'Xenophon' is featured as a movie character in the following productions:
Portrait (2012)
Actors:
George Avramidis (actor),
Iro Lidorikioti (miscellaneous crew),
Katerina Kalentzi (writer),
Paolo Cammisuli (actor),
Katerina Kalentzi (director),
Anna Mertzani (actress),
Flavia Sgoifo (actress),
Marina Tsoubri (actress),
Antonis Pavlou (producer),
Agni Tsoka (producer),
Antonis Karagiannis (composer),
Michalis Lygkiaris (editor),
Mimoza Zorzoliani (miscellaneous crew),
Giorgos Avramidis (actor),
Xaralabos Mauroeidis (actor),
Plot: The film deals with the past, the memory and the nostalgia. Seen through the eyes of the protagonist, the plot is a short trip in his memories from the past and specifically in the most important moments that he experienced with the woman he was madly in love. Essentially, the story highlights the "portrait" of the main character, through intense snapshots of three past phases of his personal life (when he was a teenager, an adult and a middle-aged man),which acted as catalysts in his personality and determined his future actions and ultimately his whole life. At the age of 78, the events that he remembers constitute his most intense emotional moments and, therefore, those that his memory has chosen, set apart and retained. Thus, he strongly recalls these both positive and negative reminiscences that indelibly marked his life. It is widely accepted that objects, photographs and scents from the past function as the main vehicles for the activation of memory and nostalgic emotions. In the case of the film, two old tickets, a portrait and a musical melody, become the occasions for such activation. A nostalgic life assessment is made when the end approaches. Time is compressed to specific memories and shows life as a puzzle of highlighted events, which emotionally affect the human being, and have a deep impact in its present actions.
Keywords: love, memory, nostalgia, one-word-title
Genres:
Family,
Romance,
Short,
Portrait (2012)
Actors:
George Avramidis (actor),
Iro Lidorikioti (miscellaneous crew),
Katerina Kalentzi (writer),
Paolo Cammisuli (actor),
Katerina Kalentzi (director),
Anna Mertzani (actress),
Flavia Sgoifo (actress),
Marina Tsoubri (actress),
Antonis Pavlou (producer),
Agni Tsoka (producer),
Antonis Karagiannis (composer),
Michalis Lygkiaris (editor),
Mimoza Zorzoliani (miscellaneous crew),
Giorgos Avramidis (actor),
Xaralabos Mauroeidis (actor),
Plot: The film deals with the past, the memory and the nostalgia. Seen through the eyes of the protagonist, the plot is a short trip in his memories from the past and specifically in the most important moments that he experienced with the woman he was madly in love. Essentially, the story highlights the "portrait" of the main character, through intense snapshots of three past phases of his personal life (when he was a teenager, an adult and a middle-aged man),which acted as catalysts in his personality and determined his future actions and ultimately his whole life. At the age of 78, the events that he remembers constitute his most intense emotional moments and, therefore, those that his memory has chosen, set apart and retained. Thus, he strongly recalls these both positive and negative reminiscences that indelibly marked his life. It is widely accepted that objects, photographs and scents from the past function as the main vehicles for the activation of memory and nostalgic emotions. In the case of the film, two old tickets, a portrait and a musical melody, become the occasions for such activation. A nostalgic life assessment is made when the end approaches. Time is compressed to specific memories and shows life as a puzzle of highlighted events, which emotionally affect the human being, and have a deep impact in its present actions.
