- published: 10 Jul 2013
- views: 24358
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1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière oeuvre, dont il ne vit jamais la diffusion.
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mare tingui nòvio. La Gina no vol que el Gerard sàpiga que està sortint amb el Merlí.
- published: 02 Nov 2015
- views: 24267
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It was Debord's first feature-length film. It uses found footage and detournement in a radical criticism of mass marketing and its role in the alienation of modern society.
The 88 minute film took a year to make and incorporates footage from feature films, industrial films, news footage, advertisements, and still photographs.[1] The films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films.
Events such as the murder of Lee Harvey Oswald (who assassinated U.S. President John F. Kennedy in 1963), the Spanish Civil War of 1936-1939, the 1956 Hungarian Revolution and the Paris riots in May 1968 are represented, and people such as Mao Zedong, Richard Nixon and the Spanish anarchist Durruti.
Throughout the movie, there is both a voiceover (of Debord) and inter-titles from The Society of the Spectacle but also texts from the 1968 Occupation Committee of the Sorbonne, Machiavelli, Marx, Tocqueville, Émile Pouget, and Soloviev. Without citations, these quotes are hard to decipher, especially with the subtitles (which exist even in the French version) but that is part of Debord's goal "to problematize reception" (Greil and Sanborn) and force the viewer to be active. In addition, the words of some of the authors are detourned through deliberate misquoting.
In 1984, Debord withdrew his films from circulation because of the negative press and the assassination of his friend and patron Gerard Lebovici. Since Debord's suicide in 1994, Debord's wife Alice Becker-Ho has been promoting Debord's film. A DVD box set titled Guy Debord: Oeuvres cinématographiques complètes came out in 2005 and contains Debord's seven films.
The cover of the film is derived from a photo of Life magazine photographer J. R. Eyerman.
On November 26, 1952, at the Paramount Theatre (Oakland, California), took place the premiere screening of film Bwana Devil, by Arch Oboler, the first full-length, color 3D (aka 'Natural Vision') motion picture. Eyerman took a series of photo of the audience wearing 3D glasses.
Life magazine used one of the photos as the cover of a brochure about the 1946-1955 decade. The photo employed by Debord shows the audience in "a virtually trance-like state of absorption, their faces grim, their lips pursed;" however, in the one chosen by Life, "the spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship."Debord version is also flipped left to right, and cropped.
Merci à Ubuweb http://www.ubu.com/film/debord.html
"The integration of Debord's world with mass media culture became a running motif climaxing with "The Society of the Spectacle". Debord wrote the book The Society of the Spectacle before writing the movie. When asked why he made the book into a movie, Debord said, "I don't understand why this surprised people. The book was already written like a script". Debord's last film, "Son Art et Son Temps", was not produced during his lifetime. It worked as a final statement where Debord recounted his works and a cultural documentary of "his time"."
wikipedia http://en.wikipedia.org/wiki/Guy_Debord
- published: 08 Jan 2013
- views: 32428
Rencontre animée par M Shige Gonzalvez.
Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs
Éric Brun est docteur en sociologie de l’EHESS et membre associé du CESSP (Centre européen de sociologie et de science politique).
L’ouvrage d’Eric Brun constitue la première analyse sociologique du mouvement situationniste. Cette histoire éclaire les parcours croisés des acteurs qui l’ont animé, décrypte leur relation à l’art et aux institutions artistiques, à la pensée marxiste et aux intellectuels, à la politique et au militantisme. En prenant parti pour une mise au jour lucide des pratiques et idées situationnistes, Éric Brun renouvelle notre connaissance des avant-gardes, de leurs formes de politisation et d’internationalisation, et engage une réflexion sur les apports et limites de ce courant subversif qui n’ambitionnait rien moins que d’établir une nouvelle civilisation.
Lien Gibert Joseph : http://www.gibertjoseph.com/les-situationnistes-une-avant-garde-totale-1950-1972-5887935.html
Andrew Hussey I Guy Debord La société du spectacle et son héritage punk Éd. Globe
À l’occasion du 20e anniversaire de la mort de Guy Debord, Andrew Hussey livre une biographie complète, vivante et sérieuse sur un personnage énigmatique, souvent méconnu bien que ses archives aient été classées Trésor national en 2011.
Andrew Hussey est le doyen de l’université de Londres à Paris. Écrivain et journaliste, il écrit pour The Guardian, The Observer et le magazine littéraire Granta. Il réalise de nombreux documentaires pour la BBC, qui comme tous ses articles ou ses livres ont pour sujet la France.
Il publie, Guy Debord, La Société du spectacle et son héritage punk, Paris, 2014, Éditions Globe, 15 x 22,5 cm, 496 p. Préface de Will Self. Traduit de l’anglais par Marguerite Baux et Lucie Delplanque.
Lien Gibert Joseph : http://www.gibertjoseph.com/guy-debord-la-societe-du-spectacle-et-son-heritage-punk-5763937.html
- published: 19 Dec 2014
- views: 3497
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo.
Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da universidade FIAM FAAM.
- published: 28 May 2015
- views: 1388
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992.
http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29
- published: 10 May 2012
- views: 3569
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabili, dei folli o dei banditi di professione alla Bonnot.
Per approfondire:
Debord, G. La società dello spettacolo, Dalai Editore, 2008. # ISBN-10: 8860732085 # ISBN-13: 978-8860732088
- published: 07 Nov 2014
- views: 1815
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatre vidéos est slipenfer
Et voici la seconde partie: http://www.youtube.com/watch?v=PjvcVxyWd14
- published: 12 Nov 2011
- views: 22800
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo".
Brava Conversa que aconteceu no dia 05 de dezembro de 2009, um sábado, na sede da Brava Companhia no Sacolão das Artes - ocupação cultural localizada no bairro Parque Santo Antônio, periferia sul da cidade de São Paulo.
- published: 09 Mar 2012
- views: 7191
Guy Ernest Debord (December 28, 1931 – November 30, 1994) was a French Marxist theorist, writer, filmmaker, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International (SI). He was also briefly a member of Socialisme ou Barbarie.
Guy Debord was born in Paris in 1931. Guy's father, Martial, was a pharmacist who died due to illness when Guy was young. Guy's mother, Paulette Rossi, sent Guy to live with his grandmother in her family villa in Italy. During World War II, the Rossis left the villa and began to travel from town to town. As a result, Guy attended high school in Cannes, where he began his interest in film and vandalism. As a young man, Debord actively opposed the French war in Algeria and joined in demonstrations in Paris against it.
Debord joined the Letterist International when he was 19. The Letterists were led dictatorially by Isidore Isou until a widely agreed upon schism ended Isou's authority. This schism birthed several factions of Letterists, one of which was decidedly led by Debord upon Gil Wolman's unequivocal recommendation. In the 1960s, Debord led the Situationist International group, which influenced the Paris Uprising of 1968. Some consider his book The Society of the Spectacle (1967) to be a catalyst for the uprising.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Guy_Debord
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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59:45Guy Debord, son art, son temps
Guy Debord, son art, son tempsGuy Debord, son art, son temps
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière oeuvre, dont il ne vit jamais la diffusion. -
48:15TV3 - Merlí - Guy Debord
TV3 - Merlí - Guy DebordTV3 - Merlí - Guy Debord
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mare tingui nòvio. La Gina no vol que el Gerard sàpiga que està sortint amb el Merlí. -
88:10The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
The Society of the Spectacle by Guy Debord (1973) dub fr sub engThe Society of the Spectacle by Guy Debord (1973) dub fr sub eng
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It was Debord's first feature-length film. It uses found footage and detournement in a radical criticism of mass marketing and its role in the alienation of modern society. The 88 minute film took a year to make and incorporates footage from feature films, industrial films, news footage, advertisements, and still photographs.[1] The films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films. Events such as the murder of Lee Harvey Oswald (who assassinated U.S. President John F. Kennedy in 1963), the Spanish Civil War of 1936-1939, the 1956 Hungarian Revolution and the Paris riots in May 1968 are represented, and people such as Mao Zedong, Richard Nixon and the Spanish anarchist Durruti. Throughout the movie, there is both a voiceover (of Debord) and inter-titles from The Society of the Spectacle but also texts from the 1968 Occupation Committee of the Sorbonne, Machiavelli, Marx, Tocqueville, Émile Pouget, and Soloviev. Without citations, these quotes are hard to decipher, especially with the subtitles (which exist even in the French version) but that is part of Debord's goal "to problematize reception" (Greil and Sanborn) and force the viewer to be active. In addition, the words of some of the authors are detourned through deliberate misquoting. In 1984, Debord withdrew his films from circulation because of the negative press and the assassination of his friend and patron Gerard Lebovici. Since Debord's suicide in 1994, Debord's wife Alice Becker-Ho has been promoting Debord's film. A DVD box set titled Guy Debord: Oeuvres cinématographiques complètes came out in 2005 and contains Debord's seven films. The cover of the film is derived from a photo of Life magazine photographer J. R. Eyerman. On November 26, 1952, at the Paramount Theatre (Oakland, California), took place the premiere screening of film Bwana Devil, by Arch Oboler, the first full-length, color 3D (aka 'Natural Vision') motion picture. Eyerman took a series of photo of the audience wearing 3D glasses. Life magazine used one of the photos as the cover of a brochure about the 1946-1955 decade. The photo employed by Debord shows the audience in "a virtually trance-like state of absorption, their faces grim, their lips pursed;" however, in the one chosen by Life, "the spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship."Debord version is also flipped left to right, and cropped. Merci à Ubuweb http://www.ubu.com/film/debord.html "The integration of Debord's world with mass media culture became a running motif climaxing with "The Society of the Spectacle". Debord wrote the book The Society of the Spectacle before writing the movie. When asked why he made the book into a movie, Debord said, "I don't understand why this surprised people. The book was already written like a script". Debord's last film, "Son Art et Son Temps", was not produced during his lifetime. It worked as a final statement where Debord recounted his works and a cultural documentary of "his time"." wikipedia http://en.wikipedia.org/wiki/Guy_Debord -
21:13Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles
Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles -
54:07Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
Rencontre animée par M Shige Gonzalvez. Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs Éric Brun est docteur en sociologie de l’EHESS et membre associé du CESSP (Centre européen de sociologie et de science politique). L’ouvrage d’Eric Brun constitue la première analyse sociologique du mouvement situationniste. Cette histoire éclaire les parcours croisés des acteurs qui l’ont animé, décrypte leur relation à l’art et aux institutions artistiques, à la pensée marxiste et aux intellectuels, à la politique et au militantisme. En prenant parti pour une mise au jour lucide des pratiques et idées situationnistes, Éric Brun renouvelle notre connaissance des avant-gardes, de leurs formes de politisation et d’internationalisation, et engage une réflexion sur les apports et limites de ce courant subversif qui n’ambitionnait rien moins que d’établir une nouvelle civilisation. Lien Gibert Joseph : http://www.gibertjoseph.com/les-situationnistes-une-avant-garde-totale-1950-1972-5887935.html Andrew Hussey I Guy Debord La société du spectacle et son héritage punk Éd. Globe À l’occasion du 20e anniversaire de la mort de Guy Debord, Andrew Hussey livre une biographie complète, vivante et sérieuse sur un personnage énigmatique, souvent méconnu bien que ses archives aient été classées Trésor national en 2011. Andrew Hussey est le doyen de l’université de Londres à Paris. Écrivain et journaliste, il écrit pour The Guardian, The Observer et le magazine littéraire Granta. Il réalise de nombreux documentaires pour la BBC, qui comme tous ses articles ou ses livres ont pour sujet la France. Il publie, Guy Debord, La Société du spectacle et son héritage punk, Paris, 2014, Éditions Globe, 15 x 22,5 cm, 496 p. Préface de Will Self. Traduit de l’anglais par Marguerite Baux et Lucie Delplanque. Lien Gibert Joseph : http://www.gibertjoseph.com/guy-debord-la-societe-du-spectacle-et-son-heritage-punk-5763937.html -
20:45GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
GUY DEBORD e a Sociedade do Espetáculo - Trabalho UniversitárioGUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo. Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da universidade FIAM FAAM. -
87:18La Société Du Spectacle Guy Debord 1973 SubITA
La Société Du Spectacle Guy Debord 1973 SubITA -
87:18La Société Du Spectacle (1973) de Guy Debord
La Société Du Spectacle (1973) de Guy DebordLa Société Du Spectacle (1973) de Guy Debord
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992. http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29 -
49:51La Società dello Spettacolo-Guy Debord
La Società dello Spettacolo-Guy DebordLa Società dello Spettacolo-Guy Debord
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87:18La società dello spettacolo Guy Debord 1973
La società dello spettacolo Guy Debord 1973La società dello spettacolo Guy Debord 1973
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabili, dei folli o dei banditi di professione alla Bonnot. Per approfondire: Debord, G. La società dello spettacolo, Dalai Editore, 2008. # ISBN-10: 8860732085 # ISBN-13: 978-8860732088 -
23:23GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNIGUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatre vidéos est slipenfer Et voici la seconde partie: http://www.youtube.com/watch?v=PjvcVxyWd14 -
120:44Brava Conversa com Iná Camargo Costa - dez 2009
Brava Conversa com Iná Camargo Costa - dez 2009Brava Conversa com Iná Camargo Costa - dez 2009
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo". Brava Conversa que aconteceu no dia 05 de dezembro de 2009, um sábado, na sede da Brava Companhia no Sacolão das Artes - ocupação cultural localizada no bairro Parque Santo Antônio, periferia sul da cidade de São Paulo. -
21:13Refutación de todos los juicios (Guy Debord 1975)
Refutación de todos los juicios (Guy Debord 1975)Refutación de todos los juicios (Guy Debord 1975)
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198:13Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
- Alexander Trocchi
- Algerian War
- Alice Becker-Ho
- Amadeo Bordiga
- Anarchism
- Anarchist communism
- Anarcho-communism
- Anarcho-syndicalism
- Andrew Hussey
- Anti-capitalism
- Anti-consumerism
- Anti-Leninism
- Anti-Stalinist left
- Anti-statism
- Antonie Pannekoek
- Antonio Negri
- Argentinazo
- Asger Jorn
- Attila Kotányi
- Autonomism
- Avant-garde
- Bellevue-la-Montagne
- Biennio Rosso
- Bob Black
- Bourse du Travail
- Buenaventura Durruti
- Capitalism
- Carl von Clausewitz
- Champ Libre
- Charles Fourier
- Charles Radcliffe
- Charlie Chaplin
- Christine Albanel
- Class consciousness
- Class struggle
- Commodity fetishism
- Common ownership
- Commons
- Communalism
- Commune (socialism)
- Communism
- Communization
- Consensus democracy
- Constant Nieuwenhuys
- Council communism
- CrimethInc.
