- published: 18 Nov 2012
- views: 20804
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Wednesday, 06 July 2016
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remove the playlistEmpty Set
- remove the playlistEmpty Set
back to playlist
0:00 - "Origin"
3:18 - "Fragment"
6:34 - "Disperse"
10:51 - "Order"
17:28 - "Absence"
21:45 - "Lens"
24:45 - "Instant"
28:21 - "Recur"
31:48 - "Limit"
Via The Quietus~
Both on paper and from their very first records, Emptyset have been worth watching since the beginning. Emerging in 2007 on the little-known Future Days label making stark, minimalist and industrially-laced techno far before it became fashionable, Paul Purgas and collaborator James Ginzburg - the latter already well known as head of Bristol's Multiverse studio/label complex, as well as his bass music discography as Ginz and more - quickly attracted attention, and started releasing music through October's creatively-wandering Caravan label. Freed of constraints for their first full length, the pair found their footing -- as well as their first Pan Sonic comparisons -- in their challenging, suite-based self-titled debut, which sent them on a no-looking-back quest to contort and complicate the rules of their own work.
Since then, things have moved briskly: site-specific sound installations, recordings of which were through the Multiverse-associated Subtext label; increasing discussions of architectural concerns in their interviews; and, finally, their appearance on Raster-Noton, a label whose past form for bridging between gallery and dancefloor seems an ideal fit for their endeavours. If anything, Emptyset are actually amongst the label's more obtuse acts; while certain others in the roster flirted with Sandwell District-esque ideas of hard hitting, industrial-influenced but inherently melodic and danceable music, Purgas and Ginzberg have relentlessly deconstructed their sound and reformed it into increasingly twisted configurations.
Weighing in at scarcely over half an hour, their third album Recur may barely exceed the length of many EPs, but it dramatically sharpens the force of their strike. Gone are the barest reminders of the techno tropes that briefly landed them on the CLR label; likewise none of second album Demiurge's messy sonic signature remains. Medium and Material found them expressing their interest in physical spaces - setting up speaker rigs to pass sound through a dilapidated mansion, a concrete bunker, a decommissioned nuclear plant and more, and capturing the resulting imprints on recording. Here the spatial interest remains but is wound up into a wild, barely-rhythmic lurch that shifts before the listener can quite grasp its form. Collapsed, their previous EP for Raster-Noton, while hardly an easy record, was reducible compared to this, and its beats were more regular and repeating.
Here, slowly eroding rhythmic patterns rub against dramatic whiplash use of reverb and panning, deliberately spatialising the harsher sonic elements to further confront the listener. Whenever a cycle repeats enough times to almost nod to, a dramatic pause or cutoff intercedes, often combined with an outburst of industrial strength noise. The pieces themselves are deliberately short, and even then some of them contain two or more contrasting sections. The longest, 'Order' is actually the album's single most stable point, as an understated 4/4 pulse accompanies a gradual rise in frequency of the sampled noise, alongside intensifying sequenced outbursts of feedback, until it reaches a nearly-unbearable climax. Even the heavily processed, in-the-jet-engine hum of 'Absence' gradually accomplishes both regular movement and speaker-shredding noise intensity.
Between the technical bravura of their sonic sculpting and the intentionally confounding rhythmic shifting, the music on Recur invites comparison to some of the more violent developments in breakcore or a few of metal's most musically adept and electronically-oriented bands. To some extent, the parallels are deliberate; based on the odd time signatures employed on the previous EP, Emptyset are clearly embracing technical musicianship. However, compared to that and all of their previous efforts, they've honed every sound and gesture on Recur to a razor's edge, and it makes for a thrilling if difficult ride, as well as their weightiest and most complete statement of intent yet.
=——————————————————————————=
Disclaimer - This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
- published: 02 May 2014
- views: 31649
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analogue junctions. As a means of synchronising sound and image an electromagnetic coil was used, which when triggered by the audio outputted from a power amp created corresponding visual distortions. This resulted in the audio directly driving and shaping the signal itself. A cube was used as a structure that could be collapsed throughout the video, shifting from solidity to a series of disparate distorted planes, still locked to the sound but no longer contained in their original state. This work is currently being developed for a live context, expanding on the perfomative possibilities of signal processing, distortion and transmission. 'Collapse' forms part of emptyset's 'Collapsed' ep on Raster Noton.
Video by Clayton Welham and Sam Williams
- published: 10 Oct 2012
- views: 98843
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist!
UnderGorund Electronic Music
Twitter:
http://twitter.com/UnderMusicMed
http://twitter.com/Andres_Beatfunk
Facebook: http://www.facebook.com/Undermusic.med
- published: 18 Mar 2013
- views: 4071
Video for the title track of emptyset's project "Medium"
Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was made by Clayton Welham and Sam Williams using single frames from footage shot at Woodchester Mansion. All footage was broadcast, processed and captured before editing, a technique developed to mirror Emptyset's 'chain of sound' processes.
http://www.subtextrecordings.net
- published: 15 Mar 2012
- views: 45686
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release on Subtext.