Keywords: love, memory, nostalgia, one-word-title
Genres:
Family,
Romance,
Short,
Portrait (2012)
Actors:
George Avramidis (actor),
Iro Lidorikioti (miscellaneous crew),
Katerina Kalentzi (writer),
Paolo Cammisuli (actor),
Katerina Kalentzi (director),
Anna Mertzani (actress),
Flavia Sgoifo (actress),
Marina Tsoubri (actress),
Antonis Pavlou (producer),
Agni Tsoka (producer),
Antonis Karagiannis (composer),
Michalis Lygkiaris (editor),
Mimoza Zorzoliani (miscellaneous crew),
Giorgos Avramidis (actor),
Xaralabos Mauroeidis (actor),
Plot: The film deals with the past, the memory and the nostalgia. Seen through the eyes of the protagonist, the plot is a short trip in his memories from the past and specifically in the most important moments that he experienced with the woman he was madly in love. Essentially, the story highlights the "portrait" of the main character, through intense snapshots of three past phases of his personal life (when he was a teenager, an adult and a middle-aged man),which acted as catalysts in his personality and determined his future actions and ultimately his whole life. At the age of 78, the events that he remembers constitute his most intense emotional moments and, therefore, those that his memory has chosen, set apart and retained. Thus, he strongly recalls these both positive and negative reminiscences that indelibly marked his life. It is widely accepted that objects, photographs and scents from the past function as the main vehicles for the activation of memory and nostalgic emotions. In the case of the film, two old tickets, a portrait and a musical melody, become the occasions for such activation. A nostalgic life assessment is made when the end approaches. Time is compressed to specific memories and shows life as a puzzle of highlighted events, which emotionally affect the human being, and have a deep impact in its present actions.
Keywords: love, memory, nostalgia, one-word-title
Genres:
Family,
Romance,
Short,
Portrait (2012)
Actors:
George Avramidis (actor),
Iro Lidorikioti (miscellaneous crew),
Katerina Kalentzi (writer),
Paolo Cammisuli (actor),
Katerina Kalentzi (director),
Anna Mertzani (actress),
Flavia Sgoifo (actress),
Marina Tsoubri (actress),
Antonis Pavlou (producer),
Agni Tsoka (producer),
Antonis Karagiannis (composer),
Michalis Lygkiaris (editor),
Mimoza Zorzoliani (miscellaneous crew),
Giorgos Avramidis (actor),
Xaralabos Mauroeidis (actor),
Plot: The film deals with the past, the memory and the nostalgia. Seen through the eyes of the protagonist, the plot is a short trip in his memories from the past and specifically in the most important moments that he experienced with the woman he was madly in love. Essentially, the story highlights the "portrait" of the main character, through intense snapshots of three past phases of his personal life (when he was a teenager, an adult and a middle-aged man),which acted as catalysts in his personality and determined his future actions and ultimately his whole life. At the age of 78, the events that he remembers constitute his most intense emotional moments and, therefore, those that his memory has chosen, set apart and retained. Thus, he strongly recalls these both positive and negative reminiscences that indelibly marked his life. It is widely accepted that objects, photographs and scents from the past function as the main vehicles for the activation of memory and nostalgic emotions. In the case of the film, two old tickets, a portrait and a musical melody, become the occasions for such activation. A nostalgic life assessment is made when the end approaches. Time is compressed to specific memories and shows life as a puzzle of highlighted events, which emotionally affect the human being, and have a deep impact in its present actions.
Keywords: love, memory, nostalgia, one-word-title
Genres:
Family,
Romance,
Short,
Portrait (2012)
Actors:
George Avramidis (actor),
Iro Lidorikioti (miscellaneous crew),
Katerina Kalentzi (writer),
Paolo Cammisuli (actor),
Katerina Kalentzi (director),
Anna Mertzani (actress),
Flavia Sgoifo (actress),
Marina Tsoubri (actress),
Antonis Pavlou (producer),
Agni Tsoka (producer),
Antonis Karagiannis (composer),
Michalis Lygkiaris (editor),
Mimoza Zorzoliani (miscellaneous crew),
Giorgos Avramidis (actor),
Xaralabos Mauroeidis (actor),
Plot: The film deals with the past, the memory and the nostalgia. Seen through the eyes of the protagonist, the plot is a short trip in his memories from the past and specifically in the most important moments that he experienced with the woman he was madly in love. Essentially, the story highlights the "portrait" of the main character, through intense snapshots of three past phases of his personal life (when he was a teenager, an adult and a middle-aged man),which acted as catalysts in his personality and determined his future actions and ultimately his whole life. At the age of 78, the events that he remembers constitute his most intense emotional moments and, therefore, those that his memory has chosen, set apart and retained. Thus, he strongly recalls these both positive and negative reminiscences that indelibly marked his life. It is widely accepted that objects, photographs and scents from the past function as the main vehicles for the activation of memory and nostalgic emotions. In the case of the film, two old tickets, a portrait and a musical melody, become the occasions for such activation. A nostalgic life assessment is made when the end approaches. Time is compressed to specific memories and shows life as a puzzle of highlighted events, which emotionally affect the human being, and have a deep impact in its present actions.
