Albert Camus

PHILOSOPHY - Albert Camus

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Duration: 9:37
Updated: 15 May 2015
views: 434227

The only real question of philosophy is whether or not we should commit suicide, said Albert Camus. His thought was constantly rich and provocative (and he dressed unusually well). Please subscribe here: http://tinyurl.com/o28mut7 If you like our films take a look at our shop (we ship worldwide): http://www.theschooloflife.com/shop/all/ Brought to you by http://www.theschooloflife.com Produced in collaboration with http://www.madadam.co.uk

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The Stranger Albert Camus Audiobook

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Duration: 207:44
Updated: 11 Oct 2015
views: 21562

The Outsider or The Stranger is a novel by Albert Camus published in 1942. Its theme and outlook are often cited as exemplars of Camuss philosophy of the absurd and existentialism, though Camus personally rejected the latter label.Get the Thug Notes BOOK here! ►► bit.ly 1HLNbLN bit.ly 1HLNbLN bit.ly 1HLNbLN Join Wisecrack! ►► bit.ly 1y8Veir bit.ly 1y8Veir bit.ly 1y8Veir From plot debriefs to key motifs, Thug Notes’ The Stranger Summary & Analysis has you covered with themes, symbols, important quotes, and more. The Stranger (1942) by Albert Camus Buy the book here on Amazon ►► a hr In this video, I examine Albert Camus classic existentialist novel, The Stranger, and explore some of its philosophical themes. I also discuss its central character, Meursault, his seeming lack of character, and whether he exemplifies the 'absurd man' of Camus essay 'The Myth of Sisyphus' English Audio twitter unleashingwords twitter unleashingwords twitter unleashingwords unleashthis.tumblr unleashthis.tumblr unleashthis.tumblr authorsunleashed authorsunleashed authorsunleashed Albert Camus was a writer. He wrote this book, and people said i My in-depth review and analysis of The Outsider, also known as The Stranger, by Albert Camus. I hope you get something out of it! My (new) Facebook - pages The-Manifold-Curiosity 273344829456255?ref=hl pages The-Manifold-Curiosity 273344829456255?ref=hl pages The-Ma.

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Albert Camus - The Madness of Sincerity

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Duration: 85:52
Updated: 16 Sep 2013
views: 124201

1997

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Camus In Ten Minutes

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Duration: 9:59
Updated: 13 Feb 2014
views: 66952

I do not own any of these images. This 10-minute video is intended as an introduction to the existentialist philosopher Albert Camus, with an emphasis on The Myth of Sisyphus. It is not intended as a comprehensive or definitive account of his thought. This video is for educational purposes only.

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Albert Camus on Nihilism

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Duration: 7:13
Updated: 05 Aug 2013
views: 35983

Albert Camus on Nihilism from a french tv program

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MIchel Onfray : L’ordre libertaire. La vie philosophique d’Albert Camus

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Duration: 130:21
Updated: 19 Jan 2016
views: 1766

Autour de son livre : L'ordre libertaire. La vie philosophique d'Albert Camus. Michel Onfray, écrivain, philosophe et créateur de l'Université populaire, nous invite dans cette somme sur l'auteur de Noces, à partager avec l'enthousiasme qu'on lui connaît, son adhésion à la pensée philosophique incarnée que propose Albert Camus : “Camus ne découvre pas la pauvreté, la misère, les souffrances de la classe ouvrière, le peuple, dans les livres, en compulsant des ouvrages de philosophie dans le calme et le silence d’une bibliothèque .[...], il en expérimente physiquement la réalité, elle passe par sa chair “ Si aujourd'hui nous sommes si nombreux a être touché par l'oeuvre d'Albert Camus, c'est peut-être parce qu'elle nous offre à l'instar de l'oeuvre d'Art une image privilégiée des souffrances et des joies communes.