- published: 29 Jul 2013
- views: 1520
In mathematics, and more specifically set theory, the empty set is the unique set having no elements; its size or cardinality (count of elements in a set) is zero. Some axiomatic set theories assure that the empty set exists by including an axiom of empty set; in other theories, its existence can be deduced. Many possible properties of sets are trivially true for the empty set.
Null set was once a common synonym for "empty set", but is now a technical term in measure theory.
Common notations for the empty set include "{}," "Failed to parse (Missing texvc executable; please see math/README to configure.): \varnothing ", and "Failed to parse (Missing texvc executable; please see math/README to configure.): \emptyset ". The latter two symbols were introduced by the Bourbaki group (specifically André Weil) in 1939, inspired by the letter Ø in the Danish and Norwegian alphabet (and not related in any way to the Greek letter Φ). Other notations for the empty set include "Λ" and "0"
The empty-set symbol ∅ is found at Unicode point U+2205. In TeX, it is coded as \emptyset or \varnothing.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Empty_set
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Empty may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Empty
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Set may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Set
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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2:08The Empty Set or the Null Set , Intermediate Algebra , Lesson 27
The Empty Set or the Null Set , Intermediate Algebra , Lesson 27 -
34:52Emptyset - Recur // full album HD
Emptyset - Recur // full album HDEmptyset - Recur // full album HD
0:00 - "Origin" 3:18 - "Fragment" 6:34 - "Disperse" 10:51 - "Order" 17:28 - "Absence" 21:45 - "Lens" 24:45 - "Instant" 28:21 - "Recur" 31:48 - "Limit" Via The Quietus~ Both on paper and from their very first records, Emptyset have been worth watching since the beginning. Emerging in 2007 on the little-known Future Days label making stark, minimalist and industrially-laced techno far before it became fashionable, Paul Purgas and collaborator James Ginzburg - the latter already well known as head of Bristol's Multiverse studio/label complex, as well as his bass music discography as Ginz and more - quickly attracted attention, and started releasing music through October's creatively-wandering Caravan label. Freed of constraints for their first full length, the pair found their footing -- as well as their first Pan Sonic comparisons -- in their challenging, suite-based self-titled debut, which sent them on a no-looking-back quest to contort and complicate the rules of their own work. Since then, things have moved briskly: site-specific sound installations, recordings of which were through the Multiverse-associated Subtext label; increasing discussions of architectural concerns in their interviews; and, finally, their appearance on Raster-Noton, a label whose past form for bridging between gallery and dancefloor seems an ideal fit for their endeavours. If anything, Emptyset are actually amongst the label's more obtuse acts; while certain others in the roster flirted with Sandwell District-esque ideas of hard hitting, industrial-influenced but inherently melodic and danceable music, Purgas and Ginzberg have relentlessly deconstructed their sound and reformed it into increasingly twisted configurations. Weighing in at scarcely over half an hour, their third album Recur may barely exceed the length of many EPs, but it dramatically sharpens the force of their strike. Gone are the barest reminders of the techno tropes that briefly landed them on the CLR label; likewise none of second album Demiurge's messy sonic signature remains. Medium and Material found them expressing their interest in physical spaces - setting up speaker rigs to pass sound through a dilapidated mansion, a concrete bunker, a decommissioned nuclear plant and more, and capturing the resulting imprints on recording. Here the spatial interest remains but is wound up into a wild, barely-rhythmic lurch that shifts before the listener can quite grasp its form. Collapsed, their previous EP for Raster-Noton, while hardly an easy record, was reducible compared to this, and its beats were more regular and repeating. Here, slowly eroding rhythmic patterns rub against dramatic whiplash use of reverb and panning, deliberately spatialising the harsher sonic elements to further confront the listener. Whenever a cycle repeats enough times to almost nod to, a dramatic pause or cutoff intercedes, often combined with an outburst of industrial strength noise. The pieces themselves are deliberately short, and even then some of them contain two or more contrasting sections. The longest, 'Order' is actually the album's single most stable point, as an understated 4/4 pulse accompanies a gradual rise in frequency of the sampled noise, alongside intensifying sequenced outbursts of feedback, until it reaches a