Keywords: love, memory, nostalgia, one-word-title
Genres:
Family,
Romance,
Short,
Das Mädchen auf dem Meeresgrund (2011)
Actors:
Harald Krassnitzer (actor),
Fritz von Friedl (actor),
Dieter Pochlatko (producer),
Andreas Schmidt (actor),
Benjamin Sadler (actor),
Birgit Hutter (costume designer),
Karim Debbagh (producer),
Michou Hutter (editor),
Hans Hass (actor),
Christoph Silber (writer),
Yvonne Catterfeld (actress),
Ben Verbong (director),
Werner Prinz (actor),
Kitty Speiser (actress),
Florentín Groll (actor),
Genres:
,
Xenophon (In Our Time, 26/5/11)
*** The life and work of
Xenophon.Xenophon, an aristocratic Athenian, was one of the most celebrated writers of the ancient world.
Born in around 430 BC, he was
...
*** The life and work of
Xenophon.Xenophon, an aristocratic Athenian, was one of the most celebrated writers of the ancient world.
Born in around 430 BC, he was a friend and pupil of the great philosopher
Socrates. In his twenties he took part in an unsuccessful attempt to overthrow the
Persian king Artaxerxes II, and played a key role in guiding the surviving
Greek troops - known as the
Ten Thousand - back to safety. It was a dangerous journey from deep inside hostile territory, and lasted more than a year. Xenophon's gripping account of this military campaign, the Anabasis, is one of the masterpieces of
Greek literature.Xenophon went on to write a history of the
Peloponnesian War and its aftermath. But he was not just a historian, and his other works include books about household management, hunting and his mentor Socrates. His advice on the education and behaviour of princes had a significant influence in
Renaissance Italy, and his treatise on horsemanship is still widely read today. ***
GUESTS:
Paul Cartledge
Edith Hall
Simon Goldhill
wn.com/Xenophon (In Our Time, 26 5 11)
*** The life and work of
Xenophon.Xenophon, an aristocratic Athenian, was one of the most celebrated writers of the ancient world.
Born in around 430 BC, he was a friend and pupil of the great philosopher
Socrates. In his twenties he took part in an unsuccessful attempt to overthrow the
Persian king Artaxerxes II, and played a key role in guiding the surviving
Greek troops - known as the
Ten Thousand - back to safety. It was a dangerous journey from deep inside hostile territory, and lasted more than a year. Xenophon's gripping account of this military campaign, the Anabasis, is one of the masterpieces of
Greek literature.Xenophon went on to write a history of the
Peloponnesian War and its aftermath. But he was not just a historian, and his other works include books about household management, hunting and his mentor Socrates. His advice on the education and behaviour of princes had a significant influence in
Renaissance Italy, and his treatise on horsemanship is still widely read today. ***
GUESTS:
Paul Cartledge
Edith Hall
Simon Goldhill
- published: 27 May 2015
- views: 1403
Anabasis by XENOPHON | Memoirs, Military, War | Full AudioBook
Anabasis
XENOPHON (ca. 430 BC - 354 BC), translated by
H. G. DAKYNS (1838 -
1911)
Xenophon the Athenian was born 431
B.C. He was a pupil of
Socrates. He marched
...
Anabasis
XENOPHON (ca. 430 BC - 354 BC), translated by
H. G. DAKYNS (1838 -
1911)
Xenophon the Athenian was born 431
B.C. He was a pupil of
Socrates. He marched with the Spartans, and was exiled from
Athens.
