Close-Up (Persian: نمای نزدیک‎, Nema-ye Nazdik) (1990) is a film directed by Iranian filmmaker Abbas Kiarostami, a docufiction. The film tells the story of the real-life trial of a man who impersonated film-maker Mohsen Makhmalbaf, conning a family into believing they would star in his new film. It features the people involved, acting as themselves. A film about human identity, it helped to increase recognition of Kiarostami in the West.

Hossain Sabzian, who is also a film lover and huge fan of popular Iranian director Mohsen Makhmalbaf (director of Gabbeh and The Cyclist). Sabzian is riding the bus one day reading a copy of the novel The Cyclist when he meets Mrs. Ahankhah, a fan of the film. Sabzian tells her that he is Makhmalbaf, the author of the book and film. She's a bit surprised that a famous director is riding public transportation, but Sabzian explains that this is how he finds his subjects for film and that art must spring from life. Posing as Makhmalbaf, Sabzian visits the Ahankhah family several times over the next couple of weeks. He flatters them by saying he wants to use their house for his next film and their sons as his actors. He even obtains a substantial amount of money from them, ostensibly to prepare for the film. Mr. Ahankhah has his suspicions though, especially when a magazine photo shows a younger darker-haired Makhmalbaf. He invites an ambitious journalist friend (Hossain Farazmand) over, who confirms that Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, which does not progress chronologically. They are re-enactments.