- published: 04 Sep 2014
- views: 48867
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Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave and Herb on the 179th episode of Pensado's Place.
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In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have worked with everyone from Madonna and Bryan Adams to The Replacements and Sheryl Crow, all the while perfecting the blend of analog equipment and the latest digital gear.
On June 10, 2014, Clearmountain and Lord-Alge sat down with Mix Magazine editor Tom Kenny at Apogee Studios, and talked openly about their epic careers. From explaining their methods to speaking about the records they have worked on, the duo left no stone unturned, even taking questions from the audio. Here is the full video of Deconstructed: Chris Lord-Alge and Bob Clearmountain.
- published: 30 Jun 2014
- views: 38612
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process.
- published: 21 Nov 2012
- views: 6194
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This includes mic selection, mic placement technique and tips on proper gain staging.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Today we’re talking about micing electric guitar amps. We’re going to start with the single mic technique when we get into multiple mics later.
Starting with this Vox AC 30, which is one of my favorite guitar amps, you can use any amp you want, of course it doesn’t matter, your choice.
My chosen microphone is the Shure SM57, which is one of the most common microphones in the world, it’s very inexpensive, they only cost about $90. It’s usually the go to mic that gets used for guitar amps more than any other mic. There’s a lot of other choices, but this is kind of the most common. For some reason it compliments most guitar amps quite well. There’s not that much to it, basically you want to point the mic at the amp (chuckles) and not away from the amp.
There’s two speakers in this, two twelve inch speakers, I’m using the off axis technique a little bit here, you can put it directly, it doesn’t make that much difference, I mean there’s a little difference in tone and you would have to play with it to see what actually you like better. I usually prefer the off axis, I’m not really sure why. If you want an edgier tone, you’d want to move it away from the speaker a little bit, you don’t get as much proximity effect. If you put it real close, you get sort of a warmer sound, scooping the upper mid range out a little bit.
Lot’s of different mics you could pic depending on what you have in your microphone arsenal, you might want to go through a few different types. The condensers are going to give you a more of a Hi-Fi sound. If you want a warmer sound, a more round and not as edgy sound, you might want to use a ribbon, like a Royer 121, or something like that.
We used to change the sound when we used to record analog, and some of you maybe still do record analog, in which case it is quite important, if you really push tape hard you get a bit of a compression effect and that can actually be advantageous for a guitar sound.
Nowadays most people are recording digital and it doesn’t really matter, no matter what gain setting, as long as you set your preamp so it’s not distorting, and you’re not in the red, it’s going to sound pretty much the same. I’ll ask a guitar player to play the loudest thing he can possibly play and then set it so it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that that’s not really going to make a whole lot of difference.
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- published: 06 Jan 2016
- views: 1250
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet audio interface. This video includes tips on microphone selection and a few different mic placement techniques.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-2
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Alright now we’re going to talk about using more than one mic. I mentioned using different types of mics.
What’s been common lately, I’ve noticed, is using ribbons on guitar amps. The Royer ribbon, the 121, is a very common mic to use on guitar amps. I generally like to couple it with an SM57 so you can get that bright, edgy, more aggressive sound out of the 57 and the ribbon will give you more rounded warmer sound and sometimes that way once you get to the mix you can use either one depending on the guitar’s contribution to the big picture of the mix. Or sometimes a combination can work you can get somewhere in between and it gives you quite a wide range of different sounds to use later on.
As far as placing the mic, it’s really to taste. Generally I just have this ribbon pointing directly at the speaker, the 57 I have slightly off axis to the other speaker. You can put them on the same speaker if you want, it doesn’t make a lot of difference. What does make a difference is the proximity because you get that off of both mics. You get a warmer sound the closer ou get it to the speaker, you get a harder sound the farther away you get it. So if you want a warmer sound because you are using a ribbon, you probably want it pretty close, but not so close that it’s touching the grill cloth because then you might get a little buzzing noise or something just from that vibration. Other than that there really isn’t much to it.
There’s another way I’ve done it in the past where if you have an amp like this that has an open back you can put one mic in the back and that’s a completely different sound. If you’re going to do that you’re usually going to want to flip the phase on one of them because the one in the front is getting a positive push where the one at the back at the same time is getting a negative so you’re going to want to flip the phase on one of them. But that’s a valid thing too, it’s just you got to, it’s something to play with it’s one of the fun things about recording guitars is trying different things and seeing what you can come up with, and hopefully you have time and enough microphones to do it. This is a place to start though, this is a really sort of a standard way that a lot of recording engineers use.
Yeah cool, that was good. You passed the audition.
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- published: 11 Jan 2016
- views: 925
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as Bryan Adams, Simple Minds and The Pretenders. Using two SM57's, Bob points one mic towards the speaker in the amp cabinet and the other facing the opposite direction in order to capture a very short delay, resulting in a unique comb filtering effect.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-3
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now I want to talk about a little trick I used to do back in the 80’s; and just because it was in the 80’s doesn’t meant that it’s bad, we actually did some pretty cool things back then.
This is using two microphones. The first microphone is an SM57, just like the way I was talking about before, slightly off-axis in front of the amp.
Now the second microphone is also an SM57, could be any other mic that you want, but I’ve always done it with an SM57. Now it’s pointing the opposite direction of the amp and there is this hard surface, we use these little uh, they’re actually speaker stands, to create almost like a little chamber here, and what happens is the sound bounces off of this hard surface over there, that could be a gobo, could be a door, it could be a wall, it could be any kind of a hard surface and the sound bounces off it and into that microphone and it’s not a reverb or a delay or an ambiance of any kind, it really creates a comb filter effect, and it works mainly on distorted guitars it wouldn’t sound very good on a clean guitar, probably, I’ve never used it on a clean guitar but on a heavy distorted we used to use for Bryan Adams quite a bit back in the 80’s and I think Simple Minds and The Pretenders some of the things that I did back then you can get this gnarlier kind of a sound it’s like a very short delay like a few milliseconds but it’s not only a short delay, it adds the character of whatever the wood is that you’re using to bounce off the microphone.
You can alter the sound quite a bit by moving this microphone back and forth, it’s there’s no set distance you can try different sizes I mean this is about what we used to use was a little longer than this actually about eight or ten feet, something like that, and it’s amazing the variety of sounds that you can get just by doing this and you can get a more of an aggressive sound than just one microphone or even two microphones in the front it’s quite interesting it’s something you may want to try.
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- published: 27 Jan 2016
- views: 520
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with multiple microphones using Apogee Ensemble Thunderbolt™.
Music by Matt Chamberlain and Sergio Ruelas
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
- published: 20 May 2015
- views: 10406
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of the studio's lesser-known features. This is a must see!
- published: 24 May 2012
- views: 50673
Learn more about Apogee: http://www.apogeedigital.com
COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones and 10 microphones.
Subscribe to our channel and visit http://www.apogeedigital.com to see them.
- published: 01 May 2015
- views: 5795
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'.
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Watch THE FINDER-Thursdays 9pm PST/EST Fox TV
- published: 17 Jan 2012
- views: 14728
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. This tutorial video also shows the ideal position for a close-mic technique as well as the input gain level.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-acoustic-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now we’re talking about micing an acoustic guitar. You can see my lovely assistant Sergio here has a beautiful Gibson, I believe it’s a J45, which is a beautiful sounding guitar. Of course you can do it with any acoustic guitar. And we are, for this particular thing, using a Neumann U87, which is a very good, it’s sort of the workhorse large diaphragm condenser mic of the recording studio, of course you can use any mic. I would suggest if you can use a condenser mic it’s usually best for acoustic guitar, I don’t know why, they just seem to sound better.
But any way there’s not that much to it, you just want to get it fairly close to the guitar, not too close, like I wouldn’t get it any closer than about 10 inches, unless it’s a really quiet picking part, but if there’s any strumming involved in fact the more strumming the farther back you want to get because what happens is acoustic guitars tend to get very boomy the closer you get because of the proximity effect on the microphone you’re going to pick up more of that boominess and it’s not going to be a clear sound. So actually getting a bit back, at least 10-12” back is generally good and I always end up rolling off the bottom end of acoustic guitars in the mix anyways so that there’s room for the bass.
If it’s only an acoustic guitar recording, there’s no other instruments, it’s not going into a mix with other instruments you can put it more maybe like that so it’s right in front of the hole, but if it’s actually part of a track with other instruments where there’s especially a bass and drums, putting it off axis a bit is going to be a little, probably going to be better but as I always say try different things see what works. This microphone has a built in roll off and a pad and I usually turn both of those off. If it’s getting to booming sounding, you might try the roll off. It’s a multi pattern microphone and it’s got the cardio pattern selected so it’s rejecting any sound out here.
You set your preamp so it’s not distorting and you’re not in the red, it’s going to pretty much sound the same. I’ll ask the guitar player to play the loudest thing he can possibly play and then set it so that it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that it’s not really going to make a whole lot of difference.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
- published: 02 Feb 2016
- views: 470
Learn more about Apogee Products: http://www.apogeedigital.com/products
When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans.
Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers -- just a slightly daunting task- and blew everyone away. Bob Clearmountain was so blown away in fact that he invited the jazz band to record at his and Betty Bennett's privately-owned Berkeley Street Studios in Santa Monica.
Brandon Duncan, who helped Bob record and mix the live album with Apogee AD & DA-16X converters, details the mic'ing techniques used to maximize their New Orleans sound.
Now with a live album mixed by undeniably one of the industry's best, Kenny Sara and the Sounds of New Orleans have not only set the bar shockingly high for house bands, they have proven that luck and circumstance meet when we least expect.
- published: 09 Jun 2011
- views: 6768
Bob Clearmountain is an award-winning American music engineer, mixer and producer. He has worked with many prominent names in music including Bruce Springsteen (he mixed Springsteen's Born in the U.S.A.), The Rolling Stones (he mixed their singles "Miss You" and "Out of Tears"), Bryan Adams (he has mixed almost all of his albums since Reckless), Robbie Williams (Intensive Care), Toto, Bon Jovi (These Days, Crush, Bounce), Altered State, Simple Minds, and 235 other artists.
He has been nominated for four Grammy Awards and won a Latin Grammy Award in 2007 for Best Male Pop Vocal Album for his work with engineering Ricky Martin's "MTV Unplugged". He has also won an Emmy and he has won seven TEC Awards for "Best Recording Engineer", two others for "Best Broadcast Engineer", one special "Les Paul Award" and a Monitor Award for the Rolling Stone's Voodoo Lounge pay-per-view show.
Clearmountain also played bass on The Dead Boys' first album, Young, Loud and Snotty, before Jeff Magnum rejoined the group.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Bob_Clearmountain
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Matthew Chamberlain (born April 17, 1967 in San Pedro, California) is an American drummer, producer and sound engineer. He is currently based in Los Angeles, California.
Matt Chamberlain was born and raised in San Pedro, California. His father Sonnie Joe Chamberlain and mother Maria Victoria Ponce. He grew up air drumming and using pots and pans as makeshift drums. Chamberlain began playing drums at the age of ten. He was influenced by the local San Pedro music scene and by getting in to all ages shows at the Dancing Waters Club (Minutemen, Black Flag, Firehose,) and by listening to the drumming of John Bonham, Ringo Starr, Stewart Copeland, Neil Peart, and Terry Bozzio. Chamberlain received his first set of drums at the age of fifteen, and studied with David Garibaldi, Murray Spivack, Chuck Flores, and Gregg Bissonette. Three years later, he was awarded a scholarship to study at North Texas State University where he studied with Henry Okstel. Chamberlain quit college and started playing professionally in the Dallas, Texas Deep Ellum scene in the mid-1980s.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Matt_Chamberlain
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
John Cameron Fogerty (born May 28, 1945) is an American musician, songwriter, and guitarist, best known for his time with the swamp rock/roots rock band Creedence Clearwater Revival (CCR) and as a solo recording artist. Fogerty has a rare distinction of being named on Rolling Stone magazine's list of 100 Greatest Guitarists at #40 and the list of 100 Greatest Singers at #72. The songs "Proud Mary" and "Born on the Bayou" also rank amongst the Greatest Pop songs ("Proud Mary," #41) and Guitar songs ("Born on the Bayou," #53).
