- published: 03 Jun 2011
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A curtain call (often known as a walkdown or a final bow) occurs at the end of a performance when individuals return to the stage to be recognized by the audience for their performance. In musical theatre, the performers typically recognize the orchestra and its conductor at the end of the curtain call. Luciano Pavarotti holds the record for receiving 165 curtain calls, more than any other artist.
In film and television, the term "curtain call" is used to describe a sequence at the end of the film and before the closing credits, in which brief clips, stills, or outtakes featuring each main character are shown in sequence with the actor's name captioned. This sequence results in a similar individual recognition of each actor by the audience as would occur in a stage curtain call. This is not common, but when seen is more common in films that are light-hearted and have many characters, or perhaps a long list of cameo appearances.
On occasion, long-running television series, particularly those filmed in front of a live audience, have featured a theater-style curtain call at the conclusion of their runs, with the cast breaking character and often showing the audience and crew. The final episode of The Mary Tyler Moore Show, entitled "The Last Show" was a famous example of this. Since then, this term has been, more or less, associated with the series finale of a particular show.
A curtain call is a return of individuals to the stage to be recognized by the audience for their performance. Curtain Call may also refer to:
Curtain Call (also titled Hank Mobley Quintet Featuring Sonny Clark) is an album by jazz saxophonist Hank Mobley, released posthumously on the Japanese Blue Note label in 1984. It was recorded on August 18, 1957 and features Mobley, Kenny Dorham, Jimmy Rowser, Sonny Clark and Art Taylor.
The Allmusic review by Lee Bloom awarded the album 3 stars stating "Despite an occasional tendency for Mobley's relaxed articulation to sound a bit languorous, his playing is generally enjoyable, and his writing exhibits character, maturity, and a uniquely rhythmic approach to crafting memorable melodies.".
Brian Risberg Clausen, better known as Bryan Rice is a Danish pop singer and songwriter. Curtain Call is a very strong must-have track! iTunes downloadlink: http://itunes.apple.com/be/album/curtain-call-feat-julie-single/id436434918 (P) & (C) BIP RECORDS BELGIUM
From Marie-Jeanne's Collection. Julie Andrews - the Greatest Star on Earth - returns to the Broadway Stage in "Victor/Victoria" (1995). You can listen to the Original Cast Album here https://youtu.be/uN9zQ14u0ys For more videos related to Julie Andrews' career, including - interviews/fan related material/soundtracks/recordings/live concerts and more, please go to https://www.youtube.com/channel/UCpvX1dr2_ee0lo58Om2_GDw
DO NOT OWN THIS SONG, no copyright intended, and everything belongs to their rightful owners
Theatre of Nations │ Artistic Director Evgeny Mironov Miss Julie “Astoundingly perceptive in all that concerns his character’s emotional essence and rationale.” —Teatr on Evgeny Mironov “One of Russia’s most versatile actors.” —The Moscow News on Chulpan Khamatova by August Strindberg Adaptation Mikhail Durnenkov Director Thomas Ostermeier with Evgeny Mironov, Chulpan Khamatova, and Julia Peresild Following its premiere, Strindberg’s daring and explicit drama of the ill-fated romance between a well-born young woman and a household servant ran afoul of the censors and was considered so provocative that it was banned throughout much of Europe. Now, more than 125 years later, Miss Julie is one of the playwright’s best-known and most frequently performed works.
Theatre of Nations │ Artistic Director Evgeny Mironov Miss Julie “Astoundingly perceptive in all that concerns his character’s emotional essence and rationale.” —Teatr on Evgeny Mironov “One of Russia’s most versatile actors.” —The Moscow News on Chulpan Khamatova by August Strindberg Adaptation Mikhail Durnenkov Director Thomas Ostermeier with Evgeny Mironov, Chulpan Khamatova, and Julia Peresild Following its premiere, Strindberg’s daring and explicit drama of the ill-fated romance between a well-born young woman and a household servant ran afoul of the censors and was considered so provocative that it was banned throughout much of Europe. Now, more than 125 years later, Miss Julie is one of the playwright’s best-known and most frequently performed works.
Fiddler on the Roof is the timeless story of Tevye, who dreams of being a rich man far from the troubles of his village. As his cherished daughters fall in love one by one, he must decide between letting them grow and holding his family near starring Tony nominees Danny Burstein and Jessica Hecht with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter based on the original staging by Jerome Robbins.
Othello May 19, 2015 at 7:30 PM Metropolitan Opera House New York, New York Cast: Marcelo Gomes, Julie Kent, James Whiteside, Stella Abrera, Joseph Gorak Synopsis: Shakespeare's gripping tale of jealousy and betrayal provides the inspiration for this immensely theatrical spectacle. Featuring Lar Lubovitch's whirlpool of passionate choreography and Academy Award-winning composer Elliot Goldenthal's dramatic score, this psychological thriller reaches its inevitable, heartbreaking climax as the brooding commander Othello succumbs to the sinister Iago's machinations and tragedy befalls the palace. Choreography by: Lar Lubovitch Music by: Elliot B. Goldenthal Set by: George Tsypin with Projections by Wendall K. Harrington Costumes by: Ann Hould-Ward
2015.6.20 Metropolitan Opera
A curtain call (often known as a walkdown or a final bow) occurs at the end of a performance when individuals return to the stage to be recognized by the audience for their performance. In musical theatre, the performers typically recognize the orchestra and its conductor at the end of the curtain call. Luciano Pavarotti holds the record for receiving 165 curtain calls, more than any other artist.
In film and television, the term "curtain call" is used to describe a sequence at the end of the film and before the closing credits, in which brief clips, stills, or outtakes featuring each main character are shown in sequence with the actor's name captioned. This sequence results in a similar individual recognition of each actor by the audience as would occur in a stage curtain call. This is not common, but when seen is more common in films that are light-hearted and have many characters, or perhaps a long list of cameo appearances.
On occasion, long-running television series, particularly those filmed in front of a live audience, have featured a theater-style curtain call at the conclusion of their runs, with the cast breaking character and often showing the audience and crew. The final episode of The Mary Tyler Moore Show, entitled "The Last Show" was a famous example of this. Since then, this term has been, more or less, associated with the series finale of a particular show.
God came down in the middle of the day
A kid with a camera caught it all on tape
Everyone was clapping, singing songs of glory and praise
They didn't seem to notice wires hanging from the clouds
The lights were too bright but they made it worth while
'Cause it was kinda like a movie where the curtain call raises the crowd
Lightning bolts fell like rain from above
But they were just effects so no one got hurt
It's funny just to think that maybe, just maybe we're all wrong
So you can read your books and I'll question all the words
I'm not saying you're a liar but the proof is no good
For me, maybe I'm just too naive.
But at least I'll admit I'm flawed
Yeah I've a pointed a finger or pushed off the blame
But the reasons that you're breathing they just ain't the same as you say
You can't pray for truth with those lies in your hands
I love you
But you're afraid of saying that back
Just because I don't believe in all the same fairytales as you
Doesn't mean I'm so bad
The future's all you have if you forget the past
So why not forgive and make the memories last
It's not up to me or a bible tale
You're the one that moves your feet
So you can follow any path, roadsign or white lie
Stumble forward, fall in love, chase the clouds, close your eyes
Anything anyway you want, just don't let me
Or a book someone else wrote make up your mind
You can't pray for truth with a lie in your hand
You don't need a miracle to save a life
You'll never be able to relive yesterday