by Reprise and Rhino Records. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.

Background

Because their manager Robert Stigwood had ended his US distribution arrangement with Atlantic Records, Atlantic producer Arif Mardin, who had produced the Bee Gees' prior two albums, was no longer permitted to work with the group. In an effort to retain the same sound, the group recorded at the same studios (Criteria Studios in Miami). At first, they recruited producer Richard Perry, but they parted company after only a couple of weeks over the musical direction the group should take. At this point the Bee Gees decided to produce the album themselves, with Barry Gibb taking the lead role, along with engineer Karl Richardson. They added young musician and arranger Albhy Galuten to the control room as musical adviser. The new team saw the group through a series of top selling recordings over the next four years.