Fogerty was born in Berkeley, California and is the younger brother of the late Tom Fogerty. He attended El Cerrito High School along with the other members of CCR and took guitar lessons from Berkeley Folk Festival creator/producer Barry Olivier.
Inspired by rock and roll pioneers, especially Little Richard and Bo Diddley, John and his brother Tom Fogerty joined Doug Clifford and Stu Cook in the late 1950s to form the band Tommy Fogerty and the Blue Velvets in El Cerrito, California. After signing with the jazz label Fantasy in 1965, they became The Golliwogs and released a few singles that were largely ignored.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/John_Fogerty
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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68:52Producer/Engineer Bob Clearmountain - Pensado's Place #179
Producer/Engineer Bob Clearmountain - Pensado's Place #179Producer/Engineer Bob Clearmountain - Pensado's Place #179
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave and Herb on the 179th episode of Pensado's Place. Subscribe to our channel! http://www.youtube.com/subscription_center?add_user=pensadosplace Please 'Like' and 'Follow'! http://twitter.com/pensadosplace http://facebook.com/pensadosplace Additional thanks to: Avid: http://avid.com Vintage King: http://vintageking.com Audio-Technica: http://www.audio-technica.com Blackbird Academy: http://www.theblackbirdacademy.com Recording Connection: http://www.recordingconnection.com Slate Digita -
48:48Deconstructed: Chris Lord-Alge and Bob Clearmountain
Deconstructed: Chris Lord-Alge and Bob ClearmountainDeconstructed: Chris Lord-Alge and Bob Clearmountain
In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have worked with everyone from Madonna and Bryan Adams to The Replacements and Sheryl Crow, all the while perfecting the blend of analog equipment and the latest digital gear. On June 10, 2014, Clearmountain and Lord-Alge sat down with Mix Magazine editor Tom Kenny at Apogee Studios, and talked openly about their epic careers. From explaining their methods to speaking about the records they have worked on, the duo left no stone unturned, even taking questions from the audio. Here is the -
3:16Legends - Bob Clearmountain
Legends - Bob ClearmountainLegends - Bob Clearmountain
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process. -
2:52How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This includes mic selection, mic placement technique and tips on proper gain staging. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-1 Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet Today we’re talking about micing electric guitar amps. We’re going to start with the single mic technique when we get into multiple mics later. Starting with this Vox AC 30, which is one of my favorite guitar amps, you can use any amp -
2:52How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet audio interface. This video includes tips on microphone selection and a few different mic placement techniques. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-2 Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet Alright now we’re going to talk about using more than one mic. I mentioned using different types of mics. What’s been common lately, I’ve noticed, is using ribbons on guitar amps. The Royer ribbon, t -
2:32How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as Bryan Adams, Simple Minds and The Pretenders. Using two SM57's, Bob points one mic towards the speaker in the amp cabinet and the other facing the opposite direction in order to capture a very short delay, resulting in a unique comb filtering effect. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-3 Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet Now I want to talk about a little trick I used to do back i -
7:48How to record drums with multiple microphones
How to record drums with multiple microphonesHow to record drums with multiple microphones
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with multiple microphones using Apogee Ensemble Thunderbolt™. Music by Matt Chamberlain and Sergio Ruelas Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App. -
10:38Power Sessions: Part 5 - Calling Bob Clearmountain
Power Sessions: Part 5 - Calling Bob ClearmountainPower Sessions: Part 5 - Calling Bob Clearmountain
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of the studio's lesser-known features. This is a must see! -
0:57Recording drums with Bob Clearmountain and Matt Chamberlain
Recording drums with Bob Clearmountain and Matt ChamberlainRecording drums with Bob Clearmountain and Matt Chamberlain
Learn more about Apogee: http://www.apogeedigital.com COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones and 10 microphones. Subscribe to our channel and visit http://www.apogeedigital.com to see them. -
0:30JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'. http://JohnFogerty.com http://Facebook.com/JohnFogerty http://Twitter.com/John_Fogerty Watch THE FINDER-Thursdays 9pm PST/EST Fox TV -
3:09How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. This tutorial video also shows the ideal position for a close-mic technique as well as the input gain level. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-acoustic-guitar-part-1 Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet Now we’re talking about micing an acoustic guitar. You can see my lovely assistant Sergio here has a beautiful Gibson, I believe it’s a J45, which is a beautiful sounding guitar. Of course you can -
5:17Recording Jazz with Bob Clearmountain
Recording Jazz with Bob ClearmountainRecording Jazz with Bob Clearmountain
Learn more about Apogee Products: http://www.apogeedigital.com/products When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans. Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers -- just a slightly daunting task- and blew everyone away. Bob Clearmountain was so blown away in fact that he invited the jazz band to record at his and Betty Bennett's privately-owned Berkeley Street Studios in Santa Monica. Brandon Duncan, who helped Bob record and mix the -
3:21Bob Clearmountain
Bob ClearmountainBob Clearmountain
This video is about Bob Clearmountain -
6:07How to record drums with four microphones
How to record drums with four microphonesHow to record drums with four microphones
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with four microphones using Apogee Quartet. Music by Matt Chamberlain and Sergio Ruelas Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
- Alejandro Sanz
- Altered State (band)
- Amy Macdonald
- Bachelor
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- Bob Clearmountain
- Bon Jovi
- Born in the U.S.A.
- Born in the USA
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- Children on parade
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- Come Talk to Me
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- The Corrs
- The Cure
- The Dead Boys
- The New America
- The Pretenders
- The Rolling Stones
- The Seeds of Love
- The Seeger Sessions
- The Who
- Tina Turner
- Together Alone
- Tori Amos
- Toriko
- Toto (band)
- Two Hearts (album)
- Voodoo Lounge
- Wikipedia Persondata
- Willy DeVille
- Woodface
- Woodstock 94
- Aimee Mann
- Alejandro Sanz
- Amy Macdonald
- Bob Clearmountain
- Bruce Springsteen
- Bryan Adams
- Bryan Ferry
- David Bowie
- Jenifer Bartoli
- Jonatha Brooke
- Mary Fahl
- Paul McCartney
- Peter Gabriel
- Ricky Martin
- Robbie Williams
- Rufus Wainwright
- Sheryl Crow
- The Cure
- Tina Turner
- Tori Amos
- Wikipedia Persondata
- Willy DeVille
Clearmountain, Bob Filmography
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2013, role: actor
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2003, role: miscellaneous crew
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2000, role: actor , character name: Himself
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Producer/Engineer Bob Clearmountain - Pensado's Place #179
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave and Herb on the 179th episode of Pensado's Place. Subscribe to our channel! http://www.youtube.com/subscription_center?add_user=pensadosplace Please 'Like' and 'Follow'! http://twitter.com/pensadosplace http://facebook.com/pensadosplace -
Deconstructed: Chris Lord-Alge and Bob Clearmountain
In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have worked with everyone from Madonna and Bryan Adams to The Replacements and Sheryl Crow, all the while perfecting the blend of analog equipment and the latest digital gear. On June 10, 2014, Clearmountain and Lord-Alge sat down with Mix Ma -
Legends - Bob Clearmountain
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process. -
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This includes mic selection, mic placement technique and tips on proper gain staging. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-1 Learn more about Apogee Duet: http://www.apogeedigital.com/pr -
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet audio interface. This video includes tips on microphone selection and a few different mic placement techniques. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-2 Learn more about Apogee D -
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as Bryan Adams, Simple Minds and The Pretenders. Using two SM57's, Bob points one mic towards the speaker in the amp cabinet and the other facing the opposite direction in order to capture a very short delay, resulting in a unique comb filterin -
How to record drums with multiple microphones
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with multiple microphones using Apogee Ensemble Thunderbolt™. Music by Matt Chamberlain and Sergio -
Power Sessions: Part 5 - Calling Bob Clearmountain
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of the studio's lesser-known features. This is a must see! -
Recording drums with Bob Clearmountain and Matt Chamberlain
Learn more about Apogee: http://www.apogeedigital.com COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones and 10 microphones. Subscribe to our channel and visit http://www.apogeedigital.com to see them. -
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'. http://JohnFogerty.com http://Facebook.com/JohnFogerty http://Twitter.com/John_Fogerty Watch THE FINDER-Thursdays 9pm PST/EST Fox TV -
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. This tutorial video also shows the ideal position for a close-mic technique as well as the input gain level. See photos and hear the finished track: http://www.apogeedigital.com/blog/record-acoustic-guitar-part-1 Learn more about Apogee -
Recording Jazz with Bob Clearmountain
Learn more about Apogee Products: http://www.apogeedigital.com/products When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans. Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers -- just a slightly daunting -
Bob Clearmountain
This video is about Bob Clearmountain -
How to record drums with four microphones
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with four microphones using Apogee Quartet. Music by Matt Chamberlain and Sergio Ruelas Interviews f -
Bob Clearmountain mixing my song " Rich "
August 2015 - Mix this studio - Bob is working on a solo -
How to record drums with two microphones
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with two microphones using Apogee Duet. Music by Matt Chamberlain, Sergio Ruelas, Devon Pangle and Mairead -
King Crimson - Sleepless (Bob Clearmountain Mix)
King Crimson are a progressive rock band formed in London in 1968, active since then with a few breaks now and then. http://en.wikipedia.org/wiki/King_Crimson -
Recording with Apogee JAM and ONE - Bob Clearmountain Mix
Learn more about Apogee Products: http://www.apogeedigital.com/products This is the music only portion from a tutorial we have about aggregating JAM and ONE on a Mac. Here we see Sergio and Cody recording the basic tracks of their version of Good Vibrations, later they layered more vocals and guitars, but unlike the original version of this video... This version adds keys recorded with Apogee ONE -
The Clash - Rock The Casbah (12" Inch Bob Clearmountain Version)
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The ROLLING STONES. "Miss You". 1978 Special Disco Version Bob Clearmountain Remix. 12" vinyl.
The ROLLING STONES. "Miss You". 1978 Special Disco Version Bob Clearmountain Remix. 12" vinyl. by misummergrooves -
Studio Science: Bob Power on Studio Mixing
The award-winning studio engineer mixes a track from a participant at Red Bull Music Academy's Studio Science New York 2014, and imparts a lesson or two along the way. ------ Subscribe to our YouTube Channel: http://bit.ly/10OyDHc ------ Visit our official website: http://win.gs/avjLrK ------ Our latest videos on YouTube: http://bit.ly/12nkX7h ------ Follow us on Twitter: http://bit.ly/Lx4wQy --- -
P.I.L (Public Image Ltd.) - Rise [Bob Clearmountain Remix]
I take no responsibility whatsoever for the production of the audio track used here. So enjoy! -
The Rolling Stones: Miss You (Remix by Bob Clearmountain)
La versión extendida de Miss You, de los Rolling Stones. Uno de los primeros remixes que existieron, nada menos que del año 1978. Placa inglesa en vinilo rosa de colección. Ítem raro y muy buscado, felizmente parte de mi colección personal. Disfruten.