- Dada
- Daniel De Leon
- Daniel Guérin
- Decentralization
- Detournement
- Diggers
- Direct democracy
- Dual power
- Dérive
- Détournement
- E.T. Kingsley
- Economic democracy
- Emma Goldman
- Errico Malatesta
- Escuela Moderna
- EZLN
- February Revolution
- Filmmaker
- Fourierism
- France
- Frankfurt School
- Free love
- Free store
- Free Territory
- Friedrich Engels
- G. D. H. Cole
- Gandhian economics
- Gavril Myasnikov
- General Strike
- Georg Lukács
- Gerrard Winstanley
- Gilles Dauvé
- Grandizo Munis
- Greil Marcus
- Gruppe SPUR
- Guild socialism
- Guilds
- Guy Debord
- Gérard Lebovici
- Hakim Bey
- Haute-Loire
- Haymarket affair
- Hegel
- Henri Lefebvre
- Herbert Marcuse
- Herman Gorter
- Impossibilism
- Inclusive Democracy
- Isidore Isou
- Ivan Chtcheglov
- Jacqueline de Jong
- Jamie Reid
- Jan Appel
- Jason McQuinn
- Jean Baudrillard
- John Zerzan
- Joseph Déjacque
- Jørgen Nash
- Karl Liebknecht
- Karl Marx
- Karl Schröder (KAPD)
- Ken Knabb
- Le Jeu de la Guerre
- Left communism
- Left-Libertarianism
- Leo Tolstoy
- Lettrism
- Libertarian Marxism
- Libertarianism
- Louise Michel
- Luxemburgism
- Malcolm McLaren
- Marc Chirik
- Mario Perniola
- Marxism
- Marxist
- May 1968 in France
- McKenzie Wark
- Michael Albert
- Michele Bernstein
- Michèle Mochot
- Miguel Amorós
- Mikhail Bakunin
- Murray Bookchin
- Mémoires
- National treasure
- Nestor Makhno
- Neuritis
- Noam Chomsky
- Onorato Damen
- Otto Rühle
- Paris
- Paris Commune
- Paris, France
- Participism
- Paul Mattick
- Peter Kropotkin
- Platformism
- Politics
- Portal Communism
- Post-left anarchy
- Psychogeography
- Punk rock
- Radical Philosophy
- Ralph Rumney
- Raoul Vaneigem
- René Viénet
- Ricardo Flores Magón
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- Sun Tzu
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- Sylvia Pankhurst
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- Thomas Y Levin
- Ultra leftism
- Ultra-leftism
- Unitary Urbanism
- Wage slavery
- Western Marxism
- Western Philosophy
- Wikipedia Persondata
- Wikisource
- William Morris
- Wolfi Landstreicher
- Worker cooperative
- Workers control
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- Workers council
- Workers' council
- World revolution
- Yale University
- Zapatismo
- Alexander Trocchi
- Amadeo Bordiga
- Andrew Hussey
- Antonie Pannekoek
- Antonio Negri
- Asger Jorn
- Attila Kotányi
- Bob Black
- Buenaventura Durruti
- Carl von Clausewitz
- Charles Fourier
- Charles Radcliffe
- Charlie Chaplin
- Christine Albanel
- Constant Nieuwenhuys
- Daniel De Leon
- Daniel Guérin
- Emma Goldman
- Errico Malatesta
- Friedrich Engels
- Gavril Myasnikov
- Gerrard Winstanley
- Gilles Dauvé
- Grandizo Munis
- Greil Marcus
- Guy Debord
- Gérard Lebovici
- Henri Lefebvre
- Herbert Marcuse
- Herman Gorter
- Isidore Isou
- Ivan Chtcheglov
- Jacqueline de Jong
- Jamie Reid
- Jan Appel
- Jason McQuinn
- Jean Baudrillard
- John Zerzan
- Joseph Déjacque
- Jørgen Nash
- Karl Liebknecht
- Karl Marx
- Ken Knabb
- Leo Tolstoy
- Louise Michel
- Malcolm McLaren
- Marc Chirik
- Mario Perniola
- McKenzie Wark
- Michael Albert
- Mikhail Bakunin
- Murray Bookchin
- Nestor Makhno
- Noam Chomsky
- Onorato Damen
- Otto Rühle
- Paul Mattick
- Peter Kropotkin
- Ralph Rumney
- Raoul Vaneigem
- René Viénet
- Ricardo Flores Magón
- Rosa Luxemburg
- Rudolf Rocker
- Subcomandante Marcos
- Sun Tzu
- Sylvia Pankhurst
- Takis Fotopoulos
- Wikipedia Persondata
- William Morris
- Wolfi Landstreicher
Debord, Guy Filmography
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2013, role: writer
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2013, role: actor , character name: Himself
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2004, role: writer
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1995, role: writer
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1995, role: actor , character name: Himself
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1978, role: writer
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1978, role: director
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Play in Full Screen Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film 'La société du spectacle'1975, role: actor , character name: Narrator
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1973, role: writer
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1973, role: actor , character name: Narrator
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1973, role: writer
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1973, role: director
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1961, role: writer
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1961, role: director
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1961, role: actor
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1952, role: writer
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1952, role: director
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1952, role: actor
Famous quotes by Guy deBord:
"Young people everywhere have been allowed to choose between love and a garbage disposal unit. Everywhere they have chosen the garbage disposal unit."
"Boredom is always counter-revolutionary. Always."
"There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter."
"It is hardly surprising that children should enthusiastically start their education at an early age with the Absolute Knowledge of computer science; while they are unable to read, for reading demands making judgments at every line. Conversation is almost dead, and soon so too will be those who knew how to speak."
"Tourism, human circulation considered as consumption is fundamentally nothing more than the leisure of going to see what has become banal."
"Quotations are useful in periods of ignorance or obscurantist beliefs."
"Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author's phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea."
"In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation."
"All that was once directly lived has become mere representation."
"Behind the masks of total choice, different forms of the same alienation confront each other."
"As specialists of apparent life, stars serve as superficial objects that people can identify with in order to compensate for the fragmented productive specialisations that they actually live."
Guy Debord
ALBUMS
- Lipstick Traces released: 1993
Lipstick Traces
Released 1993- add to main playlist Play in Full Screen A Boring Life
- add to main playlist Play in Full Screen It's Too Soon to Know
- add to main playlist Play in Full Screen L'Admiral Cherche Une Maison A Louer
- add to main playlist Play in Full Screen Roadrunner
- add to main playlist Play in Full Screen Excerpts from Soundtrack to 'Hurlements en faveur de Sade'
- add to main playlist Play in Full Screen [Ambience, The Roxy, London]
- add to main playlist Play in Full Screen Instrumentation Verbale (Face 2)
- add to main playlist Play in Full Screen Boredom
- add to main playlist Play in Full Screen One Chord Wonders
- add to main playlist Play in Full Screen Phoneme BBB
- add to main playlist Play in Full Screen At Home He's a Tourist
- add to main playlist Play in Full Screen Gary Gilmore's Eyes
- add to main playlist Play in Full Screen U (Angry Side)
- add to main playlist Play in Full Screen Excerpt from soundtrack to 'Critique de la Seperation'
- add to main playlist Play in Full Screen Stage Talk, Roundhouse, London, 23 Sep. 1976
- add to main playlist Play in Full Screen Never Been in a Riot
- add to main playlist Play in Full Screen Split
- add to main playlist Play in Full Screen Rohrenhose-Rokoko-Neger-Rhythmus
- add to main playlist Play in Full Screen Wake Up
- add to main playlist Play in Full Screen You (Friendly Side)
- add to main playlist Play in Full Screen Megapneumies, 24 Mars 1963 (Face 1)
- add to main playlist Play in Full Screen In Love
- add to main playlist Play in Full Screen Excerpts from Soundtrack to 'Hurlements en faveur de Sade'
- add to main playlist Play in Full Screen Karawane
- add to main playlist Play in Full Screen I Wish I Was a Mole in the Ground
- add to main playlist Play in Full Screen The Building
- add to main playlist Play in Full Screen Lipstick Traces (On a Cigarette)
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Guy Debord, son art, son temps
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière oeuvre, dont il ne vit jamais la diffusion. -
TV3 - Merlí - Guy Debord
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mare tingui nòvio. La Gina no vol que el Gerard sàpiga que està sortint amb el Merlí. -
The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It was Debord's first feature-length film. It uses found footage and detournement in a radical criticism of mass marketing and its role in the alienation of modern society. The 88 minute film took a year to make and incorporates footage from feature films, industrial films, news footage, advertisements, and still photographs.[1] The films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films. Events such as the murder of Lee Harvey Oswald (who assassinated U.S. President... -
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Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
Rencontre animée par M Shige Gonzalvez. Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs Éric Brun est docteur en sociologie de l’EHESS et membre associé du CESSP (Centre européen de sociologie et de science politique). L’ouvrage d’Eric Brun constitue la première analyse sociologique du mouvement situationniste. Cette histoire éclaire les parcours croisés des acteurs qui l’ont animé, décrypte leur relation à l’art et aux institutions artistiques, à la pensée marxiste et aux intellectuels, à la politique et au militantisme. En prenant parti pour une mise au jour lucide des pratiques et idées situationnistes, Éric Brun renouvelle notre connaissance des avant-gardes, de leurs formes de politisation et d’internationalisation, et engage une réflexion sur les apports... -
GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo. Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da universidade FIAM FAAM. -
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La Société Du Spectacle (1973) de Guy Debord
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992. http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29 -
La Società dello Spettacolo-Guy Debord
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La società dello spettacolo Guy Debord 1973
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabili, dei folli o dei banditi di professione alla Bonnot. Per approfondire: Debord, G. La società dello spettacolo, Dalai Editore, 2008. # ISBN-10: 8860732085 # ISBN-13: 978-8860732088 -
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatre vidéos est slipenfer Et voici la seconde partie: http://www.youtube.com/watch?v=PjvcVxyWd14 -
Brava Conversa com Iná Camargo Costa - dez 2009
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo". Brava Conversa que aconteceu no dia 05 de dezembro de 2009, um sábado, na sede da Brava Companhia no Sacolão das Artes - ocupação cultural localizada no bairro Parque Santo Antônio, periferia sul da cidade de São Paulo. -
Refutación de todos los juicios (Guy Debord 1975)
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Guy Debord est vivant! [Film FRA sub ITA ENG]
New inedit movie of Guy Debord !!! -
La Sociedad del Espectaculo - Guy Debord pt 1
Audiolibro: La Sociedad del Espectaculo por Guy Debord -
GUY DEBORD REFUTATION OF ALL JUDGEMENTS 1975
subtitles by keith sanborn -
La Sociedad del Espectáculo Guy Debord Parte 2
Si la voz suena rara es porque estaba un poco ronco, lol -
La Sociedad del Espectáculo - Guy Debord Parte 7
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La Sociedad del Espectaculo Guy Debord Parte 3
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Aullidos en favor de Sade (1952) "Remasterizado" (con subtitulos en español) HD
Reversión del film "Hurlements en faveur de Sade" (1952). Para su autor, Guy Debord, aunque se enoje. -
la société du spectacle Guy Debord (essai) (update)
Avancer le vidéo à 2:00******** Modification des images du documentaire de Guy Debord. On écoute le documentaire en fonction des images véhiculés par la société du spectacle d'aujourd'hui. Ceci ce veut un essai de mettre à jour le documentaire de la société du spectacle de Guy Debord. Nous avons essayé de faire du mieux que nous pouvions pour reflété la société du spectacle d'aujourd'hui en utilisant les tops 100 des vidéos les plus vues sur youtube à partir de 2015 jusqu'à avril 2016. Nous avons créé un effet visuel noir et blanc afin d'atténuer l'attention du spectateur afin qu'il focus davantage sur les paroles de l'auteur. J'invite tous ceux qui seraient intéréssés à modifier l'idée, pour rendre le projet visuellement de meilleur qualité. Merci de m'envoyer des commentaires constructi...
