The Culture

The Culture is a fictional interstellar anarchist utopian society created by the Scottish writer Iain M. Banks, which features in a number of his space opera novels and works of short fiction, collectively called the Culture series.

In the series, the Culture is composed of several inter-bred humanoid species, as well as machines with intelligences ranging from basic computers, to human-equivalent drones, to superintelligent artificial intelligences called Minds. The Culture's economy is maintained automatically by its non-sentient machines, with high-level work entrusted to the Minds' subroutines, which allows its humanoid and drone citizens to indulge their passions, romances, hobbies, or other activities, without servitude. Many of the series' protagonists are humanoids who choose to work for the Culture's elite diplomatic or espionage organisations, and interact with other civilisations whose citizens hold wildly different ideologies, morals, and technologies.

The Culture has a grasp of technology which is advanced relative to most of the other civilisations which share the galaxy. There are a few Elder civilizations far more advanced than the Culture, but they tend to keep to themselves. Other civilizations have "Sublimed," or transitioned to some unknowable higher dimension or state of existence and have apparently lost interest in the mundane goings on of more corporeal beings. Most of the Culture's citizens do not live on planets but in or on artificial habitats, such as huge orbitals, or on ships, the largest of which are home to billions of individuals. Biologically, the Culture's citizens have been genetically enhanced to live for centuries, and have modified mental control over their physiology, including the ability to introduce a variety of psychoactive drugs into their systems, change gender, or switch off pain.

Culture of Belarus

The culture of Belarus is the product of a millennium of development under the impact of a number of diverse factors. These include the physical environment; the ethnographic background of Belarusians (the merger of Slavic newcomers with Baltic natives); the paganism of the early settlers and their hosts; Byzantine Christianity as a link to the Orthodox religion and its literary tradition; the country's lack of natural borders; the flow of rivers toward both the Black Sea and the Baltic Sea; and the variety of religions in the region (Catholicism, Orthodoxy, Judaism, and Islam).

An early Western influence on Belarusian culture was Magdeburg Law—charters that granted municipal self-rule and were based on the laws of German cities. These charters were granted in the fourteenth and fifteenth centuries by grand dukes and kings to a number of cities, including Brest, Grodno, Slutsk, and Minsk. The tradition of self-government not only facilitated contacts with Western Europe but also nurtured self-reliance, entrepreneurship, and a sense of civic responsibility.

Belarus

Coordinates: 53°N 23°E / 53°N 23°E / 53; 23

Belarus (ⁱ/bɛləˈruːs/ bel-ə-ROOSS; Belarusian: Белару́сь, tr. Bielaruś, IPA: [bʲɛlaˈrusʲ]; Russian: Белоруссия, tr. Byelorussiya; IPA: [bʲɪloˈrussɪʲɐ]), officially the Republic of Belarus, is a landlocked country in Eastern Europe bordered by Russia to the northeast, Ukraine to the south, Poland to the west, and Lithuania and Latvia to the northwest. Its capital is Minsk; other major cities include Brest, Hrodna (Grodno), Homiel (Gomel), Mahilioŭ (Mogilev) and Vitsebsk (Vitebsk). Over 40% of its 207,600 square kilometres (80,200 sq mi) is forested. Its strongest economic sectors are service industries and manufacturing.

Until the 20th century, different states at various times controlled the lands of modern-day Belarus: for example: the Principality of Polotsk (11th to 14th centuries), the Grand Duchy of Lithuania, the Polish–Lithuanian Commonwealth, and the Russian Empire. In the aftermath of the 1917 Russian Revolution, Belarus declared independence as the Belarusian People's Republic, succeeded by the Socialist Soviet Republic of Byelorussia, which became a founding constituent republic of the Soviet Union in 1922 and was renamed as the Byelorussian Soviet Socialist Republic (Byelorussian SSR). Belarus lost almost half of its territory to Poland after the Polish-Soviet war of 1919-1921. Much of the borders of Belarus took their modern shape in 1939 when some lands of the Second Polish Republic were reintegrated into it after the Soviet invasion of Poland and were finalized after World War II. During World War II, military operations devastated Belarus, which lost about a third of its population and more than half of its economic resources. The republic was redeveloped in the post-war years. In 1945 Belarus became a founding member of the United Nations, along with the Soviet Union and the Ukrainian SSR.

Belarus (pianos)

Belarus (Беларусъ) is a Belarusian manufacturer of upright pianos, founded in 1935 in Belarus (then the Soviet Union). Currently it is owned by the joint-stock company "Muzinstrument - Borisov". It is also known as the piano manufactures Sängler & Söhne, Schubert and Wieler pianos.

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Belarus (tractor)

Belarus («Белару́с», earlier «Белару́сь») is a series of four-wheeled tractors produced since 1950 at Minsk Tractor Works, MTZ (Мінскі трактарны завод; Ми́нский тра́кторный заво́д, МТЗ) in Minsk, Belarus.

These tractors are very well known throughout the Commonwealth of Independent States and are exported to more than 100 countries worldwide, including USA and Canada.

History

At the end of World War II, agricultural infrastructure in the Soviet Union (USSR) was in a poor state, production of agricultural machinery having been non existent during the later years of the War. Those tractors and machinery still working on the Large Collective Farms were tired from heavy use and also dated, most having been produced in the early 1930s or earlier. At best these tractors were unreliable and were poorly maintained. The Communist state ordered new tractors to be made at several locations within the USSR, the main assembly plant for MTZ being in Minsk, Belarus, with smaller tractors being produced in other locations, while other factories produced high-horsepower articulated and tracked tractors. All these tractors were exported under the name "Belarus" but were of a different design to each other. Within the Eastern bloc the tractors had no paint scheme, they were simply painted the same colour all over, red, green and blue being the most common. In the late 1980s Belarus tractors gained a paint livery of cream/white, cream wheels, with a red chassis, this remained until the late 1990s when it changed to red with a black chassis and cream wheels (later silver). A green alternative to the red was available for some markets during the 2000s (decade). While blue with a black chassis is currently the livery for the more basic 2wd cabless models.