Sanctuary (The J. Geils Band album)

Sanctuary is the tenth album by American rock band The J. Geils Band, released in 1978 (see 1978 in music).

A 1998 re-release on the Razor & Tie label added two bonus tracks, taken from the 1982 live album Showtime!.

This is the first J. Geils Band album labeled by EMI Records.

Track listing

All songs written by Seth Justman and Peter Wolf

Personnel

Additional personnel

Production

Sanctuary (short film)

Sanctuary, is a re-mixable science fiction film which, in 2005, became the first production to sign professional union actors to Creative Commons licensing terms. It is set in Head Bin, a fiction universe created by MOD Films for their remixable movie experiment.

The film was completed in 2009. Most production assets, including principal photography shot on 35mm film and digitised, have been cleared for free-for-non-commercial use. The project is a superhero origin story, as well as a pilot for a massively multi-player feature film and an open interactive story format, the RIG, being developed by MOD Films in London.

External links and references

Official links

News and interviews

Sanctuary (Angel novel)

Sanctuary is an original novel based on the U.S. television series Angel.

Plot summary

Angel and Co. are enjoying some downtime at the karaoke bar Caritas when a loud explosion occurs. The gang and the rest of the bar are attracted outside. A building nearby is on fire. It seems that it may have been a diversionary tactic to distract from a drive-by shooting. When the smoke clears, Fred has gone missing.

It seems Fred has been kidnapped, so Team Angel questions everyone nearby. Around a dozen demons were direct eyewitnesses, but each one has a different story. Whether it was gangs, monsters, or a runaway Fred, the team soon realize demons do not make the most reliable eyewitnesses.

Continuity

Canonical issues

Angel books such as this one are not usually considered by fans as canonical. Some fans consider them stories from the imaginations of authors and artists, while other fans consider them as taking place in an alternative fictional reality. However unlike fan fiction, overviews summarising their story, written early in the writing process, were 'approved' by both Fox and Joss Whedon (or his office), and the books were therefore later published as officially Buffy/Angel merchandise.

Bass

Bass or Basses may refer to:

Fish

Music

Bass (sound)

Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.

Musical role

Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."

Miami bass

Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.

The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".

Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.

History

1980s

During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.