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L'Étranger - Albert Camus (audiobook + texte/sous-titres)

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Duration: 193:30
Updated: 29 Oct 2013
views: 269007

Lu par Michael Lonsdale. ------------------ L'Étranger est un roman d'Albert Camus, paru en 1942. Il prend place dans la tétralogie que Camus nommera « cycle de l'absurde » qui décrit les fondements de la philosophie camusienne : l'absurde. Cette tétralogie comprend également l'essai intitulé Le Mythe de Sisyphe ainsi que les pièces de théâtre Caligula et Le Malentendu. Le roman a été traduit en quarante langues et une adaptation cinématographique a été réalisée par Luchino Visconti en 1967. Le style L'usage quasi-systématique de la première personne du singulier, tout au long du roman, incite le lecteur à s'identifier au personnage. Le ton détaché de son monologue restitue le paysage mental de Meursault tout en aidant le lecteur à pénétrer dans l'univers de Camus. Libre à lui ensuite d'approfondir sa lecture pour une compréhension plus exhaustive de la philosophie de l'auteur. L'écriture du roman, particulièrement neutre et blanche, fait la part belle au passé composé, dont Sartre dira qu'il « accentue la solitude de chaque unité phrastique ». Ce style ajoute donc à la solitude de ce personnage face au monde et à lui-même. On note la tendance de Camus à jeter des passerelles entre ses différentes œuvres. En prison, pendant que son procès se prépare, Meursault remarque un article de journal relatant un fait divers qui constitue en fait l'intrigue de la pièce de théâtre Le Malentendu. De même, quelques années plus tard dans La Peste, est évoquée « une arrestation récente qui avait fait du bruit à Alger. Il s'agissait d'un jeune employé de commerce qui avait tué un Arabe sur une plage ».

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Albert Camus - Discours de réception du prix Nobel, 1957

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Duration: 12:56
Updated: 23 Oct 2012
views: 208194

English translation: http://www.nobelprize.org/nobel_prizes/literature/laureates/1957/camus-speech.html EN: Albert Camus' Nobel Prize in Literature acceptance speech, given at Stockholm on December 10, 1957. He was awarded the prize "for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times". FR : Discours d'Albert Camus pour la réception du prix Nobel de littérature, donné à Stockholm le 10 décembre 1957. Le prix lui a été décerné pour « l'ensemble d'une œuvre qui met en lumière les problèmes se posant de nos jours à la conscience des hommes ». Retranscription complète : http://www.nobelprize.org/nobel_prizes/literature/laureates/1957/camus-speech-f.html

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Albert Camus: una tragedia de la felicidad

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Duration: 55:02
Updated: 06 Aug 2013
views: 57823

Albert Camus (1913 - 1960)

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Philosophy Core Concepts: Albert Camus and the Absurd

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Duration: 20:23
Updated: 02 Jun 2013
views: 34089

This is a video in my new Core Concepts series -- designed to provide students and lifelong learners a brief discussion focused on one main concept from a classic philosophical text and thinker. This Core Concept video focuses on Albert Camus' Myth of Sisyphus, specifically on his discussion about what the Absurd is. Gregory B. Sadler is the president and co-founder of ReasonIO. The content of this video is provided here as part of ReasonIO's mission of putting philosophy into practice -- making complex philosophical texts and thinkers accessible for students and lifelong learners. If you'd like to make a contribution to help fund Dr. Sadler's ongoing educational projects, you can click here: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted;_button_id=SKHK76Z5HFPA8

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Existentialism: Albert Camus, The Myth of Sisyphus (part 1)

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Duration: 59:30
Updated: 15 Oct 2012
views: 38520

In this first of three videos devoted to Albert Camus' essay "The Myth of Sisyphus," we examine Camus' early Existentialist philosophy of the absurd. We start with his guiding question: suicide -- yes or no? -- and delve into what he means by the absurd in order to arrive at an answer. We elaborate the different occasions or occurrences of absurdity experienced by human beings -- and work out Camus' triad of absurdity: human being, world, and the discordance between them

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Why Shouldn't We Commit Suicide? (Camus + Donkey Kong) – 8-Bit Philosophy

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Duration: 3:38
Updated: 31 Aug 2014
views: 368734

