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Clara Schumann Piano Concerto in A minor
Piano: Michal Tal
Conductor: Keren Kagarlitsky
Israel Camerata Jerusalem Oechstra
published: 21 Jan 2019
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Isata Kanneh-Mason | Clara Schumann's Scherzo No.2 in C Minor | Classic FM Session
Pianist Isata Kanneh-Mason performs Clara Schumann's fiery Scherzo No.2 in C Minor, Op. 14.
The session was filmed at Air Studios in London as part of Classic FM's Live Music Month.
Isata recorded Clara Schumann's Scherzo for her debut album, 'Romance – the Music of Clara Schumann' which was released on Decca earlier this year. Find out more 👉 https://bit.ly/32f55tp
- Subscribe for more 👉 clssicfm.co/subscribe
- Visit the Classic FM website 👉 https://classicfm.com
- Listen to Classic FM 👉 http://clssicfm.co.live/
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook 👉 http://...
published: 15 Oct 2019
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Clara Schumann - Piano Concerto in A minor, Op. 7
- Composer: Clara Josephine Schumann {born: Wieck} (13 September 1819 -- 20 May 1896)
- Orchestra: Alma Mahler Sinfonietta
- Conductor: Stefania Rinaldi
- Soloist: Francesco Nicolosi
- Year of recording: 2004
Piano Concerto in A minor, Op. 7, written in 1833-1835.
00:00 - I. Allegro maestoso
07:07 - II. Romanze: Andante non troppo, con grazia
12:00 - III. Finale: Allegro non troppo - Allegro molto
Young Clara Wieck's piano concerto, like that of her future husband Robert Schumann, is in A minor, but that's the only detail the two compositions share. Clara's concerto is the work of an independent-minded young piano virtuoso who, although she was only 13 when she began writing it, was fully aware of the most progressive tendencies of German music in the 1830s. It's true that Robert did ha...
published: 11 Dec 2015
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Clara Schumann: Piano Concerto in A minor, Op.7 - Alice Burla & SJSO
Clara Schumann: Piano Concerto in A minor, Op.7
I. Allegro maestoso (00:36)
Il. Romanze: Andante non troppo con grazia (07:23)
III. Finale: Allegro non troppo - Allegro molto (12:12)
Schweizer Jugend-Sinfonie-Orchester
Mario Venzago, conductor
Alice Burla, pianist
✨I am thrilled to share with you our performance in Victoria Hall as part of my Switzerland concert tour with the wonderful Schweizer Jugend-Sinfonie-Orchester and Mario Venzago!✨
What a joy and honor to perform Clara Schumann's Piano Concerto, especially being the one to perform a major work by a female composer for the first time in 50 years of SJSO history! 🔥
I hope you will enjoy the music!
Feel free to leave a comment, a like, share your thoughts, and help me expand this amazing music! 💫❤️
Huge thank you to Oren Kirs...
published: 06 Feb 2023
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V.I.P. - Clara Schuman feat. Struka (Remix) (+Tekst/Lyrics)
Album: Struka - Liberace Mixtape
Year: 2010
Produced by: Coby
Publisher: Bassivity/Mascom
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Upoznao sam je sredinom '90-ih
Kad je grupno stanje bilo puno slika jezivih
Pa zmuris da ne vidis, u ljubavi svi nesrecni
Isto su je voleli i bednik i predsednik
Lik kad joj vidis jednom - gotovo je
Jer sve u zgrljaju njenom je mnogo bolje
U kraju kad si s' njom smatraju te Bogom
To je bila ljubav
Takve stvari vise ne postoje, drugar
Ko je jednom imao - zeleo je opet
A ...
published: 28 Sep 2012
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Clara Schumann: Drei Romanzen Op. 21 (1853)
Drei Romanzen Op. 21 (1853) (score), Clara Wieck-Schumann (1819-1886). Ilja Scheps, piano.
1. Andante (00:00)
2. Allegretto: Sehr zart zu spielen (5:02)
3. Agitato (6:27)
Clara Schumann (born Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.
As part of the broad musical education...
published: 13 Feb 2016
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Clara Schumann - 3 Romances for piano Op. 11 (audio + sheet music)
Clara Wieck Schumann has often been misleadingly referred to as the wife of composer Robert Schumann, and as one of the leading pianists of her day, rather than as a composer in her own right. Beginning in the last quarter of the twentieth century however, her stature as a composer finally became recognized. Still, she cannot by any reasonable measure be ranked as a major composer, owing in great part to her relatively small output. She nonetheless wrote significant
compositions in both the keyboard and vocal realms. Had she been able to devote more time to composition -- she was occupied by maternal matters much of
the time, having given birth to eight children -- she might well have risen to the artistic heights of her husband. Some of her later works -- the Six Lieder, Op. 23, for
in...
published: 26 Mar 2024
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The Wild Life of Clara Schumann
This video is a biography of Clara Schumann for Music History II.
published: 24 Dec 2017
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Ich stand in dunklen Träumen from 6 Lieder Op. 13 - Clara Schumann
Recorded on December 22, 2024 in Nürnberg, Germany
6 Lieder Op. 13 - Clara Schumann
I. Ich stand in dunklen Träumen
Ich stand in dunklen Träumen
Und starrte ihr Bildnis an,
Und das geliebte Antlitz
Heimlich zu leben begann.