Guy Debord, son art, son temps
- Order: Reorder
- Duration: 59:45
- Updated: 10 Jul 2013
- views: 24358
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière ...
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière oeuvre, dont il ne vit jamais la diffusion.
wn.com/Guy Debord, Son Art, Son Temps
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous les matériaux et preparé les commentaires. C'est d´ailleurs sa dernière oeuvre, dont il ne vit jamais la diffusion.
- published: 10 Jul 2013
- views: 24358
TV3 - Merlí - Guy Debord
- Order: Reorder
- Duration: 48:15
- Updated: 02 Nov 2015
- views: 24267
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mar...
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mare tingui nòvio. La Gina no vol que el Gerard sàpiga que està sortint amb el Merlí.
wn.com/Tv3 Merlí Guy Debord
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mònica corre per l'institut. L'Ivan es pren molt malament que la seva mare tingui nòvio. La Gina no vol que el Gerard sàpiga que està sortint amb el Merlí.
- published: 02 Nov 2015
- views: 24267
The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
- Order: Reorder
- Duration: 88:10
- Updated: 08 Jan 2013
- views: 32428
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It wa...
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It was Debord's first feature-length film. It uses found footage and detournement in a radical criticism of mass marketing and its role in the alienation of modern society.
The 88 minute film took a year to make and incorporates footage from feature films, industrial films, news footage, advertisements, and still photographs.[1] The films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films.
Events such as the murder of Lee Harvey Oswald (who assassinated U.S. President John F. Kennedy in 1963), the Spanish Civil War of 1936-1939, the 1956 Hungarian Revolution and the Paris riots in May 1968 are represented, and people such as Mao Zedong, Richard Nixon and the Spanish anarchist Durruti.
Throughout the movie, there is both a voiceover (of Debord) and inter-titles from The Society of the Spectacle but also texts from the 1968 Occupation Committee of the Sorbonne, Machiavelli, Marx, Tocqueville, Émile Pouget, and Soloviev. Without citations, these quotes are hard to decipher, especially with the subtitles (which exist even in the French version) but that is part of Debord's goal "to problematize reception" (Greil and Sanborn) and force the viewer to be active. In addition, the words of some of the authors are detourned through deliberate misquoting.
In 1984, Debord withdrew his films from circulation because of the negative press and the assassination of his friend and patron Gerard Lebovici. Since Debord's suicide in 1994, Debord's wife Alice Becker-Ho has been promoting Debord's film. A DVD box set titled Guy Debord: Oeuvres cinématographiques complètes came out in 2005 and contains Debord's seven films.
The cover of the film is derived from a photo of Life magazine photographer J. R. Eyerman.
On November 26, 1952, at the Paramount Theatre (Oakland, California), took place the premiere screening of film Bwana Devil, by Arch Oboler, the first full-length, color 3D (aka 'Natural Vision') motion picture. Eyerman took a series of photo of the audience wearing 3D glasses.
Life magazine used one of the photos as the cover of a brochure about the 1946-1955 decade. The photo employed by Debord shows the audience in "a virtually trance-like state of absorption, their faces grim, their lips pursed;" however, in the one chosen by Life, "the spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship."Debord version is also flipped left to right, and cropped.
Merci à Ubuweb http://www.ubu.com/film/debord.html
"The integration of Debord's world with mass media culture became a running motif climaxing with "The Society of the Spectacle". Debord wrote the book The Society of the Spectacle before writing the movie. When asked why he made the book into a movie, Debord said, "I don't understand why this surprised people. The book was already written like a script". Debord's last film, "Son Art et Son Temps", was not produced during his lifetime. It worked as a final statement where Debord recounted his works and a cultural documentary of "his time"."
wikipedia http://en.wikipedia.org/wiki/Guy_Debord
wn.com/The Society Of The Spectacle By Guy Debord (1973) Dub Fr Sub Eng
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same title. It was Debord's first feature-length film. It uses found footage and detournement in a radical criticism of mass marketing and its role in the alienation of modern society.
The 88 minute film took a year to make and incorporates footage from feature films, industrial films, news footage, advertisements, and still photographs.[1] The films include The Battleship Potemkin, October, Chapaev, The New Babylon, The Shanghai Gesture, For Whom the Bell Tolls, Rio Grande, They Died with Their Boots On, Johnny Guitar, and Mr. Arkadin, as well as other Soviet films.
Events such as the murder of Lee Harvey Oswald (who assassinated U.S. President John F. Kennedy in 1963), the Spanish Civil War of 1936-1939, the 1956 Hungarian Revolution and the Paris riots in May 1968 are represented, and people such as Mao Zedong, Richard Nixon and the Spanish anarchist Durruti.
Throughout the movie, there is both a voiceover (of Debord) and inter-titles from The Society of the Spectacle but also texts from the 1968 Occupation Committee of the Sorbonne, Machiavelli, Marx, Tocqueville, Émile Pouget, and Soloviev. Without citations, these quotes are hard to decipher, especially with the subtitles (which exist even in the French version) but that is part of Debord's goal "to problematize reception" (Greil and Sanborn) and force the viewer to be active. In addition, the words of some of the authors are detourned through deliberate misquoting.
In 1984, Debord withdrew his films from circulation because of the negative press and the assassination of his friend and patron Gerard Lebovici. Since Debord's suicide in 1994, Debord's wife Alice Becker-Ho has been promoting Debord's film. A DVD box set titled Guy Debord: Oeuvres cinématographiques complètes came out in 2005 and contains Debord's seven films.
The cover of the film is derived from a photo of Life magazine photographer J. R. Eyerman.
On November 26, 1952, at the Paramount Theatre (Oakland, California), took place the premiere screening of film Bwana Devil, by Arch Oboler, the first full-length, color 3D (aka 'Natural Vision') motion picture. Eyerman took a series of photo of the audience wearing 3D glasses.
Life magazine used one of the photos as the cover of a brochure about the 1946-1955 decade. The photo employed by Debord shows the audience in "a virtually trance-like state of absorption, their faces grim, their lips pursed;" however, in the one chosen by Life, "the spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship."Debord version is also flipped left to right, and cropped.
Merci à Ubuweb http://www.ubu.com/film/debord.html
"The integration of Debord's world with mass media culture became a running motif climaxing with "The Society of the Spectacle". Debord wrote the book The Society of the Spectacle before writing the movie. When asked why he made the book into a movie, Debord said, "I don't understand why this surprised people. The book was already written like a script". Debord's last film, "Son Art et Son Temps", was not produced during his lifetime. It worked as a final statement where Debord recounted his works and a cultural documentary of "his time"."
wikipedia http://en.wikipedia.org/wiki/Guy_Debord
- published: 08 Jan 2013
- views: 32428
Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles
- Order: Reorder
- Duration: 21:13
- Updated: 22 Dec 2013
- views: 4751
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Réfutation de tous les jugements,tant élogieux qu'hostiles,qui ont été portés sur le film la soci...
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Réfutation de tous les jugements,tant élogieux qu'hostiles,qui ont été portés sur le film la société du spectacle 1976
Editions Gaumond
wn.com/Guy Debord Réfutation De Tous Les Jugements,Tant Élogieux Qu'Hostiles
Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
- Order: Reorder
- Duration: 54:07
- Updated: 19 Dec 2014
- views: 3497
Rencontre animée par M Shige Gonzalvez.
Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs
Éric Brun est docteur en sociologie de l’E...
Rencontre animée par M Shige Gonzalvez.
Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs
Éric Brun est docteur en sociologie de l’EHESS et membre associé du CESSP (Centre européen de sociologie et de science politique).
L’ouvrage d’Eric Brun constitue la première analyse sociologique du mouvement situationniste. Cette histoire éclaire les parcours croisés des acteurs qui l’ont animé, décrypte leur relation à l’art et aux institutions artistiques, à la pensée marxiste et aux intellectuels, à la politique et au militantisme. En prenant parti pour une mise au jour lucide des pratiques et idées situationnistes, Éric Brun renouvelle notre connaissance des avant-gardes, de leurs formes de politisation et d’internationalisation, et engage une réflexion sur les apports et limites de ce courant subversif qui n’ambitionnait rien moins que d’établir une nouvelle civilisation.
Lien Gibert Joseph : http://www.gibertjoseph.com/les-situationnistes-une-avant-garde-totale-1950-1972-5887935.html
Andrew Hussey I Guy Debord La société du spectacle et son héritage punk Éd. Globe
À l’occasion du 20e anniversaire de la mort de Guy Debord, Andrew Hussey livre une biographie complète, vivante et sérieuse sur un personnage énigmatique, souvent méconnu bien que ses archives aient été classées Trésor national en 2011.
Andrew Hussey est le doyen de l’université de Londres à Paris. Écrivain et journaliste, il écrit pour The Guardian, The Observer et le magazine littéraire Granta. Il réalise de nombreux documentaires pour la BBC, qui comme tous ses articles ou ses livres ont pour sujet la France.
Il publie, Guy Debord, La Société du spectacle et son héritage punk, Paris, 2014, Éditions Globe, 15 x 22,5 cm, 496 p. Préface de Will Self. Traduit de l’anglais par Marguerite Baux et Lucie Delplanque.
Lien Gibert Joseph : http://www.gibertjoseph.com/guy-debord-la-societe-du-spectacle-et-son-heritage-punk-5763937.html
wn.com/Rencontre Avec Éric Brun Andrew Hussey Sur Guy Debord Et Les Situationnistes.
Rencontre animée par M Shige Gonzalvez.
Éric Brun I Les situationnistes Une avant-garde totale (1950-1972) Éd. Cnrs
Éric Brun est docteur en sociologie de l’EHESS et membre associé du CESSP (Centre européen de sociologie et de science politique).
L’ouvrage d’Eric Brun constitue la première analyse sociologique du mouvement situationniste. Cette histoire éclaire les parcours croisés des acteurs qui l’ont animé, décrypte leur relation à l’art et aux institutions artistiques, à la pensée marxiste et aux intellectuels, à la politique et au militantisme. En prenant parti pour une mise au jour lucide des pratiques et idées situationnistes, Éric Brun renouvelle notre connaissance des avant-gardes, de leurs formes de politisation et d’internationalisation, et engage une réflexion sur les apports et limites de ce courant subversif qui n’ambitionnait rien moins que d’établir une nouvelle civilisation.
Lien Gibert Joseph : http://www.gibertjoseph.com/les-situationnistes-une-avant-garde-totale-1950-1972-5887935.html
Andrew Hussey I Guy Debord La société du spectacle et son héritage punk Éd. Globe
À l’occasion du 20e anniversaire de la mort de Guy Debord, Andrew Hussey livre une biographie complète, vivante et sérieuse sur un personnage énigmatique, souvent méconnu bien que ses archives aient été classées Trésor national en 2011.
Andrew Hussey est le doyen de l’université de Londres à Paris. Écrivain et journaliste, il écrit pour The Guardian, The Observer et le magazine littéraire Granta. Il réalise de nombreux documentaires pour la BBC, qui comme tous ses articles ou ses livres ont pour sujet la France.
Il publie, Guy Debord, La Société du spectacle et son héritage punk, Paris, 2014, Éditions Globe, 15 x 22,5 cm, 496 p. Préface de Will Self. Traduit de l’anglais par Marguerite Baux et Lucie Delplanque.
Lien Gibert Joseph : http://www.gibertjoseph.com/guy-debord-la-societe-du-spectacle-et-son-heritage-punk-5763937.html
- published: 19 Dec 2014
- views: 3497
GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
- Order: Reorder
- Duration: 20:45
- Updated: 28 May 2015
- views: 1388
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo.
Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da univer...
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo.
Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da universidade FIAM FAAM.
wn.com/Guy Debord E A Sociedade Do Espetáculo Trabalho Universitário
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo.
Vídeo feito pelos alunos do terceiro semestre de Rádio e Tv de 2015, da universidade FIAM FAAM.