Sparta gave him land and property in Scillus, where he lived for many years before having to move once more, to settle in
Corinth. He died in 354 B.C. "Anabasis" is a
Greek word which means "journey from the coast to the center of a country." This is Xenophon's account of his march to
Persia with a troop of Greek mercenaries to aid
Cyrus, who enlisted Greek help to try and take the throne from his brother Artaxerxes, and the ensuing return of the
Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.
H. G. Dakyns lived from (1838 - 1911). (Summary from
Gutenberg version of text.)
Genre(s): War &
Military,
Memoirs,
Antiquity
Language:
English
wn.com/Anabasis By Xenophon | Memoirs, Military, War | Full Audiobook
Anabasis
XENOPHON (ca. 430 BC - 354 BC), translated by
H. G. DAKYNS (1838 -
1911)
Xenophon the Athenian was born 431
B.C. He was a pupil of
Socrates. He marched with the Spartans, and was exiled from
Athens.
Sparta gave him land and property in Scillus, where he lived for many years before having to move once more, to settle in
Corinth. He died in 354 B.C. "Anabasis" is a
Greek word which means "journey from the coast to the center of a country." This is Xenophon's account of his march to
Persia with a troop of Greek mercenaries to aid
Cyrus, who enlisted Greek help to try and take the throne from his brother Artaxerxes, and the ensuing return of the
Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.
H. G. Dakyns lived from (1838 - 1911). (Summary from
Gutenberg version of text.)
Genre(s): War &
Military,
Memoirs,
Antiquity
Language:
English
- published: 22 Feb 2016
- views: 2
Xenophon's Anabasis
Intro done at 1:44
*
English translation of the beginning:
Xenophon accompanied the
Ten Thousand, a large army of
Greek mercenaries hired by
Cyrus the Younger, who intended to seize the throne of
Persia from his brother,
Artaxerxes II. Though
Cyrus's mixed army fought to a tactical victory at
Cunaxa in
Babylon (401 BC), Cyrus himself was killed in the battle, rendering the actions of the
Greeks irrelevant and the expedition a failure.
Stranded deep in enemy territory, the
Spartan general
Clearchus and the other
Greek senior officers were subsequently killed or captured by treachery on the part of the
Persian satrap
Tissaphernes. Xenophon, one of three remaining leaders elected by the soldiers, played an instrumental role in encouraging the
Greek army of 10,
000 to march north across foodless deserts and snow-filled mountain passes towards the
Black Sea and the comparative security of its Greek shoreline cities. Now abandoned in northern
Mesopotamia, without supplies other than what they could obtain by force or diplomacy, the 10,000 had to fight their way northwards through
Corduene and
Armenia, making ad hoc decisions about their leadership, tactics, provender and destiny, while the
King's army and hostile natives constantly barred their way and attacked their flanks.
Ultimately this "marching republic" managed to reach the shores of the Black Sea at Trapezus (Trebizond), a destination they greeted with their famous cry of joyous exultation on the mountain of
Madur in
Surmene : "thalatta, thalatta", "the sea, the sea! "The sea" meant that they were at last among Greek cities.
wn.com/Xenophon's Anabasis
Intro done at 1:44
*
English translation of the beginning:
Xenophon accompanied the
Ten Thousand, a large army of
Greek mercenaries hired by
Cyrus the Younger, who intended to seize the throne of
Persia from his brother,
Artaxerxes II. Though
Cyrus's mixed army fought to a tactical victory at
Cunaxa in
Babylon (401 BC), Cyrus himself was killed in the battle, rendering the actions of the
Greeks irrelevant and the expedition a failure.
Stranded deep in enemy territory, the
Spartan general
Clearchus and the other
Greek senior officers were subsequently killed or captured by treachery on the part of the
Persian satrap
Tissaphernes. Xenophon, one of three remaining leaders elected by the soldiers, played an instrumental role in encouraging the
Greek army of 10,
000 to march north across foodless deserts and snow-filled mountain passes towards the
Black Sea and the comparative security of its Greek shoreline cities. Now abandoned in northern
Mesopotamia, without supplies other than what they could obtain by force or diplomacy, the 10,000 had to fight their way northwards through
Corduene and
Armenia, making ad hoc decisions about their leadership, tactics, provender and destiny, while the
King's army and hostile natives constantly barred their way and attacked their flanks.