Um ihre Lippen zog sich
Ein Lächeln wunderbar,
Und wie von Wehmutstränen
Erglänzte ihr Augenpaar.
Auch meine Tränen flossen
Mir von den Wangen herab –
Und ach, ich kann’s nicht glauben,
Dass ich dich verloren hab!
Text by Heinrich Heine
Tenor : Sewon Oh
Guitar : Jehee Lee
Accompaniment arranged for Guitar by Jehee Lee
Video and Audio produced by Jehee Lee
published: 11 Jan 2025
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Clara Schumann: Piano Trio Op. 17 (1846)
Piano Trio Op. 17 (1846) (score), Clara Wieck-Schumann (1819-1896).
Micaela Gelius, piano.
Sreten Krstic, violin.
Stephan Haack, piano.
I. Allegro moderato (00:00)
II. Scherzo, tempo di minuetto (10:27)
III. Andante (15:11)
IV. Allegretto (20:36)
The Piano Trio in G minor by Clara Schumann was written in 1846, and is labeled as opus 17. It has been called "probably" the "masterpiece" among Clara's compositions. The work is written for a piano trio comprising piano, violin, and cello. It has four movements:
Allegro moderato in G minor, in common (4/4) time with a tempo of 152 quarter notes to the minute.
Scherzo and Trio in B-flat major and E-flat major, respectively. The Scherzo is in 3/4 time and has a tempo of 160 quarter notes to the minute. The Trio is also in 3/4 time and shows...
published: 29 Feb 2016
22:58
Clara Schumann Piano Concerto in A minor
Piano: Michal Tal
Conductor: Keren Kagarlitsky
Israel Camerata Jerusalem Oechstra
Piano: Michal Tal
Conductor: Keren Kagarlitsky
Israel Camerata Jerusalem Oechstra
https://wn.com/Clara_Schumann_Piano_Concerto_In_A_Minor
Piano: Michal Tal
Conductor: Keren Kagarlitsky
Israel Camerata Jerusalem Oechstra
- published: 21 Jan 2019
- views: 104544
4:58
Isata Kanneh-Mason | Clara Schumann's Scherzo No.2 in C Minor | Classic FM Session
Pianist Isata Kanneh-Mason performs Clara Schumann's fiery Scherzo No.2 in C Minor, Op. 14.
The session was filmed at Air Studios in London as part of Classic ...
Pianist Isata Kanneh-Mason performs Clara Schumann's fiery Scherzo No.2 in C Minor, Op. 14.
The session was filmed at Air Studios in London as part of Classic FM's Live Music Month.
Isata recorded Clara Schumann's Scherzo for her debut album, 'Romance – the Music of Clara Schumann' which was released on Decca earlier this year. Find out more 👉 https://bit.ly/32f55tp
- Subscribe for more 👉 clssicfm.co/subscribe
- Visit the Classic FM website 👉 https://classicfm.com
- Listen to Classic FM 👉 http://clssicfm.co.live/
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook 👉 http://facebook.com/classicfm
- Twitter 👉 https://twitter.com/ClassicFM
- Instagram 👉 https://www.instagram.com/classicfm/
https://wn.com/Isata_Kanneh_Mason_|_Clara_Schumann's_Scherzo_No.2_In_C_Minor_|_Classic_Fm_Session
Pianist Isata Kanneh-Mason performs Clara Schumann's fiery Scherzo No.2 in C Minor, Op. 14.
The session was filmed at Air Studios in London as part of Classic FM's Live Music Month.
Isata recorded Clara Schumann's Scherzo for her debut album, 'Romance – the Music of Clara Schumann' which was released on Decca earlier this year. Find out more 👉 https://bit.ly/32f55tp
- Subscribe for more 👉 clssicfm.co/subscribe
- Visit the Classic FM website 👉 https://classicfm.com
- Listen to Classic FM 👉 http://clssicfm.co.live/
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook 👉 http://facebook.com/classicfm
- Twitter 👉 https://twitter.com/ClassicFM
- Instagram 👉 https://www.instagram.com/classicfm/
- published: 15 Oct 2019
- views: 273910
23:33
Clara Schumann - Piano Concerto in A minor, Op. 7
- Composer: Clara Josephine Schumann {born: Wieck} (13 September 1819 -- 20 May 1896)
- Orchestra: Alma Mahler Sinfonietta
- Conductor: Stefania Rinaldi
- Soloi...
- Composer: Clara Josephine Schumann {born: Wieck} (13 September 1819 -- 20 May 1896)
- Orchestra: Alma Mahler Sinfonietta
- Conductor: Stefania Rinaldi
- Soloist: Francesco Nicolosi
- Year of recording: 2004
Piano Concerto in A minor, Op. 7, written in 1833-1835.