- published: 28 May 2015
- views: 1388
La Société Du Spectacle Guy Debord 1973 SubITA
- Order: Reorder
- Duration: 87:18
- Updated: 13 Nov 2013
- views: 3513
Un manuale di sopravvivenza e di resistenza umana... http://it.wikipedia.org/wiki/La_società_dello_spettacolo
Un manuale di sopravvivenza e di resistenza umana... http://it.wikipedia.org/wiki/La_società_dello_spettacolo
wn.com/La SociéTé Du Spectacle Guy Debord 1973 Subita
La Société Du Spectacle (1973) de Guy Debord
- Order: Reorder
- Duration: 87:18
- Updated: 10 May 2012
- views: 3569
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992.
http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992.
http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29
wn.com/La Société Du Spectacle (1973) De Guy Debord
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992.
http://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_du_spectacle_%28livre%29
- published: 10 May 2012
- views: 3569
La Società dello Spettacolo-Guy Debord
- Order: Reorder
- Duration: 49:51
- Updated: 29 Aug 2012
- views: 1493
- published: 29 Aug 2012
- views: 1493
La società dello spettacolo Guy Debord 1973
- Order: Reorder
- Duration: 87:18
- Updated: 07 Nov 2014
- views: 1815
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabi...
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabili, dei folli o dei banditi di professione alla Bonnot.
Per approfondire:
Debord, G. La società dello spettacolo, Dalai Editore, 2008. # ISBN-10: 8860732085 # ISBN-13: 978-8860732088
wn.com/La Società Dello Spettacolo Guy Debord 1973
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenza eretica, eversiva o blasfema lo sposta nel cinema degli indesiderabili, dei folli o dei banditi di professione alla Bonnot.
Per approfondire:
Debord, G. La società dello spettacolo, Dalai Editore, 2008. # ISBN-10: 8860732085 # ISBN-13: 978-8860732088
- published: 07 Nov 2014
- views: 1815
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
- Order: Reorder
- Duration: 23:23
- Updated: 12 Nov 2011
- views: 22800
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatr...
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatre vidéos est slipenfer
Et voici la seconde partie: http://www.youtube.com/watch?v=PjvcVxyWd14
wn.com/Guy Debord 1 4 In Girum Imus Nocte Et Consumimur Igni
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce début avec sa suite que je le publie ici sur youtube. L'auteur des quatre vidéos est slipenfer
Et voici la seconde partie: http://www.youtube.com/watch?v=PjvcVxyWd14
- published: 12 Nov 2011
- views: 22800
Brava Conversa com Iná Camargo Costa - dez 2009
- Order: Reorder
- Duration: 120:44
- Updated: 09 Mar 2012
- views: 7191
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo".
Brava Conversa que aconteceu no dia 05 ...
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo".
Brava Conversa que aconteceu no dia 05 de dezembro de 2009, um sábado, na sede da Brava Companhia no Sacolão das Artes - ocupação cultural localizada no bairro Parque Santo Antônio, periferia sul da cidade de São Paulo.
wn.com/Brava Conversa Com Iná Camargo Costa Dez 2009
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debord, "Sociedade do Espetáculo".
Brava Conversa que aconteceu no dia 05 de dezembro de 2009, um sábado, na sede da Brava Companhia no Sacolão das Artes - ocupação cultural localizada no bairro Parque Santo Antônio, periferia sul da cidade de São Paulo.
- published: 09 Mar 2012
- views: 7191
Refutación de todos los juicios (Guy Debord 1975)
- Order: Reorder
- Duration: 21:13
- Updated: 19 Jul 2012
- views: 2097
- published: 19 Jul 2012
- views: 2097
Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
- Order: Reorder
- Duration: 198:13
- Updated: 03 Oct 2014
- views: 1616
Guy Debord est vivant! [Film FRA sub ITA ENG]
- Order: Reorder
- Duration: 20:41
- Updated: 10 Jul 2015
- views: 358
New inedit movie of Guy Debord !!!
New inedit movie of Guy Debord !!!
wn.com/Guy Debord Est Vivant Film Fra Sub Ita Eng
La Sociedad del Espectaculo - Guy Debord pt 1
- Order: Reorder
- Duration: 26:29
- Updated: 06 Jan 2014
- views: 1237
Audiolibro: La Sociedad del Espectaculo por Guy Debord
Audiolibro: La Sociedad del Espectaculo por Guy Debord
wn.com/La Sociedad Del Espectaculo Guy Debord Pt 1
GUY DEBORD REFUTATION OF ALL JUDGEMENTS 1975
- Order: Reorder
- Duration: 21:47
- Updated: 26 Mar 2014
- views: 298
subtitles by keith sanborn
subtitles by keith sanborn
wn.com/Guy Debord Refutation Of All Judgements 1975
subtitles by keith sanborn
- published: 26 Mar 2014
- views: 298
La Sociedad del Espectáculo Guy Debord Parte 2
- Order: Reorder
- Duration: 20:37
- Updated: 07 Jan 2014
- views: 325
Si la voz suena rara es porque estaba un poco ronco, lol
Si la voz suena rara es porque estaba un poco ronco, lol
wn.com/La Sociedad Del Espectáculo Guy Debord Parte 2
Si la voz suena rara es porque estaba un poco ronco, lol
- published: 07 Jan 2014
- views: 325
La Sociedad del Espectáculo - Guy Debord Parte 7
- Order: Reorder
- Duration: 20:47
- Updated: 14 Jan 2014
- views: 99
- published: 14 Jan 2014
- views: 99
« La société du spectacle », par Patrick Marcolini (conférence vidéo sur Guy Debord, BNF, 2013)
- Order: Reorder
- Duration: 48:47
- Updated: 16 Feb 2016
- views: 46
Cycle Samedis des savoirs : Debord en quelques mots.
« La société du spectacle », par Patrick Marcolini.
Conférence donnée à la BNF le 13 avril 2013.
Cycle Samedis des savoirs : Debord en quelques mots.
« La société du spectacle », par Patrick Marcolini.
Conférence donnée à la BNF le 13 avril 2013.
wn.com/« La Société Du Spectacle », Par Patrick Marcolini (Conférence Vidéo Sur Guy Debord, Bnf, 2013)
La Sociedad del Espectaculo Guy Debord Parte 3
- Order: Reorder
- Duration: 24:36
- Updated: 08 Jan 2014
- views: 227
- published: 08 Jan 2014
- views: 227
Aullidos en favor de Sade (1952) "Remasterizado" (con subtitulos en español) HD
- Order: Reorder
- Duration: 64:01
- Updated: 14 Dec 2014
- views: 1121
Reversión del film "Hurlements en faveur de Sade" (1952). Para su autor, Guy Debord, aunque se enoje.
Reversión del film "Hurlements en faveur de Sade" (1952). Para su autor, Guy Debord, aunque se enoje.
wn.com/Aullidos En Favor De Sade (1952) Remasterizado (Con Subtitulos En Español) Hd
Reversión del film "Hurlements en faveur de Sade" (1952). Para su autor, Guy Debord, aunque se enoje.
- published: 14 Dec 2014
- views: 1121
la société du spectacle Guy Debord (essai) (update)
- Order: Reorder
- Duration: 87:18
- Updated: 05 Apr 2016
- views: 29
Avancer le vidéo à 2:00********
Modification des images du documentaire de Guy Debord. On écoute le documentaire en fonction des images véhiculés par la sociét...
Avancer le vidéo à 2:00********
Modification des images du documentaire de Guy Debord. On écoute le documentaire en fonction des images véhiculés par la société du spectacle d'aujourd'hui. Ceci ce veut un essai de mettre à jour le documentaire de la société du spectacle de Guy Debord. Nous avons essayé de faire du mieux que nous pouvions pour reflété la société du spectacle d'aujourd'hui en utilisant les tops 100 des vidéos les plus vues sur youtube à partir de 2015 jusqu'à avril 2016. Nous avons créé un effet visuel noir et blanc afin d'atténuer l'attention du spectateur afin qu'il focus davantage sur les paroles de l'auteur. J'invite tous ceux qui seraient intéréssés à modifier l'idée, pour rendre le projet visuellement de meilleur qualité. Merci de m'envoyer des commentaires constructifs. Bonne écoute!
référence : La Société Du Spectacle (1973) de Guy Debord (en ligne) https://www.youtube.com/watch?v=eE_nu... , consulté le 5 avril 2016.
- https://www.youtube.com/watch?v=G8JVS...
- https://www.youtube.com/watch?v=l3H41...
- https://www.youtube.com/watch?v=dMi0j...
- https://www.youtube.com/watch?v=kzz7J...
- https://www.youtube.com/watch?v=qeljP...
wn.com/La Société Du Spectacle Guy Debord (Essai) (Update)
Avancer le vidéo à 2:00********
Modification des images du documentaire de Guy Debord. On écoute le documentaire en fonction des images véhiculés par la société du spectacle d'aujourd'hui. Ceci ce veut un essai de mettre à jour le documentaire de la société du spectacle de Guy Debord. Nous avons essayé de faire du mieux que nous pouvions pour reflété la société du spectacle d'aujourd'hui en utilisant les tops 100 des vidéos les plus vues sur youtube à partir de 2015 jusqu'à avril 2016. Nous avons créé un effet visuel noir et blanc afin d'atténuer l'attention du spectateur afin qu'il focus davantage sur les paroles de l'auteur. J'invite tous ceux qui seraient intéréssés à modifier l'idée, pour rendre le projet visuellement de meilleur qualité. Merci de m'envoyer des commentaires constructifs. Bonne écoute!
référence : La Société Du Spectacle (1973) de Guy Debord (en ligne) https://www.youtube.com/watch?v=eE_nu... , consulté le 5 avril 2016.
- https://www.youtube.com/watch?v=G8JVS...
- https://www.youtube.com/watch?v=l3H41...
- https://www.youtube.com/watch?v=dMi0j...
- https://www.youtube.com/watch?v=kzz7J...
- https://www.youtube.com/watch?v=qeljP...
- published: 05 Apr 2016
- views: 29
-
guy debord 2
eee -
Guy Debord Critique de la séparation 1961
Extrait du coffret DVD "Œuvres cinématographiques complètes": Guy Debord Critique de la séparation 1961 Editions Gaumond -
Guy Debord calls the apple store
The audio work is not mine, it comes from the fantastic people at audioanarchy.org. I downloaded their collection of readings from Guy Debord's Society of the Spectacle, and was listening to it on my way to work on the subway the other morning. I spent the rest of the day in this strange 'matrix' like mode. I felt like Keanu Reeves, and instead of looking at my co-workers, products, billboards, food, etc.... all I saw the rest of the day was the matrix. numbers flying by me. I got home and made this little collage of some of the things from the spectacle to go with the audio... I highly recommend the full audio file available at audioanarchy.org -
La Société du Spectacle, par Guy Debord (extraits)
« Toute la vie des sociétés dans lesquelles règnent les conditions modernes de production s'annonce comme une immense accumulation de spectacles. » 63 Cest lunité de la misère qui se cache sous les oppositions spectaculaires. Si des formes diverses de la même aliénation se combattent sous les masques du choix total, cest parce quelles sont toutes édifiées sur les contradictions réelles refoulées. Selon les nécessités du stade particulier de la misère quil dément et maintient, le spectacle existe sous une forme concentrée ou sous une forme diffuse. Dans les deux cas, il nest quune image dunification heureuse environnée de désolation et dépouvante, au centre tranquille du malheur. 64 Le spectaculaire concentré appartient essentiellement au capitalisme bureaucratique, encore quil pui... -
Alice in Wonderland or Who is Guy Debord? excerpt 1
Alice, unhappy with her prim, proper existence in Victorian England, travels through time into an age that allegorically resembles our own. There, she encounters elitist tea-partiers, rapping flowers, and a philosopher cat, before she is consumed by an assaulting music video. Her only hope for understanding this foreign world of spectacle is to somehow find Guy Debord. -
Guy Debord - La Refutation PART 1/3 (sub ITA)
Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film 'La société du spectacle', di Guy Debord (1975). Versione originale francese con sottotitoli in italiano -
Guy Debord. Sur le passage...
