Son montuno

The son montuno is a subgenre of son cubano. The son itself is the most important genre of Cuban popular music. In addition, it is perhaps the most flexible of all forms of Latin-American music, and is the foundation of many Cuban-based dance forms, and salsa. Its great strength is its fusion between European and African musical traditions.

The son arose in Oriente, merging the Spanish guitar and lyrical traditions with Afro-Cuban percussion and rhythms. We now know that its history as a distinct form is relatively recent. There is no evidence that it goes back further than the end of the nineteenth century. It moved from Oriente to Havana in about 1909, carried by members of the Permanent (the Army), who were sent out of their areas of origin as a matter of policy. The first recordings were in 1918.

There are many types of son, of which the son montuno is one. The term has been used in several ways. Probably the 'montuno' originally referred to its origin in the mountainous regions of eastern Cuba; eventually it was used more to describe the final up-tempo section of a son, with its semi-improvisation, repetitive vocal refrain and brash instrumental climax. The term was being used in the 1920s, when son sextetos set up in Havana and competed strongly with the older danzones.

Johnny Colon

Johnny Colon (born in New York City) is an American salsa musician, leader of the Johnny Colon Orchestra and founder of the East Harlem Music School, also known as a major contributor to the boogaloo sound of the 1960s.

Colon was born in New York City to parents of Puerto Rican heritage. He wrote most of the Orchestra's tunes, sings, plays percussion, piano and trombone, and first found success in the world of salsa with his 1967 debut album, Boogaloo Blues. He released five albums over the period 1967-72, and in 1968 founded the East Harlem Music School, which still exists. His latest jazz album, "Keeping It Real" features the American pop songbook .

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