Producer/Engineer Bob Clearmountain - Pensado's Place #179
- Order: Reorder
- Duration: 68:52
- Updated: 04 Sep 2014
- views: 48867
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave a...
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave and Herb on the 179th episode of Pensado's Place.
Subscribe to our channel!
http://www.youtube.com/subscription_center?add_user=pensadosplace
Please 'Like' and 'Follow'!
http://twitter.com/pensadosplace
http://facebook.com/pensadosplace
Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
Studio footage for Pensado's Place is filmed at http://thestream.tv/ in Hollywood, CA
wn.com/Producer Engineer Bob Clearmountain Pensado's Place 179
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Bryan Adams, Robbie Williams, Toto, Bon Jovi and many more) joins Dave and Herb on the 179th episode of Pensado's Place.
Subscribe to our channel!
http://www.youtube.com/subscription_center?add_user=pensadosplace
Please 'Like' and 'Follow'!
http://twitter.com/pensadosplace
http://facebook.com/pensadosplace
Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
Studio footage for Pensado's Place is filmed at http://thestream.tv/ in Hollywood, CA
- published: 04 Sep 2014
- views: 48867
Deconstructed: Chris Lord-Alge and Bob Clearmountain
- Order: Reorder
- Duration: 48:48
- Updated: 30 Jun 2014
- views: 38612
In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have ...
In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have worked with everyone from Madonna and Bryan Adams to The Replacements and Sheryl Crow, all the while perfecting the blend of analog equipment and the latest digital gear.
On June 10, 2014, Clearmountain and Lord-Alge sat down with Mix Magazine editor Tom Kenny at Apogee Studios, and talked openly about their epic careers. From explaining their methods to speaking about the records they have worked on, the duo left no stone unturned, even taking questions from the audio. Here is the full video of Deconstructed: Chris Lord-Alge and Bob Clearmountain.
wn.com/Deconstructed Chris Lord Alge And Bob Clearmountain
In the past 50 years of the recording industry, few people have had as large an impact as Bob Clearmountain and Chris Lord-Alge. These two studio veterans have worked with everyone from Madonna and Bryan Adams to The Replacements and Sheryl Crow, all the while perfecting the blend of analog equipment and the latest digital gear.
On June 10, 2014, Clearmountain and Lord-Alge sat down with Mix Magazine editor Tom Kenny at Apogee Studios, and talked openly about their epic careers. From explaining their methods to speaking about the records they have worked on, the duo left no stone unturned, even taking questions from the audio. Here is the full video of Deconstructed: Chris Lord-Alge and Bob Clearmountain.
- published: 30 Jun 2014
- views: 38612
Legends - Bob Clearmountain
- Order: Reorder
- Duration: 3:16
- Updated: 21 Nov 2012
- views: 6194
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process....
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process.
wn.com/Legends Bob Clearmountain
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his creative process.
- published: 21 Nov 2012
- views: 6194
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
- Order: Reorder
- Duration: 2:52
- Updated: 06 Jan 2016
- views: 1250
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This include...
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This includes mic selection, mic placement technique and tips on proper gain staging.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Today we’re talking about micing electric guitar amps. We’re going to start with the single mic technique when we get into multiple mics later.
Starting with this Vox AC 30, which is one of my favorite guitar amps, you can use any amp you want, of course it doesn’t matter, your choice.
My chosen microphone is the Shure SM57, which is one of the most common microphones in the world, it’s very inexpensive, they only cost about $90. It’s usually the go to mic that gets used for guitar amps more than any other mic. There’s a lot of other choices, but this is kind of the most common. For some reason it compliments most guitar amps quite well. There’s not that much to it, basically you want to point the mic at the amp (chuckles) and not away from the amp.
There’s two speakers in this, two twelve inch speakers, I’m using the off axis technique a little bit here, you can put it directly, it doesn’t make that much difference, I mean there’s a little difference in tone and you would have to play with it to see what actually you like better. I usually prefer the off axis, I’m not really sure why. If you want an edgier tone, you’d want to move it away from the speaker a little bit, you don’t get as much proximity effect. If you put it real close, you get sort of a warmer sound, scooping the upper mid range out a little bit.
Lot’s of different mics you could pic depending on what you have in your microphone arsenal, you might want to go through a few different types. The condensers are going to give you a more of a Hi-Fi sound. If you want a warmer sound, a more round and not as edgy sound, you might want to use a ribbon, like a Royer 121, or something like that.
We used to change the sound when we used to record analog, and some of you maybe still do record analog, in which case it is quite important, if you really push tape hard you get a bit of a compression effect and that can actually be advantageous for a guitar sound.
Nowadays most people are recording digital and it doesn’t really matter, no matter what gain setting, as long as you set your preamp so it’s not distorting, and you’re not in the red, it’s going to sound pretty much the same. I’ll ask a guitar player to play the loudest thing he can possibly play and then set it so it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that that’s not really going to make a whole lot of difference.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
wn.com/How To Record An Electric Guitar Amp Part 1 (Feat. Bob Clearmountain)
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using one mic and an Apogee Duet audio interface. This includes mic selection, mic placement technique and tips on proper gain staging.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Today we’re talking about micing electric guitar amps. We’re going to start with the single mic technique when we get into multiple mics later.
Starting with this Vox AC 30, which is one of my favorite guitar amps, you can use any amp you want, of course it doesn’t matter, your choice.
My chosen microphone is the Shure SM57, which is one of the most common microphones in the world, it’s very inexpensive, they only cost about $90. It’s usually the go to mic that gets used for guitar amps more than any other mic. There’s a lot of other choices, but this is kind of the most common. For some reason it compliments most guitar amps quite well. There’s not that much to it, basically you want to point the mic at the amp (chuckles) and not away from the amp.
There’s two speakers in this, two twelve inch speakers, I’m using the off axis technique a little bit here, you can put it directly, it doesn’t make that much difference, I mean there’s a little difference in tone and you would have to play with it to see what actually you like better. I usually prefer the off axis, I’m not really sure why. If you want an edgier tone, you’d want to move it away from the speaker a little bit, you don’t get as much proximity effect. If you put it real close, you get sort of a warmer sound, scooping the upper mid range out a little bit.
Lot’s of different mics you could pic depending on what you have in your microphone arsenal, you might want to go through a few different types. The condensers are going to give you a more of a Hi-Fi sound. If you want a warmer sound, a more round and not as edgy sound, you might want to use a ribbon, like a Royer 121, or something like that.
We used to change the sound when we used to record analog, and some of you maybe still do record analog, in which case it is quite important, if you really push tape hard you get a bit of a compression effect and that can actually be advantageous for a guitar sound.
Nowadays most people are recording digital and it doesn’t really matter, no matter what gain setting, as long as you set your preamp so it’s not distorting, and you’re not in the red, it’s going to sound pretty much the same. I’ll ask a guitar player to play the loudest thing he can possibly play and then set it so it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that that’s not really going to make a whole lot of difference.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
- published: 06 Jan 2016
- views: 1250
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
- Order: Reorder
- Duration: 2:52
- Updated: 11 Jan 2016
- views: 925
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet aud...
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet audio interface. This video includes tips on microphone selection and a few different mic placement techniques.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-2
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Alright now we’re going to talk about using more than one mic. I mentioned using different types of mics.
What’s been common lately, I’ve noticed, is using ribbons on guitar amps. The Royer ribbon, the 121, is a very common mic to use on guitar amps. I generally like to couple it with an SM57 so you can get that bright, edgy, more aggressive sound out of the 57 and the ribbon will give you more rounded warmer sound and sometimes that way once you get to the mix you can use either one depending on the guitar’s contribution to the big picture of the mix. Or sometimes a combination can work you can get somewhere in between and it gives you quite a wide range of different sounds to use later on.
As far as placing the mic, it’s really to taste. Generally I just have this ribbon pointing directly at the speaker, the 57 I have slightly off axis to the other speaker. You can put them on the same speaker if you want, it doesn’t make a lot of difference. What does make a difference is the proximity because you get that off of both mics. You get a warmer sound the closer ou get it to the speaker, you get a harder sound the farther away you get it. So if you want a warmer sound because you are using a ribbon, you probably want it pretty close, but not so close that it’s touching the grill cloth because then you might get a little buzzing noise or something just from that vibration. Other than that there really isn’t much to it.
There’s another way I’ve done it in the past where if you have an amp like this that has an open back you can put one mic in the back and that’s a completely different sound. If you’re going to do that you’re usually going to want to flip the phase on one of them because the one in the front is getting a positive push where the one at the back at the same time is getting a negative so you’re going to want to flip the phase on one of them. But that’s a valid thing too, it’s just you got to, it’s something to play with it’s one of the fun things about recording guitars is trying different things and seeing what you can come up with, and hopefully you have time and enough microphones to do it. This is a place to start though, this is a really sort of a standard way that a lot of recording engineers use.
Yeah cool, that was good. You passed the audition.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
wn.com/How To Record An Electric Guitar Amp Part 2 (Feat. Bob Clearmountain)
In this second part of our series, recording engineer Bob Clearmountain shows how to mic and record an electric guitar amp using two mics and an Apogee Duet audio interface. This video includes tips on microphone selection and a few different mic placement techniques.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-2
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Alright now we’re going to talk about using more than one mic. I mentioned using different types of mics.
What’s been common lately, I’ve noticed, is using ribbons on guitar amps. The Royer ribbon, the 121, is a very common mic to use on guitar amps. I generally like to couple it with an SM57 so you can get that bright, edgy, more aggressive sound out of the 57 and the ribbon will give you more rounded warmer sound and sometimes that way once you get to the mix you can use either one depending on the guitar’s contribution to the big picture of the mix. Or sometimes a combination can work you can get somewhere in between and it gives you quite a wide range of different sounds to use later on.
As far as placing the mic, it’s really to taste. Generally I just have this ribbon pointing directly at the speaker, the 57 I have slightly off axis to the other speaker. You can put them on the same speaker if you want, it doesn’t make a lot of difference. What does make a difference is the proximity because you get that off of both mics. You get a warmer sound the closer ou get it to the speaker, you get a harder sound the farther away you get it. So if you want a warmer sound because you are using a ribbon, you probably want it pretty close, but not so close that it’s touching the grill cloth because then you might get a little buzzing noise or something just from that vibration. Other than that there really isn’t much to it.
There’s another way I’ve done it in the past where if you have an amp like this that has an open back you can put one mic in the back and that’s a completely different sound. If you’re going to do that you’re usually going to want to flip the phase on one of them because the one in the front is getting a positive push where the one at the back at the same time is getting a negative so you’re going to want to flip the phase on one of them. But that’s a valid thing too, it’s just you got to, it’s something to play with it’s one of the fun things about recording guitars is trying different things and seeing what you can come up with, and hopefully you have time and enough microphones to do it. This is a place to start though, this is a really sort of a standard way that a lot of recording engineers use.
Yeah cool, that was good. You passed the audition.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
- published: 11 Jan 2016
- views: 925
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
- Order: Reorder
- Duration: 2:32
- Updated: 27 Jan 2016
- views: 520
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as B...
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as Bryan Adams, Simple Minds and The Pretenders. Using two SM57's, Bob points one mic towards the speaker in the amp cabinet and the other facing the opposite direction in order to capture a very short delay, resulting in a unique comb filtering effect.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-3
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now I want to talk about a little trick I used to do back in the 80’s; and just because it was in the 80’s doesn’t meant that it’s bad, we actually did some pretty cool things back then.
This is using two microphones. The first microphone is an SM57, just like the way I was talking about before, slightly off-axis in front of the amp.