00:00 - I. Allegro maestoso
07:07 - II. Romanze: Andante non troppo, con grazia
12:00 - III. Finale: Allegro non troppo - Allegro molto
Young Clara Wieck's piano concerto, like that of her future husband Robert Schumann, is in A minor, but that's the only detail the two compositions share. Clara's concerto is the work of an independent-minded young piano virtuoso who, although she was only 13 when she began writing it, was fully aware of the most progressive tendencies of German music in the 1830s. It's true that Robert did have his fingers in this piece; the two were already showing their works in progress to each other and in fact, Robert orchestrated what would in two years become the finale of Clara's three-movement concerto. But it's more Chopin-esque than Schumann-esque. Originally, the Schumann-orchestrated movement stood alone under the titles Concert-Rondo and Concertsatz.
- The first movement, Allegro maestoso (Clara orchestrated this and the slow movement herself), begins with a serious, almost march-like orchestral introduction interrupted by a brief piano flourish; another orchestral statement follows, then an impressive keyboard cascade that surely later inspired the opening measures of Grieg's Concerto in A minor (Clara's concerto, though the work of a teenager, was quite popular through the nineteenth century). The piano takes over the thematic material with minimal orchestral support; the music has a lightness, a bittersweet flavor, and a digital complexity that suggest the influence of early Chopin and, to a lesser extent, her older Leipzig colleague Felix Mendelssohn. The piano retires, allowing the orchestra to lead the movement out of its development section, but just as it seems the piano is about to launch the traditional cadenza, it instead eases directly into...
- the slow movement, called "Romanze." This introduces a simple, graceful theme, moving upward in the manner of the main melodies of the outer movements. The piano occasionally offers a few bars of intricate filigree, and eventually it is joined by a solo cello singing the unadorned melodic line while the piano offers a more active, inventive accompaniment. (This anticipates the slow movement of Tchaikovsky's Piano Concerto No. 2, which is largely a trio for piano, cello, and violin.) Again, a few solo piano gestures lead directly into...
- the final movement, the first to be composed. This is the most outgoing music so far, but it's still rather stern. It also has something of the polonaise about it, again calling Chopin to mind. (The most obvious model, though, Chopin's Grand Polonaise Brillante, wasn't published in its orchestral form until 1835.) This movement is almost as long as the first two combined. It's cast as a rondo, although the episodes are poorly enough differentiated (and so unified by the polonaise rhythm) that the movement could as easily be regarded as a set of grimly glittering variations.
https://wn.com/Clara_Schumann_Piano_Concerto_In_A_Minor,_Op._7
- Composer: Clara Josephine Schumann {born: Wieck} (13 September 1819 -- 20 May 1896)
- Orchestra: Alma Mahler Sinfonietta
- Conductor: Stefania Rinaldi
- Soloist: Francesco Nicolosi
- Year of recording: 2004
Piano Concerto in A minor, Op. 7, written in 1833-1835.
00:00 - I. Allegro maestoso
07:07 - II. Romanze: Andante non troppo, con grazia
12:00 - III. Finale: Allegro non troppo - Allegro molto
Young Clara Wieck's piano concerto, like that of her future husband Robert Schumann, is in A minor, but that's the only detail the two compositions share. Clara's concerto is the work of an independent-minded young piano virtuoso who, although she was only 13 when she began writing it, was fully aware of the most progressive tendencies of German music in the 1830s. It's true that Robert did have his fingers in this piece; the two were already showing their works in progress to each other and in fact, Robert orchestrated what would in two years become the finale of Clara's three-movement concerto. But it's more Chopin-esque than Schumann-esque. Originally, the Schumann-orchestrated movement stood alone under the titles Concert-Rondo and Concertsatz.
- The first movement, Allegro maestoso (Clara orchestrated this and the slow movement herself), begins with a serious, almost march-like orchestral introduction interrupted by a brief piano flourish; another orchestral statement follows, then an impressive keyboard cascade that surely later inspired the opening measures of Grieg's Concerto in A minor (Clara's concerto, though the work of a teenager, was quite popular through the nineteenth century). The piano takes over the thematic material with minimal orchestral support; the music has a lightness, a bittersweet flavor, and a digital complexity that suggest the influence of early Chopin and, to a lesser extent, her older Leipzig colleague Felix Mendelssohn. The piano retires, allowing the orchestra to lead the movement out of its development section, but just as it seems the piano is about to launch the traditional cadenza, it instead eases directly into...
- the slow movement, called "Romanze." This introduces a simple, graceful theme, moving upward in the manner of the main melodies of the outer movements. The piano occasionally offers a few bars of intricate filigree, and eventually it is joined by a solo cello singing the unadorned melodic line while the piano offers a more active, inventive accompaniment. (This anticipates the slow movement of Tchaikovsky's Piano Concerto No. 2, which is largely a trio for piano, cello, and violin.) Again, a few solo piano gestures lead directly into...
- the final movement, the first to be composed. This is the most outgoing music so far, but it's still rather stern. It also has something of the polonaise about it, again calling Chopin to mind. (The most obvious model, though, Chopin's Grand Polonaise Brillante, wasn't published in its orchestral form until 1835.) This movement is almost as long as the first two combined. It's cast as a rondo, although the episodes are poorly enough differentiated (and so unified by the polonaise rhythm) that the movement could as easily be regarded as a set of grimly glittering variations.
