- published: 23 Aug 2016
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Cassandra (Greek: Κασσάνδρα, pronounced [kas̚sándra͜a], also Κασάνδρα), also known as Alexandra or Kassandra, was the daughter of King Priam and Queen Hecuba of Troy.
A common version of her story is that, in an effort to seduce her, Apollo gave her the power of prophecy—but when she refused him, he spat into her mouth to inflict a curse that nobody would ever believe her prophecies. In an alternate version, she fell asleep in a temple, and snakes licked (or whispered in) her ears so that she could hear the future. A snake as a source of knowledge is a recurring theme in Greek mythology, though sometimes the snake brings understanding of the language of animals rather than an ability to know the future. Cassandra is a figure of epic tradition and of tragedy.
Hjalmar Frisk (Griechisches Etymologisches Wörterbuch, Heidelberg, 1960–1970) notes "unexplained etymology", citing "various hypotheses" found in Wilhelm Schulze, Kleine Schriften (1966), 698, J. B. Hoffmann, Glotta 28, 52, Edgar Howard Sturtevant, Class. Phil. 21, 248ff., J. Davreux, La légende de la prophétesse Cassandre (Paris, 1942) 90ff., and Albert Carnoy, Les ét. class. 22, 344. R. S. P. Beekes (Etymological Dictionary of Greek, Brill, 2009, p. 654) cites García Ramón's derivation of the name from the Proto-Indo-European root *(s)kend- "raise".
Out of Doors is a set of five piano solo pieces, Sz. 81, BB 89, written by Béla Bartók in 1926. Out of Doors (Hungarian: Szabadban, German: Im Freien, French: En Plein Air) is among the very few instrumental compositions by Bartók with programmatic titles.
Out of Doors contains the following five pieces with approximate duration based on metronome markings:
After World War I (1914–1918), Bartók was largely prevented from continuing his folk music field research outside Hungary. This increased the development of his own personal style, marked by a sublimation of folk music into art music. Bartók composed Out of Doors in the 'piano year' of 1926, together with his Piano Sonata, his First Piano Concerto, and Nine Little Pieces. This particularly fruitful year followed a period of little compositional activity. The main trigger to start composing again was Bartók's attendance on 15 March 1926 of a performance of Stravinsky's Concerto for Piano and Wind Instruments (and Le Rossignol and Petrushka) in Budapest with the composer as pianist. This piece and Bartók's compositions of 1926 are marked by the treatment of the piano as a percussion instrument. Bartók wrote in early 1927:
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Bartók:Out of Doors Sz. 81 Volume 1 I. With drums and pipes. Pesante II. Barcarolla. Andante III. Musettes. Moderato Erzsébet Tusa, piano Erzsébet Tusa was born in Budapest in 1928. After having studied under professor Pál Kadosa at the piano department of the Budapest Liszt Academy of Music, she graduated with distinction in 1948. In the same year, she won third prize in the Geneva International Piano Concours. Soon thereafter she established herself as a coveted pianist in Hungarys concert halls and gained renown in many foreign countries as well. Although her repertory ranges from Bach to contemporary composers, Mrs. Tusa has a special penchant for Liszt, Debussy and Bartók, whose works she has committed to gramophone records. As she has set herself the task of propagat...
http://cassandrawang.com This is the 2nd piece of my recital. This piece is composed by Bartok, it is a 5-piece suite. With different characters/modes/moods in each piece. The last piece is "Chase" and I'm sure you'll feel it:) Please subscribe, comment. And help me to reach 200 subscriber goal:) Thank you so much!
David Murray - Tenor sax Ed Blackwell- Drums Fred Hopkins- bass John Hicks - Piano 1 Off Season 2 Lovers 3 Morning Song 4 Ming 5 Murray's Steps 6 Duet
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