nearly-unbearable climax. Even the heavily processed, in-the-jet-engine hum of 'Absence' gradually accomplishes both regular movement and speaker-shredding noise intensity. Between the technical bravura of their sonic sculpting and the intentionally confounding rhythmic shifting, the music on Recur invites comparison to some of the more violent developments in breakcore or a few of metal's most musically adept and electronically-oriented bands. To some extent, the parallels are deliberate; based on the odd time signatures employed on the previous EP, Emptyset are clearly embracing technical musicianship. However, compared to that and all of their previous efforts, they've honed every sound and gesture on Recur to a razor's edge, and it makes for a thrilling if difficult ride, as well as their weightiest and most complete statement of intent yet. =——————————————————————————= Disclaimer - This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law. -
3:36emptyset - Collapse [Official HD]
emptyset - Collapse [Official HD]emptyset - Collapse [Official HD]
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analogue junctions. As a means of synchronising sound and image an electromagnetic coil was used, which when triggered by the audio outputted from a power amp created corresponding visual distortions. This resulted in the audio directly driving and shaping the signal itself. A cube was used as a structure that could be collapsed throughout the video, shifting from solidity to a series of disparate distorted planes, still locked to the sound but no longer contained in their original state. This work is currently being developed for a live context, expanding on the perfomative possibilities of signal processing, distortion and transmission. 'Collapse' forms part of emptyset's 'Collapsed' ep on Raster Noton. Video by Clayton Welham and Sam Williams -
3:09Emptyset - Limit [Recur 2013]
Emptyset - Limit [Recur 2013] -
6:09Emptyset - "Completely Gone"
Emptyset - "Completely Gone" -
4:12Emptyset - Awake [HD]
Emptyset - Awake [HD]Emptyset - Awake [HD]
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist! UnderGorund Electronic Music Twitter: http://twitter.com/UnderMusicMed http://twitter.com/Andres_Beatfunk Facebook: http://www.facebook.com/Undermusic.med -
6:15Empty Set is a Subset of Every Set [7/12 on Sets and Functions]
Empty Set is a Subset of Every Set [7/12 on Sets and Functions] -
4:15emptyset - Medium (Official HD)
emptyset - Medium (Official HD)emptyset - Medium (Official HD)
Video for the title track of emptyset's project "Medium" Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was made by Clayton Welham and Sam Williams using single frames from footage shot at Woodchester Mansion. All footage was broadcast, processed and captured before editing, a technique developed to mirror Emptyset's 'chain of sound' processes. http://www.subtextrecordings.net -
6:38Emptyset - Order
Emptyset - Order -
5:21Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release on Subtext.
- 1 (number)
- Abductive reasoning
- Alain Badiou
- Alan Ross Anderson
- Alan Turing
- Alexander Bain
- Alfred Tarski
- Alonzo Church
- Ambiguity
- André Weil
- Antinomy
- Argument
- Argumentation theory
- Aristotle
- Augustus De Morgan
- Averroes
- Avicenna
- Axiology
- Axiom
- Axiom of empty set
- Axiom of infinity
- Axiomatic set theory
- Axiomatic system
- Belief
- Bertrand Russell
- Bias
- Boolean function
- Boolean logic
- Boundary (topology)
- Bourbaki group
- Cantor's theorem
- Cardinality
- Cartesian product
- Category Logic
- Category theory
- Chess
- Chrysippus
- Church–Turing thesis
- Class (set theory)
- Classical logic
- Clopen set
- Closed set
- Cogency
- Compact set
- Completeness
- Computability theory
- Computable function
- Consistency
- Countable set
- Credibility
- Critical thinking
- David Hilbert
- Decidability (logic)
- Decision problem
- Deductive reasoning
- Deductive system
- Definition
- Degree of truth
- Deontic logic
- Description
- Description logic
- Dialetheism
- Domain of a function
- Domain of discourse
- Doxastic logic
- Duns Scotus
- Effective method
- Empty function
- Empty product
- Empty set
- Entailment
- Entscheidungsproblem
- Enumeration
- Ernst Schröder
- Ernst Zermelo
- Evidence
- Explanation
- Explanatory power
- Extended reals
- Extensionality
- Fact
- Fallacy
- Fictionalism
- Finitary relation
- Finite model theory
- Finite set
- Finitism
- First-order logic
- For any
- Formal language
- Formal proof
- Formal system
- Formation rule
- Free logic
- Fuzzy finite element
- Fuzzy logic
- Fuzzy rule
- Fuzzy set
- Fuzzy set operations
- Georg Cantor
- George Boole
- George Boolos
- Gerhard Gentzen
- Giuseppe Peano
- Gottlob Frege
- Haskell Curry
- Heyting arithmetic
- Hilary Putnam
- History of logic
- Identity element
- Inductive reasoning
- Inference
- Infimum
- Infinite set
- Informal logic
- Inhabited set
- Initial object
- Inquiry
- Intuitionism
- Intuitionistic logic
- John B. Conway
- Jon Barwise
- Jonathan Lowe
- King (chess)
- Kurt Gödel
- Leopold Löwenheim
- Linear logic
