- published: 07 Dec 2015
- views: 2716
Wong Kar-wai, BBS (born 17 July 1958) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Days of Being Wild (1990), Ashes of Time (1994), Chungking Express (1994), Fallen Angels (1995), Happy Together (1997), 2046 (2004) and The Grandmaster (2013). His film In the Mood for Love (2000), starring Maggie Cheung and Tony Leung, garnered widespread critical acclaim. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery.
Wong Kar-wai was born on 17 July 1958 in Shanghai, the youngest of three siblings. His father was a sailor and his mother was a housewife. By the time Wong was five years old, the seeds of the Cultural Revolution were beginning to take effect in mainland China and his parents decided to relocate to British-ruled Hong Kong. The two older children were meant to join them later, but the borders closed before they had a chance and Wong did not see his brother or sister again for ten years. In Hong Kong, the family settled in the Tsim Sha Tsui district, and his father got work managing a night club. Being an only child in a new city, and speaking only Mandarin, Wong has said he felt isolated during his childhood; he struggled to learn Cantonese and English, only becoming fluent in these new languages when he was a teenager.
Introduction to all films done by WKW + Analysis of film style. All footages, including musics, are from his movies - used solely for educational purpose. Additional Resources: Quentin's comments: https://www.youtube.com/watch?v=DX8aUixCpek Wong Kar Wai Interviews: https://www.youtube.com/watch?v=sVw9i7QLzuM https://www.youtube.com/watch?v=7rXZCuo2MVQ So's insights on WKW: https://www.youtube.com/watch?v=iGfFm5_ciKM Also, Special thanks to Every Frame a Painting as I followed his style in creating this essay.
Directed by Wong Kar Wai uploaded by : Saagar Year : 2000
Activar subtitulos ;) wong kar-wai cast: Leslie Cheung, Tony Leung Chiu Wai, Chen Chang Sub (español + english) https://mega.co.nz/#!ptJElCBJ!o6ZF07tqR_G_nMgpzQm-02RShij1_DRdYFIkIaDmS2E
The Driver is hired by a nervous movie manager to spy on a paranoid actor's wife. During his tailing of the wife, the Driver describes the right way to tail someone. As he follows her he begins to fear what he might learn of her apparently tragic life. He discovers the wife is fleeing the country and returning to her mother's, and that she's been given a black eye, likely by her husband. He returns the money for the job, refusing to tell where the wife is, and drives off telling the manager never to call him again. with Forest Whitaker, Mickey Rourke, and Adriana Lima Directed by Wong Kar-wai Written by Andrew Kevin Walker Featured the BMW 330i Coupé and the Z3 roadster
Episode 3 of Mundane Musings This is actually a topic I have been wanting to do for some time. Many of my peers back in film school often too enamoured by Wong's carefree style. Every now and then, I hear many filmmakers commenting that they want to do the 'Wong kar wai lighting style' or 'Chungking express camera treatment'. Special thanks to Lenne Chai for voicing this.
The VICE Podcast is a weekly discussion which delves inside the minds of some of the most interesting, creative, and bizarre people within the VICE universe. This week, Reihan Salam speaks with Wong Kar-wai about the linkages of his kung fu epic, The Grandmaster, with the past, present, and future of film. Watch more VICE Podcasts here: http://bit.ly/VICE-Podcasts Check out the VICE podcast on iTunes here: https://itunes.apple.com/us/podcast/vice-media/id634513189?mt=2 Subscribe to VICE here! http://bit.ly/Subscribe-to-VICE Check out our full video catalog: http://bit.ly/VICE-Videos Videos, daily editorial and more: http://vice.com Like VICE on Facebook: http://fb.com/vice Follow VICE on Twitter: http://twitter.com/vice Read our tumblr: http://vicemag.tumblr.com
fallen angels eng sub added
Filmmaker Wong Kar Wai joins La Frances Hui, Associate Curator, Department of Film, and John Powers, author of "WKW: The Cinema of Wong Kar Wai," to discuss his films, work processes, and partnerships with various long-term collaborators, both on and off screen. Learn more about Modern Mondays: http://mo.ma/1UfP6BD
The Chinese master of soft light and deep emotion makes his kung-fu movie as only he could make it. Shot in Los Angeles, July 2013
2046 Subtitulada al español. Título 2046 Ficha técnica Dirección Wong Kar-wai Producción Eric Heumann Wong Kar-wai Zhang Yimou Guion Wong Kar-wai Música Shigeru Umebayashi Protagonistas Tony Leung Chiu-Wai Gong Li Faye Wong Takuya Kimura Zhang Ziyi Carina Lau Chang Chen Bird Thongchai McIntyre Dong Jie Maggie Cheung
01 Cucurrucucu Paloma / Caetano Veloso 0:00 02 Bar Sur I / Live Recording 4:11 03 Chunga's Revenge / Frank Zappa 6:28 04 Bar Sur II / Live Recording 12:47 05 Prologue(Tango Apasionado) / Astor Piazzolla 14:58 06 3 Amigos / Live Recording 16:47 07 3 Amigos III / Live Recording 20:33 08 Milonga for 3 / Astor Piazzolla 23:52 09 I Have Been In You / Frank Zappa 29:52 10 Finale (Tango Apasionado) / Astor Piazzolla 33:29 11 Happy Together / Danny Chung 37:08 12 Goal / Caetano Veloso 40:37
Martin Scorsese and Kar Wai Wong Interview. http://bit.ly/DeadlineSubscribe
%it is intersting videoo Documentary on the making of In the mood for love (wong kar wai, 2000). Interviews to wong kar wai, Tony Leung Chiu Wai and Maggie Cheung. Watch full hd In the Mood for Love (2000) === Watch In the Mood for Love === -------------------- in the mood.