- published: 11 Dec 2015
- views: 484634
23:44
Clara Schumann: Piano Concerto in A minor, Op.7 - Alice Burla & SJSO
Clara Schumann: Piano Concerto in A minor, Op.7
I. Allegro maestoso (00:36)
Il. Romanze: Andante non troppo con grazia (07:23)
III. Finale: Allegro non troppo ...
Clara Schumann: Piano Concerto in A minor, Op.7
I. Allegro maestoso (00:36)
Il. Romanze: Andante non troppo con grazia (07:23)
III. Finale: Allegro non troppo - Allegro molto (12:12)
Schweizer Jugend-Sinfonie-Orchester
Mario Venzago, conductor
Alice Burla, pianist
✨I am thrilled to share with you our performance in Victoria Hall as part of my Switzerland concert tour with the wonderful Schweizer Jugend-Sinfonie-Orchester and Mario Venzago!✨
What a joy and honor to perform Clara Schumann's Piano Concerto, especially being the one to perform a major work by a female composer for the first time in 50 years of SJSO history! 🔥
I hope you will enjoy the music!
Feel free to leave a comment, a like, share your thoughts, and help me expand this amazing music! 💫❤️
Huge thank you to Oren Kirschenbaum for the amazing recording.
https://wn.com/Clara_Schumann_Piano_Concerto_In_A_Minor,_Op.7_Alice_Burla_Sjso
Clara Schumann: Piano Concerto in A minor, Op.7
I. Allegro maestoso (00:36)
Il. Romanze: Andante non troppo con grazia (07:23)
III. Finale: Allegro non troppo - Allegro molto (12:12)
Schweizer Jugend-Sinfonie-Orchester
Mario Venzago, conductor
Alice Burla, pianist
✨I am thrilled to share with you our performance in Victoria Hall as part of my Switzerland concert tour with the wonderful Schweizer Jugend-Sinfonie-Orchester and Mario Venzago!✨
What a joy and honor to perform Clara Schumann's Piano Concerto, especially being the one to perform a major work by a female composer for the first time in 50 years of SJSO history! 🔥
I hope you will enjoy the music!
Feel free to leave a comment, a like, share your thoughts, and help me expand this amazing music! 💫❤️
Huge thank you to Oren Kirschenbaum for the amazing recording.
- published: 06 Feb 2023
- views: 38425
5:18
V.I.P. - Clara Schuman feat. Struka (Remix) (+Tekst/Lyrics)
Album: Struka - Liberace Mixtape
Year: 2010
Produced by: Coby
Publisher: Bassivity/Mascom
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
...
Album: Struka - Liberace Mixtape
Year: 2010
Produced by: Coby
Publisher: Bassivity/Mascom
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Upoznao sam je sredinom '90-ih
Kad je grupno stanje bilo puno slika jezivih
Pa zmuris da ne vidis, u ljubavi svi nesrecni
Isto su je voleli i bednik i predsednik
Lik kad joj vidis jednom - gotovo je
Jer sve u zgrljaju njenom je mnogo bolje
U kraju kad si s' njom smatraju te Bogom
To je bila ljubav
Takve stvari vise ne postoje, drugar
Ko je jednom imao - zeleo je opet
A svaka slatka ljubav ima svoje strane gorke
Koliko puta nekome je srce stalo zbog nje
I mocni i gladni radili su stvari grozne
Ona gora je od droge, prosto neverovatno
Rat za ratom prodje, a veruj mi, bato
To je zato sto je svako zeleo jako
Pa ko i svi drugi nije jebao zakon
Tuzan gledao kako mi odlazi u magli
Ona jedna bila vredna 500 milijardi
Secam se frka na gajbi kada je otisla na Kipar
Ja sam cuo da nece nikad da se vrati
Kladim se da nisi mislio o tome
Al' istina je da ne znas kako ti se prva ljubav zove, da.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Imala je oci svetlo plave kao more
Lepe kao nebo usred zore
Mnogi se molili za nju, nema goreg - neko ljut
Jer je znao - njena ljubav cini tezak put da je lagan
I zvuk moga tako praznog dzepa
Kada se prosetam sa njom - znaci imam repa
Ali je bila kao kletva
Fatalna je ljubav prema njoj i cela ta lepota njena
Kunem se Bogom - svako pamti je
Ispisao bi svako njeno ime slovom zlatnim
Imao sam par sansi da je smuvam
Da je drzim pored sebe, jako dobro cuvam
Jer ona vadi, sa njom pamtim lose vreme
Pamtim to lice boje vene
Pamte je klinci pored parka
Da je bila jedno cudo usred pakla, a ja dete
Mnogi su hteli da ukradu je
Bilo svasta, sve zbog nje u mome gradu
Pricalo se svasta, jer je znaju svi
Mislio sam lazu ljudi da su zli, da nije tako
Al' izgleda da sve to istina je bila
Da nije bilo tako - bila bi jos ziva
Taj lik nocu nije mog'o dati mira
Svima koji puste da po srcu svira takva riba.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Oduvek sam mislio da nisam tvoja liga