- List of fallacies
- List of logicians
- List of paradoxes
- Logic
- Logical atomism
- Logical connective
- Logical form
- Logical truth
- Logicism
- Ludwig Wittgenstein
- Mathematical logic
- Mathematics
- Measure theory
- Metalogic
- Metamathematics
- Metatheorem
- Modal logic
- Modal operator
- Model theory
- Multiplication
- Name
- Natural deduction
- Negative infinity
- Nominalism
- Non-classical logic
- Non-standard model
- Null set
- Nullary
- Ontological
- Ontology
- Ontology language
- Open neighbourhood
- Open set
- Opening move (chess)
- Opinion
- Ordered pair
- Ordered set
- Outline of logic
- Paraconsistent logic
- Paradox
- Parsimony
- Paul Bernays
- Paul Halmos
- Peter Geach
- Phi (letter)
- Philosophical logic
- Philosophy
- Philosophy of logic
- Platonic realism
- Portal Logic
- Positive infinity
- Possible world
- Power set
- Pragmatism
- Predicate logic
- Premise
- Presupposition
- Probability
- Proof theory
- Propaganda
- Proposition
- Prudence
- Quantification
- Range (mathematics)
- Raymond Smullyan
- Real number line
- Reason
- Recursion
- Recursive set
- Reference
- Relevance
- Relevance logic
- Rhetoric
- Richard Jeffrey
- Rigour
- Rudolf Carnap
- Rule of inference
- Satisfiability
- Saul Kripke
- Second-order logic
- Semantics
- Set (mathematics)
- Set theory
- Soundness
- Square of opposition
- Statement (logic)
- Stephen Cole Kleene
- Strict implication
- Structural rule
- Subset
- Substitution (logic)
- Substructural logic
- Sum
- Supremum
- Syllogism
- Symbol (formal)
- Syntax (logic)
- Template Logic
- Template talk Logic
- Temporal logic
- Term logic
- TeX
- Theorem
- Thoralf Skolem
- Topological space
- Truth
- Truth table
- Truth value
- Type theory
- Uncountable set
- Unicode
- Union (set theory)
- Vacuous truth
- Vagueness
- Validity
- Venn diagram
- Well-formed formula
- William of Ockham
- Zermelo set theory
- Ø
- Ø (disambiguation)
- Alain Badiou
- Alan Ross Anderson
- Alan Turing
- Alexander Bain
- Alfred Tarski
- Alonzo Church
- André Weil
- Aristotle
- Augustus De Morgan
- Averroes
- Avicenna
- Bertrand Russell
- Chrysippus
- David Hilbert
- Duns Scotus
- Ernst Schröder
- Ernst Zermelo
- Georg Cantor
- George Boole
- George Boolos
- Gerhard Gentzen
- Giuseppe Peano
- Gottlob Frege
- Haskell Curry
- Hilary Putnam
- Jon Barwise
- Kurt Gödel
- Leopold Löwenheim
- Ludwig Wittgenstein
- Paul Bernays
- Paul Halmos
- Peter Geach
- Raymond Smullyan
- Richard Jeffrey
- Rudolf Carnap
- Saul Kripke
- Stephen Cole Kleene
- Thoralf Skolem
- William of Ockham
Empty Set
ALBUMS
- Deals, Dough & Dames released: 1997
- As Neat as a New Pin released:
Deals, Dough & Dames
Released 1997- add to main playlist Play in Full Screen Sweet Dirty Sweet
- add to main playlist Play in Full Screen D Is for Fat Dick
- add to main playlist Play in Full Screen Go Away
- add to main playlist Play in Full Screen Crazy
- add to main playlist Play in Full Screen Long Way to Go
- add to main playlist Play in Full Screen All About Adam
- add to main playlist Play in Full Screen Rock 'n' Roll
- add to main playlist Play in Full Screen Tijuana
- add to main playlist Play in Full Screen Rock Candy
- add to main playlist Play in Full Screen Tell Me Stop
- add to main playlist Play in Full Screen Burning Down
- add to main playlist Play in Full Screen Wall Song
- add to main playlist Play in Full Screen Lucky Strike
- add to main playlist Play in Full Screen Train
- add to main playlist Play in Full Screen Down on the Street (live)
- add to main playlist Play in Full Screen Shakin' Street (live)
- add to main playlist Play in Full Screen RU (live)
- add to main playlist Play in Full Screen Goin' Down (live)
As Neat as a New Pin
- add to main playlist Play in Full Screen Portia, I Dreamt You Were Real
- add to main playlist Play in Full Screen My Girl's on the Other Side of the World
- add to main playlist Play in Full Screen A Challenge to Copernicus
- add to main playlist Play in Full Screen George, You Must Write Better
- add to main playlist Play in Full Screen Your Hay Fever
- add to main playlist Play in Full Screen Some Candy Talking
- add to main playlist Play in Full Screen Stephanie, Ne Pleure Pas
- add to main playlist Play in Full Screen Alice & Bob (Forlorn Photon Love)
- add to main playlist Play in Full Screen You're the Top
- add to main playlist Play in Full Screen Portia, I Dreamt You Were a Princess (remix)
-
-
Emptyset - Recur // full album HD
0:00 - "Origin" 3:18 - "Fragment" 6:34 - "Disperse" 10:51 - "Order" 17:28 - "Absence" 21:45 - "Lens" 24:45 - "Instant" 28:21 - "Recur" 31:48 - "Limit" Via The Quietus~ Both on paper and from their very first records, Emptyset have been worth watching since the beginning. Emerging in 2007 on the little-known Future Days label making stark, minimalist and industrially-laced techno far before it became fashionable, Paul Purgas and collaborator James Ginzburg - the latter already well known as head of Bristol's Multiverse studio/label complex, as well as his bass music discography as Ginz and more - quickly attracted attention, and started releasing music through October's creatively-wandering Caravan label. Freed of constraints for their first full length, the pair found their footing -- as... -
