- published: 19 Feb 2010
- views: 271
- author: Suchandrika Chakrabarti
4:43
Critics' Circle 2010: Tarantino wins Dilys Powell award (part 1)
Crtics' Circle awards, London...
published: 19 Feb 2010
author: Suchandrika Chakrabarti
Critics' Circle 2010: Tarantino wins Dilys Powell award (part 1)
Crtics' Circle awards, London
- published: 19 Feb 2010
- views: 271
- author: Suchandrika Chakrabarti
4:15
Critics' Circle 2010: Tarantino wins Dilys Powell award (part 2)
Critics' Circle awards, London...
published: 19 Feb 2010
author: Suchandrika Chakrabarti
Critics' Circle 2010: Tarantino wins Dilys Powell award (part 2)
Critics' Circle awards, London
- published: 19 Feb 2010
- views: 191
- author: Suchandrika Chakrabarti
66:44
Cuckoo - Laurel & Hardy UK BBC TV Documentary 1974
By far the best documentary ever on L & H. Please release officially BBC! Please note this...
published: 29 Feb 2012
author: tocknet
Cuckoo - Laurel & Hardy UK BBC TV Documentary 1974
By far the best documentary ever on L & H. Please release officially BBC! Please note this is a very mediocre copy with some bad sound sync and poor video quality. However, this is as rare as hens teeth and is the only copy I have found to date so its up to you if you want to watch or not. Here's what Glenn Mitchell has to say about this programme in his LAUREL & HARDY ENCYCLOPEDIA. "A film in the BBC TV Omnibus series, first screened in December 1974 with a repeat the following year. This major project remains a key work among Laurel & Hardy documentaries, offering constructive examination (not analysis) of well-chosen clips, intelligent narration (delivered by Britain's top double-act, Morecambe and Wise), appropriate stills and, perhaps of the greatest value, interviews with surviving friends, relatives and colleagues. Many of these are no longer with us: producer Hal Roach; Babe's widow Lucille; composer T. Marvin Hatley; Jean 'Babe' London; early Laurel producer Joe Rock; journalist Kenneth Tyson, whose 1950s review of their stage act remains among the better tributes; and documentary-maker Basil Wright, always one of the team's champions in the UK. Others include actress Dorothy Granger, biographer John McCabe, mime artist Marcel Marceau, critic Dilys Powell and comedians Dick Van Dyke, Jerry Lewis, Bob Monkhouse and Spike Milligan. At least 40 of the Laurel & Hardy films are incorporated, if only through momentary fragments. Some are presented more than cleverly ...
- published: 29 Feb 2012
- views: 11383
- author: tocknet
7:47
32nd London Film Critics Circle Awards - Winners Interviews
Premiere Scene's Claire & Anthony Bueno caught up with the worthy 32nd London Film Critics...
published: 20 Jan 2012
author: Premiere Scene
32nd London Film Critics Circle Awards - Winners Interviews
Premiere Scene's Claire & Anthony Bueno caught up with the worthy 32nd London Film Critics Circle Award winners Kenneth Branagh - Best Supporting Actor (My week with Marilyn); Andrew Haigh - Breakthrough British Filmmaker (Weekend); Michael Fassbender - British Actor of the Year (Shame & A Dangerous Method; Craig Roberts - Young British Performer of the Year (Submarine); Olivia Colman - British Actress of the Year (The Iron Lady, Tyrannosaur), Donald Sutherland - Presenting Dilys Powell Award for Excellence in Cinema Award to Nicolas Roeg, Lynne Ramsay - British Film of the Year (We Need To Talk About Kevin), Michel Hazanavicius - Film of the Year, Director of the Year & Jean Dujardin - Actor of the Year (The Artist); Asif Kapadia & his winning team - Documentary of the Year (Senna) Unauthorised use of this content is prohibited and protected by © Premiere Scene. To purchase interview footage please contact sales@premierescene.net To see more interviews and to find out what's happening on the movie calendar visit www.premierescene.net
- published: 20 Jan 2012
- views: 1208
- author: Premiere Scene
9:35
'GORDON' SLASHES MICK'S FACE, BLOOD & GORE FUNERAL FINALE!
'Where Daydreams are Nightmares, And Death is a Way of Life.' Philip Nutman, author of 'WE...
published: 14 Apr 2008
author: nasher53
'GORDON' SLASHES MICK'S FACE, BLOOD & GORE FUNERAL FINALE!