Join Wisecrack! ►► http://bit.ly/1y8Veir Press Start for Why Shouldn’t We Commit Suicide? by 8-Bit Philosophy, where classic video games introduce famous thinkers, problems, and concepts with quotes, teachings, and more. Dedicated to Robin Williams, a man who loved video games. Read more here on Amazon ►► http://amzn.to/1BYckjr Read more here on iBooks ►► http://apple.co/1esqV3g Twitter: @Wisecrack Facebook: http://on.fb.me/1EW65id More 8-Bit Philosophy: Is Capitalism Bad For You? ►► http://bit.ly/1NhhX2P What is Real? ►► http://bit.ly/1HHC9g1 Is the American Dream a Sham? ►► http://bit.ly/1GHq6hh Thug Notes: Lord of the Flies ►► http://bit.ly/19RhTe0 Of Mice and Men ►► http://bit.ly/1GokKHn The Great Gatsby ►► http://bit.ly/1BoYKqs Earthling Cinema: Batman - The Dark Knight ►► http://bit.ly/1buIi1J Pulp Fiction ►► http://bit.ly/18Yjbmr Mean Girls ►► http://bit.ly/1GWjlpy Pop Psych: Mario Goes to Therapy ►► http://bit.ly/1GobKCl Batman Goes to Therapy ►► http://bit.ly/1xhmXCy Santa Goes to Therapy ►► http://bit.ly/1Iwqpuo Email Alerts: http://eepurl.com/3l8qH Facebook: http://facebook.com/8bitphilosophy Twitter: http://twitter.com/8bitphilosophy Homepage: http://www.8bitphilosophy.com Check out our Merch!: http://www.wisecrack.co/store Episode 11: Why Shouldn't We Commit Suicide? (Albert Camus & The Myth of Sisyphus) Written & Directed by: Jared Bauer Narrator: Nathan Lowe Animation Producer: MB X. McClain Original Music & Sound by: David Krystal (http://www.davidkrystalmusic.com) Academic Consultant: Mia Wood Producer & Additional Artwork by: Jacob S. Salamon © 2014 Wisecrack, Inc. –

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Michel Onfray, débat sur Albert Camus

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Duration: 17:31
Updated: 13 Jun 2012
views: 34496

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Interview de Monsieur Albert Camus

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Duration: 3:06
Updated: 29 May 2012
views: 94969

Interview de Monsieur Albert Camus.

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"The Stranger" by Albert Camus - 1967 - Dir. Luchino Visconti - English Audio

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Duration: 102:53
Updated: 07 Oct 2014
views: 72591

English Audio

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This Absurd Universe: Albert Camus' The Myth of Sisyphus

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Duration: 7:33
Updated: 18 Jun 2015
views: 4376

A second take on Albert Camus' Myth of Sisyphus! "Sovereign Quarter", "Water Lily" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ #khanacademytalentsearch

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Albert Camus (1913-1960)

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Duration: 42:08
Updated: 07 Jul 2013
views: 33101

Albert Camus (1913--1960) was a journalist, editor and editorialist, playwright and director, novelist and author of short stories, political essayist and activist—and arguably, although he came to deny it, a philosopher. He ignored or opposed systematic philosophy, had little faith in rationalism, asserted rather than argued many of his main ideas, presented others in metaphors, was preoccupied with immediate and personal experience, and brooded over such questions as the meaning of life in the face of death. Although he forcefully separated himself from existentialism, Camus posed one of the twentieth century's best-known existentialist questions, which launches The Myth of Sisyphus: "There is only one really serious philosophical question, and that is suicide". And his philosophy of the absurd has left us with a striking image of the human fate: Sisyphus endlessly pushing his rock up the mountain only to see it roll back down each time he gains the top. Camus's philosophy found political expression in The Rebel, which along with his newspaper editorials, political essays, plays, and fiction earned him a reputation as a great moralist. It also embroiled him in conflict with his friend, Jean-Paul Sartre, provoking the major political-intellectual divide of the Cold-War era as Camus and Sartre became, respectively, the leading intellectual voices of the anti-Communist and pro-Communist left. Furthermore, in posing and answering urgent philosophical questions of the day, Camus articulated a critique of religion and of the Enlightenment and all its projects, including Marxism. In 1957 he won the Nobel Prize for literature. He died in a car accident in January, 1960, at the age of 46. In his statement of the problem and its solution, Camus's tone, ideas, and style are reminiscent of Nietzsche. "God is dead" is of course their common starting point, as is the determination to confront unpleasant truths and write against received wisdom. At the same time Camus argues against the specific philosophical current with which Nietzsche is often linked as a precursor, and to which he himself is closest—existentialism. The Myth of Sisyphus is explicitly written against existentialists such as Shestov, Kierkegaard, Jaspers, and Heidegger, as well as against the phenomenology of Husserl. Camus shares their starting point, which he regards as the fact that they all somehow testify to the absurdity of the human condition. But he rejects what he sees as their ultimate escapism and irrationality, claiming that "they deify what crushes them and find reason to hope in what impoverishes them. That forced hope is religious in all of them" According to Camus, each existentialist writer betrayed his initial insight by seeking to appeal to something beyond the limits of the human condition, by turning to the transcendent. And yet even if we avoid what Camus describes as such escapist efforts and continue to live without irrational appeals, the desire to do so is built into our consciousness and thus our humanity. We are unable to free ourselves from "this desire for unity, this longing to solve, this need for clarity and cohesion" . But it is urgent to not succumb to these impulses and to instead accept absurdity. In contrast with existentialism, "The absurd is lucid reason noting its limits" Camus clearly believes that the existentialist philosophers are mistaken but does not argue against them, because he believes that "there is no truth but merely truths" (MS, 43). His disagreement rather takes the subtler and less assertive form of an immanent critique, pointing out that each thinker's existentialist philosophy ends up being inconsistent with its own starting point: "starting from a philosophy of the world's lack of meaning, it ends up by finding a meaning and depth in it". These philosophers, he insists, refuse to accept the conclusions that follow from their own premises. Kierkegaard, for example, strongly senses the absurd. But rather than respecting it as the inevitable human ailment, he seeks to be cured of it by making it an attribute of a God who he then embraces.