Ultimately this "marching republic" managed to reach the shores of the Black Sea at Trapezus (Trebizond), a destination they greeted with their famous cry of joyous exultation on the mountain of
Madur in
Surmene : "thalatta, thalatta", "the sea, the sea! "The sea" meant that they were at last among Greek cities.
- published: 15 Apr 2009
- views: 28506
Xenophon’s Dream
More than 2,
000 years ago, the horses whispered their secrets to a
Greek philosopher soldier, who shared their secrets with the world.
Somewhere along the way,
...
More than 2,
000 years ago, the horses whispered their secrets to a
Greek philosopher soldier, who shared their secrets with the world.
Somewhere along the way, we forgot.
[
Shot this last night with my two
Icelandic horses
Vafi and Draumur, on my new Sony
FS7. Edited in FXPX.
Music by permission from Premiumbeat.com]
wn.com/Xenophon’S Dream
More than 2,
000 years ago, the horses whispered their secrets to a
Greek philosopher soldier, who shared their secrets with the world.
Somewhere along the way, we forgot.
[
Shot this last night with my two
Icelandic horses
Vafi and Draumur, on my new Sony
FS7. Edited in FXPX.
Music by permission from Premiumbeat.com]
- published: 17 Oct 2015
- views: 213
Why Women Must Learn in Quietness and Submission: Xenophon of Ephesus and 1 Timothy 2 (Gary Hoag)
DOWNLOAD THE GROUP
PDF DISCUSSION
GUIDE:
http://store.seedbed.com/products/women-in-ephesus
In
1 Timothy 2:11
Paul writes to
Timothy, his pastoral trainee, “
A woman must learn in quietness and submission.” Paul also instructs women on how to dress and to be modest. Is this just another expression of ancient, patriarchal culture that sought to marginalize women? What might this cryptic text mean, and how does it relate to the situation of the church to which he was writing? The ancient writings of people like
Xenophon of Ephesus offer important cultural details that greatly affect how we ought to interpret passages like this one, and they help us determine what their significance is for contemporary Christians
. In the case of women in
Ephesus, it may just be that the customs associated with the cult of
Artemis offers surprising insight into the actual intention of
Paul the apostle.
wn.com/Why Women Must Learn In Quietness And Submission Xenophon Of Ephesus And 1 Timothy 2 (Gary Hoag)
DOWNLOAD THE GROUP
PDF DISCUSSION
GUIDE:
http://store.seedbed.com/products/women-in-ephesus
In
1 Timothy 2:11
Paul writes to
Timothy, his pastoral trainee, “
A woman must learn in quietness and submission.” Paul also instructs women on how to dress and to be modest. Is this just another expression of ancient, patriarchal culture that sought to marginalize women? What might this cryptic text mean, and how does it relate to the situation of the church to which he was writing? The ancient writings of people like
Xenophon of Ephesus offer important cultural details that greatly affect how we ought to interpret passages like this one, and they help us determine what their significance is for contemporary Christians
. In the case of women in
Ephesus, it may just be that the customs associated with the cult of
Artemis offers surprising insight into the actual intention of
Paul the apostle.
- published: 25 Nov 2015
- views: 3755
Xenophon's Anabasis (The Anabasis of Cyrus)
The video presents some basic information about the incidents that took place before and after the
Battle of Cunaxa (401 BC), where
Cyrus wanted to usurp the th
...
The video presents some basic information about the incidents that took place before and after the
Battle of Cunaxa (401 BC), where
Cyrus wanted to usurp the throne of
Persia from his brother Artaxerxes.
The Greeks (
Ten Thousand, Myrioi) in order to pay back Cyrus for his help in the
Peloponnesian War march against Artaxerxes.
Although the
Greeks destroy the numerous opponents, their victory is of no interest, as Cyrus dies in an attempt to kill his brother. The tragedy for the
Greek mercenaries starts. In a journey of almost 8 months,
Xenophon, the author of "Anabasis" and a soldier with the rest of the "Myrioi", after many dangers in the hostile
Persian empire and only with half of them left, eventually go home. The journey it narrates is his best known accomplishment and "one of the great adventures in human history," as
Will Durant expressed the common assessment.
