Episode 10 of Penmanship, a podcast about Australian writing culture hosted by Andrew McMillen. Brent DeBoer is a songwriter and musician. Penmanship podcast episode 10: Brent DeBoer, interviewed by Andrew McMillen, 2015I first met him in unique circumstances in September 2010, when my partner and I won a competition to fly to the United States and interview The Dandy Warhols at their studio in Portland, Oregon. This was a promotional tie-in because the band were booked to play at Parklife Festival that year, so we were accompanied by a cameraman for Australian website Pedestrian.TV, who filmed the encounter and cut a short video about our experience. (The entire interview was later published on TheVine.com.au: https://web.archive.org/web/20121011062814/http://www.thevine.com.au/music/interviews/the-dandy-warhols-interview/). I’m a big fan of The Dandy Warhols; they’re one of the best live rock bands I’ve seen, and as a solid drummer and co-vocalist, Brent is a key part of their appeal. Born in Portland and based there for most of his life, Brent has called Melbourne home since 2010, after he married an Australian and relocated. When he’s not touring or recording with The Dandy Warhols, he’s inevitably doing the same with his Australian band, Immigrant Union, who this year released their second album, entitled Anyway. It’s a brilliant piece of work, and one of my favourites of 2015. When reviewing Anyway for The Weekend Australian in June, I described it as “a timeless album for all moods and seasons” and gave it four-and-a-half stars. Besides his excellent musicianship and songwriting in two of my favourite bands, though, I actually didn’t know much about Brent’s past or his path into music, so I thoroughly enjoyed getting to know him a little better during this interview, which took place upstairs at Lefty’s Music Hall in Brisbane, a few hours before Immigrant Union played three sets there on a Thursday evening in late August. Brent was jet-lagged, and spent most of the interview either staring out the window, watching the fading light, or with his eyes closed, while darkness gradually consumed the room where we sat. Our conversation touches on how he learned to play the drums at age five; how he manifested his own destiny as a child, when he would imagine playing to a sea of people who were all there to watch him play drums; a favourite prank of his when playing to drunk fraternity crowds in his early career; how he was asked to join The Dandy Warhols in 1998 and how he struggled for a couple of years with the demands of the role; and the differences between being a drummer who sings in that band and being a singer-guitarist in Immigrant Union. Brent DeBoer was born in Portland, Oregon, where his parents bought him a drum set for Christmas when he was five years old. By the age of 16 he had formed his first band, Spoon, with Rick Bain. Just out of college, in 1998, he joined The Dandy Warhols as their drummer. After moving to Melbourne, in 2010, he was at the iconic Cherry Bar in AC/DC Lane. It was here that he began to form a band called Immigrant Union with Bob Harrow and Peter Lubulwa, taking on the role of lead guitar and lead vocals. The Dandy Warhols will release their ninth studio album in 2016 and they continue to tour the world extensively. Immigrant Union recently released their critically acclaimed second studio album entitled Anyway. Brent DeBoer on Twitter: @FatheadDeBoer Penmanship on Twitter: @PenmanshipAU Andrew McMillen on Twitter: @Andrew_McMillen Show notes: http://penmanshippodcast.com/episode-10-brent-deboer/ The theme song for Penmanship is ‘Eternally Yours‘ by Australian band Laughing Clowns, used with permission of band leader and songwriter Ed Kuepper. I recommend purchasing 'Cruel, But Fair – The Complete Clowns Recordings' via iTunes: https://itunes.apple.com/au/album/cruel-but-fair-complete-clowns/id129575674

• published: 16 Sep 2015
• views: 89