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Bibliothèque Médicis - Albert Camus

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Duration: 54:00
Updated: 17 Jan 2012
views: 19334

Jean-Pierre Elkabbach revient sur la vie et l'oeuvre d'Albert Camus avec trois proches de l'écrivain: sa fille Catherine, Robert Gallimard et Jean Daniel. (Paris - 15 Janvier 2012) Toute l'actualité sur http://www.publicsenat.fr/ Toutes nos vidéos en replay sur http://replay.publicsenat.fr/

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El Extranjero - Albert Camus - Obra completa

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Duration: 179:12
Updated: 07 Feb 2011
views: 165773

http://jalarliteratura.blogspot.com/ http://obrasjalar.blogspot.com/ http://www.ivoox.com/extranjero-1-parte-audios-mp3_rf_297371_1.html Análisis de la primera novela de Albert Camus: El extranjero. Por: Carlos Pineda. La primera novela de Albert Camus, El Extranjero, publicada en 1937 posee, entre varias particularidades, la de ser, además la más ampliamente difundida de las obras del escritor argelino. Expresa una cierta peculiaridad hipnótica que, aunada al ritmo y la brevedad de la narración, logra convertirla en uno de esos escasos libros que se hacen leer de un tirón. Desde el primer párrafo Camus nos sumerge en el terreno de lo absurdo que, sin embargo, nos resulta siniestramente familiar pues tal absurdo es un fiel reflejo de la existencia del hombre moderno, en la que lo cotidiano y lo extraordinario, lo predecible y lo inexplicable se alternan de manera aleatoriamente aleatoria, simplemente suceden y el aparente carácter caótico que determina y moldea toda esa absurda sucesión de fenómenos absurdos conocida como la vida es presentado en la novela con la vertiginosa trepidancia propia de la misma. Partiendo del absurdo como condición existencial primaria y destino ineludible del sujeto, el autor desarrolla una crítica elegantemente mordaz e implacable de los valores de la sociedad burguesa, sumando absurdo tras absurdo expresados mediante la sacralización de la muerte, la piedad artificial de los ritos funerarios y del propio luto, así, como las conductas individuales y colectivas que los legitiman conformando un ineludible círculo vicioso de prejuicios, hipocresía e ignorancia malintencionada del cuál, una vez dentro, es absolutamente imposible escapar,[1],pues de principio a fin, de la cuna a la tumba cada existencia individual corresponde a la concretización subjetiva de lo absurdo como rasgo definitorio y definitivo del hombre y del cosmos. Tema recurrente en toda su obra, el Sistema Judicial es la representación última de la más absurda pretensión del hombre: creerse capaz de distinguir valor alguno en las acciones de sus semejantes y llegar a la pretensión de poder ejercer la justicia. Así dentro de la teatralidad totalizante que es la existencia individual se representa un segundo drama: una trágica pantomima con niveles aún más patéticamente perversos de histrionismo. En este teatro de la crueldad el actor por antonomasia, el histrión último es el juez, impostor de Dios, representación de la incurable necedad del hombre que, ciego a la verdad, se cree capaz de ejercer la justicia. (LEER MÁS:http://jalarliteratura.blogspot.com/)