Music theme:
Globus, "Preliator"
wn.com/Xenophon's Anabasis (The Anabasis Of Cyrus)
The video presents some basic information about the incidents that took place before and after the
Battle of Cunaxa (401 BC), where
Cyrus wanted to usurp the throne of
Persia from his brother Artaxerxes.
The Greeks (
Ten Thousand, Myrioi) in order to pay back Cyrus for his help in the
Peloponnesian War march against Artaxerxes.
Although the
Greeks destroy the numerous opponents, their victory is of no interest, as Cyrus dies in an attempt to kill his brother. The tragedy for the
Greek mercenaries starts. In a journey of almost 8 months,
Xenophon, the author of "Anabasis" and a soldier with the rest of the "Myrioi", after many dangers in the hostile
Persian empire and only with half of them left, eventually go home. The journey it narrates is his best known accomplishment and "one of the great adventures in human history," as
Will Durant expressed the common assessment.
Music theme:
Globus, "Preliator"
- published: 05 Nov 2013
- views: 3335
Xenophon Warlander stallion
Four year old Warlander stallion
Four year old Warlander stallion
wn.com/Xenophon Warlander Stallion
Four year old Warlander stallion
- published: 01 Apr 2007
- views: 24441
Australian senator Nick Xenophon discusses deportation
Subscribe to our channel
http://bit.ly/AJSubscribe
Subscribe to our channel http://bit.ly/AJSubscribe
Australia has demanded an explanation from
Malaysia for
...
Subscribe to our channel
http://bit.ly/AJSubscribe
Subscribe to our channel http://bit.ly/AJSubscribe
Australia has demanded an explanation from
Malaysia for why it turned away an
Australian senator from his fact-finding mission to investigate the
Southeast Asian country's electoral system ahead of elections due within months, the prime minister has said.
Nick Xenophon, an independent
South Australia state senator, returned from Malaysia on Sunday saying he had been deported on the orders of the "highest levels'' of the
Malaysian government for his support of democracy reformers.
Xenophon told
Al Jazeera that he is disappointed that his own government tried to downplay the importance of his visit.
At
Al Jazeera English, we focus on people and events that affect people's lives. We bring topics to light that often go under-reported, listening to all sides of the story and giving a 'voice to the voiceless.'
Reaching more than 270 million households in over
140 countries across the globe, our viewers trust Al Jazeera English to keep them informed, inspired, and entertained.
Our impartial, fact-based reporting wins worldwide praise and respect. It is our unique brand of journalism that the world has come to rely on.
We are reshaping global media and constantly working to strengthen our reputation as one of the world's most respected news and current affairs channels.
Social Media links:
Facebook: https://www.facebook.com/aljazeera
Instagram: https://instagram.com/aljazeera/?ref=
...
Twitter: https://twitter.com/ajenglish
Website: http://www.aljazeera.com/
google+: https://plus.google.com/+aljazeera/posts
wn.com/Australian Senator Nick Xenophon Discusses Deportation
Subscribe to our channel
http://bit.ly/AJSubscribe
Subscribe to our channel http://bit.ly/AJSubscribe
Australia has demanded an explanation from
Malaysia for why it turned away an
Australian senator from his fact-finding mission to investigate the
Southeast Asian country's electoral system ahead of elections due within months, the prime minister has said.
Nick Xenophon, an independent
South Australia state senator, returned from Malaysia on Sunday saying he had been deported on the orders of the "highest levels'' of the
Malaysian government for his support of democracy reformers.
Xenophon told
Al Jazeera that he is disappointed that his own government tried to downplay the importance of his visit.
At
Al Jazeera English, we focus on people and events that affect people's lives. We bring topics to light that often go under-reported, listening to all sides of the story and giving a 'voice to the voiceless.'
Reaching more than 270 million households in over
140 countries across the globe, our viewers trust Al Jazeera English to keep them informed, inspired, and entertained.