"Sur le passage de quelques personnes à travers une assez courte unité de temps" est un film réalisé par Guy Debord sorti en 1959. Format : 35 mm, noir et blanc Durée : 20 minutes -
Rick Roderick on Baudrillard - Fatal Strategies [full length]
This video is 8th in the 8-part video lecture series, The Self Under Siege: Philosophy in the Twentieth Century (1993). I. The task of creating a life with the "self under siege" to the degree I have argued may seem impossible. At the very least, it calls for what Baudrillard calls "fatal strategies". So I begin this lecture with the work of Baudrillard, perhaps the last philosopher? II. Baudrillard builds on the work Guy Debord, the situationist author of "The Society of the Spectacle". Baudrillard traces the symptoms and tendencies of the trajectory of the postmodern; a set of concepts appropriate for a new world of technologies of images and communication developing in the late 20th Century. III. The first of these is the Hyperreal. This is the image, the reproduction that is more re... -
The Society of the Spectacle Pt 1
Guy Debord's 1967 text, remade into a contemporary context. Also includes Marshall McLuhan and John Berger. Made by Aska (check the credits for more) Sound by the amazing Pippin Kenworthy (check out his channel) www.pippinkenworthy.com The video concludes here: http://www.youtube.com/watch?v=iN26E410Euk -
Guy Debord - Critique of Separation part one (English subtitles)
"And only a few encounters were like signals emanating from a more intense life, a life that has not really been found". For clarity of subtitles alone, best to watch in HQ if possible. -
Die Gesellschaft des Spektakels von Guy Debord
Die Gesellschaft des Spektakels von Guy Debord, 68er, Linke, französische Philosophie, Kunst, Situationisten -
Guy Debord prank calls the Apple Store
Guy Debord was born in Paris. His father died early, and he was raised by his grandmother in a series of Mediterranean towns. He was a headstrong youth, and after graduating high school he dropped out of the University of Paris where he had been studying law. He became a revolutionary poet, writer and filmmaker founding the Lettrist International schism with Gil J. Wolman. In the 1960s he led the Situationist International group, which influenced the Paris Uprising of 1968. Some consider his book Society of the Spectacle (1967) to be a catalyst for the uprising. In the 1970s Debord disbanded the Situationist International, and resumed filmmaking with financial backing from the movie mogul and publisher Gérard Lebovici (éditions Champ Libre). His two most recognized films date from this ... -
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John Maus Interview by Smetnjak - I know that I don't know, I don't know, I don't know
Shot by Smetnjak at Wastelands Festival in Ghent on 11th of August 2012. Keywords: television, twitter, facebook, Socrates, punk rock, visibility, Sex Pistols, Nirvana, Lucifer, Minnesota, New Deal, Ronald Reagan, spam, solitude, Ariel Pink, work, postmodernism, dialectic of enlightenment, caricature, inhumanity, The Invisible Committee, OWS, Abu Ghraib, Hunter S. Thompson, State, horror, record store, society of spectacle, Guy Debord, genre film, James Cameron, Terminator, sublimity, contemporary art, Neveldine/Taylor, Crank: High Voltage, decentered subject, Gilles Deleuze, Luciano Berio, Karlheinz Stockhausen, Theodor W. Adorno, Arnold Schönberg, G. W. F. Hegel, Ludwig van Beethoven, Immanuel Kant, Joseph Haydn, dubstep, music journalism, Simon Reynolds, Slavoj Žižek, Richard Wagner, A... -
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Cornelius Castoriadis - Interview on Autonomy and Democracy (1984)
Interview with Cornelius Castoriadis for the Greek television network ET1, for the show "Paraskinio," 1984 (with English-language subtitles). This documentary describes the life and the work of Cornelius Castoriadis and his turning from Marxism to the ideas of autonomy. Central role in this film plays the concept of autonomy. They are being presented two historical moments of autonomous societies - the ancient Greek democracy and the medieval European communities. The democracy of ancient Athens formulates the ideas of the big philosopher and his definitions for direct democracy and autonomy. What means "politics"? What means "revolution" nowadays? Which is the crisis of the western societies? To these questions Castoriadis search answers all his life. But in order to find such, he quits ...
guy debord 2
- Order: Reorder
- Duration: 1:03
- Updated: 17 May 2012
- views: 1587
eee
eee
wn.com/Guy Debord 2
eee
- published: 17 May 2012
- views: 1587
Guy Debord Critique de la séparation 1961
- Order: Reorder
- Duration: 17:24
- Updated: 22 Dec 2013
- views: 5217
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Guy Debord Critique de la séparation 1961
Editions Gaumond
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Guy Debord Critique de la séparation 1961
Editions Gaumond
wn.com/Guy Debord Critique De La Séparation 1961
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Guy Debord Critique de la séparation 1961
Editions Gaumond
- published: 22 Dec 2013
- views: 5217
Guy Debord calls the apple store
- Order: Reorder
- Duration: 4:55
- Updated: 18 Nov 2009
- views: 19817
The audio work is not mine, it comes from the fantastic people at audioanarchy.org. I downloaded their collection of readings from Guy Debord's Society of the ...
The audio work is not mine, it comes from the fantastic people at audioanarchy.org. I downloaded their collection of readings from Guy Debord's Society of the Spectacle, and was listening to it on my way to work on the subway the other morning. I spent the rest of the day in this strange 'matrix' like mode. I felt like Keanu Reeves, and instead of looking at my co-workers, products, billboards, food, etc.... all I saw the rest of the day was the matrix. numbers flying by me. I got home and made this little collage of some of the things from the spectacle to go with the audio...
I highly recommend the full audio file available at audioanarchy.org
wn.com/Guy Debord Calls The Apple Store
The audio work is not mine, it comes from the fantastic people at audioanarchy.org. I downloaded their collection of readings from Guy Debord's Society of the Spectacle, and was listening to it on my way to work on the subway the other morning. I spent the rest of the day in this strange 'matrix' like mode. I felt like Keanu Reeves, and instead of looking at my co-workers, products, billboards, food, etc.... all I saw the rest of the day was the matrix. numbers flying by me. I got home and made this little collage of some of the things from the spectacle to go with the audio...
I highly recommend the full audio file available at audioanarchy.org
- published: 18 Nov 2009
- views: 19817
La Société du Spectacle, par Guy Debord (extraits)
- Order: Reorder
- Duration: 8:18
- Updated: 28 Jul 2008
- views: 11357
« Toute la vie des sociétés dans lesquelles règnent les conditions modernes de production s'annonce comme une immense accumulation de spectacles. »
63
Cest ...
« Toute la vie des sociétés dans lesquelles règnent les conditions modernes de production s'annonce comme une immense accumulation de spectacles. »
63
Cest lunité de la misère qui se cache sous les oppositions spectaculaires. Si des formes diverses de la même aliénation se combattent sous les masques du choix total, cest parce quelles sont toutes édifiées sur les contradictions réelles refoulées. Selon les nécessités du stade particulier de la misère quil dément et maintient, le spectacle existe sous une forme concentrée ou sous une forme diffuse. Dans les deux cas, il nest quune image dunification heureuse environnée de désolation et dépouvante, au centre tranquille du malheur.
64
Le spectaculaire concentré appartient essentiellement au capitalisme bureaucratique, encore quil puisse être importé comme technique du pouvoir étatique sur des économies mixtes plus arriérées, ou dans certains moments de crise du capitalisme avancé. La propriété bureaucratique en effet est elle-même concentrée en ce sens que le bureaucrate individuel na de rapports avec la possession de léconomie globale que par lintermédiaire de la communauté bureaucratique, quen tant que membre de cette communauté. En outre la production des marchandises, moins développée, se présente aussi sous une forme concentrée : la marchandise que la bureaucratie détient, cest le travail social total, et ce quelle revend à la société, cest sa survie en bloc. La dictature de léconomie bureaucratique ne peut laisser aux masses exploitées aucune marge notable de choix, puisquelle a dû tout choisir par elle-même, et que tout autre choix extérieur, quil concerne lalimentation ou la musique, est donc déjà le choix de sa destruction complète. Elle doit saccompagner dune violence permanente. Limage imposée du bien, dans son spectacle, recueille la totalité de ce qui existe officiellement, et se concentre normalement sur un seul homme, qui est le garant de sa cohésion totalitaire. À cette vedette absolue, chacun doit sidentifier magiquement, ou disparaître. Car il sagit du maître de sa non-consommation, et de limage héroïque dun sens acceptable pour lexploitation absolue quest en fait laccumulation primitive accélérée par la terreur. Si chaque Chinois doit apprendre Mao, et ainsi être Mao, cest quil na rien dautre à être. Là où domine le spectaculaire concentré domine aussi la police.
65
Le spectaculaire diffus accompagne labondance des marchandises, le développement non perturbé du capitalisme moderne. Ici chaque marchandise prise à part est justifiée au nom de la grandeur de la production de la totalité des objets, dont le spectacle est un catalogue apologétique. Des affirmations inconciliables se poussent sur la scène du spectacle unifié de léconomie abondante ; de même que différentes marchandises-vedettes soutiennent simultanément leurs projets contradictoires daménagement de la société, où le spectacle des automobiles veut une circulation parfaite qui détruit les vieilles cités, tandis que le spectacle de la ville elle-même a besoin des quartiers-musées. Donc la satisfaction, déjà problématique, qui est réputée appartenir à la consommation de lensemble est immédiatement falsifiée en ceci que le consommateur réel ne peut directement toucher quune succession de fragments de ce bonheur marchand, fragments doù chaque fois la qualité prêtée à lensemble est évidemment absente
wn.com/La Société Du Spectacle, Par Guy Debord (Extraits)
« Toute la vie des sociétés dans lesquelles règnent les conditions modernes de production s'annonce comme une immense accumulation de spectacles. »
63
Cest lunité de la misère qui se cache sous les oppositions spectaculaires. Si des formes diverses de la même aliénation se combattent sous les masques du choix total, cest parce quelles sont toutes édifiées sur les contradictions réelles refoulées. Selon les nécessités du stade particulier de la misère quil dément et maintient, le spectacle existe sous une forme concentrée ou sous une forme diffuse. Dans les deux cas, il nest quune image dunification heureuse environnée de désolation et dépouvante, au centre tranquille du malheur.
64
Le spectaculaire concentré appartient essentiellement au capitalisme bureaucratique, encore quil puisse être importé comme technique du pouvoir étatique sur des économies mixtes plus arriérées, ou dans certains moments de crise du capitalisme avancé. La propriété bureaucratique en effet est elle-même concentrée en ce sens que le bureaucrate individuel na de rapports avec la possession de léconomie globale que par lintermédiaire de la communauté bureaucratique, quen tant que membre de cette communauté. En outre la production des marchandises, moins développée, se présente aussi sous une forme concentrée : la marchandise que la bureaucratie détient, cest le travail social total, et ce quelle revend à la société, cest sa survie en bloc. La dictature de léconomie bureaucratique ne peut laisser aux masses exploitées aucune marge notable de choix, puisquelle a dû tout choisir par elle-même, et que tout autre choix extérieur, quil concerne lalimentation ou la musique, est donc déjà le choix de sa destruction complète. Elle doit saccompagner dune violence permanente. Limage imposée du bien, dans son spectacle, recueille la totalité de ce qui existe officiellement, et se concentre normalement sur un seul homme, qui est le garant de sa cohésion totalitaire. À cette vedette absolue, chacun doit sidentifier magiquement, ou disparaître. Car il sagit du maître de sa non-consommation, et de limage héroïque dun sens acceptable pour lexploitation absolue quest en fait laccumulation primitive accélérée par la terreur. Si chaque Chinois doit apprendre Mao, et ainsi être Mao, cest quil na rien dautre à être. Là où domine le spectaculaire concentré domine aussi la police.
65
Le spectaculaire diffus accompagne labondance des marchandises, le développement non perturbé du capitalisme moderne. Ici chaque marchandise prise à part est justifiée au nom de la grandeur de la production de la totalité des objets, dont le spectacle est un catalogue apologétique. Des affirmations inconciliables se poussent sur la scène du spectacle unifié de léconomie abondante ; de même que différentes marchandises-vedettes soutiennent simultanément leurs projets contradictoires daménagement de la société, où le spectacle des automobiles veut une circulation parfaite qui détruit les vieilles cités, tandis que le spectacle de la ville elle-même a besoin des quartiers-musées. Donc la satisfaction, déjà problématique, qui est réputée appartenir à la consommation de lensemble est immédiatement falsifiée en ceci que le consommateur réel ne peut directement toucher quune succession de fragments de ce bonheur marchand, fragments doù chaque fois la qualité prêtée à lensemble est évidemment absente
- published: 28 Jul 2008
- views: 11357
Alice in Wonderland or Who is Guy Debord? excerpt 1
- Order: Reorder
- Duration: 4:09
- Updated: 15 Jan 2007
- views: 85326
Alice, unhappy with her prim, proper existence in Victorian England, travels through
time into an age that allegorically resembles our own. There, she encoun...
Alice, unhappy with her prim, proper existence in Victorian England, travels through
time into an age that allegorically resembles our own. There, she encounters elitist
tea-partiers, rapping flowers, and a philosopher cat, before she is consumed by an
assaulting music video. Her only hope for understanding this foreign world of
spectacle is to somehow find Guy Debord.
wn.com/Alice In Wonderland Or Who Is Guy Debord Excerpt 1
Alice, unhappy with her prim, proper existence in Victorian England, travels through
time into an age that allegorically resembles our own. There, she encounters elitist
tea-partiers, rapping flowers, and a philosopher cat, before she is consumed by an
assaulting music video. Her only hope for understanding this foreign world of
spectacle is to somehow find Guy Debord.
- published: 15 Jan 2007
- views: 85326
Guy Debord - La Refutation PART 1/3 (sub ITA)
- Order: Reorder
- Duration: 7:14
- Updated: 31 Jan 2007
- views: 85666
Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film 'La société du spectacle', di Guy Debord (1975).