'Where Daydreams are Nightmares, And Death is a Way of Life.' Philip Nutman, author of 'WET WORK', and screenwriter of Jack Ketchum's 'THE GIRL NEXT DOOR', wrote this buy-line for 'GORDON THE MOVIE' back in 1979, and also worked on the film. All when he was but a schoolboy. ... CHECK MY BLOG AND FIND OUT... WHY 'GORDON THE MOVIE' SHARES DISTINCTIONS WITH THE FILMS OF BELA LUGOSI AND BRUCE LEE... WHY 'GORDON THE MOVIE ' NEARLY MADE SID VICIOUS'S MUM SICK... WHY DID DILYS POWELL AND KEN LOACH IGNORE ME? WHY I RECEIVED HELPFUL CAREER ADVICE FROM MY ESTEEMED HEADMASTER. WHY GORDON TURNED BLACK AND THEN RETURNED. WHY GORDON THE MOVIE HAS A CONNECTION WITH WHITEHALL AND THE CIA. NEW! CHECK OUT THE 'GORDON THE MOVIE' QUIZ ON FACEBOOK. Super 8. 57 minutes total. Part SIX of SIX...shooting began 1979, premiered 1982...made up of fragments of planned film as star Gordon and 2 other cast died during shooting....star replaced by life sized dummy...Gordon plays purveyor of bits of famous dead people....his actual funeral is finale of film, at which his dummy and most recent victim also appear. See my blogsite biginbrasil.blogspot.com for first installment of the story of making Gordon the Movie, plus magazine articles, jottings etc. Made on Super 8 using facilities of Workshop Films, Bath, UK by Paul Nachman ( Nasher). Press Quotes: "You've heard of low budget, well this is no-budget..." "Makes Herzog's Fitzcarraldo look like a day trip to Margate..." "A surreal epic of bad taste and ...
- published: 14 Apr 2008
- views: 1626
- author: nasher53
10:00
GORDON THE MOVIE: PT 5 of LOST CULT SUPER 8 CANNIBALISM EPIC
'Where Daydreams are Nightmares, And Death is a Way of Life.' Philip Nutman, author of 'WE...
published: 26 Mar 2008
author: nasher53
GORDON THE MOVIE: PT 5 of LOST CULT SUPER 8 CANNIBALISM EPIC
'Where Daydreams are Nightmares, And Death is a Way of Life.' Philip Nutman, author of 'WET WORK', and screenwriter of Jack Ketchum's 'THE GIRL NEXT DOOR', wrote this buy-line for 'GORDON THE MOVIE' back in 1979, and also worked on the film. All when he was but a schoolboy. ... CHECK MY BLOG AND FIND OUT... WHY 'GORDON THE MOVIE' SHARES DISTINCTIONS WITH THE FILMS OF BELA LUGOSI AND BRUCE LEE... WHY 'GORDON THE MOVIE ' NEARLY MADE SID VICIOUS'S MUM SICK... WHY DID DILYS POWELL AND KEN LOACH IGNORE ME? WHY I RECEIVED HELPFUL CAREER ADVICE FROM MY ESTEEMED HEADMASTER. WHY GORDON TURNED BLACK AND THEN RETURNED. WHY GORDON THE MOVIE HAS A CONNECTION WITH WHITEHALL AND THE CIA. NEW! CHECK OUT THE 'GORDON THE MOVIE' QUIZ ON FACEBOOK. Super 8. 57 minutes total. Part FIVE of EIGHT...shooting began 1979, premiered 1982...made up of fragments of planned film as star Gordon and 2 other cast died during shooting....star replaced by life sized dummy...Gordon plays purveyor of bits of famous dead people....his actual funeral is finale of film, at which his dummy and most recent victim also appear. See my blogsite biginbrasil.blogspot.com for first installment of the story of making Gordon the Movie, plus magazine articles, jottings etc. Made on Super 8 using facilities of Workshop Films, Bath, UK by Paul Nachman ( Nasher). Press Quotes: "You've heard of low budget, well this is no-budget..." "Makes Herzog's Fitzcarraldo look like a day trip to Margate..." "A surreal epic of bad taste ...
