Marc Allégret

Le journal d’André Gide, Voyage au Congo, publié en 1927 relate le voyage effectué par l’écrivain en Afrique-Équatoriale française, au fil du fleuve Congo. 60 ans après Gide, Hughes Germain, artiste sonore nomade, parcourt les mêmes espaces et s’imprègne du paysage sonore africain. de Hughes Germain, sons, traitements, vidéo, voix, avec Oua Anou Diarra aux percussions, ngoni & flutes, textes d'André Gide, et extraits du film "voyage au Congo" de Marc Allégret (1925, muet). http://hgermain.net/escales-africaines/ une production http://www.cooperative109.fr/fr/ coproduction L'estran - Guidel / La carene - Brest avec le soutien de La Générale/Paris XI Conseil Départemental du Finistère Drac Bretagne Ville de Brest Spedidam

• published: 15 Mar 2017
• views: 79

Bardot was born in Paris, the daughter of Louis Bardot (1896–1975) and Anne-Marie "Toty" Bardot (née Mucel; 1912–1978). Louis had an engineering degree and worked with his father, Charles Bardot, in the family business. Louis and Anne-Marie married in 1933. Bardot grew up in a middle-class Roman Catholic observant home. Brigitte's mother enrolled Brigitte and her younger sister, Marie-Jeanne (born 5 May 1938), in dance. Marie-Jeanne eventually gave up dancing lessons and did not tell her mother, whereas Brigitte concentrated on ballet. In 1947, Bardot was accepted to the Conservatoire de Paris. For three years she attended ballet classes by Russian choreographer Boris Knyazev. One of her classmates was Leslie Caron. The other ballerinas nicknamed Bardot "Bichette" ("Little Doe")] At the invitation of an acquaintance of her mother, she modelled in a fashion show in 1949. In the same year, she modelled for a fashion magazine "Jardin des Modes" managed by journalist Hélène Lazareff. Aged 15, she appeared on an 8 March 1950 cover of ELLE and was noticed by a young film director, Roger Vadim, while babysitting. He showed an issue of the magazine to director and screenwriter Marc Allégret, who offered Bardot the opportunity to audition for Les lauriers sont coupés. Although Bardot got the role, the film was cancelled but made her consider becoming an actress. Her acquaintance with Vadim, who attended the audition, influenced her further life and career.

• published: 16 Mar 2015
• views: 195

MARIUS - A FILM BY ALEXANDER KORDA 1931 - FRANCE - BLACK AND WHITE - IN FRENCH WITH ENGLISH SUBTITLES Marius and Fanny, two young shopkeepers on the harbor front of Marseille, always seemed destined to marry, but Marius cannot overcome his urge to break free and voyage on the open sea. His father, César, is oblivious to the crisis, as is Honoré Panisse, the aged widower who is also vying for Fanny’s hand—until Fanny, knowing Marius’s happiness lies in the balance, changes their lives forever. FANNY - A FILM BY MARC ALLEGRET 1932 - FRANCE - IN FRENCH WITH ENGLISH SUBTITLES Picking up moments after the end of Marius, this film follows Fanny’s grief after Marius’s departure—and her realization that she’s pregnant. Panisse continues courting her and embraces the baby’s impending arrival as a gift, so long as its paternity remains a secret. Fanny and Panisse wed, but after her baby’s birth, Marius returns unexpectedly and demands what he believes is still his. CÉSAR - A FILM BY MARCEL PAGNOL 1936 - 142 MINUTES - FRANCE - IN FRENCH WITH ENGLISH SUBTITLES Twenty years have passed: Fanny’s son, Césariot, is in a military academy, and Panisse is on his deathbed, where the local priest demands that he tell his son about his biological father. Panisse refuses and dies; Fanny then divulges the secret, sending Césariot on a search for his own identity and for Marius, whose life has been fraught with calamity and poverty. Now free to follow her love, Fanny seeks out Marius as well, and with César’s help resolves their star-crossed destinies. Press kit and high rez images: http://www.filmswelike.com/films/marseille-trilogy