Versio...
Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film 'La société du spectacle', di Guy Debord (1975).
Versione originale francese con sottotitoli in italiano
wn.com/Guy Debord La Refutation Part 1 3 (Sub Ita)
Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film 'La société du spectacle', di Guy Debord (1975).
Versione originale francese con sottotitoli in italiano
- published: 31 Jan 2007
- views: 85666
Guy Debord. Sur le passage...
- Order: Reorder
- Duration: 18:49
- Updated: 02 May 2013
- views: 6541
"Sur le passage de quelques personnes à travers une assez courte unité de temps" est un film réalisé par Guy Debord sorti en 1959.
Format : 35 mm, noir et blan...
"Sur le passage de quelques personnes à travers une assez courte unité de temps" est un film réalisé par Guy Debord sorti en 1959.
Format : 35 mm, noir et blanc
Durée : 20 minutes
wn.com/Guy Debord. Sur Le Passage...
"Sur le passage de quelques personnes à travers une assez courte unité de temps" est un film réalisé par Guy Debord sorti en 1959.
Format : 35 mm, noir et blanc
Durée : 20 minutes
- published: 02 May 2013
- views: 6541
Rick Roderick on Baudrillard - Fatal Strategies [full length]
- Order: Reorder
- Duration: 48:03
- Updated: 25 Jan 2012
- views: 57421
This video is 8th in the 8-part video lecture series, The Self Under Siege: Philosophy in the Twentieth Century (1993).
I. The task of creating a life with the...
This video is 8th in the 8-part video lecture series, The Self Under Siege: Philosophy in the Twentieth Century (1993).
I. The task of creating a life with the "self under siege" to the degree I have argued may seem impossible. At the very least, it calls for what Baudrillard calls "fatal strategies". So I begin this lecture with the work of Baudrillard, perhaps the last philosopher?
II. Baudrillard builds on the work Guy Debord, the situationist author of "The Society of the Spectacle". Baudrillard traces the symptoms and tendencies of the trajectory of the postmodern; a set of concepts appropriate for a new world of technologies of images and communication developing in the late 20th Century.
III. The first of these is the Hyperreal. This is the image, the reproduction that is more real than real, reality is whatever can be mechanically and technologically reproduced. This is made possible by the shift from hard to soft technologies.
IV. The second of these is Simulations. Reality is that which can be simulated, xeroxed, virtual reality, images, data flows, information at rapid speed.
V. The third of these is Utopia Realized as the End of Man and World, with all their references to the regulation and control and obvious political meanings. Baudrillard ironically argues that America is Utopia realized in "the shadow of the silent majorities" and with all the banality that belongs to all Utopias.
VI. For Baudrillard, we are, or are becoming, fractal selves; split, reproducible, basic life-style changes as fads, the disappearance of experience and the desire for a vanishing reality.
VII. Beyond Baudrillard, Afrocentrism appears as an answer to reconnecting ourselves with "reality". But this too is becoming commodified in rap and "black" films.
VIII. The Ecstasy of communication, the vertigo of information overload, the banality of a Transparent society; can any of these postmodern symptoms show us the way out of the 20th Century and toward a new construction of the human? Can we find meaning in the "world" that is already upon us? It is our task to try.
For more information, see http://www.rickroderick.org
wn.com/Rick Roderick On Baudrillard Fatal Strategies Full Length
This video is 8th in the 8-part video lecture series, The Self Under Siege: Philosophy in the Twentieth Century (1993).
I. The task of creating a life with the "self under siege" to the degree I have argued may seem impossible. At the very least, it calls for what Baudrillard calls "fatal strategies". So I begin this lecture with the work of Baudrillard, perhaps the last philosopher?
II. Baudrillard builds on the work Guy Debord, the situationist author of "The Society of the Spectacle". Baudrillard traces the symptoms and tendencies of the trajectory of the postmodern; a set of concepts appropriate for a new world of technologies of images and communication developing in the late 20th Century.
III. The first of these is the Hyperreal. This is the image, the reproduction that is more real than real, reality is whatever can be mechanically and technologically reproduced. This is made possible by the shift from hard to soft technologies.
IV. The second of these is Simulations. Reality is that which can be simulated, xeroxed, virtual reality, images, data flows, information at rapid speed.
V. The third of these is Utopia Realized as the End of Man and World, with all their references to the regulation and control and obvious political meanings. Baudrillard ironically argues that America is Utopia realized in "the shadow of the silent majorities" and with all the banality that belongs to all Utopias.
VI. For Baudrillard, we are, or are becoming, fractal selves; split, reproducible, basic life-style changes as fads, the disappearance of experience and the desire for a vanishing reality.
VII. Beyond Baudrillard, Afrocentrism appears as an answer to reconnecting ourselves with "reality". But this too is becoming commodified in rap and "black" films.
VIII. The Ecstasy of communication, the vertigo of information overload, the banality of a Transparent society; can any of these postmodern symptoms show us the way out of the 20th Century and toward a new construction of the human? Can we find meaning in the "world" that is already upon us? It is our task to try.
For more information, see http://www.rickroderick.org
- published: 25 Jan 2012
- views: 57421
The Society of the Spectacle Pt 1
- Order: Reorder
- Duration: 9:27
- Updated: 12 Jun 2011
- views: 39064
Guy Debord's 1967 text, remade into a contemporary context.
Also includes Marshall McLuhan and John Berger.
Made by Aska (check the credits for more)
Sound by...
Guy Debord's 1967 text, remade into a contemporary context.
Also includes Marshall McLuhan and John Berger.
Made by Aska (check the credits for more)
Sound by the amazing Pippin Kenworthy (check out his channel)
www.pippinkenworthy.com
The video concludes here:
http://www.youtube.com/watch?v=iN26E410Euk
wn.com/The Society Of The Spectacle Pt 1
Guy Debord's 1967 text, remade into a contemporary context.
Also includes Marshall McLuhan and John Berger.
Made by Aska (check the credits for more)
Sound by the amazing Pippin Kenworthy (check out his channel)
www.pippinkenworthy.com
The video concludes here:
http://www.youtube.com/watch?v=iN26E410Euk
- published: 12 Jun 2011
- views: 39064
Guy Debord - Critique of Separation part one (English subtitles)
- Order: Reorder
- Duration: 9:30
- Updated: 23 Feb 2009
- views: 19333
"And only a few encounters were like signals emanating from a more intense life, a life that has not really been found".
For clarity of subtitles alone, best...
"And only a few encounters were like signals emanating from a more intense life, a life that has not really been found".
For clarity of subtitles alone, best to watch in HQ if possible.
wn.com/Guy Debord Critique Of Separation Part One (English Subtitles)
"And only a few encounters were like signals emanating from a more intense life, a life that has not really been found".
For clarity of subtitles alone, best to watch in HQ if possible.
- published: 23 Feb 2009
- views: 19333
Die Gesellschaft des Spektakels von Guy Debord
- Order: Reorder
- Duration: 11:31
- Updated: 23 Dec 2011
- views: 1816
Die Gesellschaft des Spektakels von Guy Debord, 68er, Linke, französische Philosophie, Kunst, Situationisten
Die Gesellschaft des Spektakels von Guy Debord, 68er, Linke, französische Philosophie, Kunst, Situationisten
wn.com/Die Gesellschaft Des Spektakels Von Guy Debord
Die Gesellschaft des Spektakels von Guy Debord, 68er, Linke, französische Philosophie, Kunst, Situationisten
- published: 23 Dec 2011
- views: 1816
Guy Debord prank calls the Apple Store
- Order: Reorder
- Duration: 3:51
- Updated: 28 Jun 2011
- views: 8199
Guy Debord was born in Paris. His father died early, and he was raised by his grandmother in a series of Mediterranean towns. He was a headstrong youth, and aft...
Guy Debord was born in Paris. His father died early, and he was raised by his grandmother in a series of Mediterranean towns. He was a headstrong youth, and after graduating high school he dropped out of the University of Paris where he had been studying law. He became a revolutionary poet, writer and filmmaker founding the Lettrist International schism with Gil J. Wolman. In the 1960s he led the Situationist International group, which influenced the Paris Uprising of 1968. Some consider his book Society of the Spectacle (1967) to be a catalyst for the uprising.
In the 1970s Debord disbanded the Situationist International, and resumed filmmaking with financial backing from the movie mogul and publisher Gérard Lebovici (éditions Champ Libre). His two most recognized films date from this period: a film version of Society of the Spectacle (1973) and the autobiographical "In Girum Imus Nocte Et Consumimur Igni" (1978). After the dissolution of the Situationist International, Debord spent his time reading, and occasionally writing, in relative isolation, although he continued to correspond on political and other issues, notably with Lebovici and the Italian situationist Gianfranco Sanguinetti and designed a war game. He was married twice, to Michele Bernstein and Alice Becker-Ho.
His lifelong steady alcohol consumption began to take a toll on his health. Apparently to end the suffering from a form of polyneuritis brought on by his excessive drinking, he committed suicide, shooting himself in the heart at his property in Champot, near Bellevue-la-Montagne, Haute-Loire, on November 30, 1994.
On January 29, 2009, 15 years after his death, Christine Albanel, Minister of Culture, classified the archive of his works as a "national treasure" in response to a sale request by Yale University. The Ministry declared that "he has been one of the most important contemporary thinkers, with a capital place in history of ideas from the second half of the 20th century."
wn.com/Guy Debord Prank Calls The Apple Store
Guy Debord was born in Paris. His father died early, and he was raised by his grandmother in a series of Mediterranean towns. He was a headstrong youth, and after graduating high school he dropped out of the University of Paris where he had been studying law. He became a revolutionary poet, writer and filmmaker founding the Lettrist International schism with Gil J. Wolman. In the 1960s he led the Situationist International group, which influenced the Paris Uprising of 1968. Some consider his book Society of the Spectacle (1967) to be a catalyst for the uprising.
In the 1970s Debord disbanded the Situationist International, and resumed filmmaking with financial backing from the movie mogul and publisher Gérard Lebovici (éditions Champ Libre). His two most recognized films date from this period: a film version of Society of the Spectacle (1973) and the autobiographical "In Girum Imus Nocte Et Consumimur Igni" (1978). After the dissolution of the Situationist International, Debord spent his time reading, and occasionally writing, in relative isolation, although he continued to correspond on political and other issues, notably with Lebovici and the Italian situationist Gianfranco Sanguinetti and designed a war game. He was married twice, to Michele Bernstein and Alice Becker-Ho.
His lifelong steady alcohol consumption began to take a toll on his health. Apparently to end the suffering from a form of polyneuritis brought on by his excessive drinking, he committed suicide, shooting himself in the heart at his property in Champot, near Bellevue-la-Montagne, Haute-Loire, on November 30, 1994.
On January 29, 2009, 15 years after his death, Christine Albanel, Minister of Culture, classified the archive of his works as a "national treasure" in response to a sale request by Yale University. The Ministry declared that "he has been one of the most important contemporary thinkers, with a capital place in history of ideas from the second half of the 20th century."
- published: 28 Jun 2011
- views: 8199
Correspondance de Guy Debord
- Order: Reorder
- Duration: 2:16
- Updated: 06 Dec 2010
- views: 1718
Retrouvez les billets vidéo d'André Bercoff depuis le 11 septembre 2008 sur http://andrebercoff.blogspot.com, et depuis le 11 septembre 2010 sur Enquête et déba...
Retrouvez les billets vidéo d'André Bercoff depuis le 11 septembre 2008 sur http://andrebercoff.blogspot.com, et depuis le 11 septembre 2010 sur Enquête et débat : www.enquete-debat.fr
wn.com/Correspondance De Guy Debord
John Maus Interview by Smetnjak - I know that I don't know, I don't know, I don't know
- Order: Reorder
- Duration: 60:57
- Updated: 19 Sep 2012
- views: 36112
Shot by Smetnjak at Wastelands Festival in Ghent on 11th of August 2012.
Keywords:
television, twitter, facebook, Socrates, punk rock, visibility, Sex Pistols,...
Shot by Smetnjak at Wastelands Festival in Ghent on 11th of August 2012.