- published: 26 Mar 2008
- views: 934
- author: nasher53
4:01
Incontro con Klaus Eder (FIPRESCI) al 31° Istanbul Film Festival
FIPRESCI Historical background 1925-1945 (www.fipresci.org) - In 1925 some film journalist...
published: 29 Apr 2012
author: videopensiero
Incontro con Klaus Eder (FIPRESCI) al 31° Istanbul Film Festival
FIPRESCI Historical background 1925-1945 (www.fipresci.org) - In 1925 some film journalists from Paris and Brussels founded a Professional Association of the Film Press. Soon after, the Belgium journalists took the initiative in making contact with others in foreign countries. The idea of an International Federation of Film Press took shape in Paris, during the Congress of Cinema, held in the Rothschild Foundation building between 27th September and 3rd October 1926. The following communiqué was issued A strong representation of film critics from the daily press and the specialised press has attended the Congress of Cinema in Paris. After having heard a report by MJLCroze, the Commission that was formed, has demanded the constitution of an International Federation of the Film Press. This organisation should become a centre of international information as well as providing a group for the defence of professional interests. Some Belgium critics took the initiative on their return home and made contact with other national associations for the film press within Europe. Negotiations took a considerable time until 1929 it looked as though the whole thing would die before getting started. Then in June 1930, during the International Congress on Cinema, held in the Palais des Académies in Brussels, some French, Italian and Belgium critics decided to take matters into their own hands and founded the Federation, based on the principle of individual membership. The second General ...
- published: 29 Apr 2012
- views: 112
- author: videopensiero
9:29
John Boorman - Wiki Article
For the 18th century cricketer, see John Boorman (cricketer) John Boorman (born 18 January...
published: 11 Nov 2012
author: WikiPlays
John Boorman - Wiki Article
For the 18th century cricketer, see John Boorman (cricketer) John Boorman (born 18 January 1933) is a British filmmaker who is a longtime resident of Ireland and is best known for his feature films ... John Boorman - Wiki Article - wikiplays.org Original @ http All Information Derived from Wikipedia using Creative Commons License: en.wikipedia.org Author: Mario Antonio Pena Zapatería from Irun, Spain Image URL: en.wikipedia.org ( Creative Commons ASA 3.0 )
- published: 11 Nov 2012
- views: 23
- author: WikiPlays
91:22
SECSRT 053 Him and Franklin Need to be Preachers Video
On this weeks Roundtable Shane Bailey and Blair Smyly discuss how CBS wishes they have fle...
published: 11 Sep 2012
author: secsrt
SECSRT 053 Him and Franklin Need to be Preachers Video
On this weeks Roundtable Shane Bailey and Blair Smyly discuss how CBS wishes they have flex scheduling for next week. Huge wins by Mississippi State, Kentucky and LA Monroe. Alabama and LSU continues their dominance in the West and how the two newest additions to the SEC faired. All this and more in this week's SECSRT.
- published: 11 Sep 2012
- views: 1448
- author: secsrt
42:32
Jayne Mansfield on TV: Hollywood Sex Symbol of the 1950s and Early 1960s
Throughout her career, Mansfield was compared by the media to the reigning sex symbol of t...
published: 07 Sep 2012
author: thefilmarchives
Jayne Mansfield on TV: Hollywood Sex Symbol of the 1950s and Early 1960s
Throughout her career, Mansfield was compared by the media to the reigning sex symbol of the period, Marilyn Monroe. 20th Century Fox groomed her, as well as Sheree North, to substitute Monroe, their resident "blonde bombshell", while Universal Pictures launched Van Doren as their substitute. The studio launched Mansfield, their new bombshell, with a grand 40-day tour of England and Europe from September 25 to November 6, 1957. She adopted Monroe's vocal mannerisms instead of her original husky voice and Texan speech, performed in two plays that were based on Marilyn Monroe vehicles -- Bus Stop and Gentlemen Prefer Blondes, and her role in The Wayward Bus was strongly influenced by Monroe's character in Bus Stop. Other studios also tried to find their own version of Monroe. Columbia Pictures tried it with Cleo Moore, Warner Bros. with Carroll Baker, Paramount Pictures with Anita Ekberg, and Metro-Goldwyn-Mayer with Barbara Lang, while Diana Dors was dubbed as England's answer to Mansfield. Jacqueline Susann wrote, "When one studio has a Marilyn Monroe, every other studio is hiring Jayne Mansfield and Mamie Van Doren." The crowd of contenders also included Diana Dors, Sheree North, Kim Novak, Cleo Moore, Joi Lansing, Beverly Michaels, Barbara Nichols and Greta Thyssen, and even two brunettes -- Elizabeth Taylor and Jane Russell. Mamie Van Doren, Diana Dors and Kim Novak also acted in various productions of Gentlemen Prefer Blondes. But, even when Mansfield's film roles ...