emptyset - Collapse [Official HD]
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analogue junctions. As a means of synchronising sound and image an electromagnetic coil was used, which when triggered by the audio outputted from a power amp created corresponding visual distortions. This resulted in the audio directly driving and shaping the signal itself. A cube was used as a structure that could be collapsed throughout the video, shifting from solidity to a series of disparate distorted planes, still locked to the sound but no longer contained in their original state. This work is currently being developed for a live context, expanding on the perfomative possibilities of signal processing, distortion and transmission... -
-
-
Emptyset - Awake [HD]
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist! UnderGorund Electronic Music Twitter: http://twitter.com/UnderMusicMed http://twitter.com/Andres_Beatfunk Facebook: http://www.facebook.com/Undermusic.med -
-
emptyset - Medium (Official HD)
Video for the title track of emptyset's project "Medium" Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was made by Clayton Welham and Sam Williams using single frames from footage shot at Woodchester Mansion. All footage was broadcast, processed and captured before editing, a technique developed to mirror Emptyset's 'chain of sound' processes. http://www.subtextrecordings.net -
-
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release on Subtext.
The Empty Set or the Null Set , Intermediate Algebra , Lesson 27
- Order: Reorder
- Duration: 2:08
- Updated: 18 Nov 2012
- views: 20804
This tutorial explains the simple concept of the empty set, otherwise known as the null set.
Need More Algebra Help? I highly recommend this book. http://amzn....
This tutorial explains the simple concept of the empty set, otherwise known as the null set.
Need More Algebra Help? I highly recommend this book. http://amzn.to/1EApcPp
Donate http://bit.ly/19AHMvX
wn.com/The Empty Set Or The Null Set , Intermediate Algebra , Lesson 27
Emptyset - Recur // full album HD
- Order: Reorder
- Duration: 34:52
- Updated: 02 May 2014
- views: 31649
0:00 - "Origin"
3:18 - "Fragment"
6:34 - "Disperse"
10:51 - "Order"
17:28 - "Absence"
21:45 - "Lens"
24:45 - "Instant"
28:21 - "Recur"
31:48 - "Limit"
Via The ...
0:00 - "Origin"
3:18 - "Fragment"
6:34 - "Disperse"
10:51 - "Order"
17:28 - "Absence"
21:45 - "Lens"
24:45 - "Instant"
28:21 - "Recur"
31:48 - "Limit"
Via The Quietus~
Both on paper and from their very first records, Emptyset have been worth watching since the beginning. Emerging in 2007 on the little-known Future Days label making stark, minimalist and industrially-laced techno far before it became fashionable, Paul Purgas and collaborator James Ginzburg - the latter already well known as head of Bristol's Multiverse studio/label complex, as well as his bass music discography as Ginz and more - quickly attracted attention, and started releasing music through October's creatively-wandering Caravan label. Freed of constraints for their first full length, the pair found their footing -- as well as their first Pan Sonic comparisons -- in their challenging, suite-based self-titled debut, which sent them on a no-looking-back quest to contort and complicate the rules of their own work.
Since then, things have moved briskly: site-specific sound installations, recordings of which were through the Multiverse-associated Subtext label; increasing discussions of architectural concerns in their interviews; and, finally, their appearance on Raster-Noton, a label whose past form for bridging between gallery and dancefloor seems an ideal fit for their endeavours. If anything, Emptyset are actually amongst the label's more obtuse acts; while certain others in the roster flirted with Sandwell District-esque ideas of hard hitting, industrial-influenced but inherently melodic and danceable music, Purgas and Ginzberg have relentlessly deconstructed their sound and reformed it into increasingly twisted configurations.
Weighing in at scarcely over half an hour, their third album Recur may barely exceed the length of many EPs, but it dramatically sharpens the force of their strike. Gone are the barest reminders of the techno tropes that briefly landed them on the CLR label; likewise none of second album Demiurge's messy sonic signature remains. Medium and Material found them expressing their interest in physical spaces - setting up speaker rigs to pass sound through a dilapidated mansion, a concrete bunker, a decommissioned nuclear plant and more, and capturing the resulting imprints on recording. Here the spatial interest remains but is wound up into a wild, barely-rhythmic lurch that shifts before the listener can quite grasp its form. Collapsed, their previous EP for Raster-Noton, while hardly an easy record, was reducible compared to this, and its beats were more regular and repeating.
Here, slowly eroding rhythmic patterns rub against dramatic whiplash use of reverb and panning, deliberately spatialising the harsher sonic elements to further confront the listener. Whenever a cycle repeats enough times to almost nod to, a dramatic pause or cutoff intercedes, often combined with an outburst of industrial strength noise. The pieces themselves are deliberately short, and even then some of them contain two or more contrasting sections. The longest, 'Order' is actually the album's single most stable point, as an understated 4/4 pulse accompanies a gradual rise in frequency of the sampled noise, alongside intensifying sequenced outbursts of feedback, until it reaches a nearly-unbearable climax. Even the heavily processed, in-the-jet-engine hum of 'Absence' gradually accomplishes both regular movement and speaker-shredding noise intensity.
Between the technical bravura of their sonic sculpting and the intentionally confounding rhythmic shifting, the music on Recur invites comparison to some of the more violent developments in breakcore or a few of metal's most musically adept and electronically-oriented bands. To some extent, the parallels are deliberate; based on the odd time signatures employed on the previous EP, Emptyset are clearly embracing technical musicianship. However, compared to that and all of their previous efforts, they've honed every sound and gesture on Recur to a razor's edge, and it makes for a thrilling if difficult ride, as well as their weightiest and most complete statement of intent yet.
=——————————————————————————=
Disclaimer - This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
wn.com/Emptyset Recur Full Album Hd
0:00 - "Origin"
3:18 - "Fragment"
6:34 - "Disperse"
10:51 - "Order"
17:28 - "Absence"
21:45 - "Lens"
24:45 - "Instant"
28:21 - "Recur"
31:48 - "Limit"
Via The Quietus~
Both on paper and from their very first records, Emptyset have been worth watching since the beginning. Emerging in 2007 on the little-known Future Days label making stark, minimalist and industrially-laced techno far before it became fashionable, Paul Purgas and collaborator James Ginzburg - the latter already well known as head of Bristol's Multiverse studio/label complex, as well as his bass music discography as Ginz and more - quickly attracted attention, and started releasing music through October's creatively-wandering Caravan label. Freed of constraints for their first full length, the pair found their footing -- as well as their first Pan Sonic comparisons -- in their challenging, suite-based self-titled debut, which sent them on a no-looking-back quest to contort and complicate the rules of their own work.
Since then, things have moved briskly: site-specific sound installations, recordings of which were through the Multiverse-associated Subtext label; increasing discussions of architectural concerns in their interviews; and, finally, their appearance on Raster-Noton, a label whose past form for bridging between gallery and dancefloor seems an ideal fit for their endeavours. If anything, Emptyset are actually amongst the label's more obtuse acts; while certain others in the roster flirted with Sandwell District-esque ideas of hard hitting, industrial-influenced but inherently melodic and danceable music, Purgas and Ginzberg have relentlessly deconstructed their sound and reformed it into increasingly twisted configurations.
Weighing in at scarcely over half an hour, their third album Recur may barely exceed the length of many EPs, but it dramatically sharpens the force of their strike. Gone are the barest reminders of the techno tropes that briefly landed them on the CLR label; likewise none of second album Demiurge's messy sonic signature remains. Medium and Material found them expressing their interest in physical spaces - setting up speaker rigs to pass sound through a dilapidated mansion, a concrete bunker, a decommissioned nuclear plant and more, and capturing the resulting imprints on recording. Here the spatial interest remains but is wound up into a wild, barely-rhythmic lurch that shifts before the listener can quite grasp its form. Collapsed, their previous EP for Raster-Noton, while hardly an easy record, was reducible compared to this, and its beats were more regular and repeating.
Here, slowly eroding rhythmic patterns rub against dramatic whiplash use of reverb and panning, deliberately spatialising the harsher sonic elements to further confront the listener. Whenever a cycle repeats enough times to almost nod to, a dramatic pause or cutoff intercedes, often combined with an outburst of industrial strength noise. The pieces themselves are deliberately short, and even then some of them contain two or more contrasting sections. The longest, 'Order' is actually the album's single most stable point, as an understated 4/4 pulse accompanies a gradual rise in frequency of the sampled noise, alongside intensifying sequenced outbursts of feedback, until it reaches a nearly-unbearable climax. Even the heavily processed, in-the-jet-engine hum of 'Absence' gradually accomplishes both regular movement and speaker-shredding noise intensity.
Between the technical bravura of their sonic sculpting and the intentionally confounding rhythmic shifting, the music on Recur invites comparison to some of the more violent developments in breakcore or a few of metal's most musically adept and electronically-oriented bands. To some extent, the parallels are deliberate; based on the odd time signatures employed on the previous EP, Emptyset are clearly embracing technical musicianship. However, compared to that and all of their previous efforts, they've honed every sound and gesture on Recur to a razor's edge, and it makes for a thrilling if difficult ride, as well as their weightiest and most complete statement of intent yet.
=——————————————————————————=
Disclaimer - This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
- published: 02 May 2014
- views: 31649
emptyset - Collapse [Official HD]
- Order: Reorder
- Duration: 3:36
- Updated: 10 Oct 2012
- views: 98843
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analo...
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analogue junctions. As a means of synchronising sound and image an electromagnetic coil was used, which when triggered by the audio outputted from a power amp created corresponding visual distortions. This resulted in the audio directly driving and shaping the signal itself. A cube was used as a structure that could be collapsed throughout the video, shifting from solidity to a series of disparate distorted planes, still locked to the sound but no longer contained in their original state. This work is currently being developed for a live context, expanding on the perfomative possibilities of signal processing, distortion and transmission. 'Collapse' forms part of emptyset's 'Collapsed' ep on Raster Noton.
Video by Clayton Welham and Sam Williams
wn.com/Emptyset Collapse Official Hd
The video for 'Collapse' looks to match the sequence of processes and distortions within the audio, by affecting footage and animation through a series of analogue junctions. As a means of synchronising sound and image an electromagnetic coil was used, which when triggered by the audio outputted from a power amp created corresponding visual distortions. This resulted in the audio directly driving and shaping the signal itself. A cube was used as a structure that could be collapsed throughout the video, shifting from solidity to a series of disparate distorted planes, still locked to the sound but no longer contained in their original state. This work is currently being developed for a live context, expanding on the perfomative possibilities of signal processing, distortion and transmission. 'Collapse' forms part of emptyset's 'Collapsed' ep on Raster Noton.
Video by Clayton Welham and Sam Williams
- published: 10 Oct 2012
- views: 98843
Emptyset - Limit [Recur 2013]
- Order: Reorder
- Duration: 3:09
- Updated: 30 Sep 2013
- views: 35223
UNOFFICIAL VIDEO
Emptyset
[James Ginzburg / Paul Purgas]
"Limit"
Recur
2013 raster-noton r-n 151
video
[k_sixsix]
UNOFFICIAL VIDEO
Emptyset
[James Ginzburg / Paul Purgas]
"Limit"
Recur
2013 raster-noton r-n 151
video
[k_sixsix]
wn.com/Emptyset Limit Recur 2013
Emptyset - "Completely Gone"
- Order: Reorder
- Duration: 6:09
- Updated: 16 Aug 2013
- views: 11383
Emptyset - Awake [HD]
- Order: Reorder
- Duration: 4:12
- Updated: 18 Mar 2013
- views: 4071
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist!
UnderGorund Electronic Music
T...
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist!
UnderGorund Electronic Music
Twitter:
http://twitter.com/UnderMusicMed
http://twitter.com/Andres_Beatfunk
Facebook: http://www.facebook.com/Undermusic.med
wn.com/Emptyset Awake Hd
Copyright Holder? Drop me a message and i will remove respective video clips ... This video is made only to support the artist!
UnderGorund Electronic Music
Twitter:
http://twitter.com/UnderMusicMed
http://twitter.com/Andres_Beatfunk
Facebook: http://www.facebook.com/Undermusic.med
- published: 18 Mar 2013
- views: 4071
Empty Set is a Subset of Every Set [7/12 on Sets and Functions]
- Order: Reorder
- Duration: 6:15
- Updated: 17 Apr 2014
- views: 1907
emptyset - Medium (Official HD)
- Order: Reorder
- Duration: 4:15
- Updated: 15 Mar 2012
- views: 45686
Video for the title track of emptyset's project "Medium"
Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was ma...
Video for the title track of emptyset's project "Medium"
Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was made by Clayton Welham and Sam Williams using single frames from footage shot at Woodchester Mansion. All footage was broadcast, processed and captured before editing, a technique developed to mirror Emptyset's 'chain of sound' processes.
http://www.subtextrecordings.net
wn.com/Emptyset Medium (Official Hd)
Video for the title track of emptyset's project "Medium"
Medium was recorded on location at Woodchester Mansion near Stroud in Gloucester, UK. The video was made by Clayton Welham and Sam Williams using single frames from footage shot at Woodchester Mansion. All footage was broadcast, processed and captured before editing, a technique developed to mirror Emptyset's 'chain of sound' processes.
http://www.subtextrecordings.net
- published: 15 Mar 2012
- views: 45686
Emptyset - Order
- Order: Reorder
- Duration: 6:38
- Updated: 31 Oct 2013
- views: 14747
ooooooophhhhhhh. this ones fukin massive. http://boomkat.com/vinyl/818423-emptyset-recur Emptyset - Recur, Released on raster-noton.
ooooooophhhhhhh. this ones fukin massive. http://boomkat.com/vinyl/818423-emptyset-recur Emptyset - Recur, Released on raster-noton.
wn.com/Emptyset Order
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
- Order: Reorder
- Duration: 5:21
- Updated: 29 Jul 2013
- views: 1520
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release ...
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release on Subtext.
wn.com/Emptyset Paul Jebanasam Demiurge Of Blackest Grain To Missive Ruin (Paul Jebanasam Variation)
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-variations this release is an absolute must have, as is every release on Subtext.
- published: 29 Jul 2013
- views: 1520
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2:08
The Empty Set or the Null Set , Intermediate Algebra , Lesson 27
This tutorial explains the simple concept of the empty set, otherwise known as the null se...
published: 18 Nov 2012
The Empty Set or the Null Set , Intermediate Algebra , Lesson 27
The Empty Set or the Null Set , Intermediate Algebra , Lesson 27
- Report rights infringement
- published: 18 Nov 2012
- views: 20804
34:52
Emptyset - Recur // full album HD
0:00 - "Origin"
3:18 - "Fragment"
6:34 - "Disperse"
10:51 - "Order"
17:28 - "Absence"
21:4...
published: 02 May 2014
Emptyset - Recur // full album HD
Emptyset - Recur // full album HD
- Report rights infringement
- published: 02 May 2014
- views: 31649
3:36
emptyset - Collapse [Official HD]
The video for 'Collapse' looks to match the sequence of processes and distortions within t...
published: 10 Oct 2012
emptyset - Collapse [Official HD]
emptyset - Collapse [Official HD]
- Report rights infringement
- published: 10 Oct 2012
- views: 98843
3:09
Emptyset - Limit [Recur 2013]
UNOFFICIAL VIDEO
Emptyset
[James Ginzburg / Paul Purgas]
"Limit"
Recur
2013 raster-no...
published: 30 Sep 2013
Emptyset - Limit [Recur 2013]
6:09
Emptyset - "Completely Gone"
Track # 6 from the album "Emptyset" (Caravan Recordings, 2009).
published: 16 Aug 2013
Emptyset - "Completely Gone"
Emptyset - "Completely Gone"
- Report rights infringement
- published: 16 Aug 2013
- views: 11383
4:12
Emptyset - Awake [HD]
Copyright Holder? Drop me a message and i will remove respective video clips ... This vide...
published: 18 Mar 2013
Emptyset - Awake [HD]
Emptyset - Awake [HD]
- Report rights infringement
- published: 18 Mar 2013
- views: 4071
6:15
Empty Set is a Subset of Every Set [7/12 on Sets and Functions]
Sets and Functions PLAYLIST: http://bit.ly/1fegZXO
Slides and Notes: http://bit.ly/1pyps...
published: 17 Apr 2014
Empty Set is a Subset of Every Set [7/12 on Sets and Functions]
Empty Set is a Subset of Every Set [7/12 on Sets and Functions]
- Report rights infringement
- published: 17 Apr 2014
- views: 1907
4:15
emptyset - Medium (Official HD)
Video for the title track of emptyset's project "Medium"
Medium was recorded on location ...
published: 15 Mar 2012
emptyset - Medium (Official HD)
emptyset - Medium (Official HD)
- Report rights infringement
- published: 15 Mar 2012
- views: 45686
6:38
Emptyset - Order
ooooooophhhhhhh. this ones fukin massive. http://boomkat.com/vinyl/818423-emptyset-recur E...
published: 31 Oct 2013
Emptyset - Order
Emptyset - Order
- Report rights infringement
- published: 31 Oct 2013
- views: 14747
5:21
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
http://boomkat.com/downloads/542613-emptyset-roly-porter-paul-jebanasam-emptyset-demiurge-...
published: 29 Jul 2013
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
Emptyset & Paul Jebanasam - Demiurge - Of Blackest Grain to Missive Ruin (Paul Jebanasam Variation)
- Report rights infringement
- published: 29 Jul 2013
- views: 1520
The Empty Set or the Null Set , Intermediate Algeb...
Emptyset - Recur // full album HD...
![emptyset - Collapse [Official HD]](http://web.archive.org./web/20160706205324/http://i.ytimg.com/vi/iu8tspoGuWw/0.jpg)
emptyset - Collapse [Official HD]...
![Emptyset - Limit [Recur 2013]](http://web.archive.org./web/20160706205324/http://i.ytimg.com/vi/2K3SBNdZCZk/0.jpg)
Emptyset - Limit [Recur 2013]...
Emptyset - "Completely Gone"...
![Emptyset - Awake [HD]](http://web.archive.org./web/20160706205324/http://i.ytimg.com/vi/nPQw3ZWExW0/0.jpg)
Emptyset - Awake [HD]...
Empty Set is a Subset of Every Set [7/12 on Sets a...
emptyset - Medium (Official HD)...
Emptyset - Order...
Emptyset & Paul Jebanasam - Demiurge - Of Blackest...
-
Lyrics list:lyrics
-
Empty City
-
Empty City
-
Empty Seat
Empty City
1. She knows the streets
where she walks,
never were paved with gold
can't return,
but won't dream till she's old.
leaving it soon behind
city so cold.
And everyday now so long,
how could she have been so wrong.
2. And as the morning comes,
shadows on her fall upon,
walking crowded the streets
she looked on,
packs her case
and tomorrow she's gone.
And everyday now so long,