Keywords:
television, twitter, facebook, Socrates, punk rock, visibility, Sex Pistols, Nirvana, Lucifer, Minnesota, New Deal, Ronald Reagan, spam, solitude, Ariel Pink, work, postmodernism, dialectic of enlightenment, caricature, inhumanity, The Invisible Committee, OWS, Abu Ghraib, Hunter S. Thompson, State, horror, record store, society of spectacle, Guy Debord, genre film, James Cameron, Terminator, sublimity, contemporary art, Neveldine/Taylor, Crank: High Voltage, decentered subject, Gilles Deleuze, Luciano Berio, Karlheinz Stockhausen, Theodor W. Adorno, Arnold Schönberg, G. W. F. Hegel, Ludwig van Beethoven, Immanuel Kant, Joseph Haydn, dubstep, music journalism, Simon Reynolds, Slavoj Žižek, Richard Wagner, Alain Badiou, Quentin Meillassoux, Simon Critchley, Bill and Ted's Excellent Adventure, Sigmund Freud, Jacques Lacan, pop theory, Gary War, thumbs up, thumbs down, wikipedia, string theory, biopolitics, Jean-Luc Nancy, Maurice Blanchot, E.T., Giorgio Agamben, Martin Heidegger, Greil Marcus, Friedrich Kittler, Avital Ronell, sense, materiality, EGS, Wolfgang Schirmacher, grad school, publishing company, cultural signifier, celebrity, Jay Bernstein, H. S. Harris, misanthropy, Jacques Rancière, F. M. Dostoyevsky, everyday life, St. Francis, The Psychic Warfare, virtue, Funny Farm, experience, bureaucrat, exception, sweet dude, radical, pragmatism, charity, Søren Kierkegaard, pig, Police, Cops, THX 1138, George Lucas, infinite multiplicity, wager
Special thanks to: INAK, Multipraktik, Beaver, Nina, Chris from Upset the Rhythm, Gerlin from Wastelands Festival.
wn.com/John Maus Interview By Smetnjak I Know That I Don't Know, I Don't Know, I Don't Know
Shot by Smetnjak at Wastelands Festival in Ghent on 11th of August 2012.
Keywords:
television, twitter, facebook, Socrates, punk rock, visibility, Sex Pistols, Nirvana, Lucifer, Minnesota, New Deal, Ronald Reagan, spam, solitude, Ariel Pink, work, postmodernism, dialectic of enlightenment, caricature, inhumanity, The Invisible Committee, OWS, Abu Ghraib, Hunter S. Thompson, State, horror, record store, society of spectacle, Guy Debord, genre film, James Cameron, Terminator, sublimity, contemporary art, Neveldine/Taylor, Crank: High Voltage, decentered subject, Gilles Deleuze, Luciano Berio, Karlheinz Stockhausen, Theodor W. Adorno, Arnold Schönberg, G. W. F. Hegel, Ludwig van Beethoven, Immanuel Kant, Joseph Haydn, dubstep, music journalism, Simon Reynolds, Slavoj Žižek, Richard Wagner, Alain Badiou, Quentin Meillassoux, Simon Critchley, Bill and Ted's Excellent Adventure, Sigmund Freud, Jacques Lacan, pop theory, Gary War, thumbs up, thumbs down, wikipedia, string theory, biopolitics, Jean-Luc Nancy, Maurice Blanchot, E.T., Giorgio Agamben, Martin Heidegger, Greil Marcus, Friedrich Kittler, Avital Ronell, sense, materiality, EGS, Wolfgang Schirmacher, grad school, publishing company, cultural signifier, celebrity, Jay Bernstein, H. S. Harris, misanthropy, Jacques Rancière, F. M. Dostoyevsky, everyday life, St. Francis, The Psychic Warfare, virtue, Funny Farm, experience, bureaucrat, exception, sweet dude, radical, pragmatism, charity, Søren Kierkegaard, pig, Police, Cops, THX 1138, George Lucas, infinite multiplicity, wager
Special thanks to: INAK, Multipraktik, Beaver, Nina, Chris from Upset the Rhythm, Gerlin from Wastelands Festival.
- published: 19 Sep 2012
- views: 36112
Education: extrait de Guy Debord, son art, son temps
- Order: Reorder
- Duration: 8:20
- Updated: 28 Jan 2008
- views: 17830
diffusé en 1995 sur Canal Plus
diffusé en 1995 sur Canal Plus
wn.com/Education Extrait De Guy Debord, Son Art, Son Temps
Cornelius Castoriadis - Interview on Autonomy and Democracy (1984)
- Order: Reorder
- Duration: 56:19
- Updated: 14 Mar 2014
- views: 5327
Interview with Cornelius Castoriadis for the Greek television network ET1, for the show "Paraskinio," 1984 (with English-language subtitles). This documentary d...
Interview with Cornelius Castoriadis for the Greek television network ET1, for the show "Paraskinio," 1984 (with English-language subtitles). This documentary describes the life and the work of Cornelius Castoriadis and his turning from Marxism to the ideas of autonomy.
Central role in this film plays the concept of autonomy. They are being presented two historical moments of autonomous societies - the ancient Greek democracy and the medieval European communities. The democracy of ancient Athens formulates the ideas of the big philosopher and his definitions for direct democracy and autonomy.
What means "politics"? What means "revolution" nowadays? Which is the crisis of the western societies? To these questions Castoriadis search answers all his life. But in order to find such, he quits from the ready ideological answers and he decides not to follow dogmas. In the film it is presented his critic to capitalistic system as well as to the soviet regime and to Marxism. "Nowadays the dilemma is to be or a Marxist or a revolutionary" he claims. In this "no-way out" situation, he proposes to us the alternative of self-management and autonomy.
Cornelius Castoriadis was a Greek- French philosopher, economist and psychoanalyst. His interest in so many cognitive fields such as philosophy, politics, psychoanalysis, economy and biology makes him to be considered as one of the most important philosophers of the 20th century. The concept of autonomy, individual and social one, appears to be a key theme in his work, gaining him the title of "Philosopher of Autonomy". Etymologically, the term autonomy describes the situation in which one society creates itself its laws and institutions.
He lived most of his life in France, where together with personalities such as Lyotard, Guy Debord and Lefort, he co-founded the journal "Socialism or Barbarism", whose texts and ideas strongly influenced the events of May '68. His is author of "The Imaginary Institution of Society" - a work which provokes an explosion to our habits, an explosion of free thought. A work, which represents an intellectual May '68 and just like him, the work of Castoriadis cannot easily be forgotten.
English translation: Ioanna
For more information see the Cornelius Castoriadis/Agora International Website: agorainternational.org
Video in Greek from publicly available online source.
wn.com/Cornelius Castoriadis Interview On Autonomy And Democracy (1984)
Interview with Cornelius Castoriadis for the Greek television network ET1, for the show "Paraskinio," 1984 (with English-language subtitles). This documentary describes the life and the work of Cornelius Castoriadis and his turning from Marxism to the ideas of autonomy.
Central role in this film plays the concept of autonomy. They are being presented two historical moments of autonomous societies - the ancient Greek democracy and the medieval European communities. The democracy of ancient Athens formulates the ideas of the big philosopher and his definitions for direct democracy and autonomy.
What means "politics"? What means "revolution" nowadays? Which is the crisis of the western societies? To these questions Castoriadis search answers all his life. But in order to find such, he quits from the ready ideological answers and he decides not to follow dogmas. In the film it is presented his critic to capitalistic system as well as to the soviet regime and to Marxism. "Nowadays the dilemma is to be or a Marxist or a revolutionary" he claims. In this "no-way out" situation, he proposes to us the alternative of self-management and autonomy.
Cornelius Castoriadis was a Greek- French philosopher, economist and psychoanalyst. His interest in so many cognitive fields such as philosophy, politics, psychoanalysis, economy and biology makes him to be considered as one of the most important philosophers of the 20th century. The concept of autonomy, individual and social one, appears to be a key theme in his work, gaining him the title of "Philosopher of Autonomy". Etymologically, the term autonomy describes the situation in which one society creates itself its laws and institutions.
He lived most of his life in France, where together with personalities such as Lyotard, Guy Debord and Lefort, he co-founded the journal "Socialism or Barbarism", whose texts and ideas strongly influenced the events of May '68. His is author of "The Imaginary Institution of Society" - a work which provokes an explosion to our habits, an explosion of free thought. A work, which represents an intellectual May '68 and just like him, the work of Castoriadis cannot easily be forgotten.
English translation: Ioanna
For more information see the Cornelius Castoriadis/Agora International Website: agorainternational.org
Video in Greek from publicly available online source.
- published: 14 Mar 2014
- views: 5327
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59:45
Guy Debord, son art, son temps
1994 Documentaire sur Guy Debord, fait avec sa collaboration. Il a lui même fourni tous le...
published: 10 Jul 2013
Guy Debord, son art, son temps
Guy Debord, son art, son temps
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- published: 10 Jul 2013
- views: 24358
48:15
TV3 - Merlí - Guy Debord
La sortida al Cosmocaixa no surt com la Gina i el Merlí voldrien. Un vídeo íntim de la Mòn...
published: 02 Nov 2015
TV3 - Merlí - Guy Debord
TV3 - Merlí - Guy Debord
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- published: 02 Nov 2015
- views: 24267
88:10
The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
La Société du Spectacle (Society of the Spectacle) is a black and white 1973 film by the S...
published: 08 Jan 2013
The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
The Society of the Spectacle by Guy Debord (1973) dub fr sub eng
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- published: 08 Jan 2013
- views: 32428
21:13
Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Réfutation de tous les juge...
published: 22 Dec 2013
Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles
Guy Debord Réfutation de tous les jugements,tant élogieux qu'hostiles
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- published: 22 Dec 2013
- views: 4751
54:07
Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
Rencontre animée par M Shige Gonzalvez.
Éric Brun I Les situationnistes Une avant-garde t...
published: 19 Dec 2014
Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
Rencontre avec Éric Brun & Andrew Hussey sur Guy Debord et les situationnistes.
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- published: 19 Dec 2014
- views: 3497
20:45
GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
Esse filme fala sobre o pensamento de Guy Debord sobre a sociedade do espetáculo.
Vídeo fe...
published: 28 May 2015
GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
GUY DEBORD e a Sociedade do Espetáculo - Trabalho Universitário
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- published: 28 May 2015
- views: 1388
87:18
La Société Du Spectacle Guy Debord 1973 SubITA
Un manuale di sopravvivenza e di resistenza umana... http://it.wikipedia.org/wiki/La_socie...
published: 13 Nov 2013
La Société Du Spectacle Guy Debord 1973 SubITA
La Société Du Spectacle Guy Debord 1973 SubITA
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- published: 13 Nov 2013
- views: 3513
87:18
La Société Du Spectacle (1973) de Guy Debord
La Société du spectacle, Buchet-Chastel, 1967 ; Champ libre, 1971 ; Gallimard, 1992.
http:...
published: 10 May 2012
La Société Du Spectacle (1973) de Guy Debord
La Société Du Spectacle (1973) de Guy Debord
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- published: 10 May 2012
- views: 3569
49:51
La Società dello Spettacolo-Guy Debord
published: 29 Aug 2012
La Società dello Spettacolo-Guy Debord
La Società dello Spettacolo-Guy Debord
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- published: 29 Aug 2012
- views: 1493
87:18
La società dello spettacolo Guy Debord 1973
LA SOCIETÀ DELLO SPETTACOLO non è certo il film più estremo di Debord ma la sua irriverenz...
published: 07 Nov 2014
La società dello spettacolo Guy Debord 1973
La società dello spettacolo Guy Debord 1973
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- published: 07 Nov 2014
- views: 1815
23:23
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
Voici la première partie d'In girum déjà présente sur dailymotion. C'est pour réunir ce dé...
published: 12 Nov 2011
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
GUY DEBORD - 1/4 - IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI
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- published: 12 Nov 2011
- views: 22800
120:44
Brava Conversa com Iná Camargo Costa - dez 2009
Aula / conversa com a professora e pesquisadora Iná Camargo Costa sobre a obra de Guy Debo...
published: 09 Mar 2012
Brava Conversa com Iná Camargo Costa - dez 2009
Brava Conversa com Iná Camargo Costa - dez 2009
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- published: 09 Mar 2012
- views: 7191
21:13
Refutación de todos los juicios (Guy Debord 1975)
published: 19 Jul 2012
Refutación de todos los juicios (Guy Debord 1975)
Refutación de todos los juicios (Guy Debord 1975)
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- published: 19 Jul 2012
- views: 2097
198:13
Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
Première vidéo en date de Paroles des Jours, 12 juin 2001
published: 03 Oct 2014
Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
Zagdanski, Meyronnis, Haenel, Guilbert et Badré sur Guy Debord
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- published: 03 Oct 2014
- views: 1616
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1:03
guy debord 2
eee
published: 17 May 2012
guy debord 2
guy debord 2
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- published: 17 May 2012
- views: 1587
17:24
Guy Debord Critique de la séparation 1961
Extrait du coffret DVD "Œuvres cinématographiques complètes":
Guy Debord Critique de la s...
published: 22 Dec 2013
Guy Debord Critique de la séparation 1961
Guy Debord Critique de la séparation 1961
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- published: 22 Dec 2013
- views: 5217
4:55
Guy Debord calls the apple store
The audio work is not mine, it comes from the fantastic people at audioanarchy.org. I dow...
published: 18 Nov 2009
Guy Debord calls the apple store
Guy Debord calls the apple store
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- published: 18 Nov 2009
- views: 19817
8:18
La Société du Spectacle, par Guy Debord (extraits)
« Toute la vie des sociétés dans lesquelles règnent les conditions modernes de production ...
published: 28 Jul 2008
La Société du Spectacle, par Guy Debord (extraits)
La Société du Spectacle, par Guy Debord (extraits)
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- published: 28 Jul 2008
- views: 11357
4:09
Alice in Wonderland or Who is Guy Debord? excerpt 1
Alice, unhappy with her prim, proper existence in Victorian England, travels through
tim...
published: 15 Jan 2007
Alice in Wonderland or Who is Guy Debord? excerpt 1
Alice in Wonderland or Who is Guy Debord? excerpt 1
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- published: 15 Jan 2007
- views: 85326
7:14
Guy Debord - La Refutation PART 1/3 (sub ITA)
Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés ...
published: 31 Jan 2007
Guy Debord - La Refutation PART 1/3 (sub ITA)
Guy Debord - La Refutation PART 1/3 (sub ITA)
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- published: 31 Jan 2007
- views: 85666
18:49
Guy Debord. Sur le passage...
