- published: 20 May 2011
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The Game Boy Player (ゲームボーイプレーヤー, Gēmu Bōi Purēyā) (DOL-017) is a device made by Nintendo for the Nintendo GameCube which enables Game Boy, Game Boy Color, or Game Boy Advance cartridges (although Super Game Boy enhancements are ignored) to be played on a television. It was the last Game Boy-based add-on to a Nintendo console. It connects via the high speed parallel port at the bottom of the GameCube and requires use of a boot disc to access the hardware. Unlike devices such as Datel's Advance Game Port, the Game Boy Player does not use software emulation, but instead uses physical hardware nearly identical to that of a Game Boy Advance.
The Game Boy Player is available in Indigo, Black, Spice, or Platinum in Japan; Black in North America and Europe and Black and Indigo in Australia. A special Game Boy Player for the Panasonic Q (SH-GB10-H) was released because the Q's legs are oriented differently from the original GameCube's. All Game Boy Players have screws on the bottom to secure it to the bottom of the GameCube and also have an eject button on the right side of the unit for removing Game Boy Advance games. Game Boy and Game Boy Color games stick out from the unit, as with the Game Boy Advance and Game Boy Advance SP, so they can easily be taken out when the system is off or "Change Cartridge" has been selected from the menu.
Boy player was an adolescent male employed by Medieval and English Renaissance playing companies. Some boy players worked for the mainstream companies and performed the female roles, as women did not perform on the English stage in this period. Others worked for "children's companies", in which all roles, not just the female ones, were played by boys.
In playing companies of adult actors, boys were initially utilized, but women were permitted to act on the stage beginning in December 1661.
There was no law against women on stage: English Renaissance audiences seem to have simply considered it unthinkable, since no one ever argued in favor of it in the period. The social assumptions and biases involved were so strong as to go unquestioned at the time. Pre-pubescent boys were used because their high-pitched voices sound more like women.
Boy actors in adult companies apparently served as apprentices, in ways comparable to the practices of other guilds and trades of the age, though for shorter terms — perhaps two or three years instead of the usual seven. (The companies of adult actors were, in Elizabethan legal terms, retainers in noble households, and thus not subject to the legal statutes governing apprentices.) They performed female roles (and, of course, roles of male children if required) alongside adult male actors playing men. In reference to Shakespeare's company, variously the Lord Chamberlain's Men (1594–1603) or the King's Men (1603 and after): Augustine Phillips left bequests to an apprentice, James Sands, and a former apprentice, Samuel Gilburne, in his will, read after his death in 1605; company members William Ostler, John Underwood, Nathan Field, and John Rice had all started their acting careers as Children of the Chapel at the Blackfriars Theatre.
Got a game I can play
Got a game boy
Life can be so sweet
If you weren't hangin' out on the street
Time goes so slow
Till you get a trick in bed
Off you go-go
Level 2, level 3, level 4
Try to beat your highest score
Steppin' up into overdrive, if you can stay alive
How can you be so dumb, you get used by everyone
Got a game I can play
Got a game boy
Game boy, ain't you got no brains boy
If you don't get sick of it all
You're still on the game boy
Flesh is reality
There's more to life but what can it be?
Games, on a loan
You're always searching
But you just can't find home
Level 2, level 3, level 4
Try to beat your highest score
Steppin' up into overdrive, if you can stay alive
How can you be so dumb, you get used by everyone
Game boy, ain't you got no brains boy
If you don't get sick of it all
You're still on the game boy
Game