- published: 07 Sep 2012
- views: 199996
- author: thefilmarchives
89:43
Classic Movie Bloopers and Mistakes: Film Stars Uncensored - 1930s and 1940s Outtakes
Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film hi...
published: 09 Aug 2012
author: thefilmarchives
Classic Movie Bloopers and Mistakes: Film Stars Uncensored - 1930s and 1940s Outtakes
Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1917 and 1960. This period is often referred to as the "Golden Age of Hollywood." An identifiable cinematic form emerged during this period called classical Hollywood style. Classical style is fundamentally built on the principle of continuity editing or "invisible" style. That is, the camera and the sound recording should never call attention to themselves (as they might in films from earlier periods, other countries or in a modernist or postmodernist work). Throughout the early 1930s, risque films and salacious advertising, became widespread in the short period known as Pre-Code Hollywood. MGM dominated the industry and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether. MGM stars included at various times "King of Hollywood" Clark Gable, Norma Shearer, Greta Garbo, Joan Crawford, Jean Harlow, Gary Cooper, Mary Pickford, Henry Fonda, Marilyn Monroe, Elizabeth Taylor, Judy Garland, Ava Gardner, James Stewart, Katharine Hepburn, Vivien Leigh, Grace Kelly, Gene Kelly, Gloria Stuart, Fred Astaire, Ginger Rogers, John Wayne, Barbara Stanwyck, John Barrymore, Audrey Hepburn and Buster Keaton. Another great achievement of American cinema during this era came through Walt Disney's animation ...
- published: 09 Aug 2012
- views: 140013
- author: thefilmarchives
81:06
My Favorite Husband: The Question of Another Woman / Liz and the Green Wig / Liz Writes a Song
My Favorite Husband is the name of an American radio program and network television series...
published: 03 Sep 2012
author: theradioarchive
My Favorite Husband: The Question of Another Woman / Liz and the Green Wig / Liz Writes a Song
My Favorite Husband is the name of an American radio program and network television series. The original radio show, co-starring Lucille Ball, was the initial basis for what evolved into the groundbreaking TV sitcom I Love Lucy. The series was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) written by Isabel Scott Rorick, which had previously been adapted into the Paramount Pictures feature film Are Husbands Necessary? (1942), co-starring Ray Milland and Betty Field. Liz Cooper, played by Lucille Ball; happily married housewife George Cooper, played by Richard Denning; Liz's husband, works for Mr. Atterbury Mr. Rudolph Atterbury, played by Gale Gordon; George's boss, friend of the Cooper family, refers to male acquaintances as "boy", as in "George-Boy" Mrs. Iris Atterbury, played by Bea Benaderet; wife of Rudolph and friend of the Cooper family, refers to female acquaintances as "girl", as in "Liz-Girl". Katy, played by Ruth Perrott; the Cooper's maid, presumably enjoys making Jell-O. Mrs. Leticia Cooper, played first by Benaderet and in subsequent episodes by Eleanor Audley; George's aristocratic mother, who typically looks down on Liz. Gale Gordon and Bea Benaderet were both given first consideration for the roles that would become Fred and Ethel Mertz on "I Love Lucy", but both had contract conflicts that forced them to turn down the roles. en.wikipedia.org Lucille Désirée Ball (August 6, 1911 -- April 26, 1989) was ...
- published: 03 Sep 2012
- views: 52261
- author: theradioarchive
71:11
My Favorite Husband: Over Weight / Anniversary Presents / Getting Old
My Favorite Husband is the name of an American radio program and network television series...
published: 02 Sep 2012
author: theradioarchive
My Favorite Husband: Over Weight / Anniversary Presents / Getting Old
My Favorite Husband is the name of an American radio program and network television series. The original radio show, co-starring Lucille Ball, was the initial basis for what evolved into the groundbreaking TV sitcom I Love Lucy. The series was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) written by Isabel Scott Rorick, which had previously been adapted into the Paramount Pictures feature film Are Husbands Necessary? (1942), co-starring Ray Milland and Betty Field. Liz Cooper, played by Lucille Ball; happily married housewife George Cooper, played by Richard Denning; Liz's husband, works for Mr. Atterbury Mr. Rudolph Atterbury, played by Gale Gordon; George's boss, friend of the Cooper family, refers to male acquaintances as "boy", as in "George-Boy" Mrs. Iris Atterbury, played by Bea Benaderet; wife of Rudolph and friend of the Cooper family, refers to female acquaintances as "girl", as in "Liz-Girl". Katy, played by Ruth Perrott; the Cooper's maid, presumably enjoys making Jell-O. Mrs. Leticia Cooper, played first by Benaderet and in subsequent episodes by Eleanor Audley; George's aristocratic mother, who typically looks down on Liz. Gale Gordon and Bea Benaderet were both given first consideration for the roles that would become Fred and Ethel Mertz on "I Love Lucy", but both had contract conflicts that forced them to turn down the roles. en.wikipedia.org Ball received many prestigious awards throughout her career ...