Now the second microphone is also an SM57, could be any other mic that you want, but I’ve always done it with an SM57. Now it’s pointing the opposite direction of the amp and there is this hard surface, we use these little uh, they’re actually speaker stands, to create almost like a little chamber here, and what happens is the sound bounces off of this hard surface over there, that could be a gobo, could be a door, it could be a wall, it could be any kind of a hard surface and the sound bounces off it and into that microphone and it’s not a reverb or a delay or an ambiance of any kind, it really creates a comb filter effect, and it works mainly on distorted guitars it wouldn’t sound very good on a clean guitar, probably, I’ve never used it on a clean guitar but on a heavy distorted we used to use for Bryan Adams quite a bit back in the 80’s and I think Simple Minds and The Pretenders some of the things that I did back then you can get this gnarlier kind of a sound it’s like a very short delay like a few milliseconds but it’s not only a short delay, it adds the character of whatever the wood is that you’re using to bounce off the microphone.
You can alter the sound quite a bit by moving this microphone back and forth, it’s there’s no set distance you can try different sizes I mean this is about what we used to use was a little longer than this actually about eight or ten feet, something like that, and it’s amazing the variety of sounds that you can get just by doing this and you can get a more of an aggressive sound than just one microphone or even two microphones in the front it’s quite interesting it’s something you may want to try.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
wn.com/How To Record An Electric Guitar Amp Part 3 (Feat. Bob Clearmountain)
In the third part of our series on recording electric guitar, engineer Bob Clearmountain shows the mic technique he used in the 80's to record artists such as Bryan Adams, Simple Minds and The Pretenders. Using two SM57's, Bob points one mic towards the speaker in the amp cabinet and the other facing the opposite direction in order to capture a very short delay, resulting in a unique comb filtering effect.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-electric-guitar-part-3
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now I want to talk about a little trick I used to do back in the 80’s; and just because it was in the 80’s doesn’t meant that it’s bad, we actually did some pretty cool things back then.
This is using two microphones. The first microphone is an SM57, just like the way I was talking about before, slightly off-axis in front of the amp.
Now the second microphone is also an SM57, could be any other mic that you want, but I’ve always done it with an SM57. Now it’s pointing the opposite direction of the amp and there is this hard surface, we use these little uh, they’re actually speaker stands, to create almost like a little chamber here, and what happens is the sound bounces off of this hard surface over there, that could be a gobo, could be a door, it could be a wall, it could be any kind of a hard surface and the sound bounces off it and into that microphone and it’s not a reverb or a delay or an ambiance of any kind, it really creates a comb filter effect, and it works mainly on distorted guitars it wouldn’t sound very good on a clean guitar, probably, I’ve never used it on a clean guitar but on a heavy distorted we used to use for Bryan Adams quite a bit back in the 80’s and I think Simple Minds and The Pretenders some of the things that I did back then you can get this gnarlier kind of a sound it’s like a very short delay like a few milliseconds but it’s not only a short delay, it adds the character of whatever the wood is that you’re using to bounce off the microphone.
You can alter the sound quite a bit by moving this microphone back and forth, it’s there’s no set distance you can try different sizes I mean this is about what we used to use was a little longer than this actually about eight or ten feet, something like that, and it’s amazing the variety of sounds that you can get just by doing this and you can get a more of an aggressive sound than just one microphone or even two microphones in the front it’s quite interesting it’s something you may want to try.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
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- published: 27 Jan 2016
- views: 520
How to record drums with multiple microphones
- Order: Reorder
- Duration: 7:48
- Updated: 20 May 2015
- views: 10406
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer...
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with multiple microphones using Apogee Ensemble Thunderbolt™.
Music by Matt Chamberlain and Sergio Ruelas
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
wn.com/How To Record Drums With Multiple Microphones
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with multiple microphones using Apogee Ensemble Thunderbolt™.
Music by Matt Chamberlain and Sergio Ruelas
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
- published: 20 May 2015
- views: 10406
Power Sessions: Part 5 - Calling Bob Clearmountain
- Order: Reorder
- Duration: 10:38
- Updated: 24 May 2012
- views: 50673
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of ...
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of the studio's lesser-known features. This is a must see!
wn.com/Power Sessions Part 5 Calling Bob Clearmountain
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where he makes a very special phone call to get an insider's look at some of the studio's lesser-known features. This is a must see!
- published: 24 May 2012
- views: 50673
Recording drums with Bob Clearmountain and Matt Chamberlain
- Order: Reorder
- Duration: 0:57
- Updated: 01 May 2015
- views: 5795
Learn more about Apogee: http://www.apogeedigital.com
COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones an...
Learn more about Apogee: http://www.apogeedigital.com
COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones and 10 microphones.
Subscribe to our channel and visit http://www.apogeedigital.com to see them.
wn.com/Recording Drums With Bob Clearmountain And Matt Chamberlain
Learn more about Apogee: http://www.apogeedigital.com
COMING SOON - Three separate videos explaining how to record drums with two microphones, 4 microphones and 10 microphones.
Subscribe to our channel and visit http://www.apogeedigital.com to see them.
- published: 01 May 2015
- views: 5795
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
- Order: Reorder
- Duration: 0:30
- Updated: 17 Jan 2012
- views: 14728
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'.
http://JohnFogerty.com...
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'.
http://JohnFogerty.com
http://Facebook.com/JohnFogerty
http://Twitter.com/John_Fogerty
Watch THE FINDER-Thursdays 9pm PST/EST Fox TV
wn.com/John Fogerty W Bob Clearmountain Mixing 'Swamp Water' New Song January 2012
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's new theme to the hit Fox TV show 'The Finder'.
http://JohnFogerty.com
http://Facebook.com/JohnFogerty
http://Twitter.com/John_Fogerty
Watch THE FINDER-Thursdays 9pm PST/EST Fox TV
- published: 17 Jan 2012
- views: 14728
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
- Order: Reorder
- Duration: 3:09
- Updated: 02 Feb 2016
- views: 470
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. ...
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. This tutorial video also shows the ideal position for a close-mic technique as well as the input gain level.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-acoustic-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now we’re talking about micing an acoustic guitar. You can see my lovely assistant Sergio here has a beautiful Gibson, I believe it’s a J45, which is a beautiful sounding guitar. Of course you can do it with any acoustic guitar. And we are, for this particular thing, using a Neumann U87, which is a very good, it’s sort of the workhorse large diaphragm condenser mic of the recording studio, of course you can use any mic. I would suggest if you can use a condenser mic it’s usually best for acoustic guitar, I don’t know why, they just seem to sound better.
But any way there’s not that much to it, you just want to get it fairly close to the guitar, not too close, like I wouldn’t get it any closer than about 10 inches, unless it’s a really quiet picking part, but if there’s any strumming involved in fact the more strumming the farther back you want to get because what happens is acoustic guitars tend to get very boomy the closer you get because of the proximity effect on the microphone you’re going to pick up more of that boominess and it’s not going to be a clear sound. So actually getting a bit back, at least 10-12” back is generally good and I always end up rolling off the bottom end of acoustic guitars in the mix anyways so that there’s room for the bass.
If it’s only an acoustic guitar recording, there’s no other instruments, it’s not going into a mix with other instruments you can put it more maybe like that so it’s right in front of the hole, but if it’s actually part of a track with other instruments where there’s especially a bass and drums, putting it off axis a bit is going to be a little, probably going to be better but as I always say try different things see what works. This microphone has a built in roll off and a pad and I usually turn both of those off. If it’s getting to booming sounding, you might try the roll off. It’s a multi pattern microphone and it’s got the cardio pattern selected so it’s rejecting any sound out here.
You set your preamp so it’s not distorting and you’re not in the red, it’s going to pretty much sound the same. I’ll ask the guitar player to play the loudest thing he can possibly play and then set it so that it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that it’s not really going to make a whole lot of difference.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
wn.com/How To Record Acoustic Guitar Part 1 (Feat. Bob Clearmountain)
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how to record using a single condenser microphone such as a Neumann U87. This tutorial video also shows the ideal position for a close-mic technique as well as the input gain level.
See photos and hear the finished track: http://www.apogeedigital.com/blog/record-acoustic-guitar-part-1
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Now we’re talking about micing an acoustic guitar. You can see my lovely assistant Sergio here has a beautiful Gibson, I believe it’s a J45, which is a beautiful sounding guitar. Of course you can do it with any acoustic guitar. And we are, for this particular thing, using a Neumann U87, which is a very good, it’s sort of the workhorse large diaphragm condenser mic of the recording studio, of course you can use any mic. I would suggest if you can use a condenser mic it’s usually best for acoustic guitar, I don’t know why, they just seem to sound better.
But any way there’s not that much to it, you just want to get it fairly close to the guitar, not too close, like I wouldn’t get it any closer than about 10 inches, unless it’s a really quiet picking part, but if there’s any strumming involved in fact the more strumming the farther back you want to get because what happens is acoustic guitars tend to get very boomy the closer you get because of the proximity effect on the microphone you’re going to pick up more of that boominess and it’s not going to be a clear sound. So actually getting a bit back, at least 10-12” back is generally good and I always end up rolling off the bottom end of acoustic guitars in the mix anyways so that there’s room for the bass.
If it’s only an acoustic guitar recording, there’s no other instruments, it’s not going into a mix with other instruments you can put it more maybe like that so it’s right in front of the hole, but if it’s actually part of a track with other instruments where there’s especially a bass and drums, putting it off axis a bit is going to be a little, probably going to be better but as I always say try different things see what works. This microphone has a built in roll off and a pad and I usually turn both of those off. If it’s getting to booming sounding, you might try the roll off. It’s a multi pattern microphone and it’s got the cardio pattern selected so it’s rejecting any sound out here.
You set your preamp so it’s not distorting and you’re not in the red, it’s going to pretty much sound the same. I’ll ask the guitar player to play the loudest thing he can possibly play and then set it so that it’s just a few dB under full scale, under going into the red, that’ll work fine, and if it’s a bit lower than that it’s not really going to make a whole lot of difference.
========================================================
Apogee Electronics:
Official Site: http://www.apogeedigital.com
Facebook: http://www.facebook.com/apogee.electronics/
Twitter: http://www.twitter.com/apogeedigital/
Instagram: http://www.instagram.com/apogeedigital
- published: 02 Feb 2016
- views: 470
Recording Jazz with Bob Clearmountain
- Order: Reorder
- Duration: 5:17
- Updated: 09 Jun 2011
- views: 6768
Learn more about Apogee Products: http://www.apogeedigital.com/products
When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, Califo...
Learn more about Apogee Products: http://www.apogeedigital.com/products
When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans.
Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers -- just a slightly daunting task- and blew everyone away. Bob Clearmountain was so blown away in fact that he invited the jazz band to record at his and Betty Bennett's privately-owned Berkeley Street Studios in Santa Monica.
Brandon Duncan, who helped Bob record and mix the live album with Apogee AD & DA-16X converters, details the mic'ing techniques used to maximize their New Orleans sound.
Now with a live album mixed by undeniably one of the industry's best, Kenny Sara and the Sounds of New Orleans have not only set the bar shockingly high for house bands, they have proven that luck and circumstance meet when we least expect.
wn.com/Recording Jazz With Bob Clearmountain
Learn more about Apogee Products: http://www.apogeedigital.com/products
When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans.
Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers -- just a slightly daunting task- and blew everyone away. Bob Clearmountain was so blown away in fact that he invited the jazz band to record at his and Betty Bennett's privately-owned Berkeley Street Studios in Santa Monica.
Brandon Duncan, who helped Bob record and mix the live album with Apogee AD & DA-16X converters, details the mic'ing techniques used to maximize their New Orleans sound.
Now with a live album mixed by undeniably one of the industry's best, Kenny Sara and the Sounds of New Orleans have not only set the bar shockingly high for house bands, they have proven that luck and circumstance meet when we least expect.