quentin tarantino comments on wong kar wais "chungking express". Very interesting for those who have seen the movie or still want to. Chungking Express is one movie of the rolling thunder video collection. Thats a collection of tarantinos favourite films that havent been released in america and wouldnt have if it wouldnt have been for quentin. Enjoy
Documentary on the making of "In the mood for love" (wong kar wai, 2000). Interviews to wong kar wai, Tony Leung Chiu Wai and Maggie Cheung
Christopher Doyle discusses his cinematography philosophies and life lessons. This is an excerpt, watch the full interview at http://www.theseventhart.org/main/videos/issue-14-christopher-doyle/ Christopher Doyle is one of the world's most recognizable cinematographers, whose work in Hong Kong with directors such as Edward Yang, Patrick Tam, Stanley Kwan and especially Wong Kar-wai gave him international renown. He has since worked extensively in Chinese cinema, including Peter Chan, Chen Kaige and Zhang Yimou, while also working with Western directors Gus Van Sant, Jim Jarmusch, M. Night Shyamalan, Phillip Noyce and more. Christopher was in Toronto for TIFF's A Century of Chinese Cinema program, which included his installation, Away With Words. It was our pleasure to invite him to Sex ...
Subscribe to TRAILERS: Subscribe to COMING SOON: The Grandmasters Chinese Trailer #1 (2013) - Wong Kar Wai IP
Phân tích bộ phim In the Mood for Love (2000) của đạo diễn Hồng Kông Vương Gia Vệ. Biên kịch, Biên tập và Tường thuật bởi: Lê Giang Vũ
Angora Mixé et Masterisé par Clément Prêteux Arrangement Berlyne : Jérémy Hombert Montage vidéo : Jérémy Hombert https://berlyne.bandcamp.com/ https://www.facebook.com/berlyne.fr/ https://twitter.com/berlynemusique http://www.berlyne.fr/
ALL AUDIO AND VISUAL RIGHTS GO TO THEIR ORIGINAL OWNERS AND MAKERS. NO COPYRIGHT INFRINGEMENT INTENDED. I love Wong Kar Wai so much and it was really difficult to choose my top 5 favourite films from him. As Tears Go By and 2046 are definitely tied but I chose As Tears Go By for this compilation :-) FILMS SHOWN: In The Mood For Love (2000) Happy Together (1997) Fallen Angels (1995) Chungking Express (1994) As Tears Go By (1988) Music: Speak My Language by Laurie Anderson
Movie : Happy Together - Wong Kar Wai Song : Suffocation - Crystal Castles Original Video : https://www.youtube.com/watch?v=BkbCUIm21rc Full Movie : https://www.youtube.com/watch?v=6EGVJ6rMY3I
Quizás quizas, quizas de Nat King Cole extrait d' un Film de Wong Kar-Wai (2000) In the Mood for love Avec Tony Leung, Maggie Cheung, Rebecca Pan Musique : Shigeru Umebayashi et Michael Galasso ; chansons de Nat King Cole et de Zhou Xuan Hong Kong, 1962. M. Chow, rédacteur en chef d'un journal local et Mme Chan, secrétaire de M. Ho, emménagent avec leur conjoint, le même jour, dans des appartements voisins, le premier chez M. Koo et la seconde chez Mme Suen. La femme de M. Chow est souvent absente et le mari de Mme Chan est fréquemment parti à l'étranger. Très vite, ils vont comprendre que leurs conjoints respectifs entretiennent une relation amoureuse adultère en secret. Ensemble, M. Chow et Mme Chan vont tenter de saisir les éléments de la rencontre des deux amants et surtout la façon d...