"Sur le passage de quelques personnes à travers une assez courte unité de temps" est un fi...
published: 02 May 2013
Guy Debord. Sur le passage...
Guy Debord. Sur le passage...
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- published: 02 May 2013
- views: 6541
48:03
Rick Roderick on Baudrillard - Fatal Strategies [full length]
This video is 8th in the 8-part video lecture series, The Self Under Siege: Philosophy in ...
published: 25 Jan 2012
Rick Roderick on Baudrillard - Fatal Strategies [full length]
Rick Roderick on Baudrillard - Fatal Strategies [full length]
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- published: 25 Jan 2012
- views: 57421
9:27
The Society of the Spectacle Pt 1
Guy Debord's 1967 text, remade into a contemporary context.
Also includes Marshall McLuha...
published: 12 Jun 2011
The Society of the Spectacle Pt 1
The Society of the Spectacle Pt 1
- Report rights infringement
- published: 12 Jun 2011
- views: 39064
9:30
Guy Debord - Critique of Separation part one (English subtitles)
"And only a few encounters were like signals emanating from a more intense life, a life th...
published: 23 Feb 2009
Guy Debord - Critique of Separation part one (English subtitles)
Guy Debord - Critique of Separation part one (English subtitles)
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- published: 23 Feb 2009
- views: 19333
11:31
Die Gesellschaft des Spektakels von Guy Debord
Die Gesellschaft des Spektakels von Guy Debord, 68er, Linke, französische Philosophie, Kun...
published: 23 Dec 2011
Die Gesellschaft des Spektakels von Guy Debord
Die Gesellschaft des Spektakels von Guy Debord
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- published: 23 Dec 2011
- views: 1816
3:51
Guy Debord prank calls the Apple Store
Guy Debord was born in Paris. His father died early, and he was raised by his grandmother ...
published: 28 Jun 2011
Guy Debord prank calls the Apple Store
Guy Debord prank calls the Apple Store
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- published: 28 Jun 2011
- views: 8199
2:16
Correspondance de Guy Debord
Retrouvez les billets vidéo d'André Bercoff depuis le 11 septembre 2008 sur http://andrebe...
published: 06 Dec 2010
Correspondance de Guy Debord
Correspondance de Guy Debord
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- published: 06 Dec 2010
- views: 1718
60:57
John Maus Interview by Smetnjak - I know that I don't know, I don't know, I don't know
Shot by Smetnjak at Wastelands Festival in Ghent on 11th of August 2012.
Keywords:
televi...
published: 19 Sep 2012
John Maus Interview by Smetnjak - I know that I don't know, I don't know, I don't know
John Maus Interview by Smetnjak - I know that I don't know, I don't know, I don't know
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- published: 19 Sep 2012
- views: 36112
guy debord 2...
Guy Debord Critique de la séparation 1961...
Guy Debord calls the apple store...
La Société du Spectacle, par Guy Debord (extraits)...
Alice in Wonderland or Who is Guy Debord? excerpt ...
Guy Debord - La Refutation PART 1/3 (sub ITA)...
Guy Debord. Sur le passage......
Rick Roderick on Baudrillard - Fatal Strategies [f...
The Society of the Spectacle Pt 1...
Guy Debord - Critique of Separation part one (Engl...
Die Gesellschaft des Spektakels von Guy Debord...
Guy Debord prank calls the Apple Store...
Correspondance de Guy Debord...
John Maus Interview by Smetnjak - I know that I do...
Education: extrait de Guy Debord, son art, son tem...
Cornelius Castoriadis - Interview on Autonomy and ...
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Lyrics list:text lyricsplay full screenplay karaoke
photo: AP / File Photo
Torture Is Never Forgotten, Neither Should It Be
Edit WorldNews.com 13 Apr 2016
Article by WN.com Correspondent Dallas Darling“Anyone who has been tortured remains tortured” wrote Holocaust survivor Primo Levi in “The Drowned and The Saved.” What‘s more, he knew all too well that in the shadowy, bureaucratic, and dehumanizing places like Auschwitz, “Anyone who has suffered torture never again will be able to be at ease in the world,” and “the abomination of the annihilation is never extinguished.”1U.S ... 24. ....
photo: instagram /chloe_c_ciesla
Lincoln Lewis' girlfriend Chloe Ciesla goes topless as she poses for a holiday snap by ...
Edit The Daily Mail 13 Apr 2016
Lincoln Lewis' girlfriend Chloe Ciesla shared a topless image of herself on social media on Tuesday as she posed for a holiday snap while standing along the beach side ... ....
photo: US Navy / U.S. Navy photo by Chief Mass Communication Specialist Scott B. Boyle
USS Donald Cook reports ‘simulated attack’ by Russian jets
Edit Press TV 13 Apr 2016
Two Russian fighter jets have made “simulated attack” passes near a US navy guided missile destroyer in the Baltic Sea, says a US official. The incident took place on April 11, when USS Donald Cook was confronted by two Sukhoi SU-24 warplanes in international waters off Russia, a senior military official told CBS News on Wednesday, speaking on condition of anonymity ... The event ended without incident ... ....
photo: AP / Susan Walsh
FBI Employed Hackers To Break Into San Bernardino Cell Phone, Report Says
Edit WorldNews.com 13 Apr 2016
The U.S. Federal Bureau of Investigation (FBI) engaged the help of professional hackers to find at least one software flaw to break into an iPhone used by one of the terrorists responsible for the Dec. 2 San Bernardino terrorist attacks, the Washington Post reported. The hackers were paid a one-time flat fee for their help, the Post said, quoting people familiar with the case....
photo: AP / Shizuo Kambayashi, Pool
Is it safe to dump Fukushima waste into the sea?
Edit The Guardian 13 Apr 2016
Japan has called for hundreds of thousands tonnes of irradiated water from the nuclear plant to be released into the Pacific Ocean. Karl Mathiesen looks at the potential impacts. @karlmathiesen. email. More than 1,000 tanks brimming with irradiated water stand inland from the Fukushima nuclear plant. Each day 300 tonnes of water are pumped through Fukushima’s ruined reactors to keep them cool ... The substance can be harmful if ingested ... ....
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London Has Fallen: can city siege movies survive the age of terror?
Edit The Guardian 13 Apr 2016
Watching landmarks being blown up used to be thrilling. But can we enjoy films like Bastille Day, Made in France and London Has Fallen in the same way after the Paris and Brussels attacks?. In London Has Fallen, the Italian prime minister is on the roof of one of Westminster Abbey’s towers, canoodling with a woman 30 years his junior ... Related ... Facebook. Twitter. Pinterest ... Twitter ... Facebook ... The Parisian situationist Guy Debord once wrote ... ....
Trump is more a media gimmick than presidential material
Edit Khaleej Times 29 Mar 2016
Donald Trump may not become president of the United States but he already lords over the Internet. You can't escape him in the cyber-verse; you'd need an entire Wikipedia (a Trumpopedia, perhaps) to catalogue all the matter he's generated ... It also features French philosophers like Guy Debord and Francois Debrix, who would otherwise be daunting and incomprehensible to the rest of humanity. For instance, ponder over Debord's declaration ... ....
Paris Fashion Week: The autumn/winter 2016 shows were all about intimacy, which is certainly fitting ...
Edit The Independent 10 Mar 2016
Those two ideas are intimacy and spectacle, opposites that often prove attractive, leading designers to tussle with the problem of sating urges for both at once. Because, although fashion itself breeds spectacle – of the flashy PT Barnum variety, and of the darker Guy Debord breed – clothing is, fundamentally, intimate ... ....
Pari Fashion Week: The autumn/winter 2016 shows were all about intimacy, which is certainly fitting ...
Edit The Independent 10 Mar 2016
Those two ideas are intimacy and spectacle, opposites that often prove attractive, leading designers to tussle with the problem of sating urges for both at once. Because, although fashion itself breeds spectacle – of the flashy PT Barnum variety, and of the darker Guy Debord breed – clothing is, fundamentally, intimate ... ....
Videogames and the art of spatial storytelling
Edit Kill Screen 01 Mar 2016
French philosopher Guy Debord talked about the idea of the dérive, a mode of travel where the journey itself is more important that the destination, where travelers “let themselves be drawn by the attractions of the terrain and the encounters they find there.” But to think of dérive as a kind of random stroll dominated by chance encounters would be to miss Debord’s essential point....
“Artists are Part of the Working Class”: An Interview with Sole
Edit CounterPunch 29 Feb 2016
Portland, Maine isn’t exactly a hip-hop mecca and Tim Holland isn’t the first image that comes to mind when we think of a rapper. Performing under the stage name Sole, this red headed vegan mixes dense, brooding beats with stream of consciousness rhymes that deconstruct hip-hop conventions. In his lyrics, he’s paid homage to Guy Debord and the Sugar Hill Gang ... a superfluous worker turning into a ... A little later, I discovered Guy Debord....
The 1975: I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It review – great pop, if not great art
Edit The Guardian 25 Feb 2016
4 / 5 stars. A severe case of the Serious Artists can’t dispel the fact that the 1975’s second album is packed full of fantastic pop songs and smart lyrics. @alexispetridis ... advance publicity suggests that listeners should prepare for something strange, confounding and experimental ... Related ... “I’m the Greek economy of cashing intellectual cheques,” he shrugs on Loving Someone, immediately after making a clanging reference to Guy Debord ... ....
The Reign of the Internet
Edit CounterPunch 15 Jan 2016
In the 1973 film , Guy Debord described the total domination of the industrialized capitalist economy over the psyche of 20th Century humankind, and the resulting separation of modern urban society from reality ... Controlling consciousness through mass communication via the Internet has created what the French philosopher Debord described as , “in which advertising has become the only factor” ... ....
There's Always Another Way Home
Edit Huffington Post 14 Dec 2015
We often fall into routines and patterns that dictate our movements. We follow the same paths to-and-from work ... According to French theorist Guy Debord, the d�rive is a concept of letting go of one's "usual motives for movement and action, their relations, their work and leisure activities, and letting themselves be drawn by the attractions of the terrain and the encounters they find there." ... It is also a way to escape ... ....
Interview With Tatiana Trouv�
Edit Huffington Post 18 Nov 2015
Tatiana Trouv� in her studio whit Lula. Photo credit. Alastair Miller ... Her creations and locations are like tracks left by the soul that reveal an inward-looking universe ... Tatiana Trouv�. Desire Lines 2015 ... 350 x 760 x 950 cm ... Selma to Montgomery March (21 March 1965), Woman Suffrage Parade (3 March 1913), projects by "walking artists" like Richard Long or Hamish Fulton, poems by Baudelaire or Andr� Breton, essays by Guy Debord or Henry D ... ....
Cate Blanchett as you've never seen her before
Edit Canberra Times 09 Nov 2015
A whiskery old man hoves into view on the parapet of a ruined industrial building, screaming into a megaphone in what seems to be a Glaswegian accent ... His voice drops to a growl and the words become clear ... It can't be, but it is ... A denunciation of capitalism by the John Reed Club is muddled up with pronouncements from Russian constructivist Rodchenko and Guy Debord, the situationist who reminded us that under the pavement lay the beach....
Becoming Neorealism
Edit CounterPunch 06 Nov 2015
“Film analysis has become an art without a future. … There are no longer, or should no longer be, any analyses of films. There are just gestures.”. — Raymond Bellour, 2006. This year being the 70th anniversary of the debut of Roberto Rossellini’s Rome ... . ... ... The irrational, obscurantist, totalizing effect of fascist disciplinary spectacle had been “the type of environment [that] ‘deceives’ the senses”—in Guy Debord’s words in ... ....
Akhmatova, Mayakovsky, Keywan Karimi and me
Edit Al Jazeera 21 Oct 2015
I first noticed him from the corner of my right eye ... It was mid-October 2014, and the weather was autumnal and sunny. Inside the festival hall, abuzz with excitement, we were getting ready for our jury press conference ... Entirely unconscious of his misleadingly boyish face, he exuded an unusual command of high European theory, and before I knew it, he was engaging me in a comparison between Guy Debord and Roland Barthes ... Also read ... Source....
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