Valjda nisam tog kalibra, nisam bio takav igrac
Al' igram u nadi da ces jednog dana biti moja riba
Zahvalan sam Bogu za dan kad si u moj zivot stigla
Hocu mnogo dece s' njom, hocu da se mnozi
Vecina njenih bivsih momaka truli u tvorzi
Al' ja nisam kao oni da u Bembari je vozim
Znam da imacu je samo ako dobru zvaku slozim
Jer kad si pored mene sreci nema kraja, Clara
Mada znam da me sa jos milion drugih ljudi varas
Pazi, ja nemam problem s' tim, mozes da odes s' njim
Al' uvek vratis se u saci da te osetim
Nijedna zena nije mogla tako da me lozi
Kad drzi me pod ruku, kad pusti da je trosim
Brate, vecno bi je drzao, njene plave usne ljubio
Al' kazu da je 2001. neko ubio
I posle svega toga ja sam samo stao
I dok me nisu digli nisam znao da sam pao
Trudim se da je zaboravim, al' onda se tek setim
Da je ona mozda najbolja stvar sto mi se desila
Jednom sam zavoleo i jednom sam se zajeb'o
Misleci da znam, ali nisam znao sta je to
Ne mogu da se trgnem, da je izbacim iz uma
Moja prava stara ljubav, plava dama Clara Schumann.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
https://wn.com/V.I.P._Clara_Schuman_Feat._Struka_(Remix)_(_Tekst_Lyrics)
Album: Struka - Liberace Mixtape
Year: 2010
Produced by: Coby
Publisher: Bassivity/Mascom
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Upoznao sam je sredinom '90-ih
Kad je grupno stanje bilo puno slika jezivih
Pa zmuris da ne vidis, u ljubavi svi nesrecni
Isto su je voleli i bednik i predsednik
Lik kad joj vidis jednom - gotovo je
Jer sve u zgrljaju njenom je mnogo bolje
U kraju kad si s' njom smatraju te Bogom
To je bila ljubav
Takve stvari vise ne postoje, drugar
Ko je jednom imao - zeleo je opet
A svaka slatka ljubav ima svoje strane gorke
Koliko puta nekome je srce stalo zbog nje
I mocni i gladni radili su stvari grozne
Ona gora je od droge, prosto neverovatno
Rat za ratom prodje, a veruj mi, bato
To je zato sto je svako zeleo jako
Pa ko i svi drugi nije jebao zakon
Tuzan gledao kako mi odlazi u magli
Ona jedna bila vredna 500 milijardi
Secam se frka na gajbi kada je otisla na Kipar
Ja sam cuo da nece nikad da se vrati
Kladim se da nisi mislio o tome
Al' istina je da ne znas kako ti se prva ljubav zove, da.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Imala je oci svetlo plave kao more
Lepe kao nebo usred zore
Mnogi se molili za nju, nema goreg - neko ljut
Jer je znao - njena ljubav cini tezak put da je lagan
I zvuk moga tako praznog dzepa
Kada se prosetam sa njom - znaci imam repa
Ali je bila kao kletva
Fatalna je ljubav prema njoj i cela ta lepota njena
Kunem se Bogom - svako pamti je
Ispisao bi svako njeno ime slovom zlatnim
Imao sam par sansi da je smuvam
Da je drzim pored sebe, jako dobro cuvam
Jer ona vadi, sa njom pamtim lose vreme
Pamtim to lice boje vene
Pamte je klinci pored parka
Da je bila jedno cudo usred pakla, a ja dete
Mnogi su hteli da ukradu je
Bilo svasta, sve zbog nje u mome gradu
Pricalo se svasta, jer je znaju svi
Mislio sam lazu ljudi da su zli, da nije tako
Al' izgleda da sve to istina je bila
Da nije bilo tako - bila bi jos ziva
Taj lik nocu nije mog'o dati mira
Svima koji puste da po srcu svira takva riba.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
Oduvek sam mislio da nisam tvoja liga
Valjda nisam tog kalibra, nisam bio takav igrac
Al' igram u nadi da ces jednog dana biti moja riba
Zahvalan sam Bogu za dan kad si u moj zivot stigla
Hocu mnogo dece s' njom, hocu da se mnozi
Vecina njenih bivsih momaka truli u tvorzi
Al' ja nisam kao oni da u Bembari je vozim
Znam da imacu je samo ako dobru zvaku slozim
Jer kad si pored mene sreci nema kraja, Clara
Mada znam da me sa jos milion drugih ljudi varas
Pazi, ja nemam problem s' tim, mozes da odes s' njim
Al' uvek vratis se u saci da te osetim
Nijedna zena nije mogla tako da me lozi
Kad drzi me pod ruku, kad pusti da je trosim
Brate, vecno bi je drzao, njene plave usne ljubio
Al' kazu da je 2001. neko ubio
I posle svega toga ja sam samo stao
I dok me nisu digli nisam znao da sam pao
Trudim se da je zaboravim, al' onda se tek setim
Da je ona mozda najbolja stvar sto mi se desila
Jednom sam zavoleo i jednom sam se zajeb'o
Misleci da znam, ali nisam znao sta je to
Ne mogu da se trgnem, da je izbacim iz uma
Moja prava stara ljubav, plava dama Clara Schumann.