• published: 09 Mar 2017
• views: 33

Le journal d’André Gide, Voyage au Congo, publié en 1927 relate le voyage effectué par l’écrivain en Afrique-Équatoriale française, au fil du fleuve Congo. 60 ans après Gide, Hughes Germain, artiste sonore nomade, parcourt les mêmes espaces et s’imprègne du paysage sonore africain. de Hughes Germain, sons, traitements, vidéo, voix, avec Oua Anou Diarra aux percussions, ngoni & flutes, textes d'André Gide, et extraits du film "voyage au Congo" de Marc Allégret (1925, muet). http://hgermain.net/escales-africaines/ une production http://www.cooperative109.fr/fr/ coproduction L'estran - Guidel / La carene - Brest avec le soutien de La Générale/Paris XI Conseil Départemental du Finistère Drac Bretagne Ville de Brest Spedidam

• published: 15 Mar 2017
• views: 79

Bardot was born in Paris, the daughter of Louis Bardot (1896–1975) and Anne-Marie "Toty" Bardot (née Mucel; 1912–1978). Louis had an engineering degree and worked with his father, Charles Bardot, in the family business. Louis and Anne-Marie married in 1933. Bardot grew up in a middle-class Roman Catholic observant home. Brigitte's mother enrolled Brigitte and her younger sister, Marie-Jeanne (born 5 May 1938), in dance. Marie-Jeanne eventually gave up dancing lessons and did not tell her mother, whereas Brigitte concentrated on ballet. In 1947, Bardot was accepted to the Conservatoire de Paris. For three years she attended ballet classes by Russian choreographer Boris Knyazev. One of her classmates was Leslie Caron. The other ballerinas nicknamed Bardot "Bichette" ("Little Doe")] At the invitation of an acquaintance of her mother, she modelled in a fashion show in 1949. In the same year, she modelled for a fashion magazine "Jardin des Modes" managed by journalist Hélène Lazareff. Aged 15, she appeared on an 8 March 1950 cover of ELLE and was noticed by a young film director, Roger Vadim, while babysitting. He showed an issue of the magazine to director and screenwriter Marc Allégret, who offered Bardot the opportunity to audition for Les lauriers sont coupés. Although Bardot got the role, the film was cancelled but made her consider becoming an actress. Her acquaintance with Vadim, who attended the audition, influenced her further life and career.

• published: 16 Mar 2015
• views: 195

MARIUS - A FILM BY ALEXANDER KORDA 1931 - FRANCE - BLACK AND WHITE - IN FRENCH WITH ENGLISH SUBTITLES Marius and Fanny, two young shopkeepers on the harbor front of Marseille, always seemed destined to marry, but Marius cannot overcome his urge to break free and voyage on the open sea. His father, César, is oblivious to the crisis, as is Honoré Panisse, the aged widower who is also vying for Fanny’s hand—until Fanny, knowing Marius’s happiness lies in the balance, changes their lives forever. FANNY - A FILM BY MARC ALLEGRET 1932 - FRANCE - IN FRENCH WITH ENGLISH SUBTITLES Picking up moments after the end of Marius, this film follows Fanny’s grief after Marius’s departure—and her realization that she’s pregnant. Panisse continues courting her and embraces the baby’s impending arrival as a gift, so long as its paternity remains a secret. Fanny and Panisse wed, but after her baby’s birth, Marius returns unexpectedly and demands what he believes is still his. CÉSAR - A FILM BY MARCEL PAGNOL 1936 - 142 MINUTES - FRANCE - IN FRENCH WITH ENGLISH SUBTITLES Twenty years have passed: Fanny’s son, Césariot, is in a military academy, and Panisse is on his deathbed, where the local priest demands that he tell his son about his biological father. Panisse refuses and dies; Fanny then divulges the secret, sending Césariot on a search for his own identity and for Marius, whose life has been fraught with calamity and poverty. Now free to follow her love, Fanny seeks out Marius as well, and with César’s help resolves their star-crossed destinies. Press kit and high rez images: http://www.filmswelike.com/films/marseille-trilogy

• published: 09 Mar 2017
• views: 33