- published: 09 Jun 2011
- views: 6768
Bob Clearmountain
- Order: Reorder
- Duration: 3:21
- Updated: 22 Sep 2014
- views: 746
This video is about Bob Clearmountain...
This video is about Bob Clearmountain
wn.com/Bob Clearmountain
This video is about Bob Clearmountain
- published: 22 Sep 2014
- views: 746
How to record drums with four microphones
- Order: Reorder
- Duration: 6:07
- Updated: 11 May 2015
- views: 21499
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer M...
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with four microphones using Apogee Quartet.
Music by Matt Chamberlain and Sergio Ruelas
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
wn.com/How To Record Drums With Four Microphones
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with four microphones using Apogee Quartet.
Music by Matt Chamberlain and Sergio Ruelas
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
- published: 11 May 2015
- views: 21499
Bob Clearmountain mixing my song " Rich "
- Order: Reorder
- Duration: 0:25
- Updated: 23 Jan 2016
- views: 67
August 2015 - Mix this studio - Bob is working on a solo...
August 2015 - Mix this studio - Bob is working on a solo
wn.com/Bob Clearmountain Mixing My Song Rich
August 2015 - Mix this studio - Bob is working on a solo
- published: 23 Jan 2016
- views: 67
How to record drums with two microphones
- Order: Reorder
- Duration: 5:14
- Updated: 04 May 2015
- views: 67042
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Ch...
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with two microphones using Apogee Duet.
Music by Matt Chamberlain, Sergio Ruelas, Devon Pangle and Mairead Delaney
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
wn.com/How To Record Drums With Two Microphones
Learn more about Apogee Duet: http://www.apogeedigital.com/products/duet
Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with two microphones using Apogee Duet.
Music by Matt Chamberlain, Sergio Ruelas, Devon Pangle and Mairead Delaney
Interviews for this video were recorded using Sennheiser ClipMic digital and Apogee MetaRecorder App.
- published: 04 May 2015
- views: 67042
King Crimson - Sleepless (Bob Clearmountain Mix)
- Order: Reorder
- Duration: 5:26
- Updated: 18 Dec 2014
- views: 1430
King Crimson are a progressive rock band formed in London in 1968, active since then with a few breaks now and then.
http://en.wikipedia.org/wiki/King_Crimson...
King Crimson are a progressive rock band formed in London in 1968, active since then with a few breaks now and then.
http://en.wikipedia.org/wiki/King_Crimson
wn.com/King Crimson Sleepless (Bob Clearmountain Mix)
King Crimson are a progressive rock band formed in London in 1968, active since then with a few breaks now and then.
http://en.wikipedia.org/wiki/King_Crimson
- published: 18 Dec 2014
- views: 1430
Recording with Apogee JAM and ONE - Bob Clearmountain Mix
- Order: Reorder
- Duration: 1:07
- Updated: 14 Mar 2013
- views: 5250
Learn more about Apogee Products: http://www.apogeedigital.com/products
This is the music only portion from a tutorial we have about aggregating JAM and ONE on...
Learn more about Apogee Products: http://www.apogeedigital.com/products
This is the music only portion from a tutorial we have about aggregating JAM and ONE on a Mac. Here we see Sergio and Cody recording the basic tracks of their version of Good Vibrations, later they layered more vocals and guitars, but unlike the original version of this video... This version adds keys recorded with Apogee ONE, Bass recorded with JAM by Bob Clearmountain and Bob also mixed this version as well.
video.https://www.youtube.com/watch?v=rIVFYp5AUKU&list;=UULDj_Rveg7lK-G6oXrBjukA&index;=8
wn.com/Recording With Apogee Jam And One Bob Clearmountain Mix
Learn more about Apogee Products: http://www.apogeedigital.com/products
This is the music only portion from a tutorial we have about aggregating JAM and ONE on a Mac. Here we see Sergio and Cody recording the basic tracks of their version of Good Vibrations, later they layered more vocals and guitars, but unlike the original version of this video... This version adds keys recorded with Apogee ONE, Bass recorded with JAM by Bob Clearmountain and Bob also mixed this version as well.
video.https://www.youtube.com/watch?v=rIVFYp5AUKU&list;=UULDj_Rveg7lK-G6oXrBjukA&index;=8
- published: 14 Mar 2013
- views: 5250
The Clash - Rock The Casbah (12" Inch Bob Clearmountain Version)
- Order: Reorder
- Duration: 6:35
- Updated: 13 Apr 2015
- views: 662
...
wn.com/The Clash Rock The Casbah (12 Inch Bob Clearmountain Version)
- published: 13 Apr 2015
- views: 662
The ROLLING STONES. "Miss You". 1978 Special Disco Version Bob Clearmountain Remix. 12" vinyl.
- Order: Reorder
- Duration: 8:33
- Updated: 20 Aug 2014
- views: 1638
The ROLLING STONES.
"Miss You". 1978
Special Disco Version Bob Clearmountain Remix. 12" vinyl.
by misummergrooves...
The ROLLING STONES.
"Miss You". 1978
Special Disco Version Bob Clearmountain Remix. 12" vinyl.
by misummergrooves
wn.com/The Rolling Stones. Miss You . 1978 Special Disco Version Bob Clearmountain Remix. 12 Vinyl.
The ROLLING STONES.
"Miss You". 1978
Special Disco Version Bob Clearmountain Remix. 12" vinyl.
by misummergrooves
- published: 20 Aug 2014
- views: 1638
Studio Science: Bob Power on Studio Mixing
- Order: Reorder
- Duration: 11:07
- Updated: 08 Jul 2014
- views: 108385
The award-winning studio engineer mixes a track from a participant at Red Bull Music Academy's Studio Science New York 2014, and imparts a lesson or two along t...
The award-winning studio engineer mixes a track from a participant at Red Bull Music Academy's Studio Science New York 2014, and imparts a lesson or two along the way.
------
Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
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Visit our official website: http://win.gs/avjLrK
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Our latest videos on YouTube: http://bit.ly/12nkX7h
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Follow us on Twitter: http://bit.ly/Lx4wQy
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wn.com/Studio Science Bob Power On Studio Mixing
The award-winning studio engineer mixes a track from a participant at Red Bull Music Academy's Studio Science New York 2014, and imparts a lesson or two along the way.
------
Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
------
Visit our official website: http://win.gs/avjLrK
------
Our latest videos on YouTube: http://bit.ly/12nkX7h
------
Follow us on Twitter: http://bit.ly/Lx4wQy
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Like us on Facebook: http://on.fb.me/12N5Ch0
- published: 08 Jul 2014
- views: 108385
P.I.L (Public Image Ltd.) - Rise [Bob Clearmountain Remix]
- Order: Reorder
- Duration: 6:18
- Updated: 26 Aug 2012
- views: 5433
I take no responsibility whatsoever for the production of the audio track used here. So enjoy!...
I take no responsibility whatsoever for the production of the audio track used here. So enjoy!
wn.com/P.I.L (Public Image Ltd.) Rise Bob Clearmountain Remix
I take no responsibility whatsoever for the production of the audio track used here. So enjoy!
- published: 26 Aug 2012
- views: 5433
The Rolling Stones: Miss You (Remix by Bob Clearmountain)
- Order: Reorder
- Duration: 9:07
- Updated: 20 Mar 2015
- views: 582
La versión extendida de Miss You, de los Rolling Stones. Uno de los primeros remixes que existieron, nada menos que del año 1978. Placa inglesa en vinilo rosa d...
La versión extendida de Miss You, de los Rolling Stones. Uno de los primeros remixes que existieron, nada menos que del año 1978. Placa inglesa en vinilo rosa de colección. Ítem raro y muy buscado, felizmente parte de mi colección personal. Disfruten.
wn.com/The Rolling Stones Miss You (Remix By Bob Clearmountain)
La versión extendida de Miss You, de los Rolling Stones. Uno de los primeros remixes que existieron, nada menos que del año 1978. Placa inglesa en vinilo rosa de colección. Ítem raro y muy buscado, felizmente parte de mi colección personal. Disfruten.
- published: 20 Mar 2015
- views: 582
-
Bob Clearmountain, Chris Lord-Alge & Tony Berg
at Namm 1/22/12 -
Bob Clearmountain at AES
Bob tells students why they should join AES and go to the convention -
Bob Power Interview & Studio Tour -- Part 1/5
We visited mastering engineer Bob Power in his NY studio, where he shared his thoughts about mastering CDs with Peak Pro -- and gave us an insider's look at his studio. If you have a few minutes, check it out! Bob is a really interesting guy, with great insights about the art and science of mastering. For more info about him, visit: http://www.bobpower.com This is part 1 of 5. -
Engineer and Producer Bob Horn - Pensado's Place #178
Engineer and producer Bob Horn (Usher, Lupe Fiasco, Everclear) joins Dave and Herb on the 178th episode of Pensado's Place. Subscribe to our channel! http://www.youtube.com/subscription_center?add_user=pensadosplace Please 'Like' and 'Follow'! http://twitter.com/pensadosplace http://facebook.com/pensadosplace Additional thanks to: Avid: http://avid.com Vintage King: http://vintageking.com Audi -
Bob Bradshaw, Custom Audio Electronics - Pensado's Place #205
Bob Bradshaw of Custom Audio Electronics joins Dave and Herb on the 205th episode of Pensado's Place. Sign up for the Pensado Capital Jam: http://www.pensadosplace.tv/capitaljam/ Get your copy of The Pensado Papers: http://bit.ly/ThePensadoPapers Subscribe to our channel! http://www.youtube.com/subscription_center?add_user=pensadosplace Please 'Like' and 'Follow'! http://twitter.com/pensados -
Record Producer Bob Rock Part 1/2
Fanny Kiefer sits down to chat with one of the music industry's most successful and respected producers - Bob Rock! -
Platinum Artists Panel @ AES 2009 in NYC
Join moderator Mr. Bonzai for excerpts from a discussion of making music, with Jonatha Brooke, Bob Clearmountain, Maiysha, Scott Jacoby, Duncan Sheik and Kevin Killen. -
Bob Rock: on working with the big names
Webisode: Bob Rock talks about working with big-name recording artists. Note: Webisodes are not scenes from the Bloodied But Unbowed documentary film; they consist of extended interviews, outtakes, and material shot specifically for thepunkmovie.com. © 2010 Tabata Productions Ltd. All Rights Reserved. -
Noah Francis Johnson - Life & Times (official music video)
Noah Francis Johnson " life & Times" .The titled track from the album "Noah's voice is in perfect harmony with the integrity and honesty of his songs" Quincy Jones "Try is Genius" Q Magazine "Noah has the funk of the Red Hot Chillis and the Soul of Marvin Gaye," NME ''An exceptional debut...this album deserves to be heard.'' ''5/5'' Daily Express NOAH FRANCIS JOHNSON releases his first solo album -
Technology Today: Bob Power
For more episodes of Technology Today: Music Edition, go to http://www.zoom-in.com/music/technology-today-music-edition Featured in this episode of Technology Today is an interview with the talented composer and Grammy-Award winning producer, Robert "Bob" Power. On his website www.bobpower.com, he writes: "A performance must be so honest and compelling that, even if you don't like what someone
Bob Clearmountain, Chris Lord-Alge & Tony Berg
- Order: Reorder
- Duration: 2:41
- Updated: 27 Jan 2012
- views: 4595
at Namm 1/22/12...
at Namm 1/22/12
wn.com/Bob Clearmountain, Chris Lord Alge Tony Berg
at Namm 1/22/12
- published: 27 Jan 2012
- views: 4595
Bob Clearmountain at AES
- Order: Reorder
- Duration: 0:11
- Updated: 02 Feb 2009
- views: 2949
Bob tells students why they should join AES and go to the convention...