Sad shvatam da bila mi je prva
I ne smeta mi kada kazu da je kurva
Od gladnih suza do placanja racuna
Jedina prava stara ljubav
Plava dama Clara Schumann.
Je l' sad shvatas da bila ti je prva
I kol'ko puta si ostajao bez zuba
Stvarno je bitan taj kec i par nula
Jedina prava stara ljubav
Plava dama Clara Schumann.
- published: 28 Sep 2012
- views: 314185
10:08
Clara Schumann: Drei Romanzen Op. 21 (1853)
Drei Romanzen Op. 21 (1853) (score), Clara Wieck-Schumann (1819-1886). Ilja Scheps, piano.
1. Andante (00:00)
2. Allegretto: Sehr zart zu spielen (5:02)
3. Ag...
Drei Romanzen Op. 21 (1853) (score), Clara Wieck-Schumann (1819-1886). Ilja Scheps, piano.
1. Andante (00:00)
2. Allegretto: Sehr zart zu spielen (5:02)
3. Agitato (6:27)
Clara Schumann (born Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.
As part of the broad musical education given her by her father, Clara Wieck learned to compose, and from childhood to middle age she produced a good body of work. Clara wrote that "composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound". At age fourteen she wrote her piano concerto, with some help from Robert Schumann, and performed it at age sixteen at the Leipzig Gewandhaus with Mendelssohn conducting.
I don't own the audio nor the scores shown in the video.
audio: https://www.youtube.com/watch?v=xMYSq...
score: http://imslp.nl/imglnks/usimg/f/fa/IM...
https://wn.com/Clara_Schumann_Drei_Romanzen_Op._21_(1853)
Drei Romanzen Op. 21 (1853) (score), Clara Wieck-Schumann (1819-1886). Ilja Scheps, piano.
1. Andante (00:00)
2. Allegretto: Sehr zart zu spielen (5:02)
3. Agitato (6:27)
Clara Schumann (born Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.
As part of the broad musical education given her by her father, Clara Wieck learned to compose, and from childhood to middle age she produced a good body of work. Clara wrote that "composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound". At age fourteen she wrote her piano concerto, with some help from Robert Schumann, and performed it at age sixteen at the Leipzig Gewandhaus with Mendelssohn conducting.
I don't own the audio nor the scores shown in the video.
audio: https://www.youtube.com/watch?v=xMYSq...
score: http://imslp.nl/imglnks/usimg/f/fa/IM...
- published: 13 Feb 2016
- views: 253649
14:10
Clara Schumann - 3 Romances for piano Op. 11 (audio + sheet music)
Clara Wieck Schumann has often been misleadingly referred to as the wife of composer Robert Schumann, and as one of the leading pianists of her day, rather than...
Clara Wieck Schumann has often been misleadingly referred to as the wife of composer Robert Schumann, and as one of the leading pianists of her day, rather than as a composer in her own right. Beginning in the last quarter of the twentieth century however, her stature as a composer finally became recognized. Still, she cannot by any reasonable measure be ranked as a major composer, owing in great part to her relatively small output. She nonetheless wrote significant
compositions in both the keyboard and vocal realms. Had she been able to devote more time to composition -- she was occupied by maternal matters much of
the time, having given birth to eight children -- she might well have risen to the artistic heights of her husband. Some of her later works -- the Six Lieder, Op. 23, for
instance -- demonstrate considerable subtlety and depth.
Clara Wieck was born on September 13, 1819, in Leipzig. She began studying the piano with her domineering and difficult father, whom her mother, a talented singer, later divorced. Mr. Wieck was a piano teacher of high repute. Clara gave her debut concert in Leipzig at the age of seven playing Kalkbrenner's duet,
Variations on a March from Moses, with him.
In 1830, Robert Schumann began study with Wieck, at which time he first met Clara. At twelve Clara toured Europe with her father, achieving great success in Paris and throughout Germany. By 1837 she was recognized as one of the leading virtuosos in Europe, and her career as a composer was blossoming as well.
Her first compositions date from 1830, but her 1836 Soirées musicales, Op. 6, already shows considerable sophistication. In 1837 she and Schumann became
engaged, with boisterous objections from her father.
Clara seems to have broken from her father's influence when she toured Paris alone in 1839. The break was made complete the following year when she married Robert Schumann. They would have eight children, and Clara would slowly watch her sensitive husband lose his sanity. The couple at first lived in Leipzig, where
both taught at the University.
Clara did not write much in the early years of her marriage, though she did complete the Six Lieder, Op. 13 (1842-1843), and some piano pieces, including the Three Preludes and Fugue (1845). In 1853, the Schumanns moved to Düsseldorf, and Clara had a very productive summer, producing several significant works,
including her Op. 20 Variations on a theme of Robert Schumann and the aforementioned Op. 23. In 1854, Robert Schumann suffered a mental collapse and
attempted suicide, after which he was committed to an asylum where he lived for the rest of his life. He passed away in 1856.