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The Stranger - Thug Notes Summary and Analysis

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Duration: 4:29
Updated: 22 Apr 2014
views: 188281

Get the Thug Notes BOOK here! ►► http://bit.ly/1HLNbLN Join Wisecrack! ►► http://bit.ly/1y8Veir From plot debriefs to key motifs, Thug Notes’ The Stranger Summary & Analysis has you covered with themes, symbols, important quotes, and more. The Stranger (1942) by Albert Camus Buy the book here on Amazon ►► http://amzn.to/1QBZpPo Buy the book here on iBooks ►► http://apple.co/1QEN9jz Twitter: @SparkySweetsPhd Facebook: http://on.fb.me/1Nhiba7 More Thug Notes: Lord of the Flies ►► http://bit.ly/19RhTe0 Of Mice and Men ►► http://bit.ly/1GokKHn The Great Gatsby ►► http://bit.ly/1BoYKqs 8-Bit Philosophy: Is Capitalism Bad For You? ►► http://bit.ly/1NhhX2P What is Real? ►► http://bit.ly/1HHC9g1 What is Marxism? ►► http://bit.ly/1M0dINJ Earthling Cinema: Batman - The Dark Knight ►► http://bit.ly/1buIi1J Pulp Fiction ►► http://bit.ly/18Yjbmr Mean Girls ►► http://bit.ly/1GWjlpy Pop Psych: Mario Goes to Therapy ►► http://bit.ly/1GobKCl Batman Goes to Therapy ►► http://bit.ly/1xhmXCy Santa Goes to Therapy ►► http://bit.ly/1Iwqpuo Shop Thug Notes ►► http://shop.thug-notes.com http://www.thug-notes.com http://www.wisecrack.co – Check out our Merch!: http://www.wisecrack.co/store

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Review: The Stranger by Albert Camus

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Duration: 4:56
Updated: 28 Jan 2016
views: 2427

My thoughts on The Stranger. 4 of 52 Reviews: http://climbthestacks.com/52Reviews Article mentioned: http://www.nytimes.com/1988/04/18/books/classic-french-novel-is-americanized.html Bookish Links Tumblr Quote Blog: http://climbthestacks.com/ Twitter: https://twitter.com/climbthestacks Instagram: http://instagram.com/climbthestacks Personal Links Blog: http://www.ashleyriordan.com Podcast: http://ifeelbetterpodcast.com Twitter: https://twitter.com/ashleyriordan Instagram: http://instagram.com/ashleyhikes

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Existentialism: Albert Camus,The Stranger

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Duration: 63:26
Updated: 27 Nov 2012
views: 38785

In this video, I examine Albert Camus' classic existentialist novel, The Stranger, and explore some of its philosophical themes. I also discuss its central character, Meursault, his seeming lack of character, and whether he exemplifies the "absurd man" of Camus' essay "The Myth of Sisyphus"

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Albert Camus - The Myth of Sisyphus (An Absurd Reasoning)

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Duration: 3:38
Updated: 16 May 2013
views: 32006

"There is but one truly serious philosophical problem, and that is suicide." "I see many people die because they judge that life is not worth living." "I therefore conclude that the meaning of life is the most urgent of questions." "We are concerned here, at the outset with the relationship between individual thought and "Beginning to think is beginning to be undermined." "Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering." "This divorce between man and this life, the actor and his setting, is properly the feeling of absurdity. All healthy men having thought of their own suicide, it can be seen, without further explanation, that there is a direct connection between this feeling and the longing for death." "Does its absurdity require one to escape it through hope or suicide?" "Does the Absurd dictate death?" "Is there a logic to the point of death?" "I cannot know unless I pursue, without reckless passion, in the sole light of evidence, the reasoning of which I am here suggesting the source. This is what I call an absurd reasoning."

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