大都會博物館服裝學院部“中國:鏡花水月”展覽的啟動源於今年是美國大都會博物館亞洲藝術部成立100週年,這是大都會年度展覽的重頭戲,也是西方藝術機構第一次聚焦於中國意像對時尚和文化的影響力。在眾多頂尖的華人藝術家中,王家衛為何成為主辦方欽點合作完成此次展覽的不二人選? 《VOGUE》的報導稱:“因他自身的深厚文化底蘊與積澱、自成一派的美學體系,他是唯一一個可以做到把東方文化與韻味以西方觀眾能接受和理解的方式帶進大都會博物館的人。這位香港電影人作品裡的服裝原創性,架構起了東西方文化的橋樑。 ” “鏡花水月”展覽並非只為了陳列當代服裝歷史的中國元素,將名字確定為這個像徵著東方式夢幻虛無的詞彙,王家衛有自己的理解:“東方的月亮投入西方的水鏡之中,呈現出來的不一定是現實,卻是種不一般的審美。與其把它稱為鏡子,倒不如說它更像是個窗口。” 展覽開幕晚會上明星已經身體力行地透露出被西方審美、文化扭曲、異化的“中國風”,這些難以被中國人理解的詮釋有趣地響應了展覽的本意,而在喧嘩之下,王家衛和展覽本身雖顯低調,仍贏得了足夠的關注:在開幕日就前去捧場的周迅讚歎道“''飄渺又真實”;國際超模劉雯一進入會場就被傳統書法和王家衛導演的演講打動,她說:“書法讓我想起了童年,而王家衛導演完美地將中國傳統文化用西方易懂的語言詮釋出來,深感佩服。”而紐約大都會博物館的主頁早已被讚譽刷屏:“有太多美麗的東西值得去參觀了”、“如萬花筒般千變萬化的令人眩暈的視覺洗禮”、“王家衛對展品的理解和詮釋是在超出了我的想像範圍,卻又合情合理”,有網友把感嘆凝成一個詞:“王家衛!” 值得一提的是,此次展覽是紐約大都會博物館服裝部佔地面積最大的一次展出,接近2011年已故天才設計師亞歷山大•麥昆展覽規模的3倍,同時也是該博物館有史以來規模最大的一次特殊主題展覽。而帝國大廈在5月4日晚用燈光打造出一件富含中國元素的金紅色晚禮服,王...
大都會博物館服裝學院部“中國:鏡花水月”展覽的啟動源於今年是美國大都會博物館亞洲藝術部成立100週年,這是大都會年度展覽的重頭戲,也是西方藝術機構第一次聚焦於中國意像對時尚和文化的影響力。在眾多頂尖的華人藝術家中,王家衛為何成為主辦方欽點合作完成此次展覽的不二人選? 《VOGUE》的報導稱:“因他自身的深厚文化底蘊與積澱、自成一派的美學體系,他是唯一一個可以做到把東方文化與韻味以西方觀眾能接受和理解的方式帶進大都會博物館的人。這位香港電影人作品裡的服裝原創性,架構起了東西方文化的橋樑。 ” “鏡花水月”展覽並非只為了陳列當代服裝歷史的中國元素,將名字確定為這個像徵著東方式夢幻虛無的詞彙,王家衛有自己的理解:“東方的月亮投入西方的水鏡之中,呈現出來的不一定是現實,卻是種不一般的審美。與其把它稱為鏡子,倒不如說它更像是個窗口。” 展覽開幕晚會上明星已經身體力行地透露出被西方審美、文化扭曲、異化的“中國風”,這些難以被中國人理解的詮釋有趣地響應了展覽的本意,而在喧嘩之下,王家衛和展覽本身雖顯低調,仍贏得了足夠的關注:在開幕日就前去捧場的周迅讚歎道“''飄渺又真實”;國際超模劉雯一進入會場就被傳統書法和王家衛導演的演講打動,她說:“書法讓我想起了童年,而王家衛導演完美地將中國傳統文化用西方易懂的語言詮釋出來,深感佩服。”而紐約大都會博物館的主頁早已被讚譽刷屏:“有太多美麗的東西值得去參觀了”、“如萬花筒般千變萬化的令人眩暈的視覺洗禮”、“王家衛對展品的理解和詮釋是在超出了我的想像範圍,卻又合情合理”,有網友把感嘆凝成一個詞:“王家衛!” 值得一提的是,此次展覽是紐約大都會博物館服裝部佔地面積最大的一次展出,接近2011年已故天才設計師亞歷山大•麥昆展覽規模的3倍,同時也是該博物館有史以來規模最大的一次特殊主題展覽。而帝國大廈在5月4日晚用燈光打造出一件富含中國元素的金紅色晚禮服,王...