Johannes Brahms, who had been introduced to the Schumanns in 1853 through the violin virtuoso Joseph Joachim, became an increasingly important figure in Clara's life. To this day, their exact relationship is unclear, but it is difficult to refute claims they had an affair. Brahms was 14 years Clara's junior, and possibly felt
their age difference too great an obstacle for marriage.
Clara composed little in the years following Robert's death, even after her children were grown. She lived in Berlin from 1857 to 1863, at which time she moved to Baden-Baden. After briefly returning to Berlin in 1873, she took a teaching post at the Frankfurt Hoch Conservatory (1878). She continued to concertize until 1891.
She died of a stroke on May 20, 1896.
(AllMusic)
Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience.
Original audio: Yoshiko Iwai (Naxos, 1999)
https://www.youtube.com/watch?v=YmaX4tNyJL0
https://www.youtube.com/watch?v=KKU18ScyQzM
https://www.youtube.com/watch?v=0-igegLjhbU
Original sheet music: imslp.org/wiki/3_Romances%2C_Op.11_(Schumann%2C_Clara) (G. Henle Verlag, 1986)
https://wn.com/Clara_Schumann_3_Romances_For_Piano_Op._11_(Audio_Sheet_Music)
Clara Wieck Schumann has often been misleadingly referred to as the wife of composer Robert Schumann, and as one of the leading pianists of her day, rather than as a composer in her own right. Beginning in the last quarter of the twentieth century however, her stature as a composer finally became recognized. Still, she cannot by any reasonable measure be ranked as a major composer, owing in great part to her relatively small output. She nonetheless wrote significant
compositions in both the keyboard and vocal realms. Had she been able to devote more time to composition -- she was occupied by maternal matters much of
the time, having given birth to eight children -- she might well have risen to the artistic heights of her husband. Some of her later works -- the Six Lieder, Op. 23, for
instance -- demonstrate considerable subtlety and depth.
Clara Wieck was born on September 13, 1819, in Leipzig. She began studying the piano with her domineering and difficult father, whom her mother, a talented singer, later divorced. Mr. Wieck was a piano teacher of high repute. Clara gave her debut concert in Leipzig at the age of seven playing Kalkbrenner's duet,
Variations on a March from Moses, with him.
In 1830, Robert Schumann began study with Wieck, at which time he first met Clara. At twelve Clara toured Europe with her father, achieving great success in Paris and throughout Germany. By 1837 she was recognized as one of the leading virtuosos in Europe, and her career as a composer was blossoming as well.
Her first compositions date from 1830, but her 1836 Soirées musicales, Op. 6, already shows considerable sophistication. In 1837 she and Schumann became
engaged, with boisterous objections from her father.
Clara seems to have broken from her father's influence when she toured Paris alone in 1839. The break was made complete the following year when she married Robert Schumann. They would have eight children, and Clara would slowly watch her sensitive husband lose his sanity. The couple at first lived in Leipzig, where
both taught at the University.
Clara did not write much in the early years of her marriage, though she did complete the Six Lieder, Op. 13 (1842-1843), and some piano pieces, including the Three Preludes and Fugue (1845). In 1853, the Schumanns moved to Düsseldorf, and Clara had a very productive summer, producing several significant works,
including her Op. 20 Variations on a theme of Robert Schumann and the aforementioned Op. 23. In 1854, Robert Schumann suffered a mental collapse and
attempted suicide, after which he was committed to an asylum where he lived for the rest of his life. He passed away in 1856.
Johannes Brahms, who had been introduced to the Schumanns in 1853 through the violin virtuoso Joseph Joachim, became an increasingly important figure in Clara's life. To this day, their exact relationship is unclear, but it is difficult to refute claims they had an affair. Brahms was 14 years Clara's junior, and possibly felt
their age difference too great an obstacle for marriage.
Clara composed little in the years following Robert's death, even after her children were grown. She lived in Berlin from 1857 to 1863, at which time she moved to Baden-Baden. After briefly returning to Berlin in 1873, she took a teaching post at the Frankfurt Hoch Conservatory (1878). She continued to concertize until 1891.
She died of a stroke on May 20, 1896.
(AllMusic)
Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience.
Original audio: Yoshiko Iwai (Naxos, 1999)
https://www.youtube.com/watch?v=YmaX4tNyJL0
https://www.youtube.com/watch?v=KKU18ScyQzM
https://www.youtube.com/watch?v=0-igegLjhbU
Original sheet music: imslp.org/wiki/3_Romances%2C_Op.11_(Schumann%2C_Clara) (G. Henle Verlag, 1986)
- published: 26 Mar 2024
- views: 13749
12:01
The Wild Life of Clara Schumann
This video is a biography of Clara Schumann for Music History II.
This video is a biography of Clara Schumann for Music History II.
https://wn.com/The_Wild_Life_Of_Clara_Schumann
This video is a biography of Clara Schumann for Music History II.
- published: 24 Dec 2017
- views: 45262
2:12
Ich stand in dunklen Träumen from 6 Lieder Op. 13 - Clara Schumann
Recorded on December 22, 2024 in Nürnberg, Germany
6 Lieder Op. 13 - Clara Schumann
I. Ich stand in dunklen Träumen
Ich stand in dunklen Träumen
Und starrte ...