Our impartial, fact-based reporting wins worldwide praise and respect. It is our unique brand of journalism that the world has come to rely on.
We are reshaping global media and constantly working to strengthen our reputation as one of the world's most respected news and current affairs channels.
Social Media links:
Facebook: https://www.facebook.com/aljazeera
Instagram: https://instagram.com/aljazeera/?ref=
...
Twitter: https://twitter.com/ajenglish
Website: http://www.aljazeera.com/
google+: https://plus.google.com/+aljazeera/posts
- published: 17 Feb 2013
- views: 14414
Xenophon Seminar bei Susanne von Dietze TEIL 1
Diamiro und ich nahmen heute an einem sogenannten "Xenophon-Seminar" teil.
Hierbei ging es einzig und allein um den Sitz des reiters.
Frau von Dietze ist nicht
...
Diamiro und ich nahmen heute an einem sogenannten "Xenophon-Seminar" teil.
Hierbei ging es einzig und allein um den Sitz des reiters.
Frau von Dietze ist nicht nur selbst Reiterin, sondern auch Physiotherapeutin.
Dies ermöglicht es den Reitern, das viele "Probleme" bearbeitet und auch behoben werden können. Sie hat viele Ideeen, die man wirklich gut umsetzen kann und man merkt auch schnell die Unterschiede!
Sehr lehrreicher Lehrgang!
wn.com/Xenophon Seminar Bei Susanne Von Dietze Teil 1
Diamiro und ich nahmen heute an einem sogenannten "Xenophon-Seminar" teil.
Hierbei ging es einzig und allein um den Sitz des reiters.
Frau von Dietze ist nicht nur selbst Reiterin, sondern auch Physiotherapeutin.
Dies ermöglicht es den Reitern, das viele "Probleme" bearbeitet und auch behoben werden können. Sie hat viele Ideeen, die man wirklich gut umsetzen kann und man merkt auch schnell die Unterschiede!
Sehr lehrreicher Lehrgang!
- published: 23 Nov 2013
- views: 13499
Xenophon "Spartan Constitution" (reconstructed ancient Greek)
Free sample of an upcoming audiobook by Podium-Arts.com.
Narrated in reconstructed
Ancient Greek, by Ioannis Stratakis
[1]
It occurred to me one day that Spart
...
Free sample of an upcoming audiobook by Podium-Arts.com.
Narrated in reconstructed
Ancient Greek, by Ioannis Stratakis
[1]
It occurred to me one day that
Sparta, though among the most thinly populated of states, was evidently the most powerful and most celebrated city in
Greece; and I fell to wondering how this could have happened. But when I considered the institutions of the Spartans, I wondered no longer.
[2]
Lycurgus, who gave them the laws that they obey, and to which they owe their prosperity, I do regard with wonder; and I think that he reached the utmost limit of wisdom. For it was not by imitating other states, but by devising a system utterly different from that of most others, that he made his country preeminently prosperous. [3]
First, to begin at the beginning, I will take the begetting of children.1 In other states the girls who are destined to become mothers and are brought up in the approved fashion, live on the very plainest fare, with a most meagre allowance of delicacies.
Wine is either withheld altogether, or, if allowed them, is diluted with water. The rest of the
Greeks expect their girls to imitate the sedentary life that is typical of hand-craftsmen -- to keep quiet and do wool-work. How, then, is it to be expected that women so brought up will bear fine children?
[4]
But Lycurgus thought the labour of slave women sufficient to supply clothing. He believed motherhood to be the most important
function of freeborn woman. Therefore, in the first place, he insisted on physical training for the female no less than for the male sex: moreover, he instituted races and trials of strength for women competitors as for men, believing that if both parents are strong they produce more vigorous offspring.
[5]
He noticed, too, that, during the time immediately succeeding marriage, it was usual elsewhere for the husband to have unlimited intercourse with his wife. The rule that he adopted was the opposite of this: for he laid it down that the husband should be ashamed to be seen entering his wife's room or leaving it. With this restriction on intercourse the desire of the one for the other must necessarily be increased, and their offspring was bound to be more vigorous than if they were surfeited with one another.