- published: 02 Sep 2012
- views: 67536
- author: theradioarchive
50:26
CIA Secret Operations: Cuba, Russia and the Non-Aligned Movement
The Non-Aligned Movement (NAM) is a group of states considering themselves not aligned for...
published: 27 Jun 2012
author: thefilmarchives
CIA Secret Operations: Cuba, Russia and the Non-Aligned Movement
The Non-Aligned Movement (NAM) is a group of states considering themselves not aligned formally with or against any major power bloc. As of 2011, the movement had 120 members and 17 observer countries. The organization was founded in Belgrade in 1961, and was largely the brainchild of Yugoslavia's President, Josip Broz Tito, India's first Prime Minister, Jawaharlal Nehru, Egypt's second President, Gamal Abdel Nasser, Ghana's first president Kwame Nkrumah, Indonesia's first President, Sukarno and Ethiopia's emperor Haile Selassie. All five leaders were prominent advocates of a middle course for states in the Developing World between the Western and Eastern blocs in the Cold War. The phrase itself was first used to represent the doctrine by Indian diplomat and statesman VK Krishna Menon in 1953, at the United Nations. The purpose of the organization as stated in the speech given by Fidel Castro during the Havana Declaration of 1979 is to ensure "the national independence, sovereignty, territorial integrity and security of non-aligned countries" in their "struggle against imperialism, colonialism, neo-colonialism, racism, and all forms of foreign aggression, occupation, domination, interference or hegemony as well as against great power and bloc politics." The countries of the Non-Aligned Movement represent nearly two-thirds of the United Nations's members and contain 55% of the world population. Membership is particularly concentrated in countries considered to be ...
- published: 27 Jun 2012
- views: 34838
- author: thefilmarchives
Youtube results:
84:06
Words at War: Headquarters Budapest / Nazis Go Underground / Simone
Nazi Germany, also known as the Third Reich, is the common name for Germany when it was a ...
published: 10 Sep 2012
author: theradioarchive
Words at War: Headquarters Budapest / Nazis Go Underground / Simone
Nazi Germany, also known as the Third Reich, is the common name for Germany when it was a totalitarian state ruled by Adolf Hitler and his National Socialist German Workers' Party (NSDAP). On 30 January 1933 Hitler became Chancellor of Germany, quickly eliminating all opposition to rule as sole leader. The state idolized Hitler as its Führer ("leader"), centralizing all power in his hands. Historians have emphasized the hypnotic effect of his rhetoric on large audiences, and of his eyes in small groups. Kessel writes, "Overwhelmingly...Germans speak with mystification of Hitler's 'hypnotic' appeal..."[4] Under the "leader principle", the Führer's word was above all other laws. Top officials reported to Hitler and followed his policies, but they had considerable autonomy. The government was not a coordinated, cooperating body, but rather a collection of factions struggling to amass power and gain favor with the Führer.[5] In the midst of the Great Depression, the Nazi government restored prosperity and ended mass unemployment using heavy military spending and a mixed economy of free-market and central-planning practices.[6] Extensive public works were undertaken, including the construction of the Autobahns. The return to prosperity gave the regime enormous popularity; the suppression of all opposition made Hitler's rule mostly unchallenged. Racism, especially antisemitism, was a main tenet of society in Nazi Germany. The Gestapo (secret state police) and SS under Heinrich ...
- published: 10 Sep 2012
- views: 31602
- author: theradioarchive
89:30
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the M...
published: 07 Oct 2012
author: theradioarchive
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood ...
- published: 07 Oct 2012
- views: 18610
- author: theradioarchive
87:06
The Great Gildersleeve: Gildy's Diet / Arrested as a Car Thief / A New Bed for Marjorie
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one ...
published: 16 Sep 2012
author: theradioarchive
The Great Gildersleeve: Gildy's Diet / Arrested as a Car Thief / A New Bed for Marjorie
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had ...
- published: 16 Sep 2012
- views: 74742
- author: theradioarchive
89:30
The Great Gildersleeve: Halloween Party / Hayride / A Coat for Marjorie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the M...
published: 01 Oct 2012
author: theradioarchive
The Great Gildersleeve: Halloween Party / Hayride / A Coat for Marjorie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood ...
- published: 01 Oct 2012
- views: 24654
- author: theradioarchive