Recorded on December 22, 2024 in Nürnberg, Germany
6 Lieder Op. 13 - Clara Schumann
I. Ich stand in dunklen Träumen
Ich stand in dunklen Träumen
Und starrte ihr Bildnis an,
Und das geliebte Antlitz
Heimlich zu leben begann.
Um ihre Lippen zog sich
Ein Lächeln wunderbar,
Und wie von Wehmutstränen
Erglänzte ihr Augenpaar.
Auch meine Tränen flossen
Mir von den Wangen herab –
Und ach, ich kann’s nicht glauben,
Dass ich dich verloren hab!
Text by Heinrich Heine
Tenor : Sewon Oh
Guitar : Jehee Lee
Accompaniment arranged for Guitar by Jehee Lee
Video and Audio produced by Jehee Lee
https://wn.com/Ich_Stand_In_Dunklen_Träumen_From_6_Lieder_Op._13_Clara_Schumann
Recorded on December 22, 2024 in Nürnberg, Germany
6 Lieder Op. 13 - Clara Schumann
I. Ich stand in dunklen Träumen
Ich stand in dunklen Träumen
Und starrte ihr Bildnis an,
Und das geliebte Antlitz
Heimlich zu leben begann.
Um ihre Lippen zog sich
Ein Lächeln wunderbar,
Und wie von Wehmutstränen
Erglänzte ihr Augenpaar.
Auch meine Tränen flossen
Mir von den Wangen herab –
Und ach, ich kann’s nicht glauben,
Dass ich dich verloren hab!
Text by Heinrich Heine
Tenor : Sewon Oh
Guitar : Jehee Lee
Accompaniment arranged for Guitar by Jehee Lee
Video and Audio produced by Jehee Lee
- published: 11 Jan 2025
- views: 89
28:18
Clara Schumann: Piano Trio Op. 17 (1846)
Piano Trio Op. 17 (1846) (score), Clara Wieck-Schumann (1819-1896).
Micaela Gelius, piano.
Sreten Krstic, violin.
Stephan Haack, piano.
I. Allegro moderato...
Piano Trio Op. 17 (1846) (score), Clara Wieck-Schumann (1819-1896).
Micaela Gelius, piano.
Sreten Krstic, violin.
Stephan Haack, piano.
I. Allegro moderato (00:00)
II. Scherzo, tempo di minuetto (10:27)
III. Andante (15:11)
IV. Allegretto (20:36)
The Piano Trio in G minor by Clara Schumann was written in 1846, and is labeled as opus 17. It has been called "probably" the "masterpiece" among Clara's compositions. The work is written for a piano trio comprising piano, violin, and cello. It has four movements:
Allegro moderato in G minor, in common (4/4) time with a tempo of 152 quarter notes to the minute.
Scherzo and Trio in B-flat major and E-flat major, respectively. The Scherzo is in 3/4 time and has a tempo of 160 quarter notes to the minute. The Trio is also in 3/4 time and shows no change in tempo from the Scherzo.
Andante in G major, in 6/8 time and 112 eighth notes to the minute.
Allegretto in G minor, in 2/4 time and 96 quarter notes to the minute.
Clara Schumann (née Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.
I don't own the audio nor the scores shown in the video.
audio: https://www.youtube.com/watch?v=hz87GVnDY7s / https://www.youtube.com/watch?v=NcQIzwfQRuY / https://www.youtube.com/watch?v=lCsG_o-e9UY / https://www.youtube.com/watch?v=NcQIzwfQRuY
https://wn.com/Clara_Schumann_Piano_Trio_Op._17_(1846)
Piano Trio Op. 17 (1846) (score), Clara Wieck-Schumann (1819-1896).
Micaela Gelius, piano.
Sreten Krstic, violin.
Stephan Haack, piano.
I. Allegro moderato (00:00)
II. Scherzo, tempo di minuetto (10:27)
III. Andante (15:11)
IV. Allegretto (20:36)
The Piano Trio in G minor by Clara Schumann was written in 1846, and is labeled as opus 17. It has been called "probably" the "masterpiece" among Clara's compositions. The work is written for a piano trio comprising piano, violin, and cello. It has four movements:
Allegro moderato in G minor, in common (4/4) time with a tempo of 152 quarter notes to the minute.
Scherzo and Trio in B-flat major and E-flat major, respectively. The Scherzo is in 3/4 time and has a tempo of 160 quarter notes to the minute. The Trio is also in 3/4 time and shows no change in tempo from the Scherzo.
Andante in G major, in 6/8 time and 112 eighth notes to the minute.
Allegretto in G minor, in 2/4 time and 96 quarter notes to the minute.
Clara Schumann (née Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations and Fugue on a Theme by Handel.
I don't own the audio nor the scores shown in the video.
audio: https://www.youtube.com/watch?v=hz87GVnDY7s / https://www.youtube.com/watch?v=NcQIzwfQRuY / https://www.youtube.com/watch?v=lCsG_o-e9UY / https://www.youtube.com/watch?v=NcQIzwfQRuY
- published: 29 Feb 2016
- views: 464134