[6]
In addition to this, he withdrew from men the right to take a wife whenever they chose, and insisted on their marrying in the prime of their manhood, believing that this too promoted the production of fine children.
[7]
It might happen, however, that an old man had a young wife; and he observed that old men keep a very jealous watch over their young wives. To meet these cases he instituted an entirely different system by requiring the elderly husband to introduce into his house some man whose physical and moral qualities he admired, in order to beget children.
[8]
On the other hand, in case a man did not want to cohabit with his wife and nevertheless desired children of whom he could be proud, he made it lawful for him to choose a woman who was the mother of a fine family and of high birth, and if he obtained her husband's consent, to make her the mother of his children.
[9]
He gave his sanction to many similar arrangements. For the wives want to take charge of two households, and the husbands want to get brothers for their sons, brothers who are members of the family and share in its influence, but claim no part of the money. [10]
Thus his regulations with regard to the begetting of children were in sharp contrast with those of other states.
Whether he succeeded in populating Sparta with a race of men remarkable for their size and strength anyone who chooses may judge for himself.
wn.com/Xenophon Spartan Constitution (Reconstructed Ancient Greek)
Free sample of an upcoming audiobook by Podium-Arts.com.
Narrated in reconstructed
Ancient Greek, by Ioannis Stratakis
[1]
It occurred to me one day that
Sparta, though among the most thinly populated of states, was evidently the most powerful and most celebrated city in
Greece; and I fell to wondering how this could have happened. But when I considered the institutions of the Spartans, I wondered no longer.
[2]
Lycurgus, who gave them the laws that they obey, and to which they owe their prosperity, I do regard with wonder; and I think that he reached the utmost limit of wisdom. For it was not by imitating other states, but by devising a system utterly different from that of most others, that he made his country preeminently prosperous. [3]
First, to begin at the beginning, I will take the begetting of children.1 In other states the girls who are destined to become mothers and are brought up in the approved fashion, live on the very plainest fare, with a most meagre allowance of delicacies.
Wine is either withheld altogether, or, if allowed them, is diluted with water. The rest of the
Greeks expect their girls to imitate the sedentary life that is typical of hand-craftsmen -- to keep quiet and do wool-work. How, then, is it to be expected that women so brought up will bear fine children?
[4]
But Lycurgus thought the labour of slave women sufficient to supply clothing. He believed motherhood to be the most important
function of freeborn woman. Therefore, in the first place, he insisted on physical training for the female no less than for the male sex: moreover, he instituted races and trials of strength for women competitors as for men, believing that if both parents are strong they produce more vigorous offspring.
[5]
He noticed, too, that, during the time immediately succeeding marriage, it was usual elsewhere for the husband to have unlimited intercourse with his wife. The rule that he adopted was the opposite of this: for he laid it down that the husband should be ashamed to be seen entering his wife's room or leaving it. With this restriction on intercourse the desire of the one for the other must necessarily be increased, and their offspring was bound to be more vigorous than if they were surfeited with one another.
[6]
In addition to this, he withdrew from men the right to take a wife whenever they chose, and insisted on their marrying in the prime of their manhood, believing that this too promoted the production of fine children.
[7]
It might happen, however, that an old man had a young wife; and he observed that old men keep a very jealous watch over their young wives. To meet these cases he instituted an entirely different system by requiring the elderly husband to introduce into his house some man whose physical and moral qualities he admired, in order to beget children.
[8]
On the other hand, in case a man did not want to cohabit with his wife and nevertheless desired children of whom he could be proud, he made it lawful for him to choose a woman who was the mother of a fine family and of high birth, and if he obtained her husband's consent, to make her the mother of his children.
[9]
He gave his sanction to many similar arrangements. For the wives want to take charge of two households, and the husbands want to get brothers for their sons, brothers who are members of the family and share in its influence, but claim no part of the money. [10]
Thus his regulations with regard to the begetting of children were in sharp contrast with those of other states.
Whether he succeeded in populating Sparta with a race of men remarkable for their size and strength anyone who chooses may judge for himself.
- published: 19 Jan 2016
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