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Mr. Big is an American hard rock band, formed in Los Angeles, California, in 1988. The band is a quartet composed of Eric Martin (lead vocals), Paul Gilbert (guitar), Billy Sheehan (bass guitar), and Pat Torpey (drums); The band is noted especially for their musicianship, and scored a number of hits. Their songs were often marked by strong vocals and vocal harmonies. Their hits include "To Be with You" (a number one single in 15 countries in 1992) and "Just Take My Heart".
Mr. Big have remained active and popular for over two decades, despite internal conflicts and changing music trends. They broke up in 2002, but after requests from fans, they reunited in 2009; their first tour was in Japan, in June 2009. To date, Mr. Big has released eight studio albums, the latest being ...The Stories We Could Tell (2014).
The band takes its name from the song by Free, which was eventually covered by the band on their 1993 album, Bump Ahead.
Shine was a Bubblegum Dance project formed in Sweden in the early 2000s by Zix Productions under the former label Stockhouse. The project was built around the main vocalist Carola Bernhav. During their time active, Shine released two singles in Japan and some songs on compilational sets. Shine is perhaps best known for her song "Loverboy".
Despite no official disbanding ever announced, the project has since been considered abandoned since 2001.
The project Shine was created in 2000 as a Traditional Bubblegum Dance project by Zix producers Guran Florén and Teddy Gustavsson, who are also members of the Bubblegum project Yummie from Sweden, best known as Maestro X and Zed. The project was built around Carola Bernhav, who was 18 years old at the time. From the very beginning, the project was aimed to be marketed as a project in the same vein as popular Bubblegum artists Aqua, Toy-Box, or even Miss Papaya. A lot of people who have heard Shine's music have agreed that Carola's vocals were very similar to Lene Nystrom-Rasted's from Aqua.
Shine is the nineteenth and final studio album by Canadian singer-songwriter Joni Mitchell and was released on September 25, 2007 by Starbucks' Hear Music. It is the singer-songwriter's first album of new songs in nine years (1998's Taming the Tiger).
Joni Mitchell, who had said she was retiring from music several years previously, signed a two-album contract with Starbucks' Hear Music that began with the release of Shine. The 10-track CD "feels like the return of Joni the storyteller," said Ken Lombard, the president of Starbucks Entertainment who also oversees Hear Music.
In the United States, the album sold about 40,000 copies in its first week, debuting at number 14 on the Billboard 200 chart; this was Mitchell's best peak position in America since 1976's Hejira. Shine also peaked at #36 in the UK charts, making it Mitchell's first Top 40 album in the UK since 1991. In its first week on sale, Shine sold around 60,000 copies worldwide and as of December 2007, it has sold over 170,000 copies in the U.S.A.
ACH may refer to:
In American banking:
A business or organization:
In biology, chemistry, and medicine:
The Aché people (/ɑːˈtʃeɪ/ ah-CHAY) are a traditional hunter-gatherer tribe living in eastern Paraguay.
From the earliest Jesuit accounts of the Aché in the 17th century until their peaceful outside contacts in the 20th century, the Aché were described as nomadic hunter-gatherers living in small bands and depending entirely on wild forest resources for subsistence. In the 20th century, four different ethnolinguistic populations of Aché were contacted and pacified. They are the Northern Aché, the Yvytyruzu Aché, the Ypety Aché, and the Ñacunday Aché. Each of these populations was an endogamous dialectal group, consisting of multiple residential bands, with no peaceful interaction between the groups.
The Aché suffered repeated abuses by rural Paraguayan colonists, ranchers, and big landowners from the conquest period until the latter half of the 20th century. In the 20th century, the Northern Aché, who had been the only inhabitants of nearly 20,000 square kilometers of rural Paraguay, ended up confined on just two reservations totaling little more than 50 square kilometers of titled land. In the process, they were massacred, enslaved, and gathered onto reservations where no adequate medical treatment was provided. This process was specifically carried out to pacify them, and to remove them from their ancestral homeland, so that absentee investors (mainly Brazilian) could move in and develop the lands that once belonged only to the Aché. Large multinational business groups (e.g. Industria Paraguaya) obtained title rights to already occupied lands and then sold them sight unseen to investors, who purchased lands where Aché bands had roamed for thousands of years, and were still present. The fact that Aché inhabitants were present and living in the forests of Canindeyu and Alto Paraná on the very lands being titled in Hernandarias, Coronel Oveido, and other government centers seems to have bothered nobody.
The Rabinal Achí is a Maya theatrical play written in the K'iche' language and performed annually in Rabinal, Baja Verapaz, Guatemala. Its original name is Xajoj Tun, meaning "Trumpet Dance". Rabinal Achí is a dynastic Maya drama from the fifteenth century and the only example of pre-Columbian Maya theatre known to have survived to the present day. It comprises myths of origin and addresses popular and political subjects concerning the inhabitants of the region of Rabinal, expressed through masked dance, theatre, and music. The music is played on a wooden slit-drum and two trumpets or shawms. The drama was translated into French by Charles-Étienne Brasseur de Bourbourg, from an Achi narration of the cofrade Bartolo Sis in 1856.
The oral and written narrative is presented by a group of characters, who appear on a stage representing Maya villages, especially Kajyub’, the regional capital of the Rabinaleb’ in the fourteenth century. The drama, divided into four acts, deals with a conflict between two major political entities in the region, the Rabinaleb’ and the K’iche’.
This is a list of Forgotten Realms deities. They are all deities that appear in the fictional Forgotten Realms campaign setting of the Dungeons & Dragons role-playing game.
The deities of other Dungeons & Dragons campaign settings, including those of the default (or "core") setting for the Dungeons & Dragons game, are not generally a part of Forgotten Realms. However, there is some overlap, especially among the deities of nonhuman races. Lolth, the principal deity of the drow in the Forgotten Realms, is specifically described as being the same deity as Lolth in other campaign settings. No mention is made as to whether other deities shared between Forgotten Realms and other campaign settings are intended to represent the same divine entity.
Deities are included in this list only when documented in a Forgotten Realms-specific source or otherwise clearly indicated as existing in the setting. For deities in the core setting, see List of deities of Dungeons & Dragons.