Bob tells students why they should join AES and go to the convention
wn.com/Bob Clearmountain At Aes
Bob tells students why they should join AES and go to the convention
- published: 02 Feb 2009
- views: 2949
Bob Power Interview & Studio Tour -- Part 1/5
- Order: Reorder
- Duration: 8:16
- Updated: 11 May 2012
- views: 4446
We visited mastering engineer Bob Power in his NY studio, where he shared his thoughts about mastering CDs with Peak Pro -- and gave us an insider's look at his...
We visited mastering engineer Bob Power in his NY studio, where he shared his thoughts about mastering CDs with Peak Pro -- and gave us an insider's look at his studio.
If you have a few minutes, check it out! Bob is a really interesting guy, with great insights about the art and science of mastering.
For more info about him, visit: http://www.bobpower.com
This is part 1 of 5.
wn.com/Bob Power Interview Studio Tour Part 1 5
We visited mastering engineer Bob Power in his NY studio, where he shared his thoughts about mastering CDs with Peak Pro -- and gave us an insider's look at his studio.
If you have a few minutes, check it out! Bob is a really interesting guy, with great insights about the art and science of mastering.
For more info about him, visit: http://www.bobpower.com
This is part 1 of 5.
- published: 11 May 2012
- views: 4446
Engineer and Producer Bob Horn - Pensado's Place #178
- Order: Reorder
- Duration: 51:14
- Updated: 28 Aug 2014
- views: 13487
Engineer and producer Bob Horn (Usher, Lupe Fiasco, Everclear) joins Dave and Herb on the 178th episode of Pensado's Place.
Subscribe to our channel!
http://w...
Engineer and producer Bob Horn (Usher, Lupe Fiasco, Everclear) joins Dave and Herb on the 178th episode of Pensado's Place.
Subscribe to our channel!
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Please 'Like' and 'Follow'!
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Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
Studio footage for Pensado's Place is filmed at http://thestream.tv/ in Hollywood, CA
wn.com/Engineer And Producer Bob Horn Pensado's Place 178
Engineer and producer Bob Horn (Usher, Lupe Fiasco, Everclear) joins Dave and Herb on the 178th episode of Pensado's Place.
Subscribe to our channel!
http://www.youtube.com/subscription_center?add_user=pensadosplace
Please 'Like' and 'Follow'!
http://twitter.com/pensadosplace
http://facebook.com/pensadosplace
Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
Studio footage for Pensado's Place is filmed at http://thestream.tv/ in Hollywood, CA
- published: 28 Aug 2014
- views: 13487
Bob Bradshaw, Custom Audio Electronics - Pensado's Place #205
- Order: Reorder
- Duration: 49:19
- Updated: 06 Apr 2015
- views: 8969
Bob Bradshaw of Custom Audio Electronics joins Dave and Herb on the 205th episode of Pensado's Place.
Sign up for the Pensado Capital Jam: http://www.pensadosp...
Bob Bradshaw of Custom Audio Electronics joins Dave and Herb on the 205th episode of Pensado's Place.
Sign up for the Pensado Capital Jam: http://www.pensadosplace.tv/capitaljam/
Get your copy of The Pensado Papers:
http://bit.ly/ThePensadoPapers
Subscribe to our channel!
http://www.youtube.com/subscription_center?add_user=pensadosplace
Please 'Like' and 'Follow'!
http://twitter.com/pensadosplace
http://facebook.com/pensadosplace
Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
wn.com/Bob Bradshaw, Custom Audio Electronics Pensado's Place 205
Bob Bradshaw of Custom Audio Electronics joins Dave and Herb on the 205th episode of Pensado's Place.
Sign up for the Pensado Capital Jam: http://www.pensadosplace.tv/capitaljam/
Get your copy of The Pensado Papers:
http://bit.ly/ThePensadoPapers
Subscribe to our channel!
http://www.youtube.com/subscription_center?add_user=pensadosplace
Please 'Like' and 'Follow'!
http://twitter.com/pensadosplace
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Additional thanks to:
Avid: http://avid.com
Vintage King: http://vintageking.com
Audio-Technica: http://www.audio-technica.com
Blackbird Academy: http://www.theblackbirdacademy.com
Recording Connection: http://www.recordingconnection.com
Slate Digital: http://www.slatedigital.com/
- published: 06 Apr 2015
- views: 8969
Record Producer Bob Rock Part 1/2
- Order: Reorder
- Duration: 11:38
- Updated: 15 Sep 2014
- views: 5220
Fanny Kiefer sits down to chat with one of the music industry's most successful and respected producers - Bob Rock!...
Fanny Kiefer sits down to chat with one of the music industry's most successful and respected producers - Bob Rock!
wn.com/Record Producer Bob Rock Part 1 2
Fanny Kiefer sits down to chat with one of the music industry's most successful and respected producers - Bob Rock!
- published: 15 Sep 2014
- views: 5220
Platinum Artists Panel @ AES 2009 in NYC
- Order: Reorder
- Duration: 6:02
- Updated: 19 Aug 2010
- views: 753
Join moderator Mr. Bonzai for excerpts from a discussion of making music, with Jonatha Brooke, Bob Clearmountain, Maiysha, Scott Jacoby, Duncan Sheik and Kevin ...
Join moderator Mr. Bonzai for excerpts from a discussion of making music, with Jonatha Brooke, Bob Clearmountain, Maiysha, Scott Jacoby, Duncan Sheik and Kevin Killen.
wn.com/Platinum Artists Panel Aes 2009 In NYC
Join moderator Mr. Bonzai for excerpts from a discussion of making music, with Jonatha Brooke, Bob Clearmountain, Maiysha, Scott Jacoby, Duncan Sheik and Kevin Killen.
- published: 19 Aug 2010
- views: 753
Bob Rock: on working with the big names
- Order: Reorder
- Duration: 3:46
- Updated: 31 Aug 2010
- views: 13341
Webisode: Bob Rock talks about working with big-name recording artists.
Note: Webisodes are not scenes from the Bloodied But Unbowed documentary film; they co...
Webisode: Bob Rock talks about working with big-name recording artists.
Note: Webisodes are not scenes from the Bloodied But Unbowed documentary film; they consist of extended interviews, outtakes, and material shot specifically for thepunkmovie.com.
© 2010 Tabata Productions Ltd. All Rights Reserved.
wn.com/Bob Rock On Working With The Big Names
Webisode: Bob Rock talks about working with big-name recording artists.
Note: Webisodes are not scenes from the Bloodied But Unbowed documentary film; they consist of extended interviews, outtakes, and material shot specifically for thepunkmovie.com.
© 2010 Tabata Productions Ltd. All Rights Reserved.
- published: 31 Aug 2010
- views: 13341
Noah Francis Johnson - Life & Times (official music video)
- Order: Reorder
- Duration: 4:15
- Updated: 14 Feb 2014
- views: 26554
Noah Francis Johnson " life & Times" .The titled track from the album
"Noah's voice is in perfect harmony with the integrity and honesty of his songs"
Quincy Jo...
Noah Francis Johnson " life & Times" .The titled track from the album
"Noah's voice is in perfect harmony with the integrity and honesty of his songs"
Quincy Jones
"Try is Genius"
Q Magazine
"Noah has the funk of the Red Hot Chillis and the Soul of Marvin Gaye,"
NME
''An exceptional debut...this album deserves to be heard.'' ''5/5''
Daily Express
NOAH FRANCIS JOHNSON releases his first solo album entitled 'LIFE & TIMES' on the 24th February, 2014
published by Universal Publishing, Last Ten Music Group and distributed by Warner Music. NOAH's career has
catapulted since touring the UK and Europe supporting the likes of Jamiroquai, Lenny Kravitz as well as soul and
jazz poet Gil Scott Heron to name a few. From London to Los Angeles this soulful and deeply personal album
includes an extensive catalogue of worldclass
musicians, composers, engineers and producers recorded at Abbey
Road and Metropolis Studios.
'LIFE & TIMES' is mostly autobiographical. NOAH FRANCIS JOHNSON quotes: "In the moments writing the album
I knew I was writing something that deeply defined so many facets of memy
conflicting feelings, reflections of family
lost, a child loved, appreciation for the honest man, truth, all carved, shaped and made by the man that inspired me,
my father. He had an incredible effect on me, not only as a musician, but as a human being. More than just a
culmination of memories, Life and Times is my awakening, letting go, about finding myself".
Inspired lyrically by Bob Dylan, what strikes you immediately is NOAH's ability to characterize and express his
personal feelings. Piercing the membranous layer of superficiality so many artists find so difficult to describe without
sounding cliched, NOAH's lyrics come to life because he brings them to life, excavating emotionally resonant
insights out of words and melody. He is a chronicler of a committed musical journey seamlessly weaving rock, folk
and sweet soul with delicate human emotion.
Brought up listening and performing to greats such as Marvin Gaye and Frank Sinatra, NOAH is blessed with a
versatile range, depth, richness and power that comes straight from the heart. Not unlike Gaye, NOAH's diversity
has given him the ability to sing rock and roll, blues, soul, practically anything for that matter and make it his own.
The albums journey brings about all of these influences, all the while proving himself as a great songwriter and
wordsmith. With coproduction
courtesy of Chris Kimsey, best known for his work with The Rolling Stones, the
music is crafted with a storytelling quality about it, brimming with catchy, melodic hooks bound for longevity.
The number of prestigious musicians/ engineers that have contributed to the album is far too long to list; but after a
quick glance it is exciting to acknowledge producer Bob Clearmountain who was nominated for four Grammy
Awards, artists such as guitarist Gary Grainger well known for his work with David Bowie and Pete Townsend,
Pandit Dinesh known as "The Godfather of Percussion" and Edd Hartwell who has worked for renowned acts such
as Jeff Beck. Not to mention two time MOBO award winner Kele Le Roc who is a backing vocalist featured on
Life & Times; quoting NOAH as ''an exceptional talent, whose writing touches upon something unique and
genuine''.
NOAH FRANCIS JOHNSON has two headline performances in London and L.A to celebrate the release of 'Life &
Times'. The first will be held at Santa Monica Bay Woman's Club, L.A on the 30th of January followed by Bush Hall,
Shepherds Bush London on the 26th of February alongside an array of other international appearances.
NOAH FRANCIS JOHNSON has already conducted a U.K Radio Interview tour broadcast on stations such as THE
EAGLE (UKRD), BBC Radio Wales, BBC Radio WM, RADIO Cardiff, SMOOTH Radio, BBC Radio Stoke, BBC
Radio Manchester, YORKSHIRE Radio, BBC Radio Leeds, BBC Radio Merseyside, BBC Radio Sheffield,
BBC Radio Nottingham, Q Radio and many more.
Contact: +44 (0) 7863171961-poorang@lastten.com
wn.com/Noah Francis Johnson Life Times (Official Music Video)
Noah Francis Johnson " life & Times" .The titled track from the album
"Noah's voice is in perfect harmony with the integrity and honesty of his songs"
Quincy Jones
"Try is Genius"
Q Magazine
"Noah has the funk of the Red Hot Chillis and the Soul of Marvin Gaye,"
NME
''An exceptional debut...this album deserves to be heard.'' ''5/5''
Daily Express
NOAH FRANCIS JOHNSON releases his first solo album entitled 'LIFE & TIMES' on the 24th February, 2014
published by Universal Publishing, Last Ten Music Group and distributed by Warner Music. NOAH's career has
catapulted since touring the UK and Europe supporting the likes of Jamiroquai, Lenny Kravitz as well as soul and
jazz poet Gil Scott Heron to name a few. From London to Los Angeles this soulful and deeply personal album
includes an extensive catalogue of worldclass
musicians, composers, engineers and producers recorded at Abbey
Road and Metropolis Studios.
