- published: 27 Oct 2010
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James Mtume (born James Forman 1947 in Philadelphia, Pennsylvania) is a jazz and R&B musician (primarily a percussionist) and a radio personality. He came to prominence working with Miles Davis between 1971 and 1975. Mtume's group, also called Mtume, is perhaps best known for the 1983 R&B hit song "Juicy Fruit", which has been much sampled. Mtume the band also had a Top Five R&B hit with the single "You, Me, and He".
Mtume is the son of jazz saxophonist Jimmy Heath, and the father of Damu Mtume and Fa Mtume, both music producers. He has also worked as a session musician with Players Association, and has done on-air radio personality work at New York's KISS 98.7 FM.
With Miles Davis
With Eddie Henderson
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion.
Miles Dewey Davis was born on May 26, 1926, to an affluent African American family in Alton, Illinois. His father, Dr. Miles Henry Davis, was a dentist. In 1927 the family moved to East St. Louis, Illinois. They also owned a substantial ranch in northern Arkansas, where Davis learned to ride horses as a boy.
Davis' mother, Cleota Mae (Henry) Davis, wanted her son to learn the piano; she was a capable blues pianist but kept this fact hidden from her son. His musical studies began at 13, when his father gave him a trumpet and arranged lessons with local musician Elwood Buchanan. Davis later suggested that his father's instrument choice was made largely to irk his wife, who disliked the trumpet's sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato; he was reported to have slapped Davis' knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, "I prefer a round sound with no attitude in it, like a round voice with not too much tremolo and not too much bass. Just right in the middle. If I can’t get that sound I can’t play anything."Clark Terry was another important early influence.[citation needed]