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John Walter Bratton (January 21, 1867 – February 7, 1947) was an American Tin Pan Alley composer and theatrical producer who became popular during the era known as the Gay Nineties.
Raised by his grandmother, Mary Bratton, in New Castle, Delaware, near Wilmington, John Walter Bratton (sometimes spelled Bratten) was the son of John F. and Emma Bratton, of whom little is known. He was educated at the Harkness Academy in Wilmington and later attended the Philadelphia College of Music before embarking on a career as a baritone singer.
John Bratton's career soon moved from performer to composer and producer. He began in the chorus of a show called Ship Ahoy for $18 a week and not before too long was selling songs written with his friend, lyricists Walter H. Ford, for as little as $10 a title. Over the years Bratton would collaborate on over 250 songs with Ford and Paul West. One of their earlier tunes was a tribute to veterans of the Spanish–American War called Hats off to the Boys Who Made Good, that years later Bratton conceded was "terrible". Today he is remembered for his composition Op103, dating from 1907, Teddy Bears' Picnic the only one of his songs to be a lasting hit. Although most of his compositions had lyrics, he left Teddy Bears' Picnic as an instrumental. Perhaps because it sold so well as sheet music he never felt little need to do anything else with it except over the silent film ere as background music for a number of popular movies. Many years later British based, but Irish born Jimmy Kennedy wrote the lyrics. This explains why an American composition contains the British term "Mummies and Daddies" rather than "Mommies and Daddies", though the latter does crop up from time to time in copies printed in the former colony.
John Walter may refer to:
John (Jack) Walter (2 August 1904 – 25 April 1966) was an All Black and Taranaki rugby football representative in the 1920s and 1930s.
John Walter was born in Toko on 2 August 1904. Playing for the Stratford club, he was selected for his first game for Taranaki in 1924. In 1925 he was selected for the All Black tour of Australia, where, as a 20-year-old, he played in seven of the eight matches and scored four tries. He looked to have a promising career ahead of him, however the competition as loose forward was too great and Walter lost his place.
Between 1924 and 1932 Walter played 85 matches for Taranaki, and played in the combined Taranaki-Wanganui side against the touring New South Wales team in 1925. In 1931 he led Taranaki to an 11–10 victory over the touring Australian side.
John Walter died on 25 April 1966 in Stratford. His nephew Alan Smith, also playing out of the Stratford club, was a Taranaki representative and an All Black lock in 1967–70.
Major-General John McNeill Walter (10 June 1861 - 1951) CB, CSI, DSO was a British officer who served in the Indian Army.
Educated at Cheltenham College, Walter was commissioned into the 12th Regiment of Foot on 14 January 1880. He became Deputy Assistant Adjutant-General in India in May 1896, and saw action with the Tochi Field Force and then at the Relief of Ladysmith in October 1899 during the Second Boer War. He became Assistant Adjutant-General in October 1910 and Deputy Adjutant-General at GHQ India in September 1913.
Walter served in World War I as Adjutant-General, India from November 1915 and as Major General in charge of Administration at Northern Command, India from 1917 before retiring at the end of the War.
Liz opens up about biged abusive behaviour I want to establish How real their relationship was How Liz missed the red flags The recording and if was an isolated event HELP https://www.thehotline.org/ disclosure - i don't like ed and i invited liz to talk with me the moment i heard the recording because i wanted to leave no doubt anyone mind what sort of man ed is.
John Walter Milestone explains the new technics of education with a different perspective. TED Ankara College English teacher. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
A Virus Walks Into A Bar is part of our new exhibition John Walter: CAPSID This major exhibition addresses a crisis of representation surrounding viruses such as HIV, by bringing new scientific knowledge about viral capsids to the attention of the wider public. Capsids are protein shells contained within viruses that help protect and deliver viruses to host cells during infection. A comparison might be the shell of an egg that protects the yolk inside, allowing it to grow if fertilised. Starting from this jumping-off point, Walter explores how ideas and cultural forms are spread between individuals, groups and cultures (be it politics, faith or boyband crazes), and how they spawn and mutate in order to survive. John Walter: CAPSID opens on Sat 10 Nov and runs until Sun 06 Jan. Find out m...
Book Your Ticket Now - http://bit.ly/2JYWZjB धर्मो रक्षति रक्षितः In times of peace or times of war there are many unsung heroes who operate behind enemy lines to protect their motherland. Their identities unknown, their sacrifices unrecognized, their service uncelebrated Romeo Akbar Walter is a tribute to these brave men and women who are known in history books often as just 'spies ' VIACOM18 MOTION PICTURES IN ASSOCIATION WITH KYTA PRODUCTIONS PRESENT ROMEO AKBAR WALTER WRITTEN AND DIRECTED BY ROBBIE GREWAL Romeo Akbar Walter (RAW) is produced by Viacom18 Motion Pictures, Dheeraj Wadhwan, Ajay Kapoor, Vanessa Walia, and Gary Grewal. It will release Worldwide on 5th April 2019. #RAWTRAILER #ROMEOAKBARWALTER #VIACOM18 #KYTAPRODUCTIONS Viacom18 Motion Pictures Handles :- Facebo...
Evening Lecture and Book Launch 10 November 2017 This lecture addresses the exhibition Shonky: The Aesthetics of Awkwardness, which Dr.John Walter has been curating for Hayward Touring opening at The MAC in Belfast in October 2017 and traveling to DCA Dundee and Bury Art Museum in 2018 with an accompanying Hayward Gallery publication. Shonky is a slang term meaning corrupt or bent, shoddy or unreliable, standing here for a particular type of visual aesthetic that is hand-made, deliberately clumsy and lo-fi, against the slick production values of much contemporary art. Shonky theories a critical framework for thinking about visual awkwardness through discussion of work by a range of architects and artists that include Arakawa and Gins, Hundertwasser, Niki de Saint Phalle, Justin Favela, Ka...
John Walter Museum is a hidden gem for kids, where they can get a taste of the pioneering lifestyle. Where do you like to take your kids? Tell us about it. Subscribe to the Optik Local YouTube Channel: youtube.com/user/OptikLocal This segment is part of Family Central Edmonton episode 4. Full episodes available on TELUS Optik Local.
John Walter Bratton (January 21, 1867 – February 7, 1947) was an American Tin Pan Alley composer and theatrical producer who became popular during the era known as the Gay Nineties.
Raised by his grandmother, Mary Bratton, in New Castle, Delaware, near Wilmington, John Walter Bratton (sometimes spelled Bratten) was the son of John F. and Emma Bratton, of whom little is known. He was educated at the Harkness Academy in Wilmington and later attended the Philadelphia College of Music before embarking on a career as a baritone singer.
John Bratton's career soon moved from performer to composer and producer. He began in the chorus of a show called Ship Ahoy for $18 a week and not before too long was selling songs written with his friend, lyricists Walter H. Ford, for as little as $10 a title. Over the years Bratton would collaborate on over 250 songs with Ford and Paul West. One of their earlier tunes was a tribute to veterans of the Spanish–American War called Hats off to the Boys Who Made Good, that years later Bratton conceded was "terrible". Today he is remembered for his composition Op103, dating from 1907, Teddy Bears' Picnic the only one of his songs to be a lasting hit. Although most of his compositions had lyrics, he left Teddy Bears' Picnic as an instrumental. Perhaps because it sold so well as sheet music he never felt little need to do anything else with it except over the silent film ere as background music for a number of popular movies. Many years later British based, but Irish born Jimmy Kennedy wrote the lyrics. This explains why an American composition contains the British term "Mummies and Daddies" rather than "Mommies and Daddies", though the latter does crop up from time to time in copies printed in the former colony.