'LIFE & TIMES' is mostly autobiographical. NOAH FRANCIS JOHNSON quotes: "In the moments writing the album
I knew I was writing something that deeply defined so many facets of memy
conflicting feelings, reflections of family
lost, a child loved, appreciation for the honest man, truth, all carved, shaped and made by the man that inspired me,
my father. He had an incredible effect on me, not only as a musician, but as a human being. More than just a
culmination of memories, Life and Times is my awakening, letting go, about finding myself".
Inspired lyrically by Bob Dylan, what strikes you immediately is NOAH's ability to characterize and express his
personal feelings. Piercing the membranous layer of superficiality so many artists find so difficult to describe without
sounding cliched, NOAH's lyrics come to life because he brings them to life, excavating emotionally resonant
insights out of words and melody. He is a chronicler of a committed musical journey seamlessly weaving rock, folk
and sweet soul with delicate human emotion.
Brought up listening and performing to greats such as Marvin Gaye and Frank Sinatra, NOAH is blessed with a
versatile range, depth, richness and power that comes straight from the heart. Not unlike Gaye, NOAH's diversity
has given him the ability to sing rock and roll, blues, soul, practically anything for that matter and make it his own.
The albums journey brings about all of these influences, all the while proving himself as a great songwriter and
wordsmith. With coproduction
courtesy of Chris Kimsey, best known for his work with The Rolling Stones, the
music is crafted with a storytelling quality about it, brimming with catchy, melodic hooks bound for longevity.
The number of prestigious musicians/ engineers that have contributed to the album is far too long to list; but after a
quick glance it is exciting to acknowledge producer Bob Clearmountain who was nominated for four Grammy
Awards, artists such as guitarist Gary Grainger well known for his work with David Bowie and Pete Townsend,
Pandit Dinesh known as "The Godfather of Percussion" and Edd Hartwell who has worked for renowned acts such
as Jeff Beck. Not to mention two time MOBO award winner Kele Le Roc who is a backing vocalist featured on
Life & Times; quoting NOAH as ''an exceptional talent, whose writing touches upon something unique and
genuine''.
NOAH FRANCIS JOHNSON has two headline performances in London and L.A to celebrate the release of 'Life &
Times'. The first will be held at Santa Monica Bay Woman's Club, L.A on the 30th of January followed by Bush Hall,
Shepherds Bush London on the 26th of February alongside an array of other international appearances.
NOAH FRANCIS JOHNSON has already conducted a U.K Radio Interview tour broadcast on stations such as THE
EAGLE (UKRD), BBC Radio Wales, BBC Radio WM, RADIO Cardiff, SMOOTH Radio, BBC Radio Stoke, BBC
Radio Manchester, YORKSHIRE Radio, BBC Radio Leeds, BBC Radio Merseyside, BBC Radio Sheffield,
BBC Radio Nottingham, Q Radio and many more.
Contact: +44 (0) 7863171961-poorang@lastten.com
- published: 14 Feb 2014
- views: 26554
Technology Today: Bob Power
- Order: Reorder
- Duration: 6:37
- Updated: 03 Mar 2008
- views: 10011
For more episodes of Technology Today: Music Edition, go to http://www.zoom-in.com/music/technology-today-music-edition
Featured in this episode of Technolog...
For more episodes of Technology Today: Music Edition, go to http://www.zoom-in.com/music/technology-today-music-edition
Featured in this episode of Technology Today is an interview with the talented composer and Grammy-Award winning producer, Robert "Bob" Power. On his website www.bobpower.com, he writes: "A performance must be so honest and compelling that, even if you don't like what someone is into, you are drawn to it by the undeniable honesty and intensity". It is this M.O. that has drawn musicians like Erykah Badu, De La Soul, A Tribe Called Quest, and up-and-coming singer/songwriter Andrea Wittgens to seek out his expertise. Here, Bob discusses the producer's role as a "facilitator" and helper to the artist, and how the accessibility of modern technology allows people of all walks of life to try a hand at making music.
http://www.zoom-in.com/music/technology-today-music-edition/technology-today-bob-power
http://www.zoom-in.com/music
wn.com/Technology Today Bob Power
For more episodes of Technology Today: Music Edition, go to http://www.zoom-in.com/music/technology-today-music-edition
Featured in this episode of Technology Today is an interview with the talented composer and Grammy-Award winning producer, Robert "Bob" Power. On his website www.bobpower.com, he writes: "A performance must be so honest and compelling that, even if you don't like what someone is into, you are drawn to it by the undeniable honesty and intensity". It is this M.O. that has drawn musicians like Erykah Badu, De La Soul, A Tribe Called Quest, and up-and-coming singer/songwriter Andrea Wittgens to seek out his expertise. Here, Bob discusses the producer's role as a "facilitator" and helper to the artist, and how the accessibility of modern technology allows people of all walks of life to try a hand at making music.
http://www.zoom-in.com/music/technology-today-music-edition/technology-today-bob-power
http://www.zoom-in.com/music
- published: 03 Mar 2008
- views: 10011
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68:52
Producer/Engineer Bob Clearmountain - Pensado's Place #179
Engineer, producer, and mixer Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Br...
published: 04 Sep 2014
Producer/Engineer Bob Clearmountain - Pensado's Place #179
Producer/Engineer Bob Clearmountain - Pensado's Place #179
- Report rights infringement
- published: 04 Sep 2014
- views: 48867
48:48
Deconstructed: Chris Lord-Alge and Bob Clearmountain
In the past 50 years of the recording industry, few people have had as large an impact as ...
published: 30 Jun 2014
Deconstructed: Chris Lord-Alge and Bob Clearmountain
Deconstructed: Chris Lord-Alge and Bob Clearmountain
- Report rights infringement
- published: 30 Jun 2014
- views: 38612
3:16
Legends - Bob Clearmountain
Catch up with legendary music mixer Bob Clearmountain as he reveals the secrets behind his...
published: 21 Nov 2012
Legends - Bob Clearmountain
Legends - Bob Clearmountain
- Report rights infringement
- published: 21 Nov 2012
- views: 6194
2:52
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
Legendary Recording engineer Bob Clearmountain shows how to mic and record an electric gui...
published: 06 Jan 2016
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 1 (Feat. Bob Clearmountain)
- Report rights infringement
- published: 06 Jan 2016
- views: 1250
2:52
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
In this second part of our series, recording engineer Bob Clearmountain shows how to mic a...
published: 11 Jan 2016
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 2 (Feat. Bob Clearmountain)
- Report rights infringement
- published: 11 Jan 2016
- views: 925
2:32
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
In the third part of our series on recording electric guitar, engineer Bob Clearmountain s...
published: 27 Jan 2016
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
How to record an electric guitar amp - Part 3 (Feat. Bob Clearmountain)
- Report rights infringement
- published: 27 Jan 2016
- views: 520
7:48
How to record drums with multiple microphones
Learn more about Apogee Ensemble: http://www.apogeedigital.com/products/ensemble
Engineer...
published: 20 May 2015
How to record drums with multiple microphones
How to record drums with multiple microphones
- Report rights infringement
- published: 20 May 2015
- views: 10406
10:38
Power Sessions: Part 5 - Calling Bob Clearmountain
In Part 5, CLA takes us downstairs from Studio G to the legendary Avatar Studio A, where h...
published: 24 May 2012
Power Sessions: Part 5 - Calling Bob Clearmountain
Power Sessions: Part 5 - Calling Bob Clearmountain
- Report rights infringement
- published: 24 May 2012
- views: 50673
0:57
Recording drums with Bob Clearmountain and Matt Chamberlain
Learn more about Apogee: http://www.apogeedigital.com
COMING SOON - Three separate videos...
published: 01 May 2015
Recording drums with Bob Clearmountain and Matt Chamberlain
Recording drums with Bob Clearmountain and Matt Chamberlain
- Report rights infringement
- published: 01 May 2015
- views: 5795
0:30
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
JOHN FOGERTY in the studio with Bob Clearmountain, putting the finishing touches on John's...
published: 17 Jan 2012
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
JOHN FOGERTY w/ BOB CLEARMOUNTAIN mixing 'Swamp Water' new song January 2012
- Report rights infringement
- published: 17 Jan 2012
- views: 14728
3:09
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
In part 1 of our series on acoustic guitar recording, engineer Bob Clearmountain shows how...
published: 02 Feb 2016
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
How to Record Acoustic Guitar - Part 1 (feat. Bob Clearmountain)
- Report rights infringement
- published: 02 Feb 2016
- views: 470
5:17
Recording Jazz with Bob Clearmountain
Learn more about Apogee Products: http://www.apogeedigital.com/products
When Apogee opted...
published: 09 Jun 2011
Recording Jazz with Bob Clearmountain
Recording Jazz with Bob Clearmountain
- Report rights infringement
- published: 09 Jun 2011
- views: 6768
3:21
Bob Clearmountain
This video is about Bob Clearmountain...
published: 22 Sep 2014
Bob Clearmountain
Bob Clearmountain
- Report rights infringement
- published: 22 Sep 2014
- views: 746
6:07
How to record drums with four microphones
Learn more about Apogee Quartet: http://www.apogeedigital.com/products/quartet
Engineer B...
published: 11 May 2015
How to record drums with four microphones
How to record drums with four microphones
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- published: 11 May 2015
- views: 21499
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2:41
Bob Clearmountain, Chris Lord-Alge & Tony Berg
at Namm 1/22/12...
published: 27 Jan 2012
Bob Clearmountain, Chris Lord-Alge & Tony Berg
Bob Clearmountain, Chris Lord-Alge & Tony Berg
- Report rights infringement
- published: 27 Jan 2012
- views: 4595
0:11
Bob Clearmountain at AES
Bob tells students why they should join AES and go to the convention...
published: 02 Feb 2009
Bob Clearmountain at AES
Bob Clearmountain at AES
- Report rights infringement
- published: 02 Feb 2009
- views: 2949
8:16
Bob Power Interview & Studio Tour -- Part 1/5
We visited mastering engineer Bob Power in his NY studio, where he shared his thoughts abo...
published: 11 May 2012
Bob Power Interview & Studio Tour -- Part 1/5
Bob Power Interview & Studio Tour -- Part 1/5
- Report rights infringement
- published: 11 May 2012
- views: 4446
51:14
Engineer and Producer Bob Horn - Pensado's Place #178
Engineer and producer Bob Horn (Usher, Lupe Fiasco, Everclear) joins Dave and Herb on the ...
published: 28 Aug 2014
Engineer and Producer Bob Horn - Pensado's Place #178
Engineer and Producer Bob Horn - Pensado's Place #178
- Report rights infringement
- published: 28 Aug 2014
- views: 13487
49:19
Bob Bradshaw, Custom Audio Electronics - Pensado's Place #205
Bob Bradshaw of Custom Audio Electronics joins Dave and Herb on the 205th episode of Pensa...
published: 06 Apr 2015
Bob Bradshaw, Custom Audio Electronics - Pensado's Place #205
Bob Bradshaw, Custom Audio Electronics - Pensado's Place #205
- Report rights infringement
- published: 06 Apr 2015
- views: 8969
11:38
Record Producer Bob Rock Part 1/2
Fanny Kiefer sits down to chat with one of the music industry's most successful and respec...
published: 15 Sep 2014
Record Producer Bob Rock Part 1/2
Record Producer Bob Rock Part 1/2
- Report rights infringement
- published: 15 Sep 2014
- views: 5220
6:02
Platinum Artists Panel @ AES 2009 in NYC
Join moderator Mr. Bonzai for excerpts from a discussion of making music, with Jonatha Bro...
published: 19 Aug 2010
Platinum Artists Panel @ AES 2009 in NYC
Platinum Artists Panel @ AES 2009 in NYC
- Report rights infringement
- published: 19 Aug 2010
- views: 753
3:46
Bob Rock: on working with the big names
Webisode: Bob Rock talks about working with big-name recording artists.
