- published: 18 Feb 2012
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Sofia (Bulgarian: София, pronounced [ˈsɔfijɐ] ( listen)) is the capital and largest city of Bulgaria and the 15th largest city in the European Union with a population of 1.2 million people. It is located in western Bulgaria, at the foot of Mount Vitosha and approximately at the centre of the Balkan Peninsula.
Prehistoric settlements were excavated in the centre of the present city, near the royal palace, as well as in outer districts Slatina and Obelya. The well-preserved town walls (especially their substructures) date back before the 7th century BC, when Thracians established their city around a mineral spring, which exists to the present day. Sofia has had several names in the different periods of its existence. Its ancient name, Serdika or Serdica, derives from the local Celtic tribe of the serdi who inhabited the region since the 1st century BC. Serdica was a Roman capital during the tetrarchic system of government. During the Middle Ages, it was one of the major commercial centres of the Bulgarian Empire, along with Tarnovo. Sofia's population remained small until 1879, when it was declared a capital of the Principality of Bulgaria after the Liberation of Bulgaria from Ottoman rule.
Sofia Asgatovna Gubaidulina, (Russian: Софи́я Асгатовна Губайду́лина, Tatar Cyrillic: София Әсгать кызы Гобәйдуллина, Latin: Sofia Äsğät qızı Ğöbäydullina) (born October 24, 1931) is a Russian composer of half Russian, half Tatar ethnicity.
Gubaidulina's music is marked by the use of unusual instrumental combinations. In Erwartung combines percussion (bongos, güiros, temple blocks, cymbals and tam-tams among others), bayan and saxophone quartet.
Gubaidulina was born in Chistopol, in the Tatar ASSR. She studied composition and piano at the Kazan Conservatory, graduating in 1954. In Moscow she undertook further studies at the Conservatory with Nikolay Peyko until 1959, and then with Shebalin until 1963. She was awarded with Stalin-fellowship. Her music was deemed "irresponsible" during her studies in Soviet Russia, due to its exploration of alternative tunings. She was supported, however, by Dmitri Shostakovich, who in evaluating her final examination encouraged her to continue down her "mistaken path". However, she was allowed to express her modernism in various scores she composed for documentary films, including the 1968 production, On Submarine Scooters, a 70mm film shot in the unique Kinopanorama widescreen format.
Sofia Gubaidulina — The Lyre Of Orpheus
Sofia Gubaidulina - In Tempus Praesens
Yuri Bashmet Sofia Gubaidulina Viola Concerto
Sofia Gubaidulina Chaconne
Portrait of Sofia Gubaidulina - Part 1 of 3
Sofia Gubaidulina: Vivente - Non vivente (1970)
Sofia Gubaidulina - String Quartet No.2 (1987)
Sofia Gubaidulina: Concerto for Bassoon and Low Strings (1975)
Sofia Gubaidulina Fachwerk for bayan, percussion and strings
Sofia Gubaidulina - Libertango
Sofia Gubaidulina - Sonata for double bass and piano - Daniele Roccato, Fabrizio Ottaviucci
Sofia Gubaidulina Rejoice! Freue dich! Sonata for Violin and Cello (1981)