Note: Webisodes ...
published: 31 Aug 2010
Bob Rock: on working with the big names
Bob Rock: on working with the big names
- Report rights infringement
- published: 31 Aug 2010
- views: 13341
4:15
Noah Francis Johnson - Life & Times (official music video)
Noah Francis Johnson " life & Times" .The titled track from the album
"Noah's voice is in ...
published: 14 Feb 2014
Noah Francis Johnson - Life & Times (official music video)
Noah Francis Johnson - Life & Times (official music video)
- Report rights infringement
- published: 14 Feb 2014
- views: 26554
6:37
Technology Today: Bob Power
For more episodes of Technology Today: Music Edition, go to http://www.zoom-in.com/music/t...
published: 03 Mar 2008
Technology Today: Bob Power
Technology Today: Bob Power
- Report rights infringement
- published: 03 Mar 2008
- views: 10011
Bob Clearmountain, Chris Lord-Alge & Tony Berg...
Bob Clearmountain at AES...
Bob Power Interview & Studio Tour -- Part 1/5...
Engineer and Producer Bob Horn - Pensado's Place #...
Bob Bradshaw, Custom Audio Electronics - Pensado's...
Record Producer Bob Rock Part 1/2...
Platinum Artists Panel @ AES 2009 in NYC...
Bob Rock: on working with the big names...
Noah Francis Johnson - Life & Times (official musi...
Technology Today: Bob Power...
photo: Creative Commons
Woman Surprises Husband Who Ordered Her Killed By Showing Up At Own Wake
Edit WorldNews.com 05 Feb 2016
An Australian woman has described how her husband hired hitmen to murder her because he falsely believed she had been unfaithful, and his shock when she arrived home in the middle of her own wake, The Guardian reports. Noela Rukundo described the reaction of her husband, Balenga Kalala, with whom she has three children, when he saw her ... “Kill her.”....
photo: AP / Rick Bowmer
Oregon Ambush Is Reminder Of The Two Faces of Fascism
Edit WorldNews.com 05 Feb 2016
Article by WNews.com Correspondent Dallas Darling. Even fascism sometimes smiles and has a friendly face. Indeed, it is easy to dismiss how the Rosenstrasse’s nonviolent protests in Berlin, Germany, led to the release of 2,000 Jewish prisoners in the winter of 1943 ... Face of Fascism Smiles and Frowns on both Right and Left ... What’s more, neither did it resemble how the government finally frowned on Operation Rescue in the 1980‘s ... xxxi.....
photo: AP / Khalil Hamra
Syrian Government Troops Aided By Russian Airstrikes Closing In On Aleppo As Thousands Flee
Edit WorldNews.com 05 Feb 2016
First it was the Syrian city of Homs devastated by constant bombing from Russian and government forces that left the once bustling city of more than 1 million people reduced to rubble and left uninhabitable ... Government troops, once-again aided by Russian air power, have cut off supplies to the city and are advancing on the city ... The U.N ... "Innocent civilians are running for their lives," Evans said ... ....
photo: Creative Commons / Geoff Sloan
BMX star Dave Mirra dead after apparently taking own life
Edit The Guardian 05 Feb 2016
Police say veteran X Games biker Dave Mirra has died in North Carolina. He was 41 ... They say he had been visiting friends in the area ... His one-time record of 24 career medals was broken in 2013 by Bob Burnquist ... we are heartbroken ... ....
photo: AP / Kirsty Wigglesworth
Emotional Julian Assange hails UN panel ruling as ‘victory’
Edit The Times of India 05 Feb 2016
LONDON/GENEVA. WikiLeaks founder Julian Assange hailed a UN panel ruling on his confinement on Friday as a "victory" in an emotional speech from the balcony of Ecuador's embassy in London where he has been holed up since 2012. "How sweet it is! This is a victory that cannot be denied. It is a victory of historical importance," he told a small group of supporters outside the embassy in a rare appearance on the balcony ... RELATED....
« back to news headlines
"'Let's Dance' Was The Easiest Record I've Ever Made..." - Nile Rodgers Remembers David Bowie
Edit NME 15 Jan 2016
During his most successful '80s period and beyond, Chic's Nile Rodgers was a key collaborator in David Bowie's career. Here he discusses his work and relationship with the great man... I always thought it was nineteen but I found out from the engineer Bob Clearmountain, he said, ‘No, you just didn’t show up those other days because you were out partying!’.” Nile Rodgers is bringing his FOLD festival to the UK next year ... ....
Nile Rodgers on How Little Richard, Jazz and Museums Shaped David Bowie
Edit Rollingstone 12 Jan 2016
Ever since linking up with Tony Visconti on his 1969 eponymous second album, David Bowie has employed a string of innovative and high-profile producers to help him craft his indelible sound ... Sidebar. David Bowie. 30 Essential Songs » ... Following Bowie's death, Rodgers spoke to Rolling Stone about the inimitable musician ... David didn't know anyone on the album Let's Dance other than myself and engineer Bob Clearmountain....
At 75, Tom Jones has a new album, autobiography
Edit Stars and Stripes 27 Dec 2015
music ... “He was a character. “He came up with some interesting stuff,” Jones said ... “The band did a killer job ... “Ethan said ... The performance he gave with a stripped-down quartet that included periodic harmony vocals from his son, Mark (the only child from his 58-year marriage to his wife, Linda), is part of KCRW’s regular “Apogee Sessions” series recorded in the cozy environs of veteran sound engineer Bob Clearmountain’s Apogee Studio ... ....
Tom Jones at 75 releases an autobiography and an album
Edit Sydney Morning Herald 23 Dec 2015
... music ... "He was a character. Advertisement ... "The band did a killer job ... The performance he gave with a stripped-down quartet that included periodic harmony vocals from his son, Mark (the only child from his 58-year marriage to his wife, Linda), is part of Santa Monica radio station KCRW's regular Apogee Sessions series recorded in the cosy environs of veteran sound engineer Bob Clearmountain's Apogee Studio ... ....
It's not unusual: Tom Jones in top form on new album and autobiography
Edit The Los Angeles Times 09 Dec 2015
music ... “He was a character.” ... Tom Jones and Mark Jones Jay L ... (Jay L ... "Ethan said ... The performance he gave with a stripped-down quartet that included periodic harmony vocals from his son, Mark (the only child from his 58-year marriage to his wife, Linda), is part of KCRW’s regular “Apogee Sessions” series recorded in the cozy environs of veteran sound engineer Bob Clearmountain’s Apogee Studio ... ....
Preview track from upcoming Ringo Starr tribute concert album now online
Edit The Examiner 24 Nov 2015
“Octopus Garden,” a preview track from the soon to be released album of songs from the David Lynch Foundation's album “Ringo Starr. The Lifetime of Peace & Love Tribute Concert” is now on YouTube ... The audio for the album was mixed by veteran recording producer and engineer Bob Clearmountain, who has worked with many big names including Paul McCartney, Bruce Springsteen, Toto, Bon Jovi and the Rolling Stones....
Review: 'The Rolling Stones from the Vault: Live at the Tokyo Dome 1990'
Edit The Examiner 23 Nov 2015
Rolling Stones fans frothing at the mouth over the recent news of the legendary British rocker's return to the recording studio in December can whet their appetite with the band's recent archive release, "From the Vault. Live at the Tokyo Dome 1990," which hit shelves in multiple formats on Oct. 30 via Eagle Rock ... 14 - Feb ... The footage benefits from being fully restored and augmented with a new sound mix by Bob Clearmountain ... ....
A New Box Set Holds A Springsteen Holy Grail
Edit National Public Radio 16 Nov 2015
9.03 AM ET. Bob Boilen. Twitter Instagram. Vevo. Ask a Bruce Springsteen fan about the holy grails of his concerts and you're likely to hear about a 1980 Tempe, Ariz. show ... The River Collection ... The tapes were edited by Thom Zimny, and the audio was mixed by the legendary Bob Clearmountain and mastered by Bob Ludwig ... Such classic Bruce ... Comment ... You can contact hosts Bob Boilen and Robin Hilton (and the team) directly via our contact form ... ....
The Rolling Stone to release concert film 'Live in Leeds 1982'
Edit The Examiner 24 Oct 2015
The Rolling Stones have unveiled the next entry in their ongoing live archive "From The Vault." Roundhay Park, Live in Leeds 1982 will be released Nov. 20 via Promotone BV. The legendary British rockers unveiled the news on Oct. 23 via an update at their official Facebook page ... leg of the same tour ... The footage has been fully restored and augmented with a new sound mix by Bob Clearmountain. See below for the full setlist ... From The Vault....
Rolling Stones release 'Mixed Emotions' video from 'Live at the Tokyo Dome 1990'
Edit The Examiner 23 Oct 2015
Rolling Stones fans can check out a newly unveiled live music video of the legendary British rocker's 1989 single "Mixed Emotions." The song is a preview from their upcoming release, From the Vault ... 30 via Eagle Rock ... 21 ... 14-Feb ... The footage has been fully restored and augmented with a new sound mix by Bob Clearmountain, ... ....
SIMPLE MINDS; THE VINYL COLLECTION 79-84; Simple Minds' first seven, hugely influential albums compiled in one limited edition box; RELEASE DATE: OCTOBER 30th ONCE UPON A TIME; 2CD Deluxe Edition remastered, features previously unreleased material, B-sides; (ALSO AVAILABLE ON STANDARD CD); RELEASE DATE: DECEMBER 4th
Edit PR Newswire 21 Oct 2015
LOS ANGELES, Oct. 21, 2015 /PRNewswire/ -- Following the release earlier this year of the acclaimed SPARKLE IN THE RAIN deluxe box ("[an] impressive box set." ... The album went on to be certified double platinum in the UK ... With Jimmy Iovine and Bob Clearmountain providing a production dream team, and Anton Corbijn contributing to its instantly recognizable artwork, then ONCE UPON A TIME had all the attributes of a classic 1980s album....
Bruce Springsteen's Video Archivist Breaks Down Huge New 'River' Box Set
Edit Rollingstone 19 Oct 2015
In July 1981, Thom Zimny went to the Brendan Byrne Arena in East Rutherford, New Jersey and saw Bruce Springsteen in concert for the first time ... "I can still remember the arc of the show," Zimny says. "It had quiet moments, but also celebrations." Sidebar ... Absolutely ... Yes ... The beauty of the Tempe concert, is that we have this amazing surround sound mixed by Bob Clearmountain ... The Clearmountain mixes are just really, really powerful....
Bruce Springsteen’s ‘The Ties That Bind: The River Collection’ 4CD/3DVD Box Set Out December 4th ...
Edit Public Technologies 16 Oct 2015
(Source. Shore Fire Media Inc) ... The River Collection' on December 4th ... 'The River ... The eleven unheard outtakes ('Record One') were mixed by Bob Clearmountain and mastered by Bob Ludwig ... The film was recently edited by frequent Springsteen collaborator and Grammy and Emmy-winning filmmaker Thom Zimny, and the audio was mixed in Stereo & 5.1 surround by Bob Clearmountain from the original multitrack recordings and mastered by